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Modern Dance
Modern Dance 90’s, 00’s, 10’s Pour Some Sugar On Me Crossfire Juice You Are The One Soul Man 24K Magic What I Like About You In The Midnight Hour Finesse Shake Your Body Down Gimme Some Lovin' Shut Up And Dance Don’t Stop Til You Get Enough You Really Got Me I Can’t Feel My Face I've Had The Time Of My Life Domino That’s What I Like Start Me Up Wild Night Shape Of You The Power Of Love Brown Eyed Girl Uptown Funk Glory Days Moondance Treasure Jump! Proud Mary Happy All Night Long Born On A Bayou Downtown Celebration Blurred Lines Ladies Night 50’s This is How We Do It Ain’t No Mt. High Enough Rock Around The Clock Can't Hold Us Crazy Little Thing Called Love School Days Get Lucky Sweet Caroline All Shook Up Suit & Tie Play That Funky Music Hound Dog Buzzin’ Brick House Jail House Rock Call Me Maybe That’s The Way I Like It Blue Suede Shoes Valerie Get Down Tonight Johnny B. Goode Gangnam Style Night Fever Rockin' Robin All I Do Is Win More Than A Woman Whole Lotta Shakin Moves Like Jagger September Party Rock Anthem We Are Family SLOW DJ Got Us Falling In Love How Sweet It Is Perfect Raise Your Glass Feelin' Alright Thinking Out Loud California Gurls Listen To The Music Like I’m Gonna Lose You Tik Tok Crocodile Rock I Want It That Way Dynamite Dance The Night Away All Of Me Empire State Of Mind Better Together Right Round 60’s You And Me I Gotta Feelin Pretty Woman Faithfully Just Dance Louie Louie Wonderful Tonight Crazy In Love La Bamba When A Man Loves A Woman Black Horse & The Cherry Tree Mony Mony Your Body Is A Wonderland Forever -
AMES, IA (Late)
AMES, IA (Late) COMPETITION RESULTS BravO! High Point O!ward (Awarded to the highest scoring group routine of the weekend) "The Unnoticed" Centerville & Chariton DXP Standing O!vation O!ward "Work" Fusion Dance "Invasion" Centerville & Chariton DXP "Rising Sun" Fusion Dance "Kickz" Centerville & Chariton DXP Outstanding Performance O!ward "Sweet, Sugar, Candyman" Sherri and Julie's Dance and Gymnastics "Do They See Jesus In Me" Fusion Dance "Steampunk" The Dance Konnection "What Lies Beneath" Main Street Dance Studio O!verture Level Entertainment O!ward "Grease" Maryville Dance Academy "Slumber Party GIrls" Main Street Dance Studio "Survivor" Maryville Dance Academy "Donatella" Maryville Dance Academy Encore! Level Entertainent O!ward "Nitty Gritty" Main Street Dance Studio "Gettin' In The Zone" Fusion Dance "I Got Bills" Sherri and Julie's Dance and Gymnastics "Pick Up The FIddle" Dance Explosion BravO! Level Entertainment O!ward "Work" Fusion Dance "Three Little Pigs" Centerville & Chariton DXP "Bette Davis Eyes" The Dance Konnection "Blow" Cherie's Dance Studio InAside Scholarship Grey Magill "Belief" Fusion Dance Aubrey Jones "Can't Help Falling In Love" Maryville Dance Academy Caty Wiederholt "My Heart Will Go On" Maryville Dance Academy Mary Drummer "Landfill" The Dance Konnection Excellence in Showmanship Liberty Ashworth "Everybody Wants To Be A Cat" Main Street Dance Studio Bailey Miller "Hit Me With a Hot Note" Vicky's Dance Academy Rachel Schiebel "I Want To Be a Cowboy's Sweetheart" The Dance Konnection Cora Christoffer "Le -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
Four Named to Presidential Search Undergraduate, Graduate and Mo Alumni Representatives Chosen »> | Fe Lege Junior; and Will Rice College by Liora Danan (Hanszen '65)
MMfiMiii Vol. XC, Issue No. 22 SINCE 1916 Friday, March 7, 2003 . Revote ordered in three contested SA elections 6 by Jenny Rees tallied preferentially, Emmett said. THRESHER EDITORIAL STAFF "The instructions on the ballot prevented the votes from being tallied so that the voters' The Student Association will conduct vot- intent could be found correctly," Emmett said. ing for a second time in three races from the "I think a re-vote is the only viable way to get General Election ballot, the University Court the voters' interests represented and be in decided Sunday. U. Court ruled the SA must accordance with the SA constitution." hold voting again because of misleading Skye Schell, a Baker College sophomore instructions on the ballot for U. Court sopho- and SA director of technology, said although more representatives and Honor Council the electronic ballot itself will remain the same junior and senior representative. for the new elections, he will change