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House on 92Nd Street
House on 92nd street click here to download The House on 92nd Street is a black-and-white American spy film directed by Henry Hathaway. The film, shot mainly in New York City, was released. x 39 The House on 92nd Street () William Eythe, Signe Hasso, and Lloyd Nolan in The House on 92nd Street (Lloyd Nolan in The House on. In this drama, the FBI learns of the presence of several suspicious persons in Washington DC. William Eythe is a German-American college. www.doorway.ru: The House on 92nd Street (Fox Film Noir): William Eythe, Lloyd Nolan, Signe Hasso, Gene Lockhart, Leo G. Carroll, Lydia St. Clair, William Post . Overview of The House on 92nd Street, , directed by Henry Hathaway, with William Eythe, Lloyd Nolan, Signe Hasso, at Turner Classic Movies. Fresh from wrapping the George Raft costumer Nob Hill (), Henry Hathaway was eager to get off the lot at 20th Century Fox and try something new. Created during America's ham-fisted effort at producing propaganda films during the early s era of World War II, “The House On 92nd. The great Henry Hathaway (23 Paces to Baker Street) directed this classic film noir set in New York City during World War II - The House On 92nd Street is a. The House on 92nd Street. New York Jewish Film Festival. Film. Monday, January 26, 6 – pm. Walter Reade Theater, W 65th St. A twisted. The House on 92nd Street. Twentieth-Fox, employing somewhat the technique of The March of Time has parlayed the latter with facilities and files of the FBI in. -
Baby Snooks: Why, Daddy?
baby_snooks_4pg.qxd:4 pg. Booklet 8/18/09 2:51 PM Page 1 Track 7: Baby Buggy - July 2, 1942 – Daddy thinks that he’ll be able to use the old baby buggy to transport the twins, but the Baby Snooks: vehicle will need a few modifications. (9:48) CD 4 Why, Daddy? Track 1: The Camp Report: September 3, 1942 – Daddy welcomes Snooks back after her stay at summer camp, and is Program Guide by Ivan G. Shreve, Jr. looking forward to reading her camp report…but, first bedtime. (8:07) During the Golden Age of Radio, audiences were treated to a “brat triumvirate.” The best- known of the radio brats was wisenheimer Charlie McCarthy, who along with partner (read: Track 2: Baby Snooks Goes to a Movie - September 24, 1942 – ventriloquist) Edgar Bergen entertained audiences for nearly twenty years with the ultra-popular Going to the movies is a pleasure for some…but, since Daddy The Chase & Sanborn Hour . In the 1940s, comedian Red Skelton introduced demon-on- has to take Snooks and the twins it’s akin to walking the last wheels “Junior, the mean widdle kid” on his Raleigh Cigarette Program . Hanley Stafford as the long-suffering mile. (8:51) “Daddy” with Brice as Snooks. The last member of this trio of incorrigibles was Baby Snooks, played by famed musical Track 3: Gozinta - October 1, 1942 – Daddy is suffering from a case of insomnia, so Snooks comedy star Fanny Brice. Brice began her show business career at the age of twelve, earning takes advantage of his sleepless state to con him into helping her with her homework. -
Focus Winter 2002/Web Edition
OKLAHOMA CITY UNIVERSITY • WINTER/SPRING 2002 Focus on The School of American Dance and Arts Management A National Reputation Built on Tough Academics, World-Class Training, and Attention to the Business of Entertainment Light the Campus In December 2001, Oklahoma’s United Methodist university began an annual tradition with the first Light the Campus celebration. Editor Robert K. Erwin Designer David Johnson Writers Christine Berney Robert K. Erwin Diane Murphree Sally Ray Focus Magazine Tony Sellars Photography OKLAHOMA CITY UNIVERSITY • WINTER/SPRING 2002 Christine Berney Ashley Griffith Joseph Mills Dan Morgan Ann Sherman Vice President for Features Institutional Advancement 10 Cover Story: Focus on the School John C. Barner of American Dance and Arts Management Director of University Relations Robert K. Erwin A reputation for producing professional, employable graduates comes from over twenty years of commitment to academic and Director of Alumni and Parent Relations program excellence. Diane Murphree Director of Athletics Development 27 Gear Up and Sports Information Tony Sellars Oklahoma City University is the only private institution in Oklahoma to partner with public schools in this President of Alumni Board Drew Williamson ’90 national program. President of Law School Alumni Board Allen Harris ’70 Departments Parents’ Council President 2 From the President Ken Harmon Academic and program excellence means Focus Magazine more opportunities for our graduates. 