Pitti Immagine Uomo Guide
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Il Settore Tessile-Abbigliamento
JUNIOR FASHION IN 2019-2020 Notes by CONFINDUSTRIA MODA - Centro Studi for The preliminary balance-sheet for 2019 According to preliminary estimates by Centro Studi of Confindustria Moda for SMI, total Junior Fashion is turnover of Junior Fashion (understood as fabric and knit clothing for children in the 0 to 14 forecast to have closed the year 2019 age range, including intimate apparel and accessories) saw a continuation of the positive with a 3.5% increase in turnover. trend. Even though the rhythms were more subdued than those that typified the year 2018, industry sales should close the year 2019 with a +3.5% increase and thus top the 3 billion euro mark. The value of production (a variable which, you will recall, aims to quantify the value of domestic production net marketing of imported products) is expected to close down, with a -2.6% estimated loss. Table 1 – The Italian Junior Clothing Industry (2014-2019*)(1) (Millions euro at current value) 2014 2015 2016 2017 2018 2019* Sales 2.642 2.687 2.762 2.861 2.980 3.083 % Var. 1,7 2,8 3,6 4,2 3,5 Value of Production 1.029 980 977 969 943 918 % Var. -4,8 -0,3 -0,7 -2,8 -2,6 Exports 947 997 1.041 1.102 1.196 1.269 Var. % 5,3 4,4 5,9 8,5 6,1 Imports 1.675 1.787 1.777 1.787 1.974 2.119 % Var. 6,7 -0,6 0,6 10,4 7,4 Trade Balance -728 -790 -737 -685 -777 -850 End Consumption 4.284 4.256 4.246 4.236 4.155 4.083 % Var. -
The City Guide . Ge 662/96 - DCI VE
what’s on | churches guide | museums guide | dining | shopping | entertainment ENICEENICE AAGAZINEGAZINE VV MM . the city guide . ge 662/96 - DCI VE Focus on: ANOTHER VENICE Special: CARNIVAL 2003 Tips: ULTIMATE SHOPPING mensile di informazione turistica e cultura - Anno 2 N.6 febbraio 2003 copia omaggio sped a.p. 45% art. comma 20/b leg USEFUL PAGE eniceMagazine V Preziosi nel Tempo Express your style l'Intarsiol'Intarsio The Moro Zen Il Moro Zen The Moro Zen is portrayed in the famous Il Moro Zen è ritratto nella celebre opera painting by Francesco Guardi dated 1770. pittorica di Francesco Guardi del 1770. La ® The shape of the jewel reproduces the Zen sagoma del gioiello riproduce lo stemma GIOIELLI VENEZIANI BERTI coret of arms, being the aristocratic Vene- degli Zen, l’aristocratica famiglia veneziana Calle dei Botteri, 1566 P AVIMENTI LEGNO tian family that commisioned the painting. che commissionò il dipinto. La testa, scol- The head is carved in ebony, depicting the pita in ebano, riprende la carnagione dello San Polo Venezia i Disegni i Tradizionali l'Antico i Prefiniti l'Intarsio tel/fax 041 2758694 slave’s colouring and wearing the pearl ear- schiavo con il tipico orecchino con la perla www.lezoie.com ring typical of the 18th century. in uso nel ‘700. Show-room: VENEZIA - S. Polo - Rio Terà - S. Antonio 2181/A - Tel. 041.275.9470 www.berti.net e-mail: [email protected] CONTENTS table ANOTHER VENICE “There are three magic and hidden places in Venice”. Corto Maltese first saw life in 1967 as a creation of the pen of Hugo Pratt. -
PITTI UOMO 96 Presents Men’S Fashion & Lifestyle Collections for S/S 2020
U 96 PITTI UOMO 96 Presents Men’s fashion & lifestyle collections for S/S 2020 itti Uomo 96, the leading global trade fair dedicated to The Pitti Special Click menswear and contemporary lifestyles, will be held in The theme of the Pitti Immagine summer fairs PFlorence which was held at Fortezza da Basso from June Something Special Clicks into place every six months at the Pitti Immagine fairs 11-14, 2019, confirmed itself as a global crossroads of trends, when the research carried out by brands and the Pitti team into new projects, novelties and launches of new projects for men's fashion and events and international names faces off with the research of buyers, journalists, lifestyle. A total of 30,000 visitors and over 18,500 buyers arrived influencers and visitors from all over the world. The resulting sparks produce an in Florence from 100 foreign countries, for an edition full of energy always new energy and emotions