DOCSLIB.ORG

The Long Ryders Two Fisted Tales Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Long Ryders Two Fisted Tales Mp3, Flac, Wma The Long Ryders Two Fisted Tales mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Two Fisted Tales Country: US Released: 1987 Style: Alternative Rock, Country Rock, Garage Rock MP3 version RAR size: 1725 mb FLAC version RAR size: 1631 mb WMA version RAR size: 1197 mb Rating: 4.2 Votes: 526 Other Formats: DMF WAV AUD MPC AC3 MIDI MP2 Tracklist Hide Credits Gunslinger Man A1 3:14 Written-By – S. Griffin* I Want You Bad A2 2:42 Backing Vocals – Debbi Peterson, Vicki PetersonWritten-By – T. Adams* A Stitch In Time A3 4:09 Written-By – T. Stevens* The Light Gets In The Way A4 3:56 Accordion – David HidalgoWritten-By – S. McCarthy* Prairie Fire A5 2:48 Written-By – G. Sowders*, S. Griffin* Baby's In Toyland A6 4:16 Written-By – S. Griffin* Long Story Short B1 3:46 Written-By – S. Griffin* Man Of Misery B2 3:34 Written-By – S. McCarthy* Harriet Tubman's Gonna Carry Me Home B3 3:35 Written-By – S. Griffin* For The Rest Of My Days B4 4:45 Written-By – S. McCarthy* Spectacular Fall B5 4:50 Written-By – S. Griffin* Companies, etc. Phonographic Copyright (p) – Island Records Inc. Copyright (c) – Island Records Inc. Manufactured By – Columbia House Credits Bass, Vocals, Cello, Acoustic Guitar – Tom Stevens Drums, Percussion, Other [Dice] – Greg Sowders Guitar, Vocals, Harmonica, Bugle, Autoharp – Sid Griffin Guitar, Vocals, Mandolin, Steel Guitar [Lap] – Stephen McCarthy Mastered By – Greg Calbi Producer, Recorded By – Ed Stasium Recorded By [Assistance And All Additional] – Paul Hamingson Notes US Columbia House edition. First catalog # appears on spine, second appears on cassette. Barcode and Other Identifiers Barcode: 0 7567-90594-4 4 Other: CRC Other versions Category Artist Title (Format) Label Category Country Year The Long Two Fisted Tales Island 208 287 208 287 Europe 1987 Ryders (LP, Album) Records The Long Two Fisted Tales Island 7905942 7905942 US 1987 Ryders (CD, Album) Records The Long Two Fisted Tales Island 90594-1 90594-1 US 1987 Ryders (LP, Album) Records The Long Two Fisted Tales Island TC-VG71448 TC-VG71448 Greece 1987 Ryders (Cass, Album) Records Island 7 90594-4, The Long Two Fisted Tales Records, 7 90594-4, US 1987 90594-4 Ryders (Cass, Album, Dol) Island 90594-4 Records Related Music albums to Two Fisted Tales by The Long Ryders Paul Griffin - Paul Griffin Swings in Nashville Ken Griffin - Du kannst nicht treu sein Griffin / Vinland Warriors - Griffin / Vinland Warriors Patty Griffin - Children Running Through Paul Griffin - You are the Rain Ken Griffin - Ken Griffin At The Organ Ken Griffin - Ken Griffin Plays Romantic Waltzes, Vol. III Artento Divini - Griffin (Pleasure Island 2010 Theme) Griffin - Flight Of The Griffin Ken Griffin - Anniversary Songs Buck Griffin - Greener Pastures Ken Griffin - marie.
