The Use of Smartphone Camera in 2018 Bachelor’S Thesis | Abstract
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December 2007 Updated 12/17/07 AT&T Mobility December ~ Washington Government WSCA – AT&T Mobility Device and Rate Plan Update for 2007 All Offers for Government Use ONLY On the attached pages you will find updates to the December WSCA pricing for Equipment and Rate Plans. Table of Contents Page 2: Voice Rate Plans Page 3: FREE Cellular Phones Page 4: Cellular Phones Page 5: BlackBerry Devices Page 6: SmartPhones (Microsoft, Nokia, Palm) Page 7: Push-to-Talk Devices Page 8: Aircards Page 9: Accessories Page 10: Nationwide Coverage Map December Highlights: ¾New Blackberry 8310 Curve! ~ Onboard GPS ~ Available in Titanium & Red! ¾ New Samsung Blackjack 2 – GPS ~ Available in Black & Red! ¾ Air Card Promotion: Sierra AC881 & Option GT Max FREE! *Certain devices may not be shown due to policy or otherwise WSCA Pricing. For more Information Contact: Prices and Promotions subject to change without notice Rob Holden All Offers for Government Use ONLY 425-580-7741 Master Price Agreement: T07-MST-069 [email protected] All plans receive WSCA 20% discount on monthly recurring service charges December 2007 December 2007 Updated 12/17/07 AT&T Mobility Oregon Government WSCA All plans receive 20% additional discount off of monthly recurring charges! AT&T Mobility Calling Plans REGIONAL Plan NATION Plans (Free Roaming and Long Distance Nationwide) Monthly Fee $9.99 (Rate Code ODNBRDS11) $39.99 $59.99 $79.99 $99.99 $149.99 Included mins 0 450 900 1,350 2,000 4,000 5000 N & W, Unlimited Nights & Weekends, Unlimited Mobile to 1000 Mobile to Mobile Unlim -
Down and Dirty Camera Tricks Even for Your CELL PHONE
Down and Dirty Camera Tricks Even for Your CELL PHONE Educational Seminar GCSAA Presenter - John R. Johnson Creating Images That Count The often quoted Yogi said, “When you come to a Fork in the Road – Take it!” What he meant was . “When you have a Decision in Life – Make it.” Let’s Make Good Decisions with Our Cameras I Communicate With Images You’ve known me for Years. Good Photography Is How You Can Communicate This one is from the Media Moses Pointe – WA Which Is Better? Same Course, 100 yards away – Shot by a Pro Moses Pointe – WA Ten Tricks That Work . On Big Cameras Too. Note image to left is cell phone shot of me shooting in NM See, Even Pros Use Cell Phones So Let’s Get Started. I Have My EYE On YOU Photography Must-Haves Light Exposure Composition This is a Cell Phone Photograph #1 - Spectacular Light = Spectacular Photography Colbert Hills - KS Light from the side or slightly behind. Cell phones require tons of light, so be sure it is BRIGHT. Sunsets can’t hurt either. #2 – Make it Interesting Change your angle, go higher, go lower, look for the unusual. Resist the temptation to just stand and shoot. This is a Cell Phone Photograph Mt. Rainier Coming Home #2 – Make it Interesting Same trip, but I shot it from Space just before the Shuttle re-entry . OK, just kidding, but this is a real shot, on a flight so experiment and expand your vision. This is a Cell Phone Photograph #3 – Get Closer In This Case Lower Too Typically, the lens is wide angle, so things are too small, when you try to enlarge, they get blurry, so get closer to start. -
Visual Mobile Communication Camera Phone Photo Messages As Ritual Communication and Mediated Presence Mikko Villi’S Background Is in Com- Munication Studies
mikko villi Visual mobile communication Camera phone photo messages as ritual communication and mediated presence Mikko Villi’s background is in com- munication studies. He has worked as a researcher at the University of Art and Design Helsinki, University of Tampere and University of Helsin- ki, where he has also held the position of university lecturer. Currently, he works as coordinator of educational operations at Aalto University. Villi has both researched and taught sub- jects related to mobile communica- tion, visual communication, social media, multi-channel publishing and media convergence. Visual mobile communication mikko villi Visual mobile communication Camera phone photo messages as ritual communication and mediated presence Aalto University School of Art and Design Publication series A 103 www.taik.fi/bookshop © Mikko Villi Graphic design: Laura Villi Original cover photo: Ville Karppanen !"#$ 978-952-60-0006-0 !""$ 0782-1832 Cover board: Ensocoat 250, g/m2 Paper: Munken Lynx 1.13, 120 g/m2 Typography: Chronicle Text G1 and Chronicle Text G2 Printed at %" Bookwell Ltd. Finland, Jyväskylä, 2010 Contents acknowledgements 9 1 introduction 13 2 Frame of research 17 2.1 Theoretical framework 19 2.1.1 Ritual communication 19 2.1.2 Mediated presence 21 2.2 Motivation and contribution of the study 24 2.3 Mobile communication as a field of research 27 2.4 Literature on photo messaging 30 2.5 The Arcada study 40 2.6 Outline of the study 45 3 Camera phone photography 49 3.1 The real camera and the spare camera 51 3.2 Networked photography -
Of-Device Finger Gestures
