Alistair Hulett and David Rovics
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The Red Clydesiders - an Interview with Alistair Hulett
Illawarra Unity - Journal of the Illawarra Branch of the Australian Society for the Study of Labour History Volume 5 Illawarra Unity, Volume 5 No.1 Issue 1 Illawarra Unity Article 2 2005 The Red Clydesiders - an interview with Alistair Hulett Anthony Ashbolt University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/unity Recommended Citation Ashbolt, Anthony, The Red Clydesiders - an interview with Alistair Hulett, Illawarra Unity - Journal of the Illawarra Branch of the Australian Society for the Study of Labour History, 5(1), 2005, 17-29. Available at:https://ro.uow.edu.au/unity/vol5/iss1/2 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The Red Clydesiders - an interview with Alistair Hulett Abstract Alistair Hulett, a Glasgow native, is one of Scotland’s finest folk performers and a committed socialist. During the 70s, 80s and much of the 90s he was based in Australia where he made a name for himself as a solo performer and for a period as a member of the highly acclaimed punk folk band Roaring Jack. From punk he moved back to the spirit and style of the folk revival of the 1960s. He is now based in Glasgow, where he performs solo and with Dave Swarbick, his collaborator on the CD Red Clydeside. Keywords socialists, folk singer, Scotland This journal article is available in Illawarra Unity - Journal of the Illawarra Branch of the Australian Society for the Study of Labour History: https://ro.uow.edu.au/unity/vol5/iss1/2 Illawarra Unity The Red Clydesiders: An Interview with Alistair Hulett Interviewer: Anthony Ashbolt [Alistair Hulett, a Glasgow native, is one of Scotland’s finest folk performers and a committed socialist. -
SIXTY YEARS of AUSTRALIAN UNION SONGS the Australian Folk Revival and the Australian Labour Movement Since the Second World War
SIXTY YEARS OF AUSTRALIAN UNION SONGS The Australian Folk Revival and The Australian Labour Movement Since The Second World War Mark Gregory Books, magazines, concerts and recordings !is book was made available with the generous support of CFMEU (Mining and Energy Division) Maritime Union of Australia NSW Teachers Federation Peter Neilson CONTENTS Summary i Acknowledgements ii Introduction 1 Chapter One 5 The Australian Folk Revival and the Union Movement Chapter Two 23 Folk Song and Unions - Political Songs Chapter Three 37 Art and Working Life Program Chapter Four 48 MUA centenary CD and the Union Songs website Chapter Five 61 Rights at Work: Contemporary Song and Poetry Chapter Six 71 Conclusion Bibliography 76 Discography 80 Websites cited 82 Listen to MUA centenary CD tracks online at http://unionsong.com/wtatracks.html SUMMARY This thesis, Sixty Years of Australian Union Songs, comprises three parts: a CD - With These Arms, a website – Union Songs, and a critical review of union songs written in Australia over the past sixty years. The thesis explores the relationship between the Australian folk revival and Australian Trade Unions. It provides a detailed study of events in the post war history of the union movement and the folk revival as evidence of a long relationship between them. Through a series of interviews with songwriters, and a discussion of folk revival magazines and folk song books, the thesis investigates the details of the connections between the two movements, and the social and political effects of these movements on changes that have occurred in Australia since the end of World War 2. -
Australian Working Songs and Poems - a Rebel Heritage
University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 2014 Australian working songs and poems - a rebel heritage Mark Gregory University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Gregory, Mark, Australian working songs and poems - a rebel heritage, Doctor of Philosophy thesis, School of Humanities and Social Inquiry - History and Politics, University of Wollongong, 2014. -
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E] Book Contents
