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2008 Annual Report
5 YEARS OF EXCELLENCE FEATURED ARTICLES AND THE 2008 ANNUAL REPORT Benjamin Franklin’s Shoe PAGE 4 A Road Rich with Milestones PAGE 10 Today and Tomorrow: 2008 Annual Report PAGE 16 2008 Financials PAGE 22 FEATUREMAILBOX ONE 2 NATIONAL CONSTITUTION CENTER 5 Years of Excellence LETTER FROM THE EDITORS Dear Friends: Exceptional. That is the only word that can fully describe the remarkable strides the National Constitution Center has made in the past five years. Since opening its doors on July 4, 2003, it has developed into one of the most esteemed institutions for the ongoing study, discussion and celebration of the United States’ most cherished document. We’re pleased to present a celebration of the Center’s first five years and the 2008 Annual Report. In the following pages you will read about the Center’s earliest days and the milestones it has experienced. You will learn about the moving exhibitions it has developed and presented over the years. You will look back at the many robust public conversations led by national figures that have occurred on site, and you will be introduced to a new and innovative international initiative destined to carry the Center boldly into the future. It has been a true pleasure to work for this venerable institution, informing and inspiring We the People. We both look forward to witnessing the Center’s future achievements and we are honored that the next chapter of this story will be written by the Center’s new Chairman, President Bill Clinton. Sincerely, President George H. W. Bush Joseph M. -
The Stony Brook Press
VoL 7 No.7 * University Community's Feature Paper * Feb. 13, 1986 7 7* Battery acid gottago with the flow no show no flack on track gA potato sack telephonebookboo l Bishop rook paperback I dont stall 00o hall onion skin dead kin bury the goods. in the woods Chicago straight to jail last feast man beast fast talk bored walk tomato juice free base air space dont sin cant win , back beat F. crows feat bottled beer Nashville _ in the attic no static cigars and gin Cadillac fin _stand clear •• Shakespearee i cant hearii no fear - The Fourth Estate: Editorial The Undergraduate Don't follow leaders when power is the opiate of the fairly forgetful concerts, and one offensive as well as lost building parties and beer blasts? What of the masses, since then leaders either become tyrants for forgetful speaker John Valby. protection of student rights via action or rallys, their own causes or politicians lost in their own something other than printing "Save the Whitman inexperience and unsure of which act to follow. This semester, with a major portion of S.A.B.'s Pub" T-shirts and collecting a book co-op? Democracy never insures majority rule, as proved budget spent on a poor three months, and with a new While it might be unfair to launch a vendetta through Ferdinand Marcos' games with the Phillipine Concerts chairperson, S.A.B. thundered in the new against current leadership, since previous leaderships system, or with myriad other travesties ofjustice even year with Phantom, Rocker and Slick. -
The Flintstones (1960-1966), About a “Modern Stone-Age Family,” Was The
Columbia Pictures) to develop a prime-time animated series. They worked out the concept of parodying current situation comedies, especially The Honeymooners and Father Knows Best, with the twist of setting them in a different historical era. Cartoonists Dan Gordon and Bill Benedict had the idea to use a Stone Age setting (although the Fleischer Studios pro- duced a similar series of Stone Age Cartoons back in 1940). The concept was bought by ABC, and premiered Sept. 30, 1960. Voiced by Alan Reed, Jr. (Fred Flintstone), Mel Blanc (Barney Rubble), Jean VanderPyl (Wilma Flintstone) and veteran actress Bea