together with a certain “X Factor” that made each encounter a success and made people eager to come to Florence in order to and optimism. Some important markets such as France, Turkey, see, learn and try to understand. This is The Pitti Special Click, the theme of this Hong Kong, Belgium and Russia were performing well, whereas summer’s fairs which sums up the energy that circulates around the Fortezza and buyers from China, Germany, Spain, Japan and those of Italian suddenly finds a direction. The Main Forecourt of the Fortezza da Basso was once buyers were slightly down. Germany ranked first in the top 15 again transformed through the set design curated by lifestyler Sergio Colantuoni. -
Sustainable Fashion in Italy
SUSTAINABLE FASHION IN ITALY Commissioned by the Netherlands Enterprise Agency SUSTAINABLE FASHION IN ITALY A GUIDE FOR DUTCH FASHION ENTREPRENEURS CONTENTS: 1 UN sustainable development goals and two words about sustainability 3 2 To identify the most sustainable fibers we must know them 5 Environmental consequences caused by the use of yarns 6 Global fibers production 1900>2017 + 2017 7 Cotton 8 Other natural vegetable fibers 11 Silk 12 Wool 14 Artificial fibers Viscose 16 Tencel 16 Syntethic fibers 17 3 How to build a sustainable brand 18 4 Italian sustainable lists 20 Italian textile producers 21 Top Italian sustainable brands 26 New Italian sustainable fashion designers 28 5 Italian exhibitions 29 Exhibiting in the Italian fairs 32 Visiting the Italian fairs 32 How fairs have included sustainability 32 Italian special fashion events 33 6 Roads to access the Italian market 34 7 Most important buyers 35 8 Conclusions 36 Contacts 38 2 SUSTAINABLE DEVELOPMENT GOALS GOAL 1: End poverty in all its forms everywhere GOAL 2: End hunger, achieve food security and improved nutrition and promote sustainable agriculture 1GOAL 3: Ensure healthy lives and promote well-being for all at all ages GOAL 4: Ensure inclusive and equitable quality education and promote life- long learning opportunities for all GOAL 5: Achieve gender equality and empower all women and girls GOAL 6: Ensure availability and sustainable management of water and sanitation for all GOAL 7: Ensure access to affordable, reliable, sustainable and modern en- ergy for all GOAL 8: Promote -
First Proofs
FIRST PROOFS TO BE CITED AS: Lavanga, Mariangela (2018). The role of Pitti Uomo trade fair in the menswear fashion industry. In Reggie Blaszczyk and Ben Wubs (Eds.), The Fashion Forecasters: A Hidden History of Color and Trend Prediction (pp. 191-209). London: Bloomsbury Academic Publishing. 10 THE ROLE OF THE PITTI UOMO TRADE FAIR IN THE MENSWEAR FASHION INDUSTRY Mariangela Lavanga enswear no longer lives in the shadow of women’s wear. According to a recent article from the Business of Fashion website, the growth of menswear has outpaced Mthat of women’s wear since at last 2011.1 Until the 1970s, male fashion in Europe mainly focused on tailoring and smaller-scale production of ready-to-wear, or confection, producing shirts, and underwear. One exception was the famous menswear tailoring industry in Leeds, England, which clothed British working-class and middle-class men in stylish suits for a century until its demise in the late twentieth century. London’s Savile Row traditionally set the trends for the high end of the industry. Aer the 1970s, men’s ready-to- wear and men’s haute couture start to grow elsewhere in Europe. Trends and styles in menswear change much more slowly than in women’s fashion; however, the pace of those changes is increasing. One of the world’s most important players for menswear is the international fashion trade fair Pitti Uomo in Florence, Italy. Pitti Uomo was established in 1972 under the umbrella of the non-prot organization Centro di Firenze per la Moda Italiana (CFMI-Florentine Centre for the Italian Fashion), which today is the holding of Pitti Immagine (ocially born in 1988). -
Frankfurt 2012:1 6/9/12 15:12 Page 1 Yale Frankfurt 2012