Load more

Recommended publications
  • The Long Ryders a Conversation with the Long Ryders Mp3, Flac, Wma
    The Long Ryders A Conversation With The Long Ryders mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: A Conversation With The Long Ryders Country: UK Released: 1985 Style: Country Rock MP3 version RAR size: 1169 mb FLAC version RAR size: 1308 mb WMA version RAR size: 1243 mb Rating: 4.7 Votes: 888 Other Formats: ASF DMF MP4 MP3 AC3 AU VQF Tracklist A1 Dialogue - Looking For Lewis And Clark A2 Dialogue - Lights Of Downtown A3 Dialogue - WDIA A4 Dialogue - Mason-Dixon Line A5 Dialogue - Here Comes That Train Again A6 Dialogue - Years Long Ago B1 Dialogue - Good Times Tomorrow, Hard Times Today B2 Dialogue - Two Kinds Of Love B3 Dialogue - You Just Can't Ride The Boxcars Anymore B4 Dialogue - Capturing The Flag B5 Dialogue - State Of My Union Credits Engineer – Neill King Producer – Will Birch Notes Different label to US version. Plain white cardboard sleeve with circular sticker showing The Long Ryders and State Of Our Union logos. 'A CONVERSATION WITH THE LONG RYDERS' STATE OF OUR UNION This is a promotional item. Not for sale. Labels include "Dialogue" plus the track names and writing credits. Warner Bros Music Ltd/Bug Music The Long Ryders were in conversation with Tony Michaelides of Piccadilly Radio Related Music albums to A Conversation With The Long Ryders by The Long Ryders Pyro - Voices / Dialogue Laurent Coq - Dialogue Inner Dialogue - Futuristic Pastime Rod Laver - The Dialogue - Rudolph Wayne Vs. The Man The Avener Feat. Rodriguez - Hate Street Dialogue KEI - Dialogue Johnny Cash - The Living Legend Johnny Cash Vol.9; Transcriptions & Miscellaneous Songs III: The Johnny Cash Story Liquid Waves - Jazz Dialogue EP Chicago - Dialogue (Part 1 & 2) Scarlet Soho - Analogue Dialogue.
    [Show full text]
  • Ain't Goin' Nowhere — Bob Dylan 1967 Page 1
    AIN 'T GOIN ' NOWHERE BOB DYLAN 1967 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES , RELEASES , TAPES & BOOKS . © 2001 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Ain't Goin' Nowhere — Bob Dylan 1967 page 1 CONTENTS: 1 INTRODUCTION..................................................................................................................... 2 2 THE YEAR AT A GLANCE ................................................................................................... 2 3 CALENDAR .............................................................................................................................. 2 4 RECORDINGS ......................................................................................................................... 3 5 JOHN WESLEY HARDING ................................................................................................... 3 6 SONGS 1967 .............................................................................................................................. 5 7 SOURCES .................................................................................................................................. 6 8 SUGGESTED READINGS ...................................................................................................... 7 8.1 GENERAL BACKGROUND .....................................................................................................
    [Show full text]
  • GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie Van Varik
    GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie van Varik. As performed in principal recordings (or demos) by or with Gram Parsons or, in the case of Gram Parsons compositions, performed by others. Gram often varied, adapted or altered the lyrics to non-Parsons compositions; those listed here are as sung by him. Gram’s birth name was Ingram Cecil Connor III. However, ‘Gram Parsons’ is used throughout this document. Following his father’s suicide, Gram’s mother Avis subsequently married Robert Parsons, whose surname Gram adopted. Born Ingram Cecil Connor III, 5th November 1946 - 19th September 1973 and credited as being the founder of modern ‘country-rock’, Gram Parsons was hugely influenced by The Everly Brothers and included a number of their songs in his live and recorded repertoire – most famously ‘Love Hurts’, a truly wonderful rendition with a young Emmylou Harris. He also recorded ‘Brand New Heartache’ and ‘Sleepless Nights’ – also the title of a posthumous album – and very early, in 1967, ‘When Will I Be Loved’. Many would attest that ‘country-rock’ kicked off with The Everly Brothers, and in the late sixties the album Roots was a key and acknowledged influence, but that is not to deny Parsons huge role in developing it. Gram Parsons is best known for his work within the country genre but he also mixed blues, folk, and rock to create what he called “Cosmic American Music”. While he was alive, Gram Parsons was a cult figure that never sold many records but influenced countless fellow musicians, from the Rolling Stones to The Byrds.
