A Very English Scandal Ep.3 Prod Script Amended 08.11.17 Y
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American Jewish Year Book
AMERICAN JEWISH YEAR BOOK A Record of Events iind Trends in American and World Jewish Life 1979 AMERICAN JEWISH COMMITTEE AND JEWISH PUBLICATION SOCIETY OF AMERICA The 1979 AMERICAN JEWISH YEAR BOOK, the seventy-ninth in the series, continues to offer a unique chronicle of developments in areas of concern to Jews throughout the world. The present volume features Professor Charles Liebman s "Leadership and Decision-making in a Jewish Federation." This in- depth study of the New York Fed- eration of Jewish Philanthropies provides important insights into the changing outlook of American Jews, and the impact this is having on Jewish communal priorities. Another feature is Professor Leon Shapiro's "Soviet Jewry Since the Death of Stalin," an authoritative overview of Jewish life in the So- viet Union during the past twenty- five years. Particularly noteworthy is Professor Shapiro's emphasis on religious life and cultural endeavors. The review of developments in the United States includes Milton Ellerin's "Intergroup Relations"; George Gruen's "The United States, Israel and the Middle East"; and Geraldine Rosenfield's "The Jewish Community Responds to (Continued on back flap) $15. American Jewish Year Book American Jewish Year Book 1 VOLUME 79 Prepared by THE AMERICAN JEWISH COMMITTEE Editors MORRIS FINE MILTON HIMMELFARB Associate Editor DAVID SINGER THE AMERICAN JEWISH COMMITTEE NEW YORK THE JEWISH PUBLICATION SOCIETY OF AMERICA PHILADELPHIA COPYRIGHT, 1978 BY THE AMERICAN JEWISH COMMITTEE AND THE JEWISH PUBLICATION SOCIETY OF AMERICA All rights reserved. No part of this book may be reproduced in any form without permission in writing from the publisher: except by a reviewer who may quote brief passages in a review to be printed in a magazine or newspaper. -
The Nation's Matron: Hattie Jacques and British Post-War Popular Culture
The Nation’s Matron: Hattie Jacques and British post-war popular culture Estella Tincknell Abstract: Hattie Jacques was a key figure in British post-war popular cinema and culture, condensing a range of contradictions around power, desire, femininity and class through her performances as a comedienne, primarily in the Carry On series of films between 1958 and 1973. Her recurrent casting as ‘Matron’ in five of the hospital-set films in the series has fixed Jacques within the British popular imagination as an archetypal figure. The contested discourses around nursing and the centrality of the NHS to British post-war politics, culture and identity, are explored here in relation to Jacques’s complex star meanings as a ‘fat woman’, ‘spinster’ and authority figure within British popular comedy broadly and the Carry On films specifically. The article argues that Jacques’s star meanings have contributed to nostalgia for a supposedly more equitable society symbolised by socialised medicine and the feminine authority of the matron. Keywords: Hattie Jacques; Matron; Carry On films; ITMA; Hancock’s Half Hour; Sykes; star persona; post-war British cinema; British popular culture; transgression; carnivalesque; comedy; femininity; nursing; class; spinster. 1 Hattie Jacques (1922 – 1980) was a gifted comedienne and actor who is now largely remembered for her roles as an overweight, strict and often lovelorn ‘battle-axe’ in the British Carry On series of low- budget comedy films between 1958 and 1973. A key figure in British post-war popular cinema and culture, Hattie Jacques’s star meanings are condensed around the contradictions she articulated between power, desire, femininity and class. -
Thecoalition