Rights Guide 3rd Frankfurt 2012:1 6/9/12 15:12 Page 1 Yale frankfurt 2012 INDEX ART (blue sheets) Stephen Bann Distinguished Images Spring 2013 Prints and the Visual Economy in Nineteenth‐Century France Ivan Brunetti Aesthetics Spring 2013 A Memoir Kaira M. Cabañas The Myth of Nouveau Réalisme Spring 2013 Art and the Performative in Postwar France Caroline Evans The Mechanical Smile Spring 2013 Modernism and the First Fashion Shows in France and America, 1900‐1929 Tatiana Flores Mexico’s Revolutionary Avant‐Gardes Spring 2013 From Estridentismo to ¡30‐30! Kate Irvin and Artist/Rebel/Dandy Spring 2013 Laurie Brewer (eds) Men of Fashion Sarah E. James Common Ground Spring 2013 Photography in Germany during the Cold War Ellen G. Landau Mexico and American Modernism Spring 2013 Sarah Blake McHam Pliny and the Artistic Culture of the Spring 2013 Italian Renaissance The Legacy of the “Natural History” Alex Potts Experiments in Modern Realism Spring 2013 World Making in Postwar European and American Art Diane Radycki Paula Modersohn‐Becker Spring 2013 The First Modern Woman Artist Valerie Steele and Shoe Obsession Spring 2013 Colleen Hill AUTOBIOGRAPHY & BIOGRAPHY (pink sheets) Saul Friedländer Franz Kafka Spring 2013 The Poet of Shame and Guilt Raphael Lemkin and Totally Unofficial Spring 2013 Donna‐Lee Frieze (ed) The Autobiography of Raphael Lemkin Yehudah Mirsky Rav Kook Spring 2013 Everything is Rising Arvind Sharma Gandhi Spring 2013 A Spiritual Biography Denys Turner Thomas Aquinas Spring 2013 A Portrait BUSINESS & ECONOMICS (pale blue sheets) Timothy Beardson Fading Giant Spring 2013 Why China Will Not Replace America as the World Superpower Anupam Chander The Electronic Silk Road Spring 2013 How the Web Binds the World Together in Trade Stephen D. -
Balance ICEX. PITTI IMMAGINE UOMO Florencia 12-15 De
INFORME IF DE FERIAS 2018 PITTI IMMAGINE UOMO Florencia 12-15 de junio 2018 Oficina Económica y Comercial de la Embajada de España en Milán Este documento tiene carácter exclusivamente informativo y su contenido no podrá ser invocado en apoyo de ninguna reclamación o recurso. ICEX España Exportación e Inversiones no asume la responsabilidad de la información, opinión o acción basada en dicho contenido, con independencia de que haya realizado todos los esfuerzos posibles para asegurar la exactitud de la información que contienen sus páginas. INFORME IF DE FERIAS 5 de julio de 2018 Milán Este estudio ha sido realizado por Marina Sanz Muñoz Bajo la supervisión de la Oficina Económica y Comercial de la Embajada de España en Milán. Editado por ICEX España Exportación e Inversiones, E.P.E., M.P. NIPO: 060-18-044-9 IF PITTI IMMAGINE UOMO JUNIO 2018 Índice 1. Perfil de la Feria 4 1.1. Ficha técnica 4 1.2. Actividades de promoción por parte de la Ofecomes 4 2. Descripción y evolución de la Feria 6 2.1. Organización y expositores 6 2.2. Datos estadísticos de participación 8 2.3. Plano del recinto 10 2.4. Secciones de la feria 10 3. Tendencias y novedades presentadas 12 3.1. Tendencias clásicas 12 3.2. Tendencias vanguardistas 13 3.3. Tendencias informales 14 3.4. El mercado de confección masculina en Italia 15 4. Valoración 19 4.1. Del evento en su conjunto 19 4.2. De la participación española 19 4.3. Recomendaciones 20 5. Anexos 22 5.1. Asociaciones del sector textil en Italia 22 5.2. -
Pitti Immagine Uomo 94 Primavera - Estate 2019
PITTI IMMAGINE UOMO 94 PRIMAVERA - ESTATE 2019 12 - 15. JUNE 2018 FIREZE ITALY 当該資料は、株式会社フェアイーストに権利帰属していますが、⼀部 第三者が権利 を保有する知的財産権が含まれています。 取り扱いに関しては、社内関係者限定と Copyright © 2018 fair east corporation all right reserved. させて頂く事、また 当該資料の複製、転売、譲渡等は、固くお断り致します。 FIRENZE Copyright © 2018 fair east corporation all right reserved. 1 PITTI IMMAGINE UOMO 94 12 - 15. JUNE 2018 FORTEZZA DA BASSO Copyright © 2018 fair east corporation all right reserved. 2 THEME PITTI IMMAGINE UOMO 94 のテーマは、 POP 『PITTI』『OPTICAL』『POWER』 PITTI IMMAGINE UOMO 94 のテーマは、 その名の通りカラフルで、パワフルな視覚効果に重点を置き オプティカルアートを彷彿させるような ポップ感に彩られた元気印のテーマとなっている。 PITTI IMMAGINE UOMO 94 Popular Color Copyright © 2018 fair east corporation all right reserved. 3 PITTI PEOPLE Copyright © 2018 fair east corporation all right reserved. 4 TAGLIATORE Lardini Ernesto Copyright © 2018 fair east corporation all right reserved. 