the in- The new elections will begin at noon structions on the ballot. The instructions will March 21 and end at 1 p.m. March 26. The clearly state voters will have a number of votes same candidates will appear on the ballot, and of the same weight that will be equal to the no new petitions will be accepted. number of candidates elected in each race, U. Court justices decided to mandate the new Schell, a Thresher editorial staff member, said. vote after hearing a contest to the election filed SA Elections Chair Alan Pham, a Baker by Lovett College sophomore Robert Emmett, sophomore, said he is worried fewer students who lost the race for Honor Council junior rep- will vote in the new elections. -
Form: Set List Select Several Songs to Be Played at Your Event / Party
FORM: SET LIST SELECT SEVERAL SONGS TO BE PLAYED AT YOUR EVENT / PARTY SONGS YOU CAN EAT AND DRINK TO MEDLEYS SONGS YOU CAN DANCE TO Earth, Wind & Fire - Can't Hide Love LCD Soundsystem – I Can Change Shuggie Otis - Strawberry Letter 23 Earth, Wind & Fire - Let’s Groove LFT - Quadron Simple Minds - Don't You Forget About Me Beach Boys - God Only Knows Daft Punk Medley Adele - Rolling in the Deep Earth, Wind & Fire - September Little Richard - Good Golly Miss Molly Spice Girls - Say You'll Be There Belle and Sebastian - Your Covers Blown 90's R&B Medley Al Green - Love and Happiness Earth, Wind & Fire - Sing a Song Looking Glass - Brandy St. Vincent - Digital Witness Black Keys - Gold On the Ceiling TLC Amy Winehouse - Valerie ELO - Don’t Bring Me Down Loudon Wainwright - Daughter Stealers Wheel - Stuck in the Middle With You Bon Iver – Holocene Usher Ariel Pink - Round + Round ELO - Mr. Blue Sky Lou Reed – Walk on the Wild Side Steely Dan - Hey Nineteen Bon Iver - Re: Stacks Montell Jordan Beach Boys - Don’t Worry Baby Elton John - Tiny Dancer Lykke Li - I follow Rivers Steely Dan - Peg Bon Iver - Skinny Love Mark Morrison Beach Boys - God Only Knows Empire of the Sun - Walking On a Dream Madonna - Like A Prayer Stevie Nicks - Leather & Lace Christopher Cross - Sailing Next Beach Boys - Wouldn’t It Nice Eric Clapton - Wonderful Tonight Madonna - Lucky Star Stevie Nicks - Stand Back David Bowie - Ziggy Stardust 80's Pop + New Wave Medley Beck - Debra Father John Misty - Chateau Lobby #4 Major Lazer – Lean On Stevie Wonder - Higher Ground Eagles - Hotel California New Order Beck - Where It’s At Feist - 1,2,3,4 Mariah Carey - Always Be My Baby Stevie Wonder - I Believe (When I Fall In Love) ELO - Mr. -
180916 SUPER JUNIOR OFFICIAL FANCLUB E.L.F-JAPAN MAGAZINE VOL.0014 SPECIAL SOLO INTERVIEW - Shindong
180916 SUPER JUNIOR OFFICIAL FANCLUB E.L.F-JAPAN MAGAZINE VOL.0014 SPECIAL SOLO INTERVIEW - Shindong Qn 1 : Who's the most bravest member ? Ans : The sooner it is for me to give up , feel that If I don't let go easily, this is the bravest person ah. In fact , the other members have so much determination , not to mention 「Giving up」is actually a hard thing to do ah. After all, this is my personal opinion. For Justice and Rejection is my style. I'm the bravest man (Laughs) Qn 2 : The most treasurable object that you kept since young is? Ans : Since Young , I was a teen who loved Robots personally, the most treasurable object was a gift from my father - a notebook , I still remember that it was given during my 3rd year of Junior High school . and I used it for 6 years . When I myself began to explore on many things ， research on their specifications, thanks to the knowledge of using laptops, the function can also be expanded and implied. If the members have problems with their laptops, they will also asked me. Qn 3 : At times when there's a difference in the show times for the world tour , during the performance is there any amendments in any areas or sections ? Ans : In the process , an image (VCR) will be inserted into one of the sections ,it will be collaborated with the location of each place ，changes will be made , At Taiwan . it will be related to somewhere of it ，At Philippines , it will be also related to it , for example , In South America , the backdrop was a place with snow that was flying and floating around , so the editing was to be collaborated with the members camera for the images (VCR). -
Dra Matics Off Early Tart Friday Ight