The Coalition Voters, Parties and Institutions Welcome to this interactive pdf version of The Coalition: Voters, Parties and Institutions Please note that in order to view this pdf as intended and to take full advantage of the interactive functions, we strongly recommend you open this document in Adobe Acrobat. Adobe Acrobat Reader is free to download and you can do so from the Adobe website (click to open webpage). Navigation • Each page includes a navigation bar with buttons to view the previous and next pages, along with a button to return to the contents page at any time • You can click on any of the titles on the contents page to take you directly to each article Figures • To examine any of the figures in more detail, you can click on the + button beside each figure to open a magnified view. You can also click on the diagram itself. To return to the full page view, click on the - button Weblinks and email addresses • All web links and email addresses are live links - you can click on them to open a website or new email <>contents The Coalition: Voters, Parties and Institutions Edited by: Hussein Kassim Charles Clarke Catherine Haddon <>contents Published 2012 Commissioned by School of Political, Social and International Studies University of East Anglia Norwich Design by Woolf Designs (www.woolfdesigns.co.uk) <>contents Introduction 03 The Coalition: Voters, Parties and Institutions Introduction The formation of the Conservative-Liberal In his opening paper, Bob Worcester discusses Democratic administration in May 2010 was a public opinion and support for the parties in major political event. -
Special Historic Section 0 What the General Election Numbers Mean - Michael Steed 0 Runners and Riders for Next Leader
0 Liberator at 50 - special historic section 0 What the general election numbers mean - Michael Steed 0 Runners and Riders for next leader Issue 400 - April 2020 £ 4 Issue 400 April 2020 SUBSCRIBE! CONTENTS Liberator magazine is published six/seven times per year. Commentary.............................................................................................3 Subscribe for only £25 (£30 overseas) per year. Radical Bulletin .........................................................................................4..5 You can subscribe or renew online using PayPal at ALL GOOD THINGS COME TO AN END ............................................5 You’ll soon by seeing Liberator only as a free PDF, not in print. Here, the Liberator our website: www.liberator.org.uk Collective explains why, and how this will work Or send a cheque (UK banks only), payable to RUNNERS AND RIDERS .........................................................................6..7 “Liberator Publications”, together with your name Liberator offers a look at Lib Dem leadership contenders and full postal address, to: NEVER WASTE A CRISIS .......................................................................8..9 Be very afraid, even when coronavirus is over, about what the government will seize Liberator Publications the opportunity to do, says Tony Greaves Flat 1, 24 Alexandra Grove GET LIBERALISM DONE .....................................................................10..11 London N4 2LF The answers to the Liberal Democrats’ plight can all be found in the party’s -
A Very English Scandal Ep.2 Prod Script Amended 27.11.17 GR
A VERY ENGLISH SCANDAL EPISODE TWO by Russell T Davies SHOOTING SCRIPT 28.09 PINK AMENDMENTS 03.10 BLUE AMENDMENTS 04.10 GREEN AMENDMENTS 25.10 YELLOW AMENDMENTS 31.10 SALMON AMENDMENTS 08.11 GOLDEN ROD AMENDMENTS 27.11 Based on the book by John Preston 1 INT. COMMONS CHAMBER - DAY 1 JEREMY on his feet, to a packed House. A firebrand. JEREMY I regard it as immoral! This country continues to supply arms to Nigeria, while no food has been able to reach these people since the 10th of June. And who takes advantage of this? Soviet Russia! The Russians have been growing in strength within Nigeria with every passing day - the world should see this! The world should know! CUT TO: 2 INT. HOUSE OF COMMONS, CENTRAL LOBBY - DAY 2 MINUTES LATER, the session ended, the lobby full, JEREMY striding through, PETER BESSELL trotting after him, alarmed, as Jeremy returns to his greatest passion of the moment: JEREMY The real question is, where to dispose of the body? In New York, they drop corpses in the river. CUT TO: 3 INT. HOUSE OF COMMONS, STAIRCASE - DAY 3 JEREMY and BESSELL now hurrying upstairs. JEREMY I’ve read, you can seal a body in concrete at the base of a motorway. CUT TO: 4 INT. JEREMY’S LEADER’S OFFICE - DAY 4 JEREMY striding towards his office, BESSELL following - JEREMY Tin mines! That’s the solution. David! Ready for you now. Waiting outside the office, now jumping to his feet, is DAVID HOLMES, 40s, northern, a solid, bluff man, heavy glasses; a good, blunt, down-to-earth contrast to these MPs. -