    [Show full text]
  • The New York Law School Reporter, Vol III, No
    digitalcommons.nyls.edu NYLS Publications Student Newspapers 5-1986 The ewN York Law School Reporter, vol III, no. 5, May 1986 New York Law School Follow this and additional works at: https://digitalcommons.nyls.edu/newspapers The New York LaW School Vol. filNo. S • MAY, 1986 Koch Talks About Levitsky Charges Si1non Corruption... at Jeffords Forced His Resignation .. By Glen Gentile . By Robert Goldman . by-the board of which you are the chair- Mayor Koch said "we. have yet to Serge·Levitsky, NYLS professor of in- man, was turned into a dishonest farce.'' find a cure for evil in.the human soul," temational law, has charged his resigna- as he discussed the corruption scandal tion from the faculty was forced b)I Dean In· another letter to Forger; Prof. currently plaguing the city and dectjed Simon. J.,evitsky said that a faculty ·member the perception that corruption is a nor­ Prof. Levitsky said he was "summon-- stated to him both before and after the mal and, perhaps, necessary compo­ ed" to Dean Simon's office in October ,review that the "decision of the school's nent of· government. The Mayor's and·asked to submit his resignation. Jf he administration had beeri taken at least a remarks were deliverel as the twelfth did not submit his resignation, Prof. year earlier... In a candid and unofficial annual Jeffords lecture ·at New York Levitsky said he would have been "writ- evaluation of th~ situati9n, the same l::.aw School on March 19. ten out of the profession." highly respected member of the faculty, Citing a recent New York Times poll At the October meeting, Prof.
    [Show full text]
  • Still on the Road Session Pages 1967
    STILL ON THE ROAD 1967 RECORDING SESSIONS MARCH – MAY Byrdcliffe, New York Red Room, Bob Dylan's Home MAY – OCTOBER West Saugerties, New York Big Pink's Basement, Stoll Road OCTOBER Woodstock, New York Wittenberg Road, Rick Danko's & Levon Helm's Home 17 Nashville, Tennessee Columbia Studio A, 1st John Wesley Harding session NOVEMBER 6 Nashville, Tennessee Columbia Studio A, 2nd John Wesley Harding session 29 Nashville, Tennessee Columbia Studio A, 3rd John Wesley Harding session Bob Dylan recording sessions 1967 1620 Red Room Bob Dylan's Home Byrdcliffe, New York March-May 1967 1. Edge Of The Ocean 2. My Bucket's Got A Hole In It (Clarence Williams) 3. Roll On Train 4. Mr. Blue 5. Spanish Is The Loving Tongue (Charles Badger Clark / Billy Simon) 6. Under Control 7. Ol' Roison The Beau (trad, arr. by Bob Dylan) 8. I'm Guilty Of Loving You 9. Cool Water (Bob Nolan) 10. The Auld Triangle (Brendan Behan) 11. Poor Lazarus (trad, arr. by Bob Dylan) 12. Johnny Todd (trad, arr. by Bob Dylan) 13. Rock, Salt And Nails (Bruce Phillips) 14. Confidential (Dorinda Morgan) 15. Confidential (Dorinda Morgan) 16. 2 Dollars And 99 Cents 17. Jelly Bean 18. Any Time 19. Down By The Station 20. Hallelujah, I've Just Been Moved (trad, arr. by Bob Dylan) 21. That's The Breaks 22. Pretty Mary 23. Will The Circle Be Unbroken (A.P. Carter) 24. King Of France 25. She's On My Mind Again 26. On A Rainy Afternoon 27. I Can't Come In With A Broken Heart 28.
