Record-World-1978-06
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Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
Con Funk Shun Loveshine Mp3, Flac, Wma
Con Funk Shun Loveshine mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Loveshine Country: UK Released: 1978 Style: Funk, Disco MP3 version RAR size: 1418 mb FLAC version RAR size: 1776 mb WMA version RAR size: 1112 mb Rating: 4.2 Votes: 962 Other Formats: WAV MIDI MP4 MP1 MPC AU MP3 Tracklist Hide Credits So Easy A1 Arranged By [Horn] – Con Funk ShunWritten-By – Ffun Int'l.Written-By, Arranged By 4:30 [Rhythm, Horn] – M. Cooper* Magic Woman A2 Arranged By [Rhythm] – S. Scarborough*Written By – D. CooperWritten-By – Ffun 4:14 Int'l.Written-By, Arranged By [Rhythm] – M. Cooper* Shake And Dance With Me A3 3:49 Written-By – Ffun Int'l.Written-By, Arranged By [Rhythm, Horn] – M. Cooper* Make It Last A4 5:02 Backing Vocals – Tammie Gibson*Written-By, Arranged By [Rhythm] – F. Pilate* Loveshine A5 4:45 Arranged By [Horn] – S. Scarborough*Written-By, Arranged By [Rhythm, Horn] – F. Pilate* When The Feeling's Right B1 Arranged By [Rhythm] – Con Funk ShunBacking Vocals – Tammie Gibson*Written-By – 5:35 Ffun Int'l.Written-By, Arranged By [Rhythm, Horn] – M. Cooper* I Think I Found The Answer Arranged By [Rhythm] – Con Funk Shun, S. Scarborough*Electric Piano [Fender Rhodes] – B2 4:30 Skip ScarboroughWritten-By – L. L. McCall*Written-By, Arranged By [Rhythm] – D. Thomas*, L. McCall* Wanna Be There B3 Arranged By [Rhythm, Horn] – S. Scarborough*Arranged By [Rhythm] – Con Funk 4:21 ShunWritten-By, Arranged By [Rhythm, Horn] – F. Pilate* Can't Go Away B4 Arranged By [Rhythm] – F. -
Friday, November 12, 1982
Rose-Hulman Institute of Technology Rose-Hulman Scholar The Rose Thorn Archive Student Newspaper Fall 11-12-1982 Volume 18 - Issue 9 - Friday, November 12, 1982 Rose Thorn Staff Rose-Hulman Institute of Technology, [email protected] Follow this and additional works at: https://scholar.rose-hulman.edu/rosethorn Recommended Citation Rose Thorn Staff, "Volume 18 - Issue 9 - Friday, November 12, 1982" (1982). The Rose Thorn Archive. 613. https://scholar.rose-hulman.edu/rosethorn/613 THE MATERIAL POSTED ON THIS ROSE-HULMAN REPOSITORY IS TO BE USED FOR PRIVATE STUDY, SCHOLARSHIP, OR RESEARCH AND MAY NOT BE USED FOR ANY OTHER PURPOSE. SOME CONTENT IN THE MATERIAL POSTED ON THIS REPOSITORY MAY BE PROTECTED BY COPYRIGHT. ANYONE HAVING ACCESS TO THE MATERIAL SHOULD NOT REPRODUCE OR DISTRIBUTE BY ANY MEANS COPIES OF ANY OF THE MATERIAL OR USE THE MATERIAL FOR DIRECT OR INDIRECT COMMERCIAL ADVANTAGE WITHOUT DETERMINING THAT SUCH ACT OR ACTS WILL NOT INFRINGE THE COPYRIGHT RIGHTS OF ANY PERSON OR ENTITY. ANY REPRODUCTION OR DISTRIBUTION OF ANY MATERIAL POSTED ON THIS REPOSITORY IS AT THE SOLE RISK OF THE PARTY THAT DOES SO. This Book is brought to you for free and open access by the Student Newspaper at Rose-Hulman Scholar. It has been accepted for inclusion in The Rose Thorn Archive by an authorized administrator of Rose-Hulman Scholar. For more information, please contact [email protected]. W.M.H.D.in full swing Net A Aril by Al Hippleheuser a.m. to 2:00 a.m. every day. And sionally. A different kind of news and Offering programs like the station has added music plays each day between noon vf159 FRATERNITY Piv, "Earsasm" and "Still . -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
AXS TV Schedule for Mon. May 21, 2018 to Sun. May 27, 2018 Monday
AXS TV Schedule for Mon. May 21, 2018 to Sun. May 27, 2018 Monday May 21, 2018 5:00 PM ET / 2:00 PM PT 8:00 AM ET / 5:00 AM PT Steve Winwood Nashville A smooth delivery, high-spirited melodies, and a velvet voice are what Steve Winwood brings When You’re Tired Of Breaking Other Hearts - Rayna tries to set the record straight about her to this fiery performance. Winwood performs classic hits like “Why Can’t We Live Together”, failed marriage during an appearance on Katie Couric’s talk show; Maddie tells a lie that leads to “Back in the High Life” and “Dear Mr. Fantasy”, then he wows the audience as his voice smolders dangerous consequences; Deacon is drawn to a pretty veterinarian. through “Can’t Find My Way Home”. 9:00 AM ET / 6:00 AM PT 6:00 PM ET / 3:00 PM PT The Big Interview Foreigner Phil Collins - Legendary singer-songwriter Phil Collins sits down with Dan Rather to talk about Since the beginning, guitarist Mick Jones has led Foreigner through decades of hit after hit. his anticipated return to the music scene, his record breaking success and a possible future In this intimate concert, listen to fan favorites like “Double Vision”, “Hot Blooded” and “Head partnership with Adele. Games”. 10:00 AM ET / 7:00 AM PT 7:00 PM ET / 4:00 PM PT Presents Phil Collins - Going Back Fleetwood Mac, Live In Boston, Part One Filmed in the intimate surroundings of New York’s famous Roseland Ballroom, this is a real Mick, John, Lindsey, and Stevie unite for a passionate evening playing their biggest hits. -