The Eskimo Republic For John Powles, former Project Manager of the Centre for Political Song at Glasgow Caledonian University, and for Thurso Berwick. Other books written or co-written by Ewan McVicar include One Singer One Song Cod Liver Oil & The Orange Juice [with Hamish Imlach] Streets Schemes & Stages [with Mary McCabe] Traditional Scottish Songs & Music [with Katherine Campbell] Doh Ray Me When Ah Wis Wee Lang Legged Beasties One Black Isle Night The Eskimo Republic Scots political folk song in action 1951 to 1999 Ewan McVicar Gallus Publishing Linlithgow All rights reserved. The moral right of the author has been asserted. First published in Great Britain in 2010 by Gallus Publishing 84 High Street Linlithgow EH49 7AQ 01506 847935 [email protected] No part of this book may be produced or transmitted in any form or by any other means without permission in writing from the publisher, except by a reviewer who wishes to quote brief passages. This book was researched, created and published through a Writers Bursary grant in 2008 from the Scottish Arts Council, to whom full thanks are given. All interview texts are the copyright of those interviewed, who are thanked for their generous giving of time, knowledge and thoughts. Particular thanks are due to John Powles, Ian Davison, Stuart McHardy and Geordie McIntyre. Song texts are the copyright of the named creators or their heirs. Particular thanks to Marion Blythman, Kaetzel Henderson, Janette McGinn, Meic Stephens, the families of Norman MacCaig and John MacEvoy, Ian Davison and Seylan Baxter to quote from the relevant works. -
Acts • Port Fairy Folk MUSIC Festival – 1977 to 2016
International Boys of the Lough (Scotland) Acts • Port Fairy Folk MUSIC National Abominable Snow Band, Acacia Trio, Boys of The Lough, Barefoot Nellie, John Beavis, Festival – 1977 to 2016 Ted Egan , Captain Moonlight, Bernard Carney, There are around 3500 acts that have been Elizabeth Cohen, Christy Cooney, Alfirio Cristaldo, booked, programmed and played at Port Fairy John Crowl, Dave Diprose, Five N' A Zak, Fruitcake since 1977. of Australian Stories, Stan Gottschalk, Rose No-one has actually counted all of them. Many Harvey, Greg Hastings, High Time String Band, Street Performers and workshop acts have not Richard Keame, Jindivick, Stephen Jones, been listed here. Sebastian Jorgensen, Tony Kishawi, Jamie Lawrence, Di McNicol, Malarkey, Muddy Creek December 2 - 4th 1977 Bush Band, The New Dancehall Racketeers, Tom Declan Affley, Tipplers All, Poteen, Nick Mercer, Nicholson, Trevor Pickles, Shades of Troopers Bush Turkey, Flying Pieman and many more Creek, Gary Shields, Judy Small, Danny Spooner, Shenanigans, Sirocco, Tara, Mike O'Rourke, Tam O December 1- 3rd 1978 Shanter, Tim O' Brien, Ian Paulin, Pibroch, Shirley Declan Affley, Buckley's Bush Band, John Power, Cathy O'Sullivan and Cleis Pearce, Poteen, MacAuslan, Poteen, Rum Buggery and The Lash Tansey's Fancy, Rick E Vengeance, Lisa Young Trio, Kel Watkins, Tim Whelan, Fay White, Stephen December 7 -9th 1979 Whiteside, Witchwood, Geoff Woof, Yabbies Redgum, Finnegans Wake, Poteen, Mick and Helen Flanagan, Tim O'Brien and Captain Moonlight, March 8 - 11th 1985 Buckley's Bush Band, -
Constructing the Nation
CH •X ANG DF E P w Click to buy NOW! w m o w c .d k. ocu•trac CONSTRUCTING THE NATION: THE ROLE OF THE BALLAD IN TWENTIETH CENTURY GERMAN NATIONAL IDENTITY WITH SPECIAL REFERENCE TO SCOTLAND. Kirsten Kearney Submitted for the award of Doctor of Philosophy School of Languages, Cultures and Religions • German University of Stirling January 2007 CH •X ANG DF E P w Click to buy NOW! w m o w c .d k. ocu•trac ii Abstract This thesis focuses on the importance of the ballad in constructing national identity in Germany during the 20th century from 1918•1978. It presents a comparative approach using Scotland as a comparator, based on three significant time periods throughout the century: the Weimar Republic, the Nazi era and the German folk revival. In each of these eras the issue of national awareness was most in evidence and national identity was being created or was a particular object of tension. The modern Scottish literary renaissance and the Scottish folk revival will be used for comparative purposes. The comparative approach will also aid a deeper understanding of the concept of national identity itself. The hypothesis is that the ballad has contributed to the development of national identity in specific and differing ways in the two countries. Selected artists; poets, singers and Liedermacher have been chosen as representatives for each particular stage. The ballad in the 20th century has previously received little critical attention, thus this period has been chosen as the time frame of the thesis in an attempt to redress this balance and create new knowledge. -
Constructing the Nation