Rake and Rumpole – Mavericks for Justice: Purity and Impurity in Legal Professionalism
Rake and Rumpole – mavericks for justice: Purity and impurity in legal professionalism Author Flood, John Published 2020 Book Title Law, Lawyers and Justice: Through Australian Lenses Version Submitted Manuscript (SM) DOI https://doi.org/10.4324/9780429288128-11 Copyright Statement © 2020 Taylor & Francis. This is an Accepted Manuscript of a book chapter published by Routledge in Law, Lawyers and Justice: Through Australian Lenses on 1 April 2020, available online: https://doi.org/10.4324/9780429288128-11 Downloaded from http://hdl.handle.net/10072/399605 Griffith Research Online https://research-repository.griffith.edu.au Rake and Rumpole: Mavericks for Justice—Purity and Impurity in Legal Professionalism John Flood Abstract TV shows and films about law and lawyers are hugely successful. During its heyday in the late 20th century Rumpole of the Bailey drew 10 million viewers and was watched worldwide. Law programs are often the only source of knowledge about law for many people. The shows play on the themes of right and wrong, justice and injustice, usually through the medium of the adversarial court process. The two shows compared here, Rake and Rumpole, are emblematic of the legal themes emerging in popular legal culture. I have borrowed from Mary Douglas’ Purity and Danger the idea that symbolic and professional culture of the Bar is diverse. Both Cleaver Greene and Horace Rumpole in their lives and professional practices express this diversity. Rumpole represents an essentially Whiggish ideal of the Bar and English society while Greene rampages through a Benthamite Australian ideal rejecting authority. The chapter also includes reflections on professionalism and women in law. -
Theatre Archive Project: Interview with David Simeon
THEATRE ARCHIVE PROJECT http://sounds.bl.uk David Simeon – interview transcript Interviewer: Kate Harris 10 November 2006 Actor. Alexandra Theatre, Birmingham; censorship; comedy; drama schools; Cyril Fletcher; John Gielgud; The Guildhall School of Drama; Johnson over Jordan; The Method; John Osborne; pantomime; Harold Pinter; repertory; Derek Salberg; Reggie Salberg; Salisbury theatre; television; Dorothy Tutin; variety. KH: This is an interview on 10th November with David Simeon interviewed by Kate Harris. Can I just confirm that I have got your permission for copyright on this interview? DS: You do indeed, absolutely, yes. KH: That’s great, thank you. I would just like to start by asking you about the beginning of your career, how you became interested in working in the theatre. DS: My first knowledge that I was going to be an actor was when I was round about four years old, and I’ll tell you… My grandmother taught me how to read by the time I was two. OK, not Proust, but I could read by the time I got to infant school. I must tell you this story because it actually has a bearing on what happened later. When I got to infant school I was four and I could, as I said, already read and so I was terribly bored watching people put A, B, C and D up on the blackboard, and by the time I was about five, suddenly this horrible man came into the second form of the infants who turned out to be the headmaster of the primary school opposite and he ordered me out, took me across the road, put me on a dais in front of the whole of the primary school, and I was made to read from the Bible at the age of five. -
Oxford, 1984); H