2501 N. Blackwelder Oklahoma City, OK 73106-1493 4 University Update Editor e-mail: [email protected] The buzz on events and people campus-wide. Through the Years Alumni and Parent Relations 24 Sports Update e-mail: [email protected] Your Stars in action. -
The American Film Musical and the Place(Less)Ness of Entertainment: Cabaret’S “International Sensation” and American Identity in Crisis
humanities Article The American Film Musical and the Place(less)ness of Entertainment: Cabaret’s “International Sensation” and American Identity in Crisis Florian Zitzelsberger English and American Literary Studies, Universität Passau, 94032 Passau, Germany; fl[email protected] Received: 20 March 2019; Accepted: 14 May 2019; Published: 19 May 2019 Abstract: This article looks at cosmopolitanism in the American film musical through the lens of the genre’s self-reflexivity. By incorporating musical numbers into its narrative, the musical mirrors the entertainment industry mise en abyme, and establishes an intrinsic link to America through the act of (cultural) performance. Drawing on Mikhail Bakhtin’s notion of the chronotope and its recent application to the genre of the musical, I read the implicitly spatial backstage/stage duality overlaying narrative and number—the musical’s dual registers—as a means of challenging representations of Americanness, nationhood, and belonging. The incongruities arising from the segmentation into dual registers, realms complying with their own rules, destabilize the narrative structure of the musical and, as such, put the semantic differences between narrative and number into critical focus. A close reading of the 1972 film Cabaret, whose narrative is set in 1931 Berlin, shows that the cosmopolitanism of the American film musical lies in this juxtaposition of non-American and American (at least connotatively) spaces and the self-reflexive interweaving of their associated registers and narrative levels. If metalepsis designates the transgression of (onto)logically separate syntactic units of film, then it also symbolically constitutes a transgression and rejection of national boundaries. In the case of Cabaret, such incongruities and transgressions eventually undermine the notion of a stable American identity, exposing the American Dream as an illusion produced by the inherent heteronormativity of the entertainment industry. -
Marilyn Monroe and Niagara
Icons are all around us, and often we don’t even question it. So ingrained is their power their image becomes synonymous with what they represent. The Statue of Liberty, a gift from the French, has come to represent a cultural welcome, freedom from oppression. After thousands of immigrants arrivals and generations of hardship, the sighting of the Statue in New York harbor has become iconic. Fifteen minutes of fame does not an icon make. An icon requires survival of a multistep process, which pushes the image to its limits. Firstly, an icon needs to have common roots, at least one foot among the masses. This is what allows the spectator to take ownership and feel connected and makes them a viable icon. An icon cannot be a representative of a group if it is not one of what it stands for. Secondly, the icon while remaining at its base “common”, must have an exceptional, unique qualtiy whic makes it the best example of something. It is the fastest, the highest, or the furthest. After it gains popularity because of these two first qualities, it then must stand a rigorous litany of deconstruction, digestion, and interrogation, before it can reach the fourth phase of being praised, lauded and embraced as the quintessential one of its kind. The irony is that once it claims icon status, all that made it so interesting to begin with has been stripped away. It has been so contorted, manipulated as to be simplified for the masses that only that one outstanding unique quality remains, and everything else is ignored. -
