Cv Marie Rolindes
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Que Le Style Soit Avec Vous !
VOUS REPRENDREZ BIEN GACHET SOPHIE UN PEU DE STYLE ? Se concocter un look sans passer par la case shopping est le ! concept de ce livre : les tenues des icônes de style sont décryptées pour donner les clés d’une allure qui va faire impression. EN QUATRE CHAPITRES, ON APPREND : Toutes les astuces des VIP qu’on peut copier Les gimmicks qui permettent de rendre son style inoubliable Les différentes possibilités de pimenter nos basiques QUE Les « fashion faux pas » qu’il faut oser Un livre très illustré (350 photographies) qui se lit comme un CARNET D’INSPIRATION. LE STYLE Journaliste de mode, SOPHIE GACHET a couru les fashion SOIT AVEC weeks dans le monde pour le magazine ELLE de 1998 à 2019. Coauteure avec Ines de la Fressange du best-seller La Parisienne, elle a écrit avec la créatrice et mannequin quatre autres ouvrages aux éditions Flammarion. Grâce à son décryptage du style VOUS ! des célébrités, elle nous aide à adopter les bons looks. SOPHIE GACHET QUE LE STYLE SOIT AVEC VOUS STYLE AVEC LE QUE SOIT / Prix France : 24,90 ISBN : 978-2-0815-2020-2 Getty Images Plus / 20-IX iStock -:HSMASB=ZWUWUW: © Studio Light and Shade Flammarion Flammarion Flammarion cover.indd 1-3 26/06/2020 11:17 QUE LE STYLE SOIT AVEC VOUS ! FICHIER_IMP_OK2.indd 1 16/06/2020 14:28 Julie Rouart Directrice éditoriale Delphine Montagne Responsable de l’administration éditoriale Gaëlle Lassée Directrice littéraire Tiphaine Bréguë Conception graphique Nathalie Sawmy Relecture sur épreuves Titouan Roland Fabrication Bussière Photogravure © Flammarion, Paris, 2020 Dépôt -
Annual Results FY 2019/2020
Annual results FY 2019/2020 Operating margin rate at 31%, increasing significantly compared with previous fiscal years Continued decrease in overheads : new drop of €14 M compared with 2018/2019 overheads, which were already €7 M lower than the previous fiscal year Net result of €(95) M, mainly due to non-recurring items linked to the restructuring : exceptional result of €(64) M including €(60) M with no cash impact Finalization of the financial restructuring with the completion after closing of the share capital increases reserved for the Vine and Falcon funds for €193 M Saint-Denis, 29 July 2020 – EuropaCorp, one of the leading independent film studios in Europe, film producer and distributor, reports its annual consolidated income, which ended on 31 March 2020, as approved by the Board of Directors at its meeting on 28 July 2020. Presentation IFRS 5* Profit & Loss – € million 31 March 2019 31 March 2020 Var. 31 March 2019 31 March 2020 Var. Revenue 150,0 69,8 -80,2 148,7 69,8 -78,9 Cost of sales -121,6 -48,3 73,3 -121,4 -48,3 73,1 Operating margin 28,4 21,4 -6,9 27,3 21,4 -5,8 % of revenue 19% 31% 18% 31% Operating income -79,0 -59,1 19,9 -71,2 -59,1 12,1 % of revenue -53% -85% -48% -85% 0 Net Income -109,9 -95,1 14,8 -109,9 -95,1 14,8 % of revenue -73% -136% -74% -136% * To be compliant with IFRS 5, the activity related to the exploitation of the catalog Roissy Films, sold in March 2019, has been restated within the consolidated FY 2018/19 for a better comparison. -
Cedric Jimenez
THE STRONGHOLD Directed by Cédric Jimenez INTERNATIONAL MARKETING INTERNATIONAL PUBLICITY Alba OHRESSER Margaux AUDOUIN [email protected] [email protected] 1 SYNOPSIS Marseille’s north suburbs hold the record of France’s highest crime rate. Greg, Yass and Antoine’s police brigade faces strong pressure from their bosses to improve their arrest and drug seizure stats. In this high-risk environment, where the law of the jungle reigns, it can often be hard to say who’s the hunter and who’s the prey. When assigned a high-profile operation, the team engages in a mission where moral and professional boundaries are pushed to their breaking point. 2 INTERVIEW WITH CEDRIC JIMENEZ What inspired you to make this film? In 2012, the scandal of the BAC [Anti-Crime Brigade] Nord affair broke out all over the press. It was difficult to escape it, especially for me being from Marseille. I Quickly became interested in it, especially since I know the northern neighbourhoods well having grown up there. There was such a media show that I felt the need to know what had happened. How far had these cops taken the law into their own hands? But for that, it was necessary to have access to the police and to the files. That was obviously impossible. When we decided to work together, me and Hugo [Sélignac], my producer, I always had this affair in mind. It was then that he said to me, “Wait, I know someone in Marseille who could introduce us to the real cops involved.” And that’s what happened. -