Benaderet (Betty Rubble), The Flintstones finished the season in the Nielsen ratings’ top 20, and won a number of industry awards, including the Golden Globe, and an [email protected] Emmy nomination for best comedy series of 1960-61. A clear appeal of the series lays in its parody of sitcom for- mula plots, and there are elements of satire in the way modern consumer conveniences are turned into sight gags. One of the show’s favorite gags was to have cameos by Stone Age versions of modern celebrities (Ann Margrock, Stony Curtis, etc.). The most popular gimmick was Wilma’s pregnancy, ending with the February 1963 “birth” of their little girl, Pebbles. The next season the Rubbles adopted Bamm-Bamm, a little boy of incredible strength and a one- word vocabulary. By the fifth and sixth seasons, the show began to use more storylines aimed at kids, with new neighbors the Grue- somes (a spin on The Munsters and The Addams Family), and magical space alien The Great Gazoo (Harvey Korman). -
Asolo Repertory Theatre Presents Fanny Brice, America's Funny Girl
For Immediate Release: April 24, 2012 Media Contact: Steph Gray, Public Relations Coordinator 941.351.9010 ext. 4800; [email protected] Asolo Repertory Theatre presents Fanny Brice, America’s Funny Girl (SARASOTA, Fla.)- Before there was a Lucy or Ethel, Gracie Allen or Imogene Coca, Fanny Brice was the female comic superstar. Fanny Brice, America's Funny Girl will be open May 23, 2012 and run until June 17, 2012. Previews begin May 20. Fanny Brice, America’s Funny Girl is a reworking of Maltz Jupiter Theatre’s 2009 hit production Fanny Brice: The Real Funny Girl. Writer and Director David H. Bell modified the script and is bringing Asolo Rep the most inspiring version yet. TCPalm raved, “Marya Grandy may not be the real Fanny Brice…but she just might be a new version of Ethel Merman. That’s with a little Patti LuPone and the emotional singing delivery al a Judy Garland tossed in for good measure”. WJTW FM said “what really brought the audience to its feet for a standing ovation however was the finale…it doesn’t get any better than that.” Born Fania Borach on the Lower East Side of New York City in 1891, Brice began her career on stage with a burlesque troupe at the age of 17. Two years later she was headlining for the Ziegfeld Follies, and by 1921 she released her signature song, “My Man.” Brice became one of the biggest comedic stars to grace the stage, yet her personal life wasn’t as successful, with heartache and betrayal followed her at every step and her three marriages all ending in divorce. -
TRINITY COLLEGE Cambridge Trinity College Cambridge College Trinity Annual Record Annual
2016 TRINITY COLLEGE cambridge trinity college cambridge annual record annual record 2016 Trinity College Cambridge Annual Record 2015–2016 Trinity College Cambridge CB2 1TQ Telephone: 01223 338400 e-mail: [email protected] website: www.trin.cam.ac.uk Contents 5 Editorial 11 Commemoration 12 Chapel Address 15 The Health of the College 18 The Master’s Response on Behalf of the College 25 Alumni Relations & Development 26 Alumni Relations and Associations 37 Dining Privileges 38 Annual Gatherings 39 Alumni Achievements CONTENTS 44 Donations to the College Library 47 College Activities 48 First & Third Trinity Boat Club 53 Field Clubs 71 Students’ Union and Societies 80 College Choir 83 Features 84 Hermes 86 Inside a Pirate’s Cookbook 93 “… Through a Glass Darkly…” 102 Robert Smith, John Harrison, and a College Clock 109 ‘We need to talk about Erskine’ 117 My time as advisor to the BBC’s War and Peace TRINITY ANNUAL RECORD 2016 | 3 123 Fellows, Staff, and Students 124 The Master and Fellows 139 Appointments and Distinctions 141 In Memoriam 155 A Ninetieth Birthday Speech 158 An Eightieth Birthday Speech 167 College Notes 181 The Register 182 In Memoriam 186 Addresses wanted CONTENTS TRINITY ANNUAL RECORD 2016 | 4 Editorial It is with some trepidation that I step into Boyd Hilton’s shoes and take on the editorship of this journal. He managed the transition to ‘glossy’ with flair and panache. As historian of the College and sometime holder of many of its working offices, he also brought a knowledge of its past and an understanding of its mysteries that I am unable to match. -