The Museum of Modern Art Announces Holiday Hours and Special Programming for the Holiday Season
THE MUSEUM OF MODERN ART ANNOUNCES HOLIDAY HOURS AND SPECIAL PROGRAMMING FOR THE HOLIDAY SEASON MoMA Will Open One Hour Early December 26–December 31 Lantern Slide Shows on November 30 & December 1 Joan Blondell Film Retrospective, December 19–31 New York, November 27, 2007—The Museum of Modern Art announces special holiday hours and programming this holiday season, including longer hours during Christmas week and a new information desk specifically geared to families with younger visitors. The Museum presents a special showing of a Victorian-era entertainment with a lantern-slide shows for adults and children on November 30 and December 1, as well as daily screenings of classic Hollywood films featuring Joan Blondell from December 19 through 31. Special exhibitions featuring the rarely exhibited drawings of Georges Seurat and the contemporary sculpture of Martin Puryear are on view through the holiday season, and a major exhibition of the etchings of British artist Lucian Freud opens on December 16. MoMA is located in midtown Manhattan, just steps from Fifth Avenue, Rockefeller Center, and Radio City Music Hall. HOLIDAY HOURS AND ADMISSION To accommodate holiday visitors, The Museum of Modern Art will be open one hour earlier than usual—at 9:30 a.m.—from December 26 through January 1. In addition, the museum will be open on New Year’s Day, Tuesday, January 1. Holiday Hours: December 24, 10:30 a.m. - 3:00 p.m. Closed December 25. December 26 and 27: 9:30 a.m. - 5:30 p.m. December 28: 9:30 a.m. - 8:00 p.m. -
Cine Y Enseñanza En Ciencias De La Salud. El Caso De La Polio. Desde La Anatomía a La Microbiología
FACULTAD DE MEDICINA Departamento de Anatomía e Histología humana Cine y enseñanza en ciencias de la salud. El caso de la polio. Desde la Anatomía a la Microbiología Trabajo presentado por D. Enrique García Merino para optar al grado de Doctor por la Universidad de Salamanca Dirigida por: D. Francisco Collía y Dña. María José Fresnadillo Campus .Mi§uel de Unamuno» Avda. Campo Charro, s/n. Teléfono 34 23 294547 Fax 34 23 294687 UNIVERSIDAD DE SALAMANCA 37007. -SALAMANCA (España) Departamento de Anatomia e Histologia Humanas D. FRANcrsco DE pAULA cor-lía rrnruÁruoEz, pRoFESoR TrruLAR DEL DEpARTAMENTo DE aruarovríe E HrsroLocía uuvrRruas y oñn vranía.rosÉ rRrsmADrLLo rvrRRrírurz pRoFESoRA coNTRATADA DocroR DE MrcRoBror-ocín DEL DEpARTAMENTo MEDtctNA pREVENTtvA sALUD púgltcR y MrcRoBror-ocía vrÉorcR DE LA FAcULTAD DE MEDtctNA DE LA UN IVERSIDAD DE SALAMANCA CERTIFICAN: Que D. ENRIQUE CRnCÍa MERINO ha realizado, bajo nuestra dirección, el trabajo titulado ,,CINE Y ¡rrISrÑAruZR EN CIENCIAS DE LA SALUD. EL CASoDE LA PoLIo. DESDE m RruRrovIía a LA MICROBIOI-OCíA" en los Departamentos Anatomía e Histología humanas y Medicina Preventiva Salud Pública y Microbiología Médica de la Universidad de Salamanca y que reúne, a nuestro juicio, meritos suficientes para poder optar al Grado de Doctor por la Universidad de Salamanca. Y para que conste, firmamos el presente certificado, en Salamanca a 22 de octubre de 201,4 snadillo Martínez AGRADECIMIENTOS Este trabajo no habría sido posible sin la colaboración de muchas personas que me han brindado su ayuda, sus conocimientos y su apoyo, por eso quiero agradecerles a todos ellos cuanto han hecho por mí, para que pudiera llegar a buen fin este trabajo de la mejor forma posible. -
Nirs. ROOTS DHILL STUDIOS GIFT SHOP HICKS ROAD ANTIQUES HANDWOVEN ARTICLES! PAINTING Im ETCHINGS CHINESE PORCELAINS ART M/Iterials
