Julius Hemphill the Hard Blues Mp3, Flac, Wma

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Julius Hemphill The Hard Blues mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: The Hard Blues Country: Japan Released: 1994 Style: Free Jazz MP3 version RAR size: 1124 mb FLAC version RAR size: 1885 mb WMA version RAR size: 1922 mb Rating: 4.7 Votes: 910 Other Formats: MP3 RA VOX AAC AHX AIFF MMF Tracklist Hide Credits 1 Reflections 2:30 2 Lyric 7:24 3 Skin 1 10:07 4 Skin 2 2:28 The Hard Blues 5 Drums – Phillip WilsonEngineer – Oliver SainProducer – Julius Hemphill*Trumpet – Baikida 20:07 E. J. Carroll* Companies, etc. Licensed From – Black Lion Productions Ltd. Manufactured By – Tokuma Japan Communications Co., Ltd. Phonographic Copyright (p) – Black Lion Productions Ltd. Recorded At – C.I. Recording Studios Recorded At – Archway Studios Credits Alto Saxophone – Black Arthur Blythe* (tracks: 1 to 4) Alto Saxophone, Composed By – Julius Hemphill* Art Direction – Bob Heimall* Artwork [Cover Art] – Bill Hoffman Baritone Saxophone – Hamiet Bluiett Cello – Abdul Wadud Congas – Daniel Ben Zebulon (tracks: 1 to 4) Drums – Barry Altschul (tracks: 1 to 4) Engineer – Elvin Campbell (tracks: 1 to 4) Liner Notes – Michael Cuscuna Liner Notes [Poem On Sleeve] – Julius Hemphill*, Wilma Moses Photography By – Ron Warwell Producer – Michael Cuscuna (tracks: 1 to 4) Notes Tracks 1 to 4 recorded on January 29, 1975 at C.I. Studios, New York City. Track 5 recorded in February 1972 at Archway Studios, St. Louis, Missouri. 'The Hard Blues' is from the recording sessions for Hemphill's "Dogan A.D." album. Other versions Category Artist Title (Format) Label Category Country Year 'Coon Bid'ness (LP, Arista, AL 1012 Julius Hemphill* AL 1012 US 1975 Album) Freedom 'Coon Bid'ness (CD, CD 741028 Julius Hemphill* Freedom CD 741028 Germany Unknown Alb) 'Coon Bid'ness (LP, FLP41012 Julius Hemphill* Freedom FLP41012 UK 1979 Album) 'Coon Bid'ness (LP, Arista, AL 1012 Julius Hemphill* AL 1012 US 1975 Album, Promo) Freedom 'Coon Bid'ness (LP, Arista, AL 1012 Julius Hemphill* AL 1012 US 1975 Album) Freedom Related Music albums to The Hard Blues by Julius Hemphill Baikida Carroll - Shadows And Reflections Hamiet Bluiett - Ebu World Saxophone Quartet - Live At Brooklyn Academy Of Music INTERface - Environ Days World Saxophone Quartet - Dances And Ballads Julius Hemphill - Reflections Julius Hemphill Big Band - Julius Hemphill Big Band Lester Bowie - Fast Last! Hamiet Bluiett, Muhal Richard Abrams - Saying Something For All Julius Hemphill Sextet - The Hard Blues: Live In Lisbon.

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Le Festival EAR IT LIVE Jacques Daigle
Document generated on 10/01/2021 2:32 p.m. Intervention Le festival EAR IT LIVE Jacques Daigle Number 14, February 1982 URI: https://id.erudit.org/iderudit/57493ac See table of contents Publisher(s) Intervention ISSN 0705-1972 (print) 1923-256X (digital) Explore this journal Cite this article Daigle, J. (1982). Le festival EAR IT LIVE. Intervention, (14), 46–48. Tous droits réservés © Les Éditions Intervention, 1982 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Les pires questions peuvent apparaître: Le festival EAR IT LIVE une première facilité? hasard? fumisterie? Telles sont les salles, appréhensions inhérentes à l'improvisation spontanée qui pourraient ouvrir la porte à un douloureux manifestation de musique improvisée à Québec débat... Kubota nous salue bien bas et repart orné d'un sourire oriental mystérieux. dans les années '80 TRIO LERICHE-ST-JEAN-HOULE (dimanche 1er novembre) Encore engourdi par cette longue disette Parler du jazz québécois ne constitue qui datait de plusieurs années, l'auditoire guère un sujet réjouissant pour un amateur potentiel se présenta en nombres très mo de cette musique presque réduit, du côté deste, malgré le prix d'entrée très aborda disques, à pleurer sur de rares reliques in ble et une publicité assez visible dans les trouvables, d'un passé voisin du grand derniers jours.
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