HMRUFC Updated Thursday 11 July 2013
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The Nation's Matron: Hattie Jacques and British Post-War Popular Culture
The Nation’s Matron: Hattie Jacques and British post-war popular culture Estella Tincknell Abstract: Hattie Jacques was a key figure in British post-war popular cinema and culture, condensing a range of contradictions around power, desire, femininity and class through her performances as a comedienne, primarily in the Carry On series of films between 1958 and 1973. Her recurrent casting as ‘Matron’ in five of the hospital-set films in the series has fixed Jacques within the British popular imagination as an archetypal figure. The contested discourses around nursing and the centrality of the NHS to British post-war politics, culture and identity, are explored here in relation to Jacques’s complex star meanings as a ‘fat woman’, ‘spinster’ and authority figure within British popular comedy broadly and the Carry On films specifically. The article argues that Jacques’s star meanings have contributed to nostalgia for a supposedly more equitable society symbolised by socialised medicine and the feminine authority of the matron. Keywords: Hattie Jacques; Matron; Carry On films; ITMA; Hancock’s Half Hour; Sykes; star persona; post-war British cinema; British popular culture; transgression; carnivalesque; comedy; femininity; nursing; class; spinster. 1 Hattie Jacques (1922 – 1980) was a gifted comedienne and actor who is now largely remembered for her roles as an overweight, strict and often lovelorn ‘battle-axe’ in the British Carry On series of low- budget comedy films between 1958 and 1973. A key figure in British post-war popular cinema and culture, Hattie Jacques’s star meanings are condensed around the contradictions she articulated between power, desire, femininity and class. -
Theatre Archive Project: Interview with David Simeon
THEATRE ARCHIVE PROJECT http://sounds.bl.uk David Simeon – interview transcript Interviewer: Kate Harris 10 November 2006 Actor. Alexandra Theatre, Birmingham; censorship; comedy; drama schools; Cyril Fletcher; John Gielgud; The Guildhall School of Drama; Johnson over Jordan; The Method; John Osborne; pantomime; Harold Pinter; repertory; Derek Salberg; Reggie Salberg; Salisbury theatre; television; Dorothy Tutin; variety. KH: This is an interview on 10th November with David Simeon interviewed by Kate Harris. Can I just confirm that I have got your permission for copyright on this interview? DS: You do indeed, absolutely, yes. KH: That’s great, thank you. I would just like to start by asking you about the beginning of your career, how you became interested in working in the theatre. DS: My first knowledge that I was going to be an actor was when I was round about four years old, and I’ll tell you… My grandmother taught me how to read by the time I was two. OK, not Proust, but I could read by the time I got to infant school. I must tell you this story because it actually has a bearing on what happened later. When I got to infant school I was four and I could, as I said, already read and so I was terribly bored watching people put A, B, C and D up on the blackboard, and by the time I was about five, suddenly this horrible man came into the second form of the infants who turned out to be the headmaster of the primary school opposite and he ordered me out, took me across the road, put me on a dais in front of the whole of the primary school, and I was made to read from the Bible at the age of five. -
MONTY PYTHON at 50 , a Month-Long Season Celebra