Download-To-Own and Online Rental) and Then to Subscription Television And, Finally, a Screening on Broadcast Television
Exporting Canadian Feature Films in Global Markets TRENDS, OPPORTUNITIES AND FUTURE DIRECTIONS MARIA DE ROSA | MARILYN BURGESS COMMUNICATIONS MDR (A DIVISION OF NORIBCO INC.) APRIL 2017 PRODUCED WITH THE ASSISTANCE OF 1 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Acknowledgements This study was commissioned by the Canadian Media Producers Association (CMPA), in partnership with the Association québécoise de la production médiatique (AQPM), the Cana- da Media Fund (CMF), and Telefilm Canada. The following report solely reflects the views of the authors. Findings, conclusions or recom- mendations expressed in this report are those of the authors and do not necessarily reflect the views of the funders of this report, who are in no way bound by any recommendations con- tained herein. 2 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Executive Summary Goals of the Study The goals of this study were three-fold: 1. To identify key trends in international sales of feature films generally and Canadian independent feature films specifically; 2. To provide intelligence on challenges and opportunities to increase foreign sales; 3. To identify policies, programs and initiatives to support foreign sales in other jurisdic- tions and make recommendations to ensure that Canadian initiatives are competitive. For the purpose of this study, Canadian film exports were defined as sales of rights. These included pre-sales, sold in advance of the completion of films and often used to finance pro- duction, and sales of rights to completed feature films. In other jurisdictions foreign sales are being measured in a number of ways, including the number of box office admissions, box of- fice revenues, and sales of rights. -
Gait Parameters in a Sample of Healthy Colombian
84 Rev. Fac. Med. 2020 Vol. 68 No. 1: 84-91 ORIGINAL RESEARCH DOI: http://dx.doi.org/10.15446/revfacmed.v68n1.71690 Received: 13/04/2018 Accepted: 03/09/2018 Revista de la Facultad de Medicina Gait parameters in a sample of healthy Colombian adults aged between 18 and 25 years: a cross-sectional study Parámetros de la marcha en una muestra de adultos sanos colombianos entre 18 y 25 años, un estudio transversal José Ricardo Duque-Ramírez1,2, José David Vélez-Uribe1, Nicolás Eugenio Gómez-Suárez1,2, Rubén Darío Manrique-Hernández3 1 Universidad CES - Faculty of Physiotherapy- Health and Movement Research Group - Medellín - Colombia. 2 Universidad EIA - Biomedical Engineering Research Group - Medellín - Colombia. 3 Universidad CES - Faculty of Medicine - Epidemiology and Biostatistics Research Group - Medellín - Colombia. Corresponding author: José Ricardo Duque-Ramírez. Grupo de Investigación Movimiento y Salud, Facultad de Fisioterapia, Universidad CES. Calle 10A No. 22-04, building: C, office: docentes 1. Telephone number: +57 4 4440555, ext.: 1420. Medellín. Colombia. Email: [email protected]. Abstract Introduction: Gait analysis is fundamental for assessing the functional capacity and motor Duque-Ramírez JR, Vélez-Uribe JD, Gó- skills of any individual. Therefore, a reliable and specific analysis method is necessary to study mez-Suárez NE, Manrique-Hernández RD. Gait parameters in a sample of heal- gait in different populations. However, the reference values of gait parameters currently used in thy Colombian adults aged between 18 Colombia come from studies conducted on population groups from other countries or regions. and 25 years: a cross-sectional study. Objective: To identify the reference values of gait kinematic parameters in healthy Colombian Rev. -