CH brought to you by View• Xmetadata,ANG citation and similar papers at core.ac.uk CORE DF E P provided by Stirling Online Research Repository w Click to buy NOW! w m o w c .d k. ocu•trac CONSTRUCTING THE NATION: THE ROLE OF THE BALLAD IN TWENTIETH CENTURY GERMAN NATIONAL IDENTITY WITH SPECIAL REFERENCE TO SCOTLAND. Kirsten Kearney Submitted for the award of Doctor of Philosophy School of Languages, Cultures and Religions • German University of Stirling January 2007 CH •X ANG DF E P w Click to buy NOW! w m o w c .d k. ocu•trac ii Abstract This thesis focuses on the importance of the ballad in constructing national identity in Germany during the 20th century from 1918•1978. It presents a comparative approach using Scotland as a comparator, based on three significant time periods throughout the century: the Weimar Republic, the Nazi era and the German folk revival. In each of these eras the issue of national awareness was most in evidence and national identity was being created or was a particular object of tension. The modern Scottish literary renaissance and the Scottish folk revival will be used for comparative purposes. The comparative approach will also aid a deeper understanding of the concept of national identity itself. The hypothesis is that the ballad has contributed to the development of national identity in specific and differing ways in the two countries. Selected artists; poets, singers and Liedermacher have been chosen as representatives for each particular stage. The ballad in the 20th century has previously received little critical attention, thus this period has been chosen as the time frame of the thesis in an attempt to redress this balance and create new knowledge. -
Download Booklet
A’ Adam’s Bairns? Exploring equality and diversity in Scotland past and present Age 10-14 Acknowledgements Written by Maggie Lunan, Jackie McCaffery and Susan McIntosh This resource has been developed as part of a collaborative project funded by the Heritage Lottery Fund. It has been produced by Scottish Development Education Centre (Scotdec) in partnership with The National Library of Scotland (NLS) and Dr Fred Freeman. The music was produced by Dr Fred Freeman and the pack makes use of the archive material held by the NLS. Also thanks to Scran for contribution of selected images. Design: www.contextdesigns.co.uk A’ Adam’s Bairns? Exploring equality and diversity in Scotland past and present Introduction 3 The CD ROM and how to use it 4 Overview 6 A Curriculum for Excellence 8 Unit 1 Sources and Evidence 10 Types of Sources 10 Bias & Reliability 12 Questioning Sources & Evidence 14 Unit 2 Slavery 16 Freedom and Slavery 16 Slavery in the Past 18 Contemporary Slavery 20 Unit 3 Forced Movement of People 22 Clearances 22 Emigration 24 Refugees and Asylum Seekers 26 Unit 4 Scottish Identity and Diversity 28 Who is a Scot? 28 Identity 30 Immigration Past and Present 32 Unit 5 Prejudice and Discrimination 34 Thinking about Prejudice 34 Scottish Gypsies and Travellers 36 Types of Discrimination 38 Unit 6 Taking Action for Change 40 Abolitionist Movement 40 Campaigns over the Years 42 Current Issues 44 Songs 46 Front cover image (and throughout of) people holding hands –IStock. Front cover image of historical slavery scene, p1,3 & 16 – © Anti-Slavery International. -
JANE HOCKLEY with HER HARP to Perform at a Concert in the Historic Opera House at Gulgong
Dates For Your Diary Folk Federation of New South Wales Inc Folk News Issue 415 Dance News March 2010 $3.00 CD Reviews JANE HOCKLEY WITH HER HARP To perform at a Concert in the historic Opera House at Gulgong. 1970 - 2010 40 YEARS The Folk Federation of NSW ONLINE - jam.org.au The CORNSTALK Gazette FEBRUARY 2010 1 NEW ADVERTISING SIzES Size mm Members Not Mem FEBRUARY 2010 Folk Federation of New South Wales Inc Full page 210 x 297 $80 $120 In this issue Post Office Box A182 Sydney South NSW 1235 1/2 page 210 x 146 $40 $70 Dates for your diary p4 ISSN 0818 7339 ABN9411575922 or Festivals, workshops, schools p6 jam.org.au 102 x 146 Vale: Alistair Hulett p8Folk News p8 Folk Contacts p10 The Folk Federation of NSW Inc, formed in 1/4 page 102 x 146 $25 $50 Industry Insights p13 1970, is a Statewide body which aims to present, CD Review p14 support, encourage and collect folk m usic, folk 1/8 page 102 x 70 $15 $35 dance, folklore and folk activities as they exist Deadline for April Issue Advertising artwork required by 5th of each month. in Australia in all their forms. It provides a link ADVERTS 6th March for people interested in the folk arts through its Advertisements can be produced by Cornstalk if required. Please contact the editor for enquiries about COPY 12th March affiliations with folk clubs throughout NSW and its advertising Tel: 6493 6758 counterparts in other States. It bridges all styles and interests to present the folk arts to the widest All cheques for advertisements and inserts to be made payable to the Folk Federation of NSW Inc possible audience. -