Tuesday 16 July 2019, London. The BFI today announces full details of IT’S… MONTY PYTHON AT 50, a month-long season celebrating Monty Python – their roots, influences and subsequent work both as a group, and as individuals. The season, which takes place from 1 September – 1 October at BFI Southbank, forms part of the 50th anniversary celebrations of the beloved comedy group, whose seminal series Monty Python’s Flying Circus first aired on 5th October 1969. The season will include all the Monty Python feature films; oddities and unseen curios from the depths of the BFI National Archive and from Michael Palin’s personal collection of super 8mm films; back-to-back screenings of the entire series of Monty Python’s Flying Circus in a unique big-screen outing; and screenings of post-Python TV (Fawlty Towers, Out of the Trees, Ripping Yarns) and films (Jabberwocky, A Fish Called Wanda, Time Bandits, Wind in the Willows and more). There will also be rare screenings of pre-Python shows At Last the 1948 Show and Do Not Adjust Your Set, both of which will be released on BFI DVD on Monday 16 September, and a free exhibition of Python-related material from the BFI National Archive and The Monty Python Archive, and a Python takeover in the BFI Shop. Reflecting on the legacy and approaching celebrations, the Pythons commented: “Python has survived because we live in an increasingly Pythonesque world. Extreme silliness seems more relevant now than it ever was.” IT’S… MONTY PYTHON AT 50 programmers Justin Johnson and Dick Fiddy said: “We are delighted to share what is undoubtedly one of the most absurd seasons ever presented by the BFI, but even more delighted that it has been put together with help from the Pythons themselves and marked with their golden stamp of silliness. -
Comedy Is a Serious Business
Comedy is a Serious Business ROBERT Wn..JTER' In Lecture form this paper was illustrated with video clips. These are noted beLow in boxes in the text. The actors' banter in Plautus' time has changed little over the centuries. Asides to the audience continue to be used in Shakespeare. In 1938 Rogers and Hart used the Comedy of Errors as a basis for the musical The Boys from Syracuse. The asides to the audience as a theme was repeated in the popular Frankie Howard series Up Pompeii, UK of the 1970s. In comedy, the continuity of tradition and content is possibly clearer than in any other theatrical form since it can be demonstrated not only in terms of plot and literary influence, but also in theatrical practice. The Oxford dictionary defines comedy as a Stage Play of light, amusing and often satirical character, chiefly representing everyday life, with a happy ending. A great deal of stress can be laid on 'timing' - the ability to know how long an audience can be kept waiting. Add to this the actors' gift to a 'live audience' which can direct the audience to anticipate the funny side of any given situation with gestures, emphasis on certain words and pacing, and is under the control of the actors. It is here that you have a very important ingredient for success in a stage production. Film and television have to have different base lines, since the judgement of how funny a scene is or could be is a very subjective matter, primarily because the director and editor essentially control * Robert Winter has worked as an editor with Eating Studios and Yorkshire TeLevision, and has enjoyed an extensive career in film and television. -
March 2019 ------London Particular the Dickens Fellowship Newsletter ______
No. 53 March 2019 --------------------------------------------------------------------------------------------------------------------- London Particular The Dickens Fellowship Newsletter _____________________________________________________________________ Marcus Steven, Dickens. From Pickwick to July Pub Meeting This year’s Saturday meeting Dombey (1965) will take place on 13 July. The venue will again Miller, J Hillis, Charles Dickens. The World of be the Rugby Tavern in Great James Street which His Novels (1959) runs parallel with Doughty Street. The question for debate this year will be: ‘Which is the greatest David Parker, The Doughty Street Novels Victorian novel (including foreign novels) that (2006) Dickens didn’t write?’ If you have a favourite novel Rossi-Wilcox S, Dinner for Dickens (2005; fine that you would like to champion for 10 minutes on copy with original dust cover) the day, please let the LP editor know the title and Slater M and Drew J (eds), The Uncommercial come along and participate. There will be a vote Traveller and Other Papers 1859-70 (vol 4 of at the end to determine the result, not necessarily the Dent Uniform Edition of Dickens’s definitive…. Journalism, 2000). Presentation , from Michael Slater to Philip Collins Chesterton on Dickens (vol 15 of Chesterton’s PROF MICHAEL SLATER’S BOOKS, NEW Collected Works, Ignatius Press, 1989) HOMES REQUIRED (cont’d from last edition). Forster J, Life of Charles Dickens, hardback Michael has decided to find new homes for Everyman edition, 2 vols, ed A J Hoppe, some of his books and DVDs. If you would like revised ed, 1969 to choose from any of the following, please contact Michael by phone (07982 770 193) or DVDs:- by email ([email protected]) to Great Expectations (Discovery Channel, Great arrange collection, either at a meeting at Books Series) Lumen or at the Charles Dickens Museum. -
Dads Army: the Complete Radio Series One Free
FREE DADS ARMY: THE COMPLETE RADIO SERIES ONE PDF David Croft,Jimmy Perry,BBC,John Le Mesurier,Arthur Lowe,Clive Dunn,Full Cast | 1 pages | 14 Dec 2016 | BBC Audio, A Division Of Random House | 9781471366567 | English | London, United Kingdom List of Dad's Army radio episodes - Wikipedia This is a list of the radio episodes of the British sitcom Dad's Army which were normally adapted from the script of an Dads Army: The Complete Radio Series One television episode. Dates shown are for the recording session followed by the original transmission on BBC Radio 4. From Wikipedia, the free encyclopedia. Episode list Missing episodes Radio episodes. Home video Audio releases Books and memorabilia. Wilson Manager? Uninvited Guests Fallen Idol. Categories : British radio-related lists Dad's Army Lists of radio series episodes. Hidden categories: Use dmy dates from November Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Add links. The Man and the Hour. Command Decision. The Enemy Within the Gates. The Battle of Godfrey's Cottage. Wilson's Little Secret. A Stripe for Frazer. Battle School. Under Fire. Something Nasty in the Vault. The Showing Up of Corporal Jones. The Loneliness of the Long-Distance Walker. Sorry, Wrong Number. The Bullet is Not for Firing. Room at the Bottom. Menace from the Deep. No Spring for Frazer. Sons of the Sea. Present Arms. The TV equivalent is combined episodes, Battle of the Giants! Don't Forget the Diver. Boots Boots Boots. Sergeant - Save My Boy! A Brush with the Law. -
La Traviata March 5 – 13, 2011
O p e r a B o x Teacher’s Guide TABLE OF CONTENTS Welcome Letter . .1 Lesson Plan Unit Overview and Academic Standards . .2 Opera Box Content Checklist . .8 Reference/Tracking Guide . .9 Lesson Plans . .11 Synopsis and Musical Excerpts . .32 Flow Charts . .38 Giuseppe Verdi – a biography ...............................50 Catalogue of Verdi’s Operas . .52 Background Notes . .54 2 0 1 0 – 2 0 1 1 S E A S O N The Real Traviata . .58 World Events in 1848 and 1853 . .64 ORPHEUS AND History of Opera ........................................68 URYDICE History of Minnesota Opera, Repertoire . .79 E SEPTEMBER 25 – OCTOBER 3, 2010 The Standard Repertory ...................................83 Elements of Opera .......................................84 Glossary of Opera Terms ..................................88 CINDERELLA OCTOBER 30 – NOVEMBER 7, 2010 Glossary of Musical Terms .................................94 Bibliography, Discography, Videography . .97 Word Search, Crossword Puzzle . .100 MARY STUART Evaluation . .103 JANUARY 29 – FEBRUARY 6, 2011 Acknowledgements . .104 LA TRAVIATA MARCH 5 – 13, 2011 WUTHERING mnopera.org HEIGHTS APRIL 16 – 23, 2011 FOR SEASON TICKETS, CALL 612.333.6669 620 North First Street, Minneapolis, MN 55401 Kevin Ramach, PRESIDENT AND GENERAL DIRECTOR Dale Johnson, ARTISTIC DIRECTOR Dear Educator, Thank you for using a Minnesota Opera Opera Box. This collection of material has been designed to help any educator to teach students about the beauty of opera. This collection of material includes audio and video recordings, scores, reference books and a Teacher’s Guide. The Teacher’s Guide includes Lesson Plans that have been designed around the materials found in the box and other easily obtained items. In addition, Lesson Plans have been aligned with State and National Standards. -