Notes Notes to the Introduction I. K. O. Morgan, Labour in Power, 194~1951 (Oxford, 1984); H. Pelling, The Labour Governments, 194~51 (London, 1984); A. Cairncross, Years of Recovery: British Economic Policy, 194~51 (London, 1985); P. Hen nessy, Never Again: Britain, 194~1951 (London, 1992). 2. J. Saville, The Labour Movement in Britain (London, 1988); J. Fyrth (ed.), Labour's High Noon: The Government and the Economy, 194~51 (London, 1993). 3. C. Barnett, The Audit oj War: The Illusion and Reality of Britain as a Great Nation (London, 1986); The Lost Victory: British Dreams, British Realities, 194~1950 (London, 1995). 4. Symposium, 'Britain's Postwar Industrial Decline', Contemporary Record, 1: 2 (1987), pp. 11-19; N. Tiratsoo (ed.), The Altlee Years (London, 1991). 5. J. Tomlinson, 'Welfare and the Economy: The Economic Impact of the Welfare State, 1945-1951', Twentieth-Century British History, 6: 2 (1995), pp. 194--219. 6. Hennessy, Never Again, p. 453. See also M. Francis, 'Economics and Ethics: the Nature of Labour's Socialism, 1945-1951', Twentieth Century British History, 6: 2 (1995), pp. 220--43. 7. S. Fielding, P. Thompson and N. Tiratsoo, 'England Arise!' The Labour Party and Popular Politics in 1940s Britain (Manchester, 1995), pp. 209- 18. 8. P. Kellner, 'It Wasn't All Right,Jack', Sunday Times, 4 April 1993. See also The Guardian, 9 September 1993. 9. For a summary of the claims made by the political parties, see J. Barnes and A. Seldon, '1951-64: 13 W asted Years?', Contemporary Record, 1: 2 (1987). 10. V. Bogdanor and R. -
MONTY PYTHON at 50 , a Month-Long Season Celebra
Tuesday 16 July 2019, London. The BFI today announces full details of IT’S… MONTY PYTHON AT 50, a month-long season celebrating Monty Python – their roots, influences and subsequent work both as a group, and as individuals. The season, which takes place from 1 September – 1 October at BFI Southbank, forms part of the 50th anniversary celebrations of the beloved comedy group, whose seminal series Monty Python’s Flying Circus first aired on 5th October 1969. The season will include all the Monty Python feature films; oddities and unseen curios from the depths of the BFI National Archive and from Michael Palin’s personal collection of super 8mm films; back-to-back screenings of the entire series of Monty Python’s Flying Circus in a unique big-screen outing; and screenings of post-Python TV (Fawlty Towers, Out of the Trees, Ripping Yarns) and films (Jabberwocky, A Fish Called Wanda, Time Bandits, Wind in the Willows and more). There will also be rare screenings of pre-Python shows At Last the 1948 Show and Do Not Adjust Your Set, both of which will be released on BFI DVD on Monday 16 September, and a free exhibition of Python-related material from the BFI National Archive and The Monty Python Archive, and a Python takeover in the BFI Shop. Reflecting on the legacy and approaching celebrations, the Pythons commented: “Python has survived because we live in an increasingly Pythonesque world. Extreme silliness seems more relevant now than it ever was.” IT’S… MONTY PYTHON AT 50 programmers Justin Johnson and Dick Fiddy said: “We are delighted to share what is undoubtedly one of the most absurd seasons ever presented by the BFI, but even more delighted that it has been put together with help from the Pythons themselves and marked with their golden stamp of silliness. -
John Clifford Mortimer Papers
http://oac.cdlib.org/findaid/ark:/13030/kt2m3n990k No online items Finding Aid to the John Clifford Mortimer Papers Processed by Bancroft Library staff; revised and completed by Kristina Kite and Mary Morganti in October 2001; additions by Alison E. Bridger in February 2004, October 2004, January 2006 and August 2006. Funding for this collection was provided by numerous benefactors, including Constance Crowley Hart, the Marshall Steel, Sr. Foundation, Elsa Springer Meyer, the Heller Charitable and Educational Fund, The Joseph Z. and Hatherly B. Todd Fund, and the Friends of the Bancroft Library. The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu © 2004 The Regents of the University of California. All rights reserved. Finding Aid to the John Clifford BANC MSS 89/62 z 1 Mortimer Papers Finding Aid to the John Clifford Mortimer Papers Collection number: BANC MSS 89/62 z The Bancroft Library University of