John Caglione, Jr
JOHN CAGLIONE, JR. Make-Up Designer IATSE 798 and 706 FILM BROKEN CITY Personal Make-Up Artist to Russell Crowe Director: Allen Hughes PHIL SPECTOR Personal Make-Up Artist to Al Pacino Director: David Mamet TOWER HEIST Department Head Director: Brett Ratner ON THE ROAD Special Make-Up Effects Director: Walter Salles Cast: Viggo Mortensen THE SMURFS Department Head Director: Raja Gosnell YOU DON’T KNOW JACK Personal Make-Up Artist to Al Pacino Director: Barry Levinson Nominee: Emmy Award for Outstanding Make-Up for a Miniseries or Movie SALT Department Head Director: Philip Noyce STATE OF PLAY Personal Make-Up Artist to Russell Crowe Director: Kevin Macdonald THE DARK KNIGHT Personal Make-Up Artist to Heath Ledger Director: Christopher Nolan Nominee: Academy Award for Best Achievement in Make-Up Nominee: Saturn Award for Best Make-Up 3:10 TO YUMA Personal Make-Up Artist to Russell Crowe Director: James Mangold AMERICAN GANGSTER Personal Make-Up Artist to Russell Crowe Director: Ridley Scott THE DEPARTED Department Head Make-Up and Department Head Effects Make-Up Director: Martin Scorsese Cast: Vera Farmiga, Ray Winstone, Kristen Dalton TENDERNESS Department Head Director: John Polson Cast: Russell Crowe, Laura Dern, Jon Foster, Tonya Clarke THE MILTON AGENCY John Caglione, Jr. 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Make-Up Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 798 & 706 [email protected] www.miltonagency.com Page 1 of 4 MY SUPER EX-GIRLFRIEND Department Head Director: Ivan Reitman Cast: Luke Wilson, Anna -
Sam Urdank, Resume JULY
SAM URDANK Photographer 310- 877- 8319 www.samurdank.com BAD WORDS DIRECTOR: Jason Bateman CAST: Jason Bateman, Kathryn Hahn, Rohan Chand, Philip Baker Hall INDEPENDENT FILM Allison Janney, Ben Falcone, Steve Witting COFFEE TOWN DIRECTOR: Brad Campbell INDEPENDENT FILM CAST: Glenn Howerton, Steve Little, Ben Schwartz, Josh Groban Adrianne Palicki TAKEN 2 DIRECTOR: Olivier Megato TWENTIETH CENTURY FOX (L.A. 1st Unit) CAST: Liam Neeson, Maggie Grace,,Famke Janssen, THE APPARITION DIRECTOR: Todd Lincoln WARNER BRO. PICTURES (L.A. 1st Unit) CAST: Ashley Greene, Sebastian Stan, Tom Felton SYMPATHY FOR DELICIOUS DIRECTOR: Mark Ruffalo CORNER STORE ENTERTAINMENT CAST: Christopher Thornton, Mark Ruffalo, Juliette Lewis, Laura Linney, Orlando Bloom, Noah Emmerich, James Karen, John Caroll Lynch EXTRACT DIRECTOR: Mike Judge MIRAMAX FILMS CAST: Jason Bateman, Mila Kunis, Kristen Wiig, Ben Affleck, JK Simmons, Clifton Curtis THE INVENTION OF LYING DIRECTOR: Ricky Gervais & Matt Robinson WARNER BROS. PICTURES CAST: Ricky Gervais, Jennifer Garner, Rob Lowe, Lewis C.K., Tina Fey, Jeffrey Tambor Jonah Hill, Jason Batemann, Philip Seymore Hoffman, Edward Norton ROLE MODELS DIRECTOR: David Wain UNIVERSAL PICTURES CAST: Seann William Scott, Paul Rudd, Jane Lynch, Christopher Mintz-Plasse Bobb’e J. Thompson, Elizabeth Banks WITLESS PROTECTION DIRECTOR: Charles Robert Carner LIONSGATE CAST: Larry the Cable Guy, Ivana Milicevic, Yaphet Kotto, Peter Stomare, Jenny McCarthy, Joe Montegna, Eric Roberts DAYS OF WRATH DIRECTOR: Celia Fox FOXY FILMS/INDEPENDENT -
KATHRINE GORDON Hair Stylist IATSE 798 and 706
KATHRINE GORDON Hair Stylist IATSE 798 and 706 FILM DOLLFACE Department Head Hair/ Hulu Personal Hair Stylist To Kat Dennings THE HUSTLE Personal Hair Stylist and Hair Designer To Anne Hathaway Camp Sugar Director: Chris Addison SERENITY Personal Hair Stylist and Hair Designer To Anne Hathaway Global Road Entertainment Director: Steven Knight ALPHA Department Head Studio 8 Director: Albert Hughes Cast: Kodi Smit-McPhee, Jóhannes Haukur Jóhannesson, Jens Hultén THE CIRCLE Department Head 1978 Films Director: James Ponsoldt Cast: Emma Watson, Tom Hanks LOVE THE COOPERS Hair Designer To Marisa Tomei CBS Films Director: Jessie Nelson CONCUSSION Department Head LStar Capital Director: Peter Landesman Cast: Gugu Mbatha-Raw, David Morse, Alec Baldwin, Luke Wilson, Paul Reiser, Arliss Howard BLACKHAT Department Head Forward Pass Director: Michael