March 2019 Highlights
Vol. 62, Issue 3 March 2019 HIGHLIGHTS To create the Beloved Community by inspiring and empowering all souls to live bold and compassionate lives. The Interim Journey The Unknown Journey By Rev. Kathleen Rolenz By Rev. John T. Crestwell, Jr. At my first service with you in January In August 2018 I had a biopsy to see if I 2018, then President Ken Apfel presented had prostate cancer. I do. Stage 1. It was me with a walking stick – the same walk- caught early enough to give me several ing stick given to me by the Fox Valley UU treatment options. I feel fine. In June and Unitarian Universalist Church of Annapolis Fellowship in Appleton, WI. That service July I will be receiving proton beam thera- marked the beginning of my 30 month py in Baltimore for eight weeks, Monday journey with you, knowing that our time through Friday. That’s 40 trips back and had a beginning, a middle and an end in forth to B-more and I bet it will be tedious. June 2020. I have that walking stick in my office as a vis- However, I will be taking some days off during the treat- ual reminder of what it means to live and work and walk ments; I don’t expect to miss any major time at church. through this interim time. That could change though—I really don’t know at this point. The metaphor of journey runs deep throughout reli- I expect to have a full recovery but I know my life will gious and spiritual traditions because all journeys have change in this process. -
Funk Is Its Own Reward": an Analysis of Selected Lyrics In
ABSTRACT AFRICAN-AMERICAN STUDIES LACY, TRAVIS K. B.A. CALIFORNIA STATE UNIVERSITY DOMINGUEZ HILLS, 2000 "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s Advisor: Professor Daniel 0. Black Thesis dated July 2008 This research examined popular funk music as the social and political voice of African Americans during the era of the seventies. The objective of this research was to reveal the messages found in the lyrics as they commented on the climate of the times for African Americans of that era. A content analysis method was used to study the lyrics of popular funk music. This method allowed the researcher to scrutinize the lyrics in the context of their creation. When theories on the black vernacular and its historical roles found in African-American literature and music respectively were used in tandem with content analysis, it brought to light the voice of popular funk music of the seventies. This research will be useful in terms of using popular funk music as a tool to research the history of African Americans from the seventies to the present. The research herein concludes that popular funk music lyrics espoused the sentiments of the African-American community as it utilized a culturally familiar vernacular and prose to express the evolving sociopolitical themes amid the changing conditions of the seventies era. "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THEDEGREEOFMASTEROFARTS BY TRAVIS K. -
The Providence Phoenix | February 22, 2013 3
february 22–28, 2013 | rhode island’s largest weekly | free VOTE NOW! support your favorites at thephoenix. com/best THE NEW ABOLITIONISTS Why the climate-justice movement must embrace its radical side _by Wen Stephenson | p 6 tHis drum circles and porn beer on a budget Just in A weekend at the RI Men’s Gathering | p6 !Warming up to ‘craft lite’ | p10 North Bowl has been nominated by The Phoenix readers for: BEST PLACE TO BOWL Please vote for us! SCAN HERE Or vote online: thephoenix.com/BEST 71 E Washington St North Attleboro, MA 02760 508.695.BOWL providence.thephoenix.com | the providence phoenix | February 22, 2013 3 february 22, 2013 Contents on the cover F PHOTO-ILLUSTRATION By jANET SMITH TAyLOR IN THIS ISSUE p 6 p 10 p 24 6 the new abolitionists _wen stephenson For the second time in American history, a generation has to choose between an entrenched system of industrial profit — and saving millions of human lives. 