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Nirs. ROOTS DHILL STUDIOS GIFT SHOP HICKS ROAD ANTIQUES HANDWOVEN ARTICLES! PAINTING Im ETCHINGS CHINESE PORCELAINS ART M/Iterials
THE GALAX NEWS AUGUST U 1957 PAGE 8 niRS. ROOTS DHILL STUDIOS GIFT SHOP HICKS ROAD ANTIQUES HANDWOVEN ARTICLES! PAINTING im ETCHINGS CHINESE PORCELAINS ART M/iTERIALS EMBRODERIES SPECIAL PAINTING COURSES «BEAU JAMES'* McGavin, as Charley ^and, the Mayor's ••Beau James,” starring Bob Hope, Vera secretary. Miles, and Paul Douglas, will be shown at "WITS END'» for DISTINCTIVE BIPORTS FROM the Galax Iheatre, August ?• FRANCE-GERMAl'T-ITALY . ^ e credit subtitle on this film is “The Life and Times of Jimmy Walker, ” and Gene Kelly and world-famous ballerina that will do as a perfect themball de- Tamara Toumanova dance their way to romaJ>- scrijition* For those, and there will be many, who will be wondering what Bob Hope ce in one of the episodes fo ^INVITATION would or could do with the Jimmy Walker TO THE DANCE", See it Tuesday August 6, at the GALAX THEATRE. title role, the answer is that he does— and howl As a matter of fact, Hope takes to the role like the proverbial duck to water, and does a bang-up job of it. He really makes the debonair, flamboyant, FOR s a l e ; life-loving New York Mayor of the 1920*s come alive* Jack Rose and Melville Shavelson, who also produced and directed, respectively, prepared the screenplay from the highly favorable Gene Fowler biography of the natty and clever Mr, Walker. The Shavel- son-Rose combination, operating with Hope IN CASHIE IS V;JI£Y. as Scribe Productions, seems to have a IHREE BEDROOMS, IWO BATHS, TWO CAR way with a biography on film, as witness GARAGE, LARGE LIVING ROOM WITH BEAU their "Seven Little Fovs,” also with Hope* TIFUL VIEW OF MOUNT/ilNS. -
Pam Post-Gazette 4-1-16.Indd
VOL. 120 - NO. 14 BOSTON, MASSACHUSETTS, APRIL 1, 2016 $.35 A COPY When Should the It Ain’t Necessarily So High School Day Start? by David Trumbull “The problem with quotes on the internet is that you can never by Sal Giarratani be sure they’re authentic.” “The research is clear on this topic that later start times best sup- — Abraham Lincoln port the social and emotional needs of our high school students.” — Statement of the Middlesex League Superintendents As I write this column to be in style, he was fl owery even while Fox News existed in 1998, published on April Fool’s Day, for his age. Had Washington it had been around for just over According to a group of Bos- If you ask parents, most I am thinking of my friends on ever expressed the sentiments a year and wasn’t even available ton area superintendents from would say the school day is social media, most of whom, above (which I somewhat doubt in all parts of the country. It was the Middlesex League Superin- already too short. What ever in the frenzy of the current in view of his role in suppress- hardly, in 1998, the massive tendents, the idea of later time happened to making sure stu- presidential nomination media ing the Whiskey Rebellion), he voter infl uencer that the meme starts for high school students dents get to sleep by at least circus, seem to have lost all would likely have done so in suggests. is now gaining support in the 9:00 pm. -
![Volume 27 Issue 33 [PDF]](https://docslib.b-cdn.net/cover/4825/volume-27-issue-33-pdf-1224825.webp)
Volume 27 Issue 33 [PDF]
Deans recommended Provost Don M. Randel has announced he is recommending the appOintments of two new deans. Recommended are Edward J. Lawler, as dean of the School of Industrial and Labor Relations, and Philip E. Lewis, as dean of the College of Arts and Sciences. Theappointments will be presented for approval at the May meeting ofthe Board ofTru tees. Three on faculty elected to American Academy ofArts and Sciences physic • he i the author of Self-Knowledge By Larry Bernard IDr. Maria ew elected to AS, Page 3 I and Jill Goetz and Self-Idelllity (1963) and Idelllity, Cuuse andMind-PhilosophicalEssays (1984); co Three Cornell S. Shoemaker, the Susan Linn Sage Profes editor, with Carl Ginet, of Knowledge and faculty members sor of Philosophy; Michael