    [Show full text]
  • The Friday Morning Mjanferback Album Report
    0e KAL RUDMAN PUBLISHER BILL HARD EDITOR October 19, 1984 At THE FRIDAY MORNING MJANFERBACK ALBUM REPORT TM A PROGRAMMING GUIDE EXECUTIVE MEWS • 1930 EAST MARLTON PIKE, F36 • CHERRY HILL, NEW JERSEY 08003 • (609) 424-9114 Hard Choices DYPer'evs'-aqiiefiaAîLaWreYïn'ainfiVe' ... While we re on trie subject o? tound 'ng tathers, styles and artists that first made the format g-eat, rain a little more purple on the people. The and this wonderfully panoramic love song certainly voice, the guitar, and the organ come flying out makes Henley the Eagles heir apparent. You'll play of the time machine in a fashion that would make it again and again. Rip Van Winkle proud. Hey, you loved them as a child, you'll trust them as an adult. Go for J,GULS BAND , "CONCEALED WEADONS, "Back Door" and "Perfect Strangers". Getting used to Seth Justman on ead throat is made much easier by the song's semi-novelty approach. JULIAN LENNQN. "YALOTT£". ATLANTIC... The title Maxanne made the "Coasters of '84" analogy and ../e track racked up 25 play increases this week, soaring buy that. Slightly risque subject, no risk song. 34-13, and 41 reports already show 4-5 emphasis. Do ya work with boobs alot? Also note that 14-5 jump on the Most Requested. All that tells you to go deep, young man. Raves on The DURAN DURAN. "DIE WILD BOYS", CAPITOL .. "Too Late For Goodbyes" makes that equally important. only studio cut trom the soon-to-be-released live Yo, Julian, thanks valotte. Lp "Arena" has the band at their angular best.
    [Show full text]
  • Jim Henderson's Power Pop Show January 2009
    Playlists: Jim Henderson’s Power Pop Show January 2009 – December 2009 Show 21 First Broadcast 29.01.09 1. 21 intro - (00:15) 2. Gone - Pete Best (02:34) 3. 21a - (00:19) 4. Don't Speak Loudly - Pilot (04:41) 5. Get in the Swing - Sparks (04:08) 6. Duchess - The Stranglers (02:30) 7. 21b - (00:19) 8. Dreamtime - Daryl Hall (04:45) 9. It's Hard to Believe I'm Not - Captain Sensible (03:11) 10. Day by Day - The Hooters (03:22) 11. 21c - (00:30) 12. Everything I Want - Pete Best (03:38) 13. I Don't Mind - Buzzcocks (02:18) 14. Wild Youth - Generation X (02:53) 15. 21d - (00:20) 16. I Stand Accused - The Merseybeats (02:48) 17. Can't help thinking about me - David Bowie & the Lower Third (02:45) 18. Six O'Clock - The Lovin' Spoonful (02:41) 19. 21e - (00:21) 20. Are You Trying To Be Lonely? - Andy Lewis & Paul Weller (03:02) 21. Daylight - Drive-By Truckers (03:36) 22. Can't Explain - Nick Heyward (02:47) 23. Red Light - Pete Best (04:01) 24. 21 outro - (00:31) Show 22 First Broadcast 05.02.09 1. 22 intro - (00:25) 2. You Say You Don't Love Me - Buzzcocks (02:54) 3. I Don't Know What to Do with My Life - Buzzcocks (02:43) 4. 22a - (00:18) 5. Looking for Lewis & Clark [Long Version] - The Long Ryders (04:01) 6. We Belong - Pat Benatar (03:42) 7. Going For The Gold - Don McLean (02:44) 8.
