ANTHROPOLOGY Unearthing the Human Experience
CHAPTER 7 ANTHROPOLOGY Unearthing the Human Experience Chip Colwell-Chanthaphonh, Anthropology Begins, 1900–1935 Stephen E. Nash, When the Museum opened its doors to the public in 1908, anthropology had Steven R. Holen, and scarcely established itself as a distinct discipline; it was represented by formal Marc N. Levine departments in only a handful of American museums and universities. Thus it should come as little surprise that anthropology and archaeology played minor roles in the Colorado Museum of Natural History’s formative years. At the outset, the Museum’s greatest efforts were directed toward building geological and zoological collections and displays to attract visitors. Although there was no anthropology or archaeology department at the Museum until 1936, objects representing past and living cultures were always within the Museum’s walls. Much of this material was housed in the Museum’s Art Gallery (Fig. 7.1), largely supported by the Museum’s first board president, art collector John F. Campion. William S. Ward, who enjoyed the unlikely title of curator of mineralogy and art, oversaw the Art Gallery until 1914. Ward had attended Princeton, fought in the U.S. Navy during the Civil War (and was taken prisoner twice), worked as a chemist, studied metal- lurgy at Oxford, and served as the field director of the Department of Mines and Metallurgy for the 1904 World’s Fair in Saint Louis. All of these diverse experiences led to Ward’s role as one of the founding curators at the Museum. The Art Gallery featured an eclectic collection of artistic pieces from the United States and beyond, including traditional crafts (Japanese embroidery, Navajo blankets, and Indian baskets), and antiquities from Asia (Chinese and Japanese porcelains, lacquer- ware, and bronzes) and Europe (Greek sculpture, oil Figure 7.1.
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