L. Shuler, the Mind (1983); and co-author, with Richard have been elected Samuel B. Eckert Professor of Chemical Swinburne, ofPersonal Idelllity (1984). to the American Engineering; and Saul A. Teukolsky, pro Shoemakerha<;received a Fulbri 'htSchol Academy of Arts fessor of physic and of astronomy. arship to the United Kingdom, Gorge and Sciences. They ntayana Fellow hip at Harvard niversity, were among 159 Sydney S. Shoemaker John Locke Lecture. hip at Oxford Univer new Fellows and 26 Shoemaker Teukolsky Shuler Shoemaker, 64, received his Ph.D. from sity,Josiah Royce Lectur hip at Brown Uni foreign honorary Cornell in 1958 and has been a full professor versity and National Endowment for the Hu members to be elected for their distin ar hip, public affairs and the arts. ofphilosophy at the university since 1970. A manities and Guggenheim fellow hips. -
Stop! but I Won’T Shoot’ State Works on Limiting Police Firing Into Cars
IN SPORTS: Dalzell-Shaw kicks off American Legion season against Manning-Santee B1 INSIDE Sister of fallen soldier uses gifts to honor others A4 TUESDAY, MAY 30, 2017 | Serving South Carolina since October 15, 1894 75 cents ‘Stop! But I won’t shoot’ State works on limiting police firing into cars BY JEFFREY COLLINS And if the driver is seriously ing back. The Associated Press wounded, the car can become an “The car’s not going to go side- uncontrollable missile. ways,” said State Law Enforcement COLUMBIA — South Carolina’s As stressful as these situations Division Chief Mark Keel, whose top law enforcement officer spotted can be for an officer, such shootings overhaul of officer training has re- THE ASSOCIATED PRESS an alarming trend while reviewing are usually avoidable. Because versed the trend, in South Carolina Trainers Brad Drawdy, center, and Jonathon Cox, shootings by police in the state: In- they’re so dangerous, a growing at least. “You’re not a barricade. right, speak to a police officer trainee during an ex- creasingly, the suspect’s only weapon number of law enforcement agen- Because you step in front of that ercise on May 11 at South Carolina Criminal Justice was the vehicle he or she was driving. cies, including the U.S. Department car and tell the driver to stop, Academy in Columbia. The academy is giving offi- Shooting at a driver is risky. It’s of Justice, either deeply discourage doesn’t mean he is going to stop.” cers more training about how to handle traffic stops hard to hit a moving target. -
Published by the Jewish Federation of Greater Binghamton Volume L, Number 7 BINGHAMTON, NEW YORK Happy Passover
March 26-April 8, 2021 Published by the Jewish Federation of Greater Binghamton Volume L, Number 7 BINGHAMTON, NEW YORK Happy Passover 5781 - 2021 Page 2 - The Reporter March 26-April 8, 2021 Opinion A meltdown at The New York Times By David Suissa “Every serious moral philosophy, every decent legal system, But when we become afraid to even mention a word to (Jewish Journal via JNS) – When the top editor of the and every ethical organization cares deeply about intention. describe something, when we’re petrified that the cancel world’s newspaper of record flips and flops and flips again It is the difference between murder and manslaughter. It is mob will come after us and our livelihood, I’d say we’re on a subject as sensitive as the use of the N-word, you an aggravating or extenuating factor in judicial settings. due for a sober reckoning, or at least some candid analysis. know things are getting messy at The New York Times. It is a cardinal consideration in pardons (or at least it was As Columbia linguistics professor and author John And when a Pulitzer Prize-winning columnist claims that until Donald Trump got in on the act). It’s an elementary McWhorter wrote on Substack, “My own observation the paper “spiked” his column on the subject, well, it just aspect of parenting, friendship, courtship and marriage.” of this sort of thing… is that the people hunting down gets messier. The columnist added: “A hallmark of injustice is indif- McNeil are swelling with a certain pride in claiming that This sad story started when longtime New York Times ference to intention.” ‘We decide what we will tolerate,’ as if this constitutes science reporter Donald McNeil was accused in 2019 of What I find especially noteworthy about this brouhaha what Black nationalists would term ‘self-determination.’ using a racial slur while on an overseas trip chaperoning is how tedious it is. -