Mann Cast: Viola Davis, Wei Tang, Leehom Wang, John Ortiz, Ritchie Coster FOXCATCHER Department Head Annapurna Pictures Director: Bennett Miller Cast: Steve Carell, Channing Tatum, Mark Ruffalo, Siena Miller, Vanessa Redgrave Winner: Variety Artisan Award for Outstanding Work in Hair and Make-Up THE MILTON AGENCY Kathrine Gordon 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Hair Stylist Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 and 798 [email protected] www.miltonagency.com Page 1 of 6 AMERICAN HUSTLE Personal Hair Stylist to Christian Bale, Amy Adams/ Columbia Pictures Corporation Hair/Wig Designer for Jennifer Lawrence/ Hair Designer for Jeremy Renner Director: David O. Russell -
Catalogue-2018 Web W Covers.Pdf
A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Camera Operator/ Steadicam Operator
PRINCESTONE ( +44 (0) 208 883 1616 8 [email protected] SIMON BAKER Assoc. BSC / GBCT / ACO Camera Operator/ Steadicam Operator FEATURES: Title Director / DOP Production Co BLITHE SPIRIT Edward Hall / Fred Films / Powderkeg Pictures / B Camera operator / Steadicam Ed Wilde Align Cast: Emilia Fox, Isla Fisher, Judy Dench, Dan Stevens DOWNTON ABBEY Michael Engler / Carnival Films / Focus Features / B Camera operator / Steadicam Ben Smithard Perfect World Pictures Cast: Hugh Bonneville, Matthew Goode, Maggie Smith, Michelle Dockerty,Tuppence Middleton PETER RABBIT 2 (UK Unit) Will Gluck / Sony Pictures / B Camera Operator Peter Menzies Jnr Rose Line Productions Cast: Domhnall Gleeson, Rose Byrne, James Corden HIS HOUSE Remi Weekes / New Regency / BBC Films Camera operator / Steadicam Jo Willems Cast: Sope Dirisu, Munmi Mosaku, Matt Smith FANTASTIC BEASTS: CRIMES OF GRINDLEWALD Stephen Woolfenden / Warner Bros 2nd Unit B camera /Steadicam Jean-Phillippe Gossart A&B camera/ Steadicam on Main Unit David Yates / Phillipe Rousselot Cast: Eddie Redmayne, Johnny Depp ALL THE MONEY IN THE WORLD Ridley Scott / Sony / Tristar / Imperative / B camera operator (2wks reshoots) Darius Wolski Scott Free Productions Cast: Christopher Plummer, Michelle Williams PETER RABBIT (UK Unit) Will Gluck / Columbia Pictures / B camera operator Peter Menzies Jnr Animal Logic Ent. Cast: Domhnall Gleeson, Rose Byrne, James Corden THE MAN WHO INVENTED CHRISTMAS Bharat Nalluri / Thunderbird / Bleeker Street B camera operator / Steadicam Ben Smithard Cast: Dan Stevens, -
Not Your Grandfather's Sherlock Holmes
d “nOt YOuR GRandFatHeR’S SHeRlOCk HOlMeS”: Guy Ritchie’s 21st Century Reboot of a 19th Century british Icon Ashley Liening Sherlock Holmes “has enjoyed the most vigorous afterlife of any fictional character” posits thomas leitch, adaptation scholar and author of Film Adaptation and Its Discontents (leitch 207). Indeed, a franchise has been built around Sir arthur Conan doyle’s quirky detective, so much so that Sherlock Holmes has become one of the most adapted literary figures of all time, outnumbered only by Frankenstein’s monster, tarzan, and dracula (207). Clare Parody asserts, “Franchise practice has produced and surrounded some of the highest grossing and best-known fictional texts, characters, plots, and worlds of the twentieth and twenty-first centuries,” and Sherlock Holmes is no exception (211). From 1900 till the present day, Sherlock Holmes has been portrayed by “nearly 100 actors, in over 200 films, from more than a dozen different countries,” and it does not appear like “Sir arthur Conan doyle’s violin- playing, pipe-smoking, cocaine-injecting sleuth” is going any- where anytime soon (Cook 31). In fact, the twenty-first century has experienced a resurgence in more “straightforward” Holmes adaptations, namely bbC’s Sherlock (2010), which aired in three ninety-minute episodes and portrays a tech-savvy twenty-first century Holmes, and Guy Ritchie’s 2009 and 2011 35 big screen adaptations, the latter of which will be the focus of this essay. I aim to explore the ways in which Guy Ritchie’s Sher lock Holmes (2009) adaptation, while inextricably bound to Conan doyle’s storytelling franchise, diverges from its prede- cessors in that it is not an amalgamation of other Holmes adap- tations.