California, Berkeley Berkeley, California Contact Information: The Bancroft Library. University of California, Berkeley Berkeley, California, 94720-6000 Phone: (510) 642-6481 Fax: (510) 642-7589 Email: [email protected] URL: http://bancroft.berkeley.edu Processed by: Bancroft Library staff; revised and completed by Kristina Kite and Mary Morganti; additions and revisions by Alison E. Bridger Date Completed: October 2001; additions and revisions February 2004, October 2004, January 2006, August 2006 Encoded by: James Lake © 2004 The Regents of the University of California. All rights reserved. Collection Summary Collection Title: John Clifford Mortimer papers, Date (inclusive): circa 1969-2005 Collection Number: BANC MSS 89/62 z Creator: Mortimer, John Clifford, 1923- Extent: Number of containers: 46 boxes Linear feet: 18.4 Repository: The Bancroft Library. -
Comedy Is a Serious Business
Comedy is a Serious Business ROBERT Wn..JTER' In Lecture form this paper was illustrated with video clips. These are noted beLow in boxes in the text. The actors' banter in Plautus' time has changed little over the centuries. Asides to the audience continue to be used in Shakespeare. In 1938 Rogers and Hart used the Comedy of Errors as a basis for the musical The Boys from Syracuse. The asides to the audience as a theme was repeated in the popular Frankie Howard series Up Pompeii, UK of the 1970s. In comedy, the continuity of tradition and content is possibly clearer than in any other theatrical form since it can be demonstrated not only in terms of plot and literary influence, but also in theatrical practice. The Oxford dictionary defines comedy as a Stage Play of light, amusing and often satirical character, chiefly representing everyday life, with a happy ending. A great deal of stress can be laid on 'timing' - the ability to know how long an audience can be kept waiting. Add to this the actors' gift to a 'live audience' which can direct the audience to anticipate the funny side of any given situation with gestures, emphasis on certain words and pacing, and is under the control of the actors. It is here that you have a very important ingredient for success in a stage production. Film and television have to have different base lines, since the judgement of how funny a scene is or could be is a very subjective matter, primarily because the director and editor essentially control * Robert Winter has worked as an editor with Eating Studios and Yorkshire TeLevision, and has enjoyed an extensive career in film and television. -
2 of 3 DOCUMENTS
2 of 3 DOCUMENTS Copyright (c) 1998 Oklahoma Law Review Oklahoma Law Review Winter, 1998 51 Okla. L. Rev. 617 LENGTH: 24561 words UNITED STATES V. MCVEIGH: DEFENDING THE "MOST HATED MAN IN AMERICA" Stephen Jones* & Jennifer Gideon** - - - - - - - - - - - - - - - - - -Footnotes- - - - - - - - - - - - - - - - - - * Stephen Jones, chief counsel for Timothy James McVeigh, practices law in Enid, Oklahoma. He received his undergraduate education from the University of Texas and his LL.B. degree from the University of Oklahoma in 1966. At the time of his appointment, Jones was special counsel to Governor Frank Keating and also was engaged in private practice. - - - - - - - - - - - - - - - - -End Footnotes- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -Footnotes- - - - - - - - - - - - - - - - - - ** Jennifer Gideon is an attorney practicing law in Oklahoma. She graduated with a B.A. in sociology from the University of Oklahoma in 1995 and a J.D. with distinction from the University of Oklahoma in 1998. - - - - - - - - - - - - - - - - -End Footnotes- - - - - - - - - - - - - - - - - SUMMARY: ... Windows shattered, buildings collapsed, and the lives of Americans were changed forever on April 19, 1995, at approximately 9:02 a.m., when an explosion destroyed the Alfred P. Murrah Federal Building in Oklahoma City, Oklahoma. ... The indictment would not result until a grand jury proceeding returned a true bill after conducting an investigation. ... [1] pre-trial publicity unfairly prejudiced [McVeigh], [2] juror misconduct precluded