The High and the Mighty
Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Mon 3rd August 2020 FREESAT 306 | VIRGIN 445 The High and the Mighty on Talking Pictures TV Stars: John Wayne, Claire Trevor, Laraine Day, Robert Stack, Jan Sterling, Robert Newton, Julie Bishop, Paul Fix, Julie Mitchum Douglas Fowley. Directed by William A. Wellman in 1954. On a flight from Hawaii to California, the engine dies on the plane Dan, (John Wayne), is flying. As he prepares for a crash landing, the passengers reassess their lives. The film set the standard for disaster movies with an Oscar-winning score by Dimitri Tiomkin and a full cast of popular of 1950s actors. Airs Sunday 9th August 6:00pm. Monday 3rd August 7:10am Tuesday 4th August 5:00pm The Ghost of Monk’s Island (1966) A Canterbury Tale (1944) Family adventure. War. Directors: Michael Powell and Director: Duncan Wood. Emeric Pressburger. Stars: Pierre Bedenes, Lucinda Jackson, Stars: Eric Portman, Shelia Sim, Peter Bartlett, Robert Bartlett, Dennis Price. A Land Girl, a GI and Beryl Cooke. The Robinson children a British soldier find themselves are marooned on a deserted Island. together on the road to Canterbury. Monday 3rd August 9:30am Wednesday 5th August 6:00am All Over The Town (1949) Love In Pawn (1953) Drama. Director: Derek N. Twist. Comedy. Director: Charles Saunders. Stars: Norman Wooland, Stars: Bernard Braden, Barbara Kelly, Sarah Churchill, Bryan Forbes & James Reg Dixon and John Laurie. Hayter. After serving in the RAF during Penniless couple Roger and Jean will WWII Nat Hearn struggles to return to get £10,000 if Roger can live a sober his pre-war job. -
Community@Csun Vol. IV No. 1
Community Vol. VII · No. 2 October 2007 Cal State Northridge—The Intellectual, Economic and Cultural Heart of the San Fernando Valley and Beyond Devonshire Downs Groundbreaking Set for Fall 2008 Faculty, Staff Residential Community to Welcome First Residents in 2009 ixty years after it opened as a An on-campus village environment popular harness racing track in which colleagues at work become S and fairgrounds, Devonshire neighbors at home, President Koester Downs is poised to reclaim its glory said, will strengthen both the sense of days—this time as a planned village- community within the university and style residential community for Cal its connections with the surrounding State Northridge faculty and staff. neighborhoods. Nearly 160 two-story, for-sale town To create that village environment, homes on about 15 acres between campus leaders worked with Steinberg Lindley and Zelzah Avenues north of Architects and TGP Landscaping on A preliminary sketch of the Devonshire Downs faculty/staff residential community reflects the Lassen Street are planned for the new values CSUN’s design team hopes to achieve in the townhomes: curbside and streetscape a plan containing intimate internal Devonshire Downs’ $60 million initial appeal as well as an individual look for each unit. pedestrian promenades that provide phase, which will break ground on “a neighborhood experience of open, CSUN’s North Campus in fall 2008. “The presence of Devonshire Downs low-walled porches or front yards It will welcome its first occupants in along the promenades and parkways.” fall 2009. on CSUN’s north campus will greatly enhance Constructed in blocks of three to five The remaining 15 acres at the site attached units ranging from 1,300 – will be developed during the next ten our ability to attract and retain 1,950 square feet, each town home to 15 years, in two or three phases will have a private two-car garage smaller both in size and scope than the high-caliber faculty and staff with alley access. -
Moviehouse 2015 Program Moviehouse