©2013 Tal Zalmanovich ALL RIGHTS RESERVED
©2013 Tal Zalmanovich ALL RIGHTS RESERVED SHARING A LAUGH: SITCOMS AND THE PRODUCTION OF POST-IMPERIAL BRITAIN, 1945-1980 by TAL ZALMANOVICH A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in History Written under the direction of Prof. Bonnie Smith And Approved by ---------------------------------------- ---------------------------------------- ---------------------------------------- ---------------------------------------- New Brunswick, New Jersey May, 2013 ABSTRACT OF THE DISSERTATION Sharing a Laugh: Sitcoms and the Production of Post-Imperial Britain, 1945-1980 By Tal Zalmanovich Dissertation Director: Bonnie Smith Sharing a Laugh examines the social and cultural roles of television situation comedy in Britain between 1945 and 1980. It argues that an exploration of sitcoms reveals the mindset of postwar Britons and highlights how television developed both as an industry and as a public institution. This research demonstrates how Britain metamorphosed in this period from a welfare state with an implicit promise to establish a meritocratic and expert-based society, into a multiracial, consumer society ruled by the market. It illustrates how this turnabout of British society was formulated, debated, and shaped in British sitcoms. This dissertation argues that both democratization (resulting from the expansion of the franchise after World War I) and decolonization in the post-World War II era, established culture as a prominent political space in which interaction and interconnection between state and society took place. Therefore, this work focuses on culture and on previously less noticed parties to the negotiation over power in society such as, media institutions, media practitioners, and their audiences. -
Films & Major TV Dramas Shot (In Part Or Entirely) in Wales
Films & Major TV Dramas shot (in part or entirely) in Wales Feature films in black text TV Drama in blue text Historical Productions (before the Wales Screen Commission began) Dates refer to when the production was released / broadcast. 1935 The Phantom Light - Ffestiniog Railway and Lleyn Peninsula, Gwynedd; Holyhead, Anglesey; South Stack Gainsborough Pictures Director: Michael Powell Cast: Binnie Hale, Gordon Harker, Donald Calthrop 1938 The Citadel - Abertillery, Blaenau Gwent; Monmouthshire Metro-Goldwyn-Mayer British Studios Director: King Vidor Cast: Robert Donat, Rosalind Russell, Ralph Richardson 1940 The Thief of Bagdad - Freshwater West, Pembrokeshire (Abu & Djinn on the beach) Directors: Ludwig Berger, Michael Powell The Proud Valley – Neath Port Talbot; Rhondda Valley, Rhondda Cynon Taff Director: Pen Tennyson Cast: Paul Robeson, Edward Chapman 1943 Nine Men - Margam Sands, Neath, Neath Port Talbot Ealing Studios Director: Harry Watt Cast: Jack Lambert, Grant Sutherland, Gordon Jackson 1953 The Red Beret – Trawsfynydd, Gwynedd Director: Terence Young Cast: Alan Ladd, Leo Genn, Susan Stephen 1956 Moby Dick - Ceibwr Bay, Fishguard, Pembrokeshire Director: John Huston Cast: Gregory Peck, Richard Basehart 1958 The Inn of the Sixth Happiness – Snowdonia National Park, Portmeirion, Beddgelert, Capel Curig, Cwm Bychan, Lake Ogwen, Llanbedr, Morfa Bychan Cast: Ingrid Bergman, Robert Donat, Curd Jürgens 1959 Tiger Bay - Newport; Cardiff; Tal-y-bont, Cardigan The Rank Organisation / Independent Artists Director: J. Lee Thompson Cast: -
Bibliographical Index
Bibliographical Index BIBLIOGRAPHICAL ACCESS TO THIS VOLUME geographies imaginaires de l'Eldorado." L'Homme 122-24 Two modes of access to bibliographical information are used in this (1992): 271-308. 324 volume: the footnotes and the Bibliographical Index. Alkire, William H. "Systems of Measurement on Woleai Atoll, Caro The footnotes provide the full form of a reference the first time it line Islands." Anthropos 65 (1970): 1-73. 462, 463, 464, 465, is cited in each chapter, with author's last name and short title in sub 466,467,470 sequent citations. In most of the short-title references, the note num Allen, Catherine J. "The Nasca Creatures: Some Problems of Icono ber where the fully cited work can be found is given in parentheses. graphy." Anthropology 5, no. 1 (1981): 43-70. 