LensGesture: Augmenting Mobile Interactions with Back- of-Device Finger Gestures Xiang Xiao♦, Teng Han§, Jingtao Wang♦ ♦Department of Computer Science §Intelligent Systems Program University of Pittsburgh University of Pittsburgh 210 S Bouquet Street 210 S Bouquet Street Pittsburgh, PA 15260, USA Pittsburgh, PA 15260, USA {xiangxiao, jingtaow}@cs.pitt.edu [email protected] ABSTRACT becomes the only channel of input for mobile devices, leading to We present LensGesture, a pure software approach for the notorious "fat finger problem" [2, 22], the “occlusion augmenting mobile interactions with back-of-device finger problem” [2, 18], and the "reachability problem" [20]. In gestures. LensGesture detects full and partial occlusion as well as contrast, the more responsive, precise index finger remains idle on the dynamic swiping of fingers on the camera lens by analyzing the back of mobile devices throughout the interactions. Because image sequences captured by the built-in camera in real time. We of this, many compelling techniques for mobile devices, such as report the feasibility and implementation of LensGesture as well multi-touch, became challenging to perform in such a "situational as newly supported interactions. Through offline benchmarking impairment" [14] setting. and a 16-subject user study, we found that 1) LensGesture is easy Many new techniques have been proposed to address these to learn, intuitive to use, and can serve as an effective challenges, from adding new hardware [2, 15, 18, 19] and new supplemental input channel for today's smartphones; 2) input modality, to changing the default behavior of applications LensGesture can be detected reliably in real time; 3) LensGesture for certain tasks [22]. -
A Guide to Smartphone Astrophotography National Aeronautics and Space Administration
National Aeronautics and Space Administration A Guide to Smartphone Astrophotography National Aeronautics and Space Administration A Guide to Smartphone Astrophotography A Guide to Smartphone Astrophotography Dr. Sten Odenwald NASA Space Science Education Consortium Goddard Space Flight Center Greenbelt, Maryland Cover designs and editing by Abbey Interrante Cover illustrations Front: Aurora (Elizabeth Macdonald), moon (Spencer Collins), star trails (Donald Noor), Orion nebula (Christian Harris), solar eclipse (Christopher Jones), Milky Way (Shun-Chia Yang), satellite streaks (Stanislav Kaniansky),sunspot (Michael Seeboerger-Weichselbaum),sun dogs (Billy Heather). Back: Milky Way (Gabriel Clark) Two front cover designs are provided with this book. To conserve toner, begin document printing with the second cover. This product is supported by NASA under cooperative agreement number NNH15ZDA004C. [1] Table of Contents Introduction.................................................................................................................................................... 5 How to use this book ..................................................................................................................................... 9 1.0 Light Pollution ....................................................................................................................................... 12 2.0 Cameras ................................................................................................................................................ -
Smartwatch Instructions
SMARTWATCH INSTRUCTIONS IOS To download our app, search for RADLEY LONDON WATCH app or scan the appropriate QR code for installation. Use Thank you for purchasing your your smart phone camera or QR code RADLEY LONDON smartwatch reader app. Please follow these instructions The RADLEY LONDON WATCH app will carefully and we’ll soon have you ANDROID work on the following smartphones: up & running with your new watch. Android (version 4.4 and above) Apple IOS (version 8.0 and above) Please ensure the app is the latest version and have Bluetooth 5.0 QUICK START GUIDE CONNECTING BAND TO MOBILE PHONE CHARGING GUIDE 1. Enable Bluetooth on your smartphone. Charging for automatic power-on: 2. Open RADLEY App. on your smart phone, set your profile within settings. 1. Line up the 2 pins to the charging spots on the back of the watch case. 3. Tap connect device within settings. 2. The pins are magnetic and will secure the charger in place. 4. Select Smart Bracelet as shown. 3. Plug in the USB cable to a power source. Once connected, a charging icon 5. Follow the steps, search for RADLEY LONDON device will appear on screen. name and connect. 4. Please charge the band when it displays low battery. 6. Within the notifications section, select the 5. A 2 hour charge time is sufficient to fully charge your smartwatch. Please notification types you want your band to receive. ensure you do not exceed a 2 hour charge period. OPERATION INTRODUCTION DISCONNECTING YOUR SMART WATCH & PHONE • To switch on the watch, press and hold the side button until the display is on. -
Optical Design of the 13 Mega-Pixels Mobile Phone Camera Pengbo Chen