* 2017 * Kingston Arts presents Kingston Arts presents Moviehouse Mo20viehous15 e Program2015 screenedProgram weekly on Mondays at 10:30am screened weekly on Mondays at 10:30am Did you know you can go to the movies once a week for a whole year for the cost of just one movie ticket at a commercial cinema? Moviehouse returns in 2017, now screening on DVD and Blu-Ray, allowing us to bring you a wider range of films. Join those in the know and become a member of Kingston’s best kept secret. kingston Moviehouse Sit back, relax and enjoy a cinematic journey from the golden years of the great movie studios! Drawn from many of the great classics, you can expect to relive the excitement, adventure and romance from a bygone era, with each film being personally introduced with summary and trivia details. You cannot purchase tickets to just a single session. You must join up as a member, which you can do at the Box Office. Due to 16mm films becoming increasingly precious, we are no longer Limited parking is available LEGEND able to loan prints from the National Film & Sound Archive in this under the Kingston City Hall. format. Instead, Moviehouse will now screen on DVD and Blu-Ray. (Col) Colour When booking your This allows us to screen classic films in higher quality and also choose membership, please request a (B/W) Black & White from a wider range of titles. Parking Permit. Join us at 10.00am for a cuppa before the movie starts at 10.30am The area is well-served by GENRE CODES sharp. -
Naples Crucible of the World
International Conference Naples crucible of the world Italian Cultural Institute, London, 29 October, 2010. Conference Centre, British Library, 30 October, 2010. Organised by Dr. Mariano d’Amora 29 October Italian Cultural Institute 10.00-10.30 Welcome: relazione d’apertura: Mariano d’Amora. 10.30-13.00. Seicento, Settecento. Prof. Michele Rak, Università degli studi di Siena, ‘A dismisura d'uomo. Feste e spettacolo del Barocco a Napoli’. Ordinario dell'Università di Siena Esperto di storia e funzione dell’immagine e di management culturale. Ha realizzato per l’Unione Europea il Virtual Museum of Photography (2003). Per la comunicazione dei beni culturali ha progettato e dirige la rete museale del Museo della Lana di Scanno dedicato all’identità locale (Regione Abruzzo, 1991). Ha realizzato audiovisivi nel settore dei beni culturali e della . Coordinatore del progetto sulla comunicazione radiotelevisiva Rai- Treccani (1989-1990) sul modello dell’accordo tra l’Enciclopedia Britannica e la BBC. Ha progettato e diretto i gruppi di ricerca intitolati (i) Mediateca del Barocco. Ha fondato e dirige l’Osservatorio permanente europeo della lettura (dal 2000), la Scuola di Dottorato di ricerca in Scienze del testo (S.Chiara. Scuola Superiore dell’Università di Siena) e coordina la Sezione Letteratura, cultura visuale e comunicazione. La relazione segnala le linee di ricerca necessarie per ricostruire la favolosa struttura e la funzione di comunicazione e d’arte della festa barocca a Napoli. Le famiglie, le comunità religiose, i gruppi confezionavano e comunicavano attraverso le feste l'immagine della propria identità. Un’imponente serie di abiti, di armi, di oggetti, di percorsi, di musiche venivano preparati per le parate, gli ingressi trionfali, i compleanni. -
File Stardom in the Following Decade
Margaret Rutherford, Alastair Sim, eccentricity and the British character actor WILSON, Chris Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/17393/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/17393/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University Learning and IT Services Adsetts Centre City Campus 2S>22 Sheffield S1 1WB 101 826 201 6 Return to Learning Centre of issue Fines are charged at 50p per hour REFERENCE Margaret Rutherford, Alastair Sim, Eccentricity and the British Character Actor by Chris Wilson A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy September 2005 I should like to dedicate this thesis to my mother who died peacefully on July 1st, 2005. She loved the work of both actors, and I like to think she would have approved. Abstract The thesis is in the form of four sections, with an introduction and conclusion. The text should be used in conjunction with the annotated filmography. The introduction includes my initial impressions of Margaret Rutherford and Alastair Sim's work, and its significance for British cinema as a whole. -