p IJr Jlnbtrgrabaatr VOUJM£ 56. NUMBER 2 Dra matics Off Earl y tart Hey! Friday ight Playbill Will Include Three One-Act Plays; Warren's "You Can't Win" Will Be Given by Footlights Club. Th un iver ity dramatic sea on will be off to an early start with the pr sentation of the Playbill pr ductions at Mitchell Hall next Friday night. Thoma. Warren's original play, to "You an't Win," which wa sub mi t<'d in the Dean mith onte t Ia t year, will b given by the Footlight Play r , wllile th Pup P s have chosen a on -a t play, " onflict," and th guest arti. t , th L niversity Drama Group, will pr s nt chnitzler' "The Far well upper." Eliza th MacFarland will di r th Puppets' one-act play, and B tty Jane Brown, Blanche L , Mina P re s, and Joseph Holz man compri e the cast. Barbara Hutchings and Tom Warren will rv as understudies. The plot concerns a watchful moth r who evidently believe that het· childr n will never be able to tak care of themselves. Her at t mpt to r un her daughter's life and the difficulties she encounters' provide comedy for the story. ' In pre nting "You Can't Win," the cast of which has n t as y t be n cho n, the Footlight Play ~r a~ t ~d ing toward originality 10 ~mv r. tty dramatics. Th play, w~tt en by a member of th group, Wlli }}(' t goo , directed and pro due d by amateur artist . -
The Korean Wave As a Localizing Process: Nation As a Global Actor in Cultural Production
THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Ju Oak Kim May 2016 Examining Committee Members: Fabienne Darling-Wolf, Advisory Chair, Department of Journalism Nancy Morris, Professor, Department of Media Studies and Production Patrick Murphy, Associate Professor, Department of Media Studies and Production Dal Yong Jin, Associate Professor, School of Communication, Simon Fraser University © Copyright 2016 by Ju Oak Kim All Rights Reserved ii ABSTRACT This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society’s politics, economy, geography, and culture. The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)’s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices. -
Nominalization in Puaar
Nominalization in Pulaar By Copyright 2017 Ibrahima Ba Submitted to the graduate degree program in Linguistics and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Dr Andrew McKenzie ________________________________ Dr Alison Gabriele ________________________________ Dr Isaac Gould ________________________________ Dr Utako Minai ________________________________ Dr Peter Ojiambo ________________________________ Dr Harold Torrence Date Defended: 27 January 2017 The Dissertation Committee for Ibrahima Ba certifies that this is the approved version of the following dissertation: Nominalization in Pulaar ________________________________ Chairperson Dr Andrew McKenzie Date approved: 27 January 2017 ii Abstract There are a few strategies to construct nominal structures and phrases. The Pulaar infinitive, for instance is used genitive nominalization and other non-finite clauses with nominal properties. Relative clause (RC) nominalization (headed relative clause and factive clauses) is also another nominalization process in the language. This dissertation lays out a description of these nominalization processes with a main focus on constructions involving the infinitive and relative clause nominalizations. The infinitive in Pulaar can have both nominal and verbal properties and this is usually indicated by an agreeing determiner but also through adjectival or adverbial modification. RC nominalization is a very prominent and productive in the language. The verb within the relative clause can occur with functional morphemes such as tense, aspect and negation. In addition, a relativized verb can have derivational morphemes like valency-changing affixes attached to it. The factive RC nominals can have an event, factive and manner interpretation whereas the GN nominal can have a generic, event and factive interpretation. -
A PRAGMATIC ANALYSIS of REFUSAL EXPRESSIONS USED by the FAMILY CHARACTERS in ORPHAN MOVIE a THESIS Presented As a Partial Fulfil