3rd International Conference on Materials Engineering, Manufacturing Technology and Control (ICMEMTC 2016) Optical design of the 13 mega-pixels mobile phone camera Pengbo Chen,Xingyu Gaoa,* Institute of Intelligent Opto-mechatronics and Advanced Manufacture Technology, College of Electromechanical Engineering, Guilin University of Electronic Technology, Guilin 541004,China. a,*[email protected] Corresponding Author:Xingyu Gao Keywords: Optical design ; Mobile phone lens; Aspherical surface; Abstract. According to the market demand for high resolution cell phone camera,a 13 mega-pixels camera lens applying aspherical surfaces is designed using the ZEMAX optical design software. The lens is consisted by four pieces of aspherical plastic lens, an optical filter and a piece of protection glass. The lens has the optical performance of F-number 2.8, viewing angle 76°, focal length 4.4 mm, back focal length 0.58 mm, and total length 5.6 mm. After the tolerance analyzing, its tolerance meets the processing requirements, which can satisfy the requirements of the commercial sell phone. 1. Introduction Since 2000, Japan's Sharp Co launched the world's first camera phone. Camera function has become an essential feature of the phone. In 2003, Sony launched the first mobile phone with camera function, model for Ericsson T618, this phone installed 10 million pixel mobile phone lens, which is the earliest a camera phone, marking China's entry into the era of mobile phone camera on the Chinese market. In 2006, Zhu Rihong [1], who designed a f / 3.2, field of view angle of 55 degrees, pixel reached 160 million of the lens, the lens system as the total length of 5mm.In 2008, Liu Maochao [2], who designed a F/2.85, field of view angle of 62 degrees, pixel to 3 million of the lens, the system length of the lens is 5.26mm.In 2009, Li Wenjing [3], who designed a F/2.8, the field of view angle of 65 degrees, pixel 5 million of the mobile phone lens, the total length of the lens system is 5.8mm. -
Samsung Galaxy Camera Forensics
Combining technical and legal expertise to deliver investigative, discovery and forensic solutions worldwide. SAMSUNG GALAXY April 11, 2013 Introduction. The Samsung Galaxy camera was Operating System: Abstract released on November 16, 2012. This Android 4.1 (Jellybean) Samsung Galaxy Camera device has the potential to replace mobile Network:2G, 3G or 4G (LTE) phones, as it has the same functionality GSM, HSPA+ Forensics of a smartphone, with the additional perk of a high quality camera. This creates an Processor:1.4 GHz Quad Core attractive incentive to buy the camera, Memory:microSD, 4GB on The purpose of this project which could lead to the possibility of it board, 1GB RAM was to determine whether or not forensics on the Samsung Galaxy becoming more popular. Connectivity: WiFI As the camera’s popularity rises in the 802.11a/b/g/n, WiFi hotspot camera was possible. Although market, and more users purchase the the camera runs an Android device, the risk of the camera being used Bluetooth:Yes operating system, there was still a chance that no data could be in an illicit manner rises as well. As the GPS:Yes extracted, as forensics on this Samsung Galaxy camera is now a part device had never been done of an investigator’s scope, understanding Table 1. before. To begin the process of where any evidence can be retrieved Goals. this project, as much data as is crucial. Using several different The goal for this project was to possible had to be created on forensic tools, any data that could be of develop an informational guide for the the camera by utilizing all of the applications and features that evidentiary value is detailed in this paper. -
The Development and Growth of British Photographic Manufacturing and Retailing 1839-1914
The development and growth of British photographic manufacturing and retailing 1839-1914 Michael Pritchard Submitted for the degree of Doctor of Philosophy Department of Imaging and Communication Design Faculty of Art and Design De Montfort University Leicester, UK March 2010 Abstract This study presents a new perspective on British photography through an examination of the manufacturing and retailing of photographic equipment and sensitised materials between 1839 and 1914. This is contextualised around the demand for photography from studio photographers, amateurs and the snapshotter. It notes that an understanding of the photographic image cannot be achieved without this as it directly affected how, why and by whom photographs were made. Individual chapters examine how the manufacturing and retailing of photographic goods was initiated by philosophical instrument makers, opticians and chemists from 1839 to the early 1850s; the growth of specialised photographic manufacturers and retailers; and the dramatic expansion in their number in response to the demands of a mass market for photography from the late1870s. The research discusses the role of technological change within photography and the size of the market. It identifies the late 1880s to early 1900s as the key period when new methods of marketing and retailing photographic goods were introduced to target growing numbers of snapshotters. Particular attention is paid to the role of Kodak in Britain from 1885 as a manufacturer and retailer. A substantial body of newly discovered data is presented in a chronological narrative. In the absence of any substantive prior work this thesis adopts an empirical approach firmly rooted in the photographic periodicals and primary sources of the period. -