Debra Bernardi* “YOU're NOT GOING to LET SOME SILLY OLD RULE STAND in YOUR WAY!” ALTERNATIVE VISIONS of the MODERN in MID
Iperstoria – Testi Letterature Linguaggi www.iperstoria.it Rivista semestrale ISSN 2281-4582 Debra Bernardi* “YOU’RE NOT GOING TO LET SOME SILLY OLD RULE STAND IN YOUR WAY!” ALTERNATIVE VISIONS OF THE MODERN IN MID-CENTURY AMERICAN-WOMEN-IN- ITALY FILMS Italy—both as an actual place and an imagined idea—has loomed large in the American mindset since at least the 19th century when significant numbers of US tourists began to travel to the peninsula.1 US popular culture became especially fascinated during the post-World War II years. As travel to Europe increased after the War, Italy became the favorite overseas destination for Americans (Williams 1979, 552).2 Moreover Italian-produced films became popular with US audiences: from the 1950s to 60s, the Italian film industry was the second most important in the world, producing half as many films as Hollywood (Gundle 2007, 157) —with one Life magazine article (August 1954) referring to Rome as “Hollywood on the Tiber.” Furthermore, as taxes made film-making in Italy economically viable for American producers, it is not surprising that post- War Hollywood turned its attention to stories about Americans visiting Italy. Critic Ilaria Serra (2009) points out that post-War films frequently feature practical, competent American men aiding a primitive, if beautiful, defeated nation. Such narratives play off long-standing British and US images of Italy as a premodern, uncivilized culture: Robert Casillo and Robert Russo demonstrate that as early as the end of the Renaissance and Baroque periods Italy had been figured as a place in decline (2011, 4), representing “‘nature’ far more than ‘civilization’” (65). -
Affect and Cultural Change: the Rise of Popular Zionism in the British Jewish Community After the Six Day War (1967)
AFFECT AND CULTURAL CHANGE: THE RISE OF POPULAR ZIONISM IN THE BRITISH JEWISH COMMUNITY AFTER THE SIX DAY WAR (1967) JAMIE HAKIM A thesis submitted in partial fulfillment of the requirements of the University of East London for the degree of Doctor of Philosophy September 2012 Abstract In current Jewish Studies scholarship there is a broad consensus that the Arab-Israeli war of June 1967 caused both an intense emotional response in Britain’s Jewish community and a change in the relationship this community had with the State of Israel. What this scholarship has yet to provide is either a detailed account of the ways that the June 1967 war impacted on this community or a sustained theorisation of how the intensity generated by a world-historical event might bring about change. This thesis attempts to address these gaps by interviewing twelve British Jews who lived through their community’s response to the war and supplement this data with original archival research, adding detail that is currently missing from the historical record. It then interprets this data using a cultural studies approach grounded, primarily, in the thought of Gilles Deleuze and Felix Guattari. In using this approach this thesis reveals that it was the intense affectivity generated by the Zionist representation of the war as the ‘Six Day War’ that caused the community to change in the post-1967 conjuncture. It then identifies these changes as cultural – occurring on the planes of identity, representation, everyday life, cultural practice and, most crucially, affectivity. In revealing the centrality of affect in the impact of the war on the British Jewish community, this thesis argues that the hegemonic form of Zionism that emerges within that community after 1967 is ‘Popular Zionism’, defined as an intensely charged affective disposition towards the State of Israel that is lived out in the cultural identities, everyday lives and cultural practices of British Jews.