A PRAGMATIC ANALYSIS OF REFUSAL EXPRESSIONS USED BY THE FAMILY CHARACTERS IN ORPHAN MOVIE A THESIS Presented as a Partial Fulfillment of the Requirements for the Attainment of the Degree of Sarjana Sastra in English Language and Literature By Arum Sari 07211144028 STUDY PROGRAM OF ENGLISH LANGUAGE AND LITERATURE DEPARTMENT OF ENGLISH EDUCATION FACULTY OF LANGUAGES AND ARTS STATE UNIVERSITY OF YOGYAKARTA 2012 MOTTOS “The only way to do great work is to love what you do.” (Steve Jobs) “Never try, never know” (Topik) v DEDICATION I dedicate this thesis to people whom I love most in the world: Bapak Bambang Setyawan and Ibu Rika Rostika Ningsih vi ACKNOWLEDGMENTS Alhamdulilah, all praise to be Allah SWT, the Almighty, and the Most Merciful without which I would have never finished this thesis completely. I would also like to give my deepest thank to: 1. Suhaini, M. Saleh, M.A as my first consultant and Paulus Kurnianta, M.Hum as my second consultant, without their advice, care and patience, this thesis would not have been finished; 2. my Pembimbing Akademik, Paulus Kurnianta, M.Hum. for his guidance; 3. all lectures in study program Language and Literature in Yogyakarta State University; 4. my parents, Bambang Setyawan and Rika Rostika Ningsih who have given me endless love, support and pray, so that I could finish this thesis; 5. my beloved sister, Sekar Galuh who always supports and prays for me; 6. my aunt Mama Enny Ratna Dewi who always gives me inspiration and supports me; 7. my kind-hearted cousin, Cubi Abi who always reminds me about this thesis; 8. -
Super Junior Official Fanclub E.L.F-Japan Magazine Vol.0014
SUPER JUNIOR OFFICIAL FANCLUB E.L.F-JAPAN MAGAZINE VOL.0014 SPECIAL SOLO INTERVIEW - Eunhyuk Qn 1 : The most treasurable item that you have since young is ? Ans : I had always received lots of letters from boys and girls and also friends since I was in an elementary school and I always kept and treasure them too. Qn 2 : The most difficult time that happened during the world tour is ? Ans: The environment and the setting conditions are different for each country, when it is time for a performance , the helicopter cannot be used due to it settings being different , we will try to collabrate the solutions that happened on the spot and then solve those problems, this requires a better performance to be organize properly, and the workload will be increased and be much heavier, although there’ll be certain parts that has much disturbence , but we had already gone through it , so not much of a big problem . Qn 3 : Do you have a MC and a schedule for every different country ? Ans : For MC cases , we will try to use this country language , When organizing for South America tour , basically is using Spanish to communicate , we did some preparations . Qn 4 : In [Lo siento] , a Latin style and a passionate , sexy attitude is formed , being SUPER JUNIOR what type of challenge in style will you want to try out after today ? Ans : We have already given everyone a lot of different styles, why no return to this kind of fresh and cheerful style is not bad though. -
The Representation of Masculinity in South Korean
The Representation of Masculinity in South Korean Reality Show “The Return of Superman” Yanti Praptika Gesang Manggala Nugraha Putra English Department, Universitas Airlangga Abstract The culture of South Korea produces a different breed of masculinity. A breed that is distinguishable from the one born within Western culture. This type of masculinity is spread not just locally, but also globally through various Korean media, such as K-Pop, K-Drama, and reality shows. One of Korean Shows that is popular nowadays is The Return of Superman. This study would like to discuss the representation of masculinity in Korea that is being represented by the celebrity fathers in that show. Using textual analysis, theory of television culture by John Fiske, and the messages of masculinity by Ian M. Harris, this study tries to reveal the way those celebrity fathers represent the South Korean masculinity. The result of the analysis shows that masculinity in The Return of Superman is not all about strength and power but also about how to love their children and take care of their family. The Return of Superman is trying to show the ideology that superman masculinity is not only about strength and power but also about helping and respecting women in their gender role. This could be a part of the government’s effort to realize gender equality in South Korea. Keywords: masculinity, fatherhood, reality show, The Return of Superman, superman masculinity Introduction Masculinity, as a part of gender discourse, is something constructed socially and culturally by the societies. Globally, masculinity is always related to strength and power.