5 Boglioli Luigi Borrelli Napoli Mauro Blasi Napoli Belvest Jean Manuel Moreau Copyright © 2018 fair east corporation all right reserved. 6 Oscar Jacobson Lardini Gabriele Pasini Ernesto MAN1924 Mauro Blasi Napoli Cantarelli Copyright © 2018 fair east corporation all right reserved. 7 ROY ROGERS PT01 RIVERSIBLE ROTA GELMANO GAZZARRINI MARCO PESCAROLO Copyright © 2018 fair east corporation all right reserved. 8 TAGLIATORE Luigi Borelli MAROL.1951 Laboratori Italiani 0909 Copyright © 2018 fair east corporation all right reserved. 9 ALTEA MILANO POGGIANTI 1958 GIERRE MILANO GRANASSO INGRAM 1949 Copyright © 2018 fair east corporation all right reserved. 10 GIAN NETTO PORTOFINO ALTEA MILANO ALTEA MILANO Xcas INGRAM 1949 Copyright © 2018 fair east corporation all right reserved. 11 Ahirain Doppia A Chapal1832 Pariniassociati Copyright © 2018 fair east corporation all right reserved. 12 GAZZARRINI Boccia 1944 Rotondi BOGLIOLI ORAZIO LUCIANOI SANTANIELLO Napoli Copyright © 2018 fair east corporation all right reserved. -
From July 16Th to October 9Th 2020 the New Pitti Immagine Website Hosts PITTI CONNECT: the Digital Platform Presenting the Summer Edition of Pitti Bimbo 91
From July 16th to October 9th 2020 the new Pitti Immagine website hosts PITTI CONNECT: the digital platform presenting the summer edition of Pitti Bimbo 91 An editorial look full of content, special projects, conversations and fashion feed to give to the exhibitors an original and exciting opportunity to show the new collections, with advanced networking tools and marketplaces. “The doors of Pitti Connect opened on Thursday 16 July”, says Agostino Poletto, General Manager of Pitti Immagine. “After months of hard work, we are presenting ourselves to the international fashion audience with a new online face. Until October 30th our special fairs are online, with the summer collections of brands and exhibiting companies, to date about 400 between Pitti Uomo, Bimbo and Filati - featuring key names on the international fashion scene - and with a program of digital projects to discover new points of view, to analyze and be inspired. We were looking for immediate solutions, we found long term opportunities: Pitti Connect has led to a great acceleration in the technological and virtual fields for our fairs and concretely represents the element of continuity that will carry us towards January 2021 when the physical and digital fairs will become completely integrated.” “Pitti Connect will also have an editorial format that is rich in content and special events” adds Lapo Cianchi, Pitti Immagine’s Communication & Special Events Director, which will render the atmosphere of the real fairs in the digital sphere, involving leading figures in fashion, artists and key people on the current cultural scene. A multi-faceted web magazine that we have rechristened THE BILLBOARD”. -
American Poets in Translation
Journal Journal ofJournal Italian Translation of Italian Translation V ol. XI No. 1 Spring 2016 Editor Luigi Bonaffini ISSN 1559-8470 Volume XI Number 1 Spring 2016 JIT 11-2 Cover.indd 1 8/11/2016 1:12:31 PM Journal of Italian Translation frontmatter.indd 1 8/12/2016 1:01:09 PM Journal of Italian Translation is an international Editor journal devoted to the translation of literary works Luigi Bonaffini from and into Italian-English-Italian dialects. All translations are published with the original text. It also publishes essays and reviews dealing with Ital- Associate Editors Gaetano Cipolla ian translation. It is published twice a year. Michael Palma Submissions should be in electronic form. Joseph Perricone Translations must be accompanied by the original texts, a brief profile of the translator, and a brief profile of the author. Original texts and transla- Assistant Editor tions should be on separate files. All submissions Paul D’Agostino and inquiries should be addressed to Journal of Italian Translation, Dept. of Modern Languages and Literatures, 2900 Bedford Ave. Brooklyn, NY 11210 Editorial Board Adria Bernardi or [email protected] Geoffrey Brock Book reviews should be sent to Joseph Per- Franco Buffoni ricone, Dept. of Modern Language and Literature, Barbara Carle Peter Carravetta Fordham University, Columbus Ave & 60th Street, John Du Val New York, NY 10023 or [email protected]. Anna Maria Website: www.jitonline.org Farabbi Rina Ferrarelli Subscription rates: Irene U.S. and Canada. Individuals $30.00 a year, $50 Marchegiani for 2 years. Francesco Marroni Institutions $35.00 a year. -