Workers July 2002
wWww.workers.org.uOk RKERJULY 2S 002 £1 LIFE AND SOUL SONGS OF AN EPIC CLASS STRUGGLE 14 Walkout at the British Museum 04 Derbyshire’s Cuban link 06 The selling of British power 09 Y T R STILL GUNNING FOR IRAQ A P T S I N U M M O C E H T F O L A N R U O J IF YOU WANT TO REBUILD BRITAIN, READ ON WORKERS First thoughts IN MAY 1997 , the British working class and lecturers. Transport continues its asserted itself and consigned 18 years of downward spiral. Crime and drug abuse Thatcherism to the scrap heap. Blair and climb inexorably. Hardly a picture of a ‘New Labour’ were a weapon wielded by society at ease with itself. British workers, perhaps the only weapon fit In truth the one thing which could have for the purpose at that time. Some viewed marked some sort of new beginning in 1997, May 97 as the birth of a new era, others a re-dedication and commitment to saw it as the death of an old order. So what investment in and expansion of modern has changed, and what remains the same. industry is conspicuous by its absence. The From a particular vantage point, things source of our wealth, the means by which ‘‘ certainly sound different. The shrill we feed, clothe and provide for ourselves, admonitory rasp of Thatcher has given way continues the decline begun decades before. to the unctuous, apparently self-effacing Thatcher’s rejoicing over the slaughter of siren song of Blair. -
The Spatial Politics of Red Clydeside: Historical Labour Geographies and Radical Connections
Griffin, Paul (2015) The spatial politics of Red Clydeside: historical labour geographies and radical connections. PhD thesis. http://theses.gla.ac.uk/6583/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] The Spatial Politics of Red Clydeside: Historical Labour Geographies and Radical Connections Paul Griffin Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy School of Geographical and Earth Sciences College of Science and Engineering University of Glasgow July 2015 Abstract Red Clydeside was a period of increasing industrial, political and social unrest during the early twentieth century. This research draws upon an innovative combination of theoretical work from labour geography, labour history, historical geography and spatial politics to illuminate factors previously understated within this established labour history. In particular, the thesis builds upon contributions from labour geographers alongside E.P. Thompson and the broader ‘history from below’ tradition. These contributions facilitate a nuanced understanding of labour agency and experiences, which can be developed through the histories of Red Clydeside. By assembling materials from a variety of archives the thesis interrogates the making of connections by Clydeside’s workers. -
Programme 2016.Pdf
1 Welcome to the 34th Cygnet Folk Festival 8 — 10 January 2016 There is a magical, intangible element to all festivals. Certainly, folk festivals are a wonderful celebration of music, musicians, dancers, poets and lov- ers of all things folky; but we also celebrate the tribal nature of human beings where we gather to honour and enjoy these very special events that are festivals. Cygnet Folk Festival is also a celebration of a diverse interception of communities. We hold the Welcome 3 festival in one of the most beautiful towns in the Huon Valley and of course with gratitude, enjoy Information 4 the invaluable support of the local community; many of whom provide essential services in the Masterclasses 7 festival management and smooth running of the weekend. The festival would not occur year Workshops — Saturday 9 after year without the fabulous volunteer committee and the equally amazing volunteers who Workshops — Sunday 13 fulfil numerous and necessary roles throughout the weekend. Dancing at the Festival 15 The community of folk musicians and music lovers is also a very special group of people. We Kids Activities 20 have the rare privilege in folk music of crossing the generational divide with ease and grace. Young Persons’ Blackboard Comp 20 Traditional and “old timey” music sits comfortably alongside the indie folk contemporary styles. Musical Instrument Makers Display 20 World music (folk music from somewhere else!) also exists happily alongside contemporary ex- The Peoples’ Orchestra 20 pressions from Australia‘s first people. Georgian Supra 21 Programme Grid 22 In 2016, we also have some new and special events occurring during the weekend.