Introduction to Single Lens Reflex Cameras
Introduction to SLR Cameras by Mr. KUMON : 01 Page 1 of 13 - Introduction to Single Lens Reflex Cameras - Part 1 : What is an SLR camera ? Though SLR cameras are common around the world, they have a rather prestigious image — they are perceived as "high-class" and thought to be used by only professional photographers. The reasons for these presumptions, however, are not widely understood. Let's discuss the logic of this reasoning by examining the history of photography and the mechanisms of cameras. And you can tell how convenient today's photography system are by comparing it to a pinhole picture taken with an SLR camera. Written by KUMON, Yasushi 1. A Brief History of Photography 1.1. Camera Obscura / 1.2. Heliography and Daguerreo-type 2. Exploring Your Camera ! 2.1. Observing the Focused Image / 2.2. Observing the image appearing on the film surface inside camera / 2.3. Taking Pin-Hole Pictures Using an SLR Camera file://C:\Documents and Settings\kheeyong_yeap\My Documents\yeap old ... 21-Apr-11 Introduction to SLR Cameras by Mr. KUMON : 01 Page 2 of 13 3. What is an SLR Camera ? 1. A Brief History of Photography 1.1. Camera Obscura The word "camera" is derived from the Latin "camera obscura." In Latin, "camera" means "room", and "obscura" means "dark." "Photo 0" illustrates the principle of camera obscura. Light enters a darkened room through a small hole, and the image of an object outside the room appears on the wall opposite the hole. This is the same principle at work in so-called pin-hole cameras. -
What Is a Camera?
A Brief History of the Camera Cameras have proven to be great tools for mass media, visual arts, and for that enjoyable past time of being able to capture moments to remember. Whether you’re a professional or an amateur photographer, knowing a bit more about the history of the camera can help you appreciate photography and the tools that you use a little more. The history of the camera has shown how today’s cameras are much different from what used to be fairly crude looking instruments. It has been dominated by modern inventions like digital single lens reflex cameras which are the improved versions of its more traditional single lens reflex siblings, digital point and shoot cameras which you can carry conveniently in your pocket, and even smartphone cameras which come as almost standard features of today’s many different smartphones. These digital innovations added to photography history and the fast, ever changing world of technology continues to improve the cameras that people use today. Let’s look at a brief history of the camera and see just how much this gadget has evolved. But first things first… What is a Camera? Before moving along to the details of the history of the camera, let’s understand what a camera is first. In the simplest terms, a camera is a device used to take photographs and is the main tool used for the art of photography. Photography comes from the Greek words “photos” which means light, and “graphein” which means “to draw”. This word in photography history was first used by Sir John F.W. -
10.1515 Nor-2016-0005 1
10.1515/nor-2016-0005 Nordicom Review 37 (2016) 1, pp. 15-27 Aporetic Apparatus Epistemological Transformations of the Camera Janne Seppänen & Juha Herkman Abstract In this article, we examine the epistemology of the camera today. In order to answer this question, we concentrate on three social and technological forms: the camera obscura, the photographic camera, and the digital camera. On the one hand, the camera extends our human sensibilities and helps us to obtain knowledge of the world. On the other hand, it works as a device for delusion, bodily vision and spectacle. Historically, these two functions are meshed together in complicated ways and this establishes the paradoxical epistemology of the camera. We argue that, even if contemporary debates about the truthfulness of the photographic image have persistently been tied to the digitisation of the photographic process, the very origin of these debates actually lies in the camera itself and its contradictory epistemology. The camera has worked, and still works, as an apparatus that relentlessly produces irresolv- able ambiguity, aporia, between true knowledge and illusory vision. Keywords: camera, camera obscura, epistemology, photography, digital photography, vis- ual culture Introduction With the proliferation of digital cameras, and particularly camera phones, almost every situation and event can now be photographed and quickly placed on public display. Camera images are thus an essential part of communication and surveillance, in both public and private spheres, as well as, in fact, the whole visual constitution of society. The camera also seems to be an idea or a representation, which has gained a signifi- cant presence in the narratives of popular cinema and television.