Il Mercato Italia Del Pronto Moda
PL Percorsi di lettura Periodico di economia a marketing sulla filiera dei beni di consumo Reg. Trib. Mi. n. 268 del 24/04/08 Tamburino - www.largoconsumo.info Documento in versione interattiva: www.largoconsumo.info/072008/PL-0708-006.pdf PRONTO MODA Costi del Percorso di lettura: Per ordini: [email protected] 266,00 (comprensivo iva) - non abbonati Aggiornato a: Largo Consumo e supplementi 192,00 (comprensivo iva) - abbonati Rif: PL-0708-006 Clicca qui per i costi dei singoli titoli Aggiornamenti: Verifica la disponibilità di un'edizione più aggiornata di questo Percorso di lettura. Se non sai cosa sia un Percorso di lettura, trovi una spiegazione alla pagina www.largoconsumo.info/percorsi LE FONTI DI QUESTO PERCORSO DI LETTURA E SUGGERIMENTI PER L'APPROFONDIMENTO DEI TEMI: Pianeta Distribuzione Osservatorio D'Impresa Rapporto annuale sul grande dettaglio internazionale Leggi le case history di Un’analisi ragionata delle politiche e delle strategie di sviluppo dei grandi gruppi comunicazioni d'impresa distributivi internazionali, food e non food e di come competono con la di Aziende e organismi distribuzione locale a livello di singolo Paese. Tabelle, grafici, commenti attivi giornalistici, interviste ai più accreditati esponenti del retail nazionale e nei mercati considerati in internazionale, la rappresentazione fotografica delle più importanti e recenti questo strutture commerciali in Italia e all’estero su Pianeta Distribuzione. Percorso di lettura selezionati da Largo Consumo Largo Consumo Rivista di economia e marketing sulla filiera dei beni di consumo Mensile fondato nel 1980 e diffuso esclusivamente in abbonamento, i cui contenuti giornalistici si sviluppano in forma di inchieste, studi e articoli vari inerenti tutti i momenti della filiera dei beni mass market, food e non food., dalla produzione, alla distribuzione, al consumo finale, compresi i servizi, le strutture e i sistemi collegati. -
BEACON PRESS Random House Adult Green
BEACON PRESS Random House Adult Green Omni, Fall 2013 Beacon Press Gaga Feminism : Sex, Gender, and the End of Summary: A roadmap to sex and gender for the twenty- Normal first century, using Lady Gaga as a symbol for a new kind J. Jack Halberstam of feminism 9780807010976 Pub Date: 9/3/13, On Sale Date: 9/3 Why are so many women single, so many men resisting $16.00/$18.00 Can. marriage, and so many gays and lesbians having babies? 184 pages Paperback / softback / Trade paperback (US) In Gaga Feminism: Sex, Gender, and the End of Normal, J. Social Science / Gender Studies Jack Halberstam answers these questions while attempting to Territory: World except United Kingdom make sense of the tectonic cultural shifts that have Ctn Qty: 24 transformed gender and sexual politics in the last few 5.500 in W | 8.500 in H decades. This colorful landscape is popula... 140mm W | 216mm H Author Bio: J. Jack Halberstam is the author of four books, including Female Masculinity and The Queer Art of Failure. Currently a professor of American studies and of ethnicity and gender studies at the University of Southern California, Halberstam regularly speaks and writes on queer culture and gender issues and blogs at BullyBloggers. Random House Adult Green Omni, Fall 2013 Beacon Press The Long Walk to Freedom : Runaway Slave Summary: In this groundbreaking compilation of first-person Narratives accounts of the runaway slave phenomenon, editors Devon Devon W. Carbado, Donald Weise W. Carbado and Donald Weise have recovered twelve 9780807069097 narratives spanning eight decades-more than half of which Pub Date: 9/3/13, On Sale Date: 9/3 have been long out of print.