268 The Bibliographical Index constitutes a complete list of works Allen, Elphine. "Australian Aboriginal Dance." In The Australian cited in the footnotes, tables, appendixes, and figure and plate legends. Aboriginal Heritage: An Introduction through the Arts, ed. Numbers in bold type indicate the pages on which the references are Ronald Murray Berndt and E. S. Phillips, 275-90. Sydney: Aus cited. tralian Society for Education through the Arts in association with Ure Smith, 1973. 359 Abbadie, Antoine Thomas d'. Catalogue raisonne de manuscrits Allen, Gary L., et al. "Developmental Issues in Cognitive Mapping: ethiopiens appartenant aAntoine d'Abbadie. Paris: Imprimerie The Selection and Utilization of Environmental Landmarks." Imperiale, 1859. 29 Child Development 50 (1979): 1062-70. 443 Aberley, Doug, ed. Boundaries ofHome: Mapping for Local Allen, James de Vere, and Thomas H. -
1970.10.03, Radio Times 1.Jpg
r M~DLANDS 3-9 October Nn!rnel)Demtce BBC Rad~o Nottingham Piccadilly Golf America torn apar't World Matchplay Championship The Chicago trial, Sunday BBCl Thursday-Friday, BBC1, Radio 2 Man Alive, Wednesday BBC2, p 50 You and Yours Joni's Concert · Weekdays, Radio 4 Friday, BBC2, seep 13 Nottingham jamboree Dougal is back! BBC Radio Nottingham: Friday Weekdays, BBCl See pp 5, 56 Magic Roundabout in colour, p 10 PAGE 3 _ WHAT DOES·IT COST TO BECOME FREE? France 1938-40 In his trilogy The Roads tQ Freedom Jean-Paul Sartre, the BBCtv and Radio programmes great French philosopher and political thinker, used the for the week 3-9 October novel to explore one of the central problems of modern man: how to achieve per· sonal (!nd political freedom in a world of moral and social chaos. The three novels, Contents· The Age of Reason, The Reprieve, and Iron in the Soul, are set against the bleak In a cold sweat ............ 6 background of _France on the edge of the second world war, and he created a group Elizabeth Cowley talks to Jordan of characters who stand out in modern fiction: self-questioning and fallible, they Lawren_ce, the man behind Men ace, the thriiler series for the live out a tangled· 20th:-~entury morality play, struggling for love, friendship, and dark winter nights _(Tuesday commitment as Europe heads towards disaster. BBC2). - - Their predicament, writes Cellan Jones could see in the with a kind of attractiveness, an Anne Chisbolm, -was condi part of Mathieu was, he says, individual beauty, which might Travelling _ tioned b.y poHtical events that Michael Bryant. -
IN PERSON & PREVIEWS Talent Q&As and Rare Appearances
IN PERSON & PREVIEWS Talent Q&As and rare appearances, plus a chance for you to catch the latest film and TV before anyone else TV Preview: World on Fire + Q&A with writer Peter Bowker plus cast TBA BBC-Mammoth Screen 2019. Lead dir Adam Smith. With Helen Hunt, Sean Bean, Lesley Manville, Jonah Hauer- King. Ep1 c.60min World on Fire is an adrenaline-fuelled, emotionally gripping and resonant drama, written by the award-winning Peter Bowker (The A Word, Marvellous). It charts the first year of World War Two, told through the intertwining fates of ordinary people from Britain, Poland, France, Germany and the United States as they grapple with the effect of the war on their everyday lives. Join us for a Q&A and preview of this new landmark series boasting a stellar cast, headed up by Helen Hunt and Sean Bean. TUE 3 SEP 18:15 NFT1 TV Preview: Temple + Q&A with writer Mark O’Rowe, exec producer Liza Marshall, actor Mark Strong, and further cast TBA Sky-Hera Pictures 2019. Dirs Luke Snellin, Shariff Korver, Lisa Siwe. With Mark Strong, Carice van Houten, Daniel Mays, Tobi King Bakare. Eps 1 and 2, 80min Temple tells the story of Daniel Milton (Strong), a talented surgeon whose world is turned upside down when his wife contracts a terminal illness. Yet Daniel refuses to accept the cards he’s been dealt. He partners with the obsessive, yet surprisingly resourceful, misfit Lee (Mays) to start a literal ‘underground’ clinic in the vast network of tunnels beneath Temple tube station in London.