THE GALAX NEWS AUGUST U 1957 PAGE 8 niRS. ROOTS DHILL STUDIOS GIFT SHOP HICKS ROAD ANTIQUES HANDWOVEN ARTICLES! PAINTING im ETCHINGS CHINESE PORCELAINS ART M/iTERIALS EMBRODERIES SPECIAL PAINTING COURSES «BEAU JAMES'* McGavin, as Charley ^and, the Mayor's ••Beau James,” starring Bob Hope, Vera secretary. Miles, and Paul Douglas, will be shown at "WITS END'» for DISTINCTIVE BIPORTS FROM the Galax Iheatre, August ?• FRANCE-GERMAl'T-ITALY . ^ e credit subtitle on this film is “The Life and Times of Jimmy Walker, ” and Gene Kelly and world-famous ballerina that will do as a perfect themball de- Tamara Toumanova dance their way to romaJ>- scrijition* For those, and there will be many, who will be wondering what Bob Hope ce in one of the episodes fo ^INVITATION would or could do with the Jimmy Walker TO THE DANCE", See it Tuesday August 6, at the GALAX THEATRE. title role, the answer is that he does— and howl As a matter of fact, Hope takes to the role like the proverbial duck to water, and does a bang-up job of it. He really makes the debonair, flamboyant, FOR s a l e ; life-loving New York Mayor of the 1920*s come alive* Jack Rose and Melville Shavelson, who also produced and directed, respectively, prepared the screenplay from the highly favorable Gene Fowler biography of the natty and clever Mr, Walker. The Shavel- son-Rose combination, operating with Hope IN CASHIE IS V;JI£Y. as Scribe Productions, seems to have a IHREE BEDROOMS, IWO BATHS, TWO CAR way with a biography on film, as witness GARAGE, LARGE LIVING ROOM WITH BEAU their "Seven Little Fovs,” also with Hope* TIFUL VIEW OF MOUNT/ilNS. -
MEMORY of the WORLD REGISTER the Wizard of Oz
MEMORY OF THE WORLD REGISTER The Wizard of Oz (Victor Fleming 1939), produced by Metro-Goldwyn-Mayer REF N° 2006-10 PART A – ESSENTIAL INFORMATION 1 SUMMARY In 1939, as the world fell into the chaos of war, Metro-Goldwyn-Mayer released a film that espoused kindness, charity, friendship, courage, fortitude, love and generosity. It was dedicated to the “young, and the young in heart” and today it remains one of the most beloved works of cinema, embraced by audiences of all ages throughout the world. It is one of the most widely seen and influential films in all of cinema history. The Wizard of Oz (1939) has become a true cinema classic, one that resonates with hope and love every time Dorothy Gale (the inimitable Judy Garland in her signature screen performance) wistfully sings “Over the Rainbow” as she yearns for a place where “troubles melt like lemon drops” and the sky is always blue. George Eastman House takes pride in nominating The Wizard of Oz for inclusion in the Memory of the World Register because as custodian of the original Technicolor 3-strip nitrate negatives and the black and white sequences preservation negatives and soundtrack, the Museum has conserved these precious artefacts, thus ensuring the survival of this film for future generations. Working in partnership with the current legal owner, Warner Bros., the Museum has made it possible for this beloved film classic to continue to enchant and delight audiences. The original YCM negatives have been conserved at the Museum since 1975, and Warner Bros. recently completed our holdings of the film by assigning the best surviving preservation elements of the opening and closing black and white sequences and the soundtrack to our care. -
Serving Boca Raton and Deerfield Beach Boca Raton, Florida
Serving Boca Raton and Deerfield Beach Boca Raton, Florida, Thursday, October 15, 1959 2 THE BOCA RATON NEWS Thursday, October 15, 1959 at 2 p.m. today at the Hender- Thursday, October 15, 1959 THE BOCA RATON NEWS 3 IN son Funeral Chapel in Deerfield Third Birthday Party Disagree on Pay Raises MEMORIAM Beach. BPW Speaker Attacks Held for Bernard Turner (Continued From page l) leave it that way. Henderson Funeral Home is Bernard Turner, son of Mr. handling the arrangements. and Mrs. Bernard Turner, cele- Flanchertook Herbold to task A 20-page, ordinance re- Reapportionment Plan daughter. Miss Helen Tischart of Burial will be in Hollywood Me- bratedbis third birthday Saturday for an advertisement he had garding the certifying and li- Herbert G. McLauthlin Chicago; a daughter-in-law, morial Gardens, Hollywood, Fla. City Commissioner John He said that "at the present with a party at his home. placed in the Boca Raton News censing of contractors was read Herbert G. McLauthlin, 61, Mrs. Juanita Tischart of Chicago; Flancher, guest speaker at the time 16. 