    [Show full text]
  • The New York Law School Reporter, Vol III, No. 5, May 1986
    digitalcommons.nyls.edu NYLS Publications Student Newspapers 5-1986 The ewN York Law School Reporter, vol III, no. 5, May 1986 New York Law School Follow this and additional works at: https://digitalcommons.nyls.edu/newspapers Recommended Citation New York Law School, "The eN w York Law School Reporter, vol III, no. 5, May 1986" (1986). Student Newspapers. 116. https://digitalcommons.nyls.edu/newspapers/116 This Article is brought to you for free and open access by the NYLS Publications at DigitalCommons@NYLS. It has been accepted for inclusion in Student Newspapers by an authorized administrator of DigitalCommons@NYLS. The New York Law School Vol. mNo. 5 ALL THE NEWS WE CAN FIND • MAY, 1986 Koch Talks About Levitsky Charges Sinton Corruption at Jeffords Forced His Resignation By Glen Gentile By Robert Goldman by the board of which you are the chair­ Mayor Koch said "we have yet to Serge Levitsky, NYLS professor of in­ man, was turned into a dishonest farce.•' find a cure for evil in the human soul," ternational law, has charged his resigna­ as he discussed the corruption scandal tion from the faculty was forced b)I Dean In another letter to Forger, Prof. currently plaguing the city and decried Simon. Levitsky said that a faculty member the perception that corruption is a nor­ Prof. Levitsky said he was "summon­ stated to him both before and after the mal and, perhaps, necessary compo­ ed" to Dean Simon's office in October review that the "decision of the school's nent of government. The Mayor's and asked to submit his resignation.
    [Show full text]
  • “Outlaw Pete”: Bruce Springsteen and the Dream-Work of Cosmic American Music
    “Outlaw Pete”: Bruce Springsteen and the Dream-Work of Cosmic American Music Peter J. Fields Midwestern State University Abstract During the 2006 Seeger Sessions tour, Springsteen shared his deep identification with the internal struggle implied by old spirituals like “Jacob’s Ladder.” While the Magic album seemed to veer wide of the Seeger Sessions ethos, Working on a Dream re-engages mythically with what Greil Marcus would call “old, weird America” and Gram Parsons deemed “cosmic American music.” Working suggests the universe operates according to “cosmic” principles of justice, judgment, and salvation, but is best understood from the standpoint of what Freud would call “dream work” and “dream thoughts.” As unfolded in Frank Caruso’s illustrations for the picturebook alter ego of Working‘s “Outlaw Pete,” these dynamics may allude to Springsteen’s conflicted relationship with his father. The occasion of the publication in December 2014 of a picturebook version of Bruce Springsteen’s “Outlaw Pete,” the first and longest song on the album Working on a Dream (2009), offers Springsteen scholars and fans alike a good reason to revisit material that, as biographer Peter Ames Carlin remarks, failed in the spring American tour of that year to “light up the arenas.”1 When the Working on a Dream tour opened in April 2009 in San Jose, at least Copyright © Peter Fields, 2016. I want to express my deep gratitude to Irwin Streight who read the 50 page version of this essay over a year ago. He has seen every new draft and provided close readings and valuable feedback. I also want to thank Roxanne Harde and Jonathan Cohen for their steady patience with this project, as well as two reviewers for their comments.
    [Show full text]
  • Sid Griffin – the Trick Is to Breathe
    Sid Griffin the trick is to breathe 1 - Ode To Bobby Gentry 2 - Blue Yodel no. 12 & 35 3 - Circle Bar 4 - Between The General & The Grave 5 - Elvis Presley Calling His Mother After The Ed Sullivan Show 6 - Everywhere 7 - Get Together 8 - Front Porch Fandango 9 - Punk Rock Club 10 - Who’s Got A Broken Heart 11 - We’ve Run Out Of Road 12 - I’ll Forget You Very Well The Trick Is To Breathe (el secreto es respirar), es el regreso como solista de Sid Griffin, guitarrista de los legendarios Long Ryders (uno de los padres de movimientos como alt-country, Americana, y el resurgimiento del rock en los 80). Sid Griffin reside desde hace años en Londres, donde escribe libros (Bob Dylan, Gram Parsons), colabora con la BBC, y lidera su banda de bluegrass The Coal Porters. The Trick Is To Breathe es su primer disco en solitario en diez años. ”Mi amigo Billy Bragg me dijo que grabó su último disco en cinco días, y recordé que Dylan grabó Nashville Skyline en unas pocas sesiones, así que contacté con unos cuantos amigos de Nashville y me recomendaron a Thomm Jutz como productor. Cuando volé a Tennessee los músicos se sabían las canciones mejor que yo, así que empezamos un lunes y para el jueves ya habíamos terminado!” Sid canta y toca la guitarra en seis de los temas, y la mandolina en otros dos, pero el trabajo duro lo hacen esos fabulosos músicos de los que habla, a la mandolina Sierra Hull (un prodigio del bluegrass que fue fichada por Rounder Records a la edad de 13 años), al banjo Justin Moses (de la banda de Rikky Skaggs), a la batería Paul Griffiths (Sheryl Crow, K.D.Lang, Marty Stuart…), a la guitarra acústica Thomm Jutz (Nanci Griffith…), y al bajo Mark Fain (John Fogerty, Dolly Parton…).