14 homegrown product _by chris conti All killer, no filler: theo martins offers a guided tour of Wonderland. 15 art _by chris conti Serious comics: “story/line: narrative form in six graphic novelists” at RIC. 16 theater _by bill rodriguez Mind games: Epic Theatre Company’s six degrees of separation. 24 film _by peter keough If Argo doesn’t win the Oscar for Best Picture, it means the terrorists have won. Plus, a “Short Take” on identity thief. IN EVERY ISSUE 46 phillipe & Jorge’s cool, cool world Ronzo gets the boot | Public enemy #1 | Who’s right, who’s wrong? | 6 Seekonk rocks 4 the city _by derf 7 5 this Just in In the woods with the Rhode Island 10 Men’s Gathering | WPRO cans Ron St. -
Deutsche Nationalbibliografie 2016 T 04
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2016 T 04 Stand: 20. April 2016 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2016 ISSN 1613-8945 urn:nbn:de:101-201512111762 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde. -
A City out of Old Songs
A City Out of Old Songs: The influence of ballads, hymns and children’s songs on an Irish writer and broadcaster Catherine Ann Cullen Context Statement for PhD by Public Works Middlesex University Director of Studies: Dr Maggie Butt Co-Supervisor: Dr Lorna Gibb Contents: Public Works Presented as Part 1 of this PhD ............................................................ iii List of Illustrations ....................................................................................................... iv Acknowledgements ...................................................................................................... v Preface: Come, Gather Round ..................................................................................... 1 Chapter 1: The Singing Without Ceasing .................................................................... 8 Chapter 2: A Tune That Could Calm Any Storm ......................................................... 23 Chapter 3: Something Rich and Strange .................................................................... 47 Chapter 4: We Weave a Song Beneath Our Skins ...................................................... 66 Chapter 5: To Hear the Nightingale Sing ................................................................... 98 Conclusion: All Past Reflections Shimmer into One ............................................... 108 Works Cited .............................................................................................................. 112 Appendix 1: Index of Ballads and Songs used -
Julius Hemphill the Hard Blues Mp3, Flac, Wma
Julius Hemphill The Hard Blues mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Hard Blues Country: Japan Released: 1994 Style: Free Jazz MP3 version RAR size: 1124 mb FLAC version RAR size: 1885 mb WMA version RAR size: 1922 mb Rating: 4.7 Votes: 910 Other Formats: MP3 RA VOX AAC AHX AIFF MMF Tracklist Hide Credits 1 Reflections 2:30 2 Lyric 7:24 3 Skin 1 10:07 4 Skin 2 2:28 The Hard Blues 5 Drums – Phillip WilsonEngineer – Oliver SainProducer – Julius Hemphill*Trumpet – Baikida 20:07 E. J. Carroll* Companies, etc. Licensed From – Black Lion Productions Ltd. Manufactured By – Tokuma Japan Communications Co., Ltd. Phonographic Copyright (p) – Black Lion Productions Ltd. Recorded At – C.I. Recording Studios Recorded At – Archway Studios Credits Alto Saxophone – Black Arthur Blythe* (tracks: 1 to 4) Alto Saxophone, Composed By – Julius Hemphill* Art Direction – Bob Heimall* Artwork [Cover Art] – Bill Hoffman Baritone Saxophone – Hamiet Bluiett Cello – Abdul Wadud Congas – Daniel Ben Zebulon (tracks: 1 to 4) Drums – Barry Altschul (tracks: 1 to 4) Engineer – Elvin Campbell (tracks: 1 to 4) Liner Notes – Michael Cuscuna Liner Notes [Poem On Sleeve] – Julius Hemphill*, Wilma Moses Photography By – Ron Warwell Producer – Michael Cuscuna (tracks: 1 to 4) Notes Tracks 1 to 4 recorded on January 29, 1975 at C.I. Studios, New York City. Track 5 recorded in February 1972 at Archway Studios, St. Louis, Missouri. 'The Hard Blues' is from the recording sessions for Hemphill's "Dogan A.D." album. Other versions Category Artist Title (Format)