3 percent of the people His special birthday cake was last week regarding the dismissal in full and adopted and made of 1455 N.E. Fifth Avenue, Boca two sisters, Mrs. Alice CLacmo Business and Professional Wo- elect a majority in the House and decorated with a rea' train. Ice of the Planning Board. He de- effective immediately so that to ton, died Friday in the Veterans Rummage Sale Chairman and Mrs. Mary Rosa of Chicago, men's Club meeting Monday 13 percent elect a majority in cream, cake and lemonade were manded that Herbold tell him the daily operation of the ad- Hospital at Coral Gables after a Mrs. -
Ned Kelly and the Myth of a Republic of North-Eastern Victoria
Ned Kelly and the Myth of a Republic of North-Eastern Victoria Stuart E. Dawson Department of History, Monash University Ned Kelly and the Myth of a Republic of North-Eastern Victoria Dr. Stuart E. Dawson Creative Commons Attribution-NonCommercial-NoDerivs Published by Dr. Stuart E. Dawson, Adjunct Research Fellow, Department of History, School of Philosophical, Historical and International Studies, Monash University, Clayton, VIC, 3800. Published June 2018. ISBN registered to Primedia E-launch LLC, Dallas TX, USA. Copyright © Stuart Dawson 2018. The moral right of the author has been asserted. Author contact: [email protected] ISBN: 978-1-64316-500-4 Keywords: Australian History Kelly, Ned, 1855-1880 Kelly Gang Republic of North-Eastern Victoria Bushrangers - Australia This book is an open peer-reviewed publication. Reviewers are acknowledged in the Preface. Inaugural document download host: www.ironicon.com.au Creative Commons Attribution-NonCommercial-NoDerivs This book is a free, open-access publication, and is published under the Creative Commons Attribution- NonCommercial-NoDerivs licence. Users including libraries and schools may make the work available for free distribution, circulation and copying, including re-sharing, without restriction, but the work cannot be changed in any way or resold commercially. All users may share the work by printed copies and/or directly by email, and/or hosting it on a website, server or other system, provided no cost whatsoever is charged. Just print and bind your PDF copy at a local print shop! (Spiral-bound copies with clear covers are available in Australia only by print-on-demand for $199.00 per copy, including registered post. -
Red Nichols from Wikipedia, the Free Encyclopedia
Red Nichols From Wikipedia, the free encyclopedia Background information Birth name Ernest Loring "Red" Nichols the hood man Born May 8, 1905 Ogden, Utah, US Died June 28, 1965 (aged 60) The Mint Las Vegas Genres Jazz Occupation(s) Musician, bandleader, composer Instruments Cornet Associated acts California Ramblers, Paul Whiteman Ernest Loring "Red" Nichols (May 8, 1905 – June 28, 1965) was an American jazz cornettist, composer, and jazz bandleader. Over his long career, Nichols recorded in a wide variety of musical styles, and critic Steve Leggett describes him as "an expert cornet player, a solid improviser, and apparently a workaholic, since he is rumored to have appeared on over 4,000 recordings during the 1920s alone." Biography Early life and career Nichols was born on May 8, 1905 in Ogden, Utah. His father was a college music professor, and Nichols was a child prodigy, because by twelve he was already playing difficult set pieces for his father's brass band. Young Nichols heard the early recordings of the Original Dixieland Jazz Band, and later those of Bix Beiderbecke, and these had a strong influence on the young cornet player. His style became polished, clean and incisive. In the early 1920s, Nichols moved to the Midwest and joined a band called The Syncopating Seven. When that band broke up he joined the Johnny Johnson Orchestra and went with it to New York City in 1923. New York would remain his base for years thereafter. In New York he met and teamed up with trombonist Miff Mole, and the two of them were inseparable for the next decade.