    [Show full text]
  • The First Thing I Thought When I Was Offered
    The Popular Music Project: Listening Party at LACE Sept. 16, 2008 The Paisley Underground Notes by Alejandro Cohen The first thing I thought when I was offered to host the Paisley Underground listening party was: "What makes me qualified to do this?" after all, I was only 10 years old by the time the movement as it's known now was over. And even worse, I wasn't even born or raised in Los Angeles!!! Let alone the US. So again, what makes me qualified to do this presentation? I find it funny that someone like me, being a foreigner, originally from Buenos Aires, Argentina, is doing a presentation about a local group of friends, colleagues and bandmates that at some point connected, played and wrote songs together at a special time and place in music history. But I guess it is not uncommon for a person to go to a foreign land and find something that locals take for granted fascinating, and appreciate how amazing that something is. My first exposure to what is called Paisley Underground was in 1996, when I first moved to Los Angeles. A friend of mine owned a record by Kendra Smith, The Guild of Temporal Adventurers. And although that record technically is not a Paisley Underground record, I found the sound so unique and at the same time so connected to everything I liked, that I made it a point to find out more about who was behind this. You have to remember that this was 1996. I didn't own a computer, and the Intemet was something that only a couple of people I knew had access to.
    [Show full text]
  • NEO-GARAGE Il Rinascimento Garage Degli Anni Ottanta CORSI E RICORSI Un Antefatto
    Mappapsyche 6-04-2006 11:48 Pagina 28 MAP MUSIC PAGES Neopsichedelia USA ‘80 NEO-GARAGE Il Rinascimento Garage degli Anni Ottanta CORSI E RICORSI Un antefatto. O, meglio, l’Antefatto. Nel 1972, avviluppato da una sgargiante ve- ste che, più di una semplice copertina, è un’esplosione di luci e colori, la Elek- tra pubblica un doppio album dal titolo, come si suol dire, di per sé esplicativo Nuggets: Original Artyfacts From The First Psychedelic Era (1965-1968). Per quella che, a ragione, viene considerata la madre di tutte le compilation, un Lenny Kaye già apprezzato in veste di critico e archeologo rock oltre che di (futuro) chitarrista del Patti Smith Group, responsabile unico del materiale assemblato nonché delle preziose note informative che lo corredano, riapre uno spiraglio verso un’epoca del rock’n’roll sulla quale si erano posate troppo in fretta le sabbie del tempo: quella del garage americano degli anni sessanta. Un piccolo varco destinato ad ampliarsi a dismisura negli anni succes- sivi con la pubblicazione di materiale pressoché inesauribile (come dimenti- care, ad esempio, la serie infinita dei Pebbles?), che getta finalmente luce su quella che forse, nonostante la lonta- nanza dalla luce dei riflettori (o, più pro- babilmente, proprio grazie ad essa), ri- mane l’epoca d’oro del rock’n’roll a stel- le e strisce. L’epoca in cui, in risposta alla British Invasion di Beatles e Rolling Stones, una miriade di band in erba si rinchiude nelle cantine, il più delle volte senza nemmeno saper suonare, buttan- do sul piatto energia, spontaneità, fre- schezza ed entusiasmo nella speranza di emulare il successo dei propri idoli d’oltreoceano.
    [Show full text]