744 101St Chase and Sandborn Show Anniversary Show
744 101ST CHASE AND SANDBORN SHOW ANNIVERSARY SHOW NBC 60 EX COM 5008 10-2-4 RANCH #153 1ST SONG HOME ON THE RANGE CBS 15 EX COM 5009 10-2-4 RANCH #154 1ST SONG UNTITLED SONG CBS 15 EX COM 5010 10-2-4 RANCH #155 1ST SONG BY THE SONS OF THE PIONEERS CBS 15 EX COM 5011 10-2-4 RANCH #156 1ST SONG KEEP AN EYE ON YOUR HEART CBS 15 EX COM 2951 15 MINUTES WITH BING CROSBY #1 1ST SONG JUST ONE MORE CHANCE 9/2/1931 8 VG SYN 4068 1949 HEART FUND THE PHIL HARRIS-ALICE FAYE SHOW 00/00/1949 15 VG COM 588 20 QUESTIONS 4/6/1946 30 VG- 246 20 QUESTIONS #135 12/1/48 AFRS 30 VG AFRS 247 20 QUESTIONS #137 1/8/1949 AFRS 30 VG AFRS 592 20 QUESTIONS WET HEN MUT. 30 VG- 2307 2000 PLUS THE ROCKET AND THE SKULL 30 VG- SYN 2308 2000 PLUS A VETRAN COMES HOME 30 VG- SYN 4069 A & P GYPSIES 1ST SONG IT'S JUST A MEMORY 00/00/1933 NBC 37 VG+ 1017 A CHRISTMAS PLAY #325 THESE THE HUMBLE (SCRATCHY) 30 G-VG SYN 2003 A DATE WITH JUDY WITH JOSEPH COTTON 2/6/1945 NBC 30 VG COM 938 A DATE WITH JUDY #86 WITH CHARLES BOYER AFRS 30 VG AFRS 2488 ABBOTT AND COSTELLO WITH MARLENA DETRICH 10/15/1942 NBC 30 VG+ COM 2489 ABBOTT AND COSTELLO WITH LUCILLE BALL 11/18/1943 NBC 30 VG+ COM 4071 ABBOTT AND COSTELLO WITH LYNN BARI 12/16/1943 NBC 30 VG COM 4072 ABBOTT AND COSTELLO WITH THE ANDREW SISTERS 12/26/1943 NBC 30 VG COM 2490 ABBOTT AND COSTELLO WITH BERT GORDON 12/30/1943 NBC 30 VG+ COM 2491 ABBOTT AND COSTELLO WITH JUDY GARLAND 1/6/1944 NBC 30 VG+ COM 2492 ABBOTT AND COSTELLO WITH HAROLD PERRY 1/20/1944 NBC 30 VG+ COM 4073 ABBOTT AND COSTELLO WITH THE GREAT GILDERSLEEVE 1/20/1944 NBC -
Florenz Ziegfeld Jr
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE ZIEGFELD GIRLS BEAUTY VERSUS TALENT A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts in Theatre Arts By Cassandra Ristaino May 2012 The thesis of Cassandra Ristaino is approved: ______________________________________ __________________ Leigh Kennicott, Ph.D. Date ______________________________________ __________________ Christine A. Menzies, B.Ed., MFA Date ______________________________________ __________________ Ah-jeong Kim, Ph.D., Chair Date California State University, Northridge ii Dedication This thesis is dedicated to Jeremiah Ahern and my mother, Mary Hanlon for their endless support and encouragement. iii Acknowledgements First and foremost I would like to express my deepest gratitude to my thesis chair and graduate advisor Dr. Ah-Jeong Kim. Her patience, kindness, support and encouragement guided me to completing my degree and thesis with an improved understanding of who I am and what I can accomplish. This thesis would not have been possible without Professor Christine Menzies and Dr. Leigh Kennicott who guided me within the graduate program and served on my thesis committee with enthusiasm and care. Professor Menzies, I would like to thank for her genuine interest in my topic and her insight. Dr. Kennicott, I would like to thank for her expertise in my area of study and for her vigilant revisions. I am indebted to Oakwood Secondary School, particularly Dr. James Astman and Susan Schechtman. Without their support, encouragement and faith I would not have been able to accomplish this degree while maintaining and benefiting from my employment at Oakwood. I would like to thank my family for their continued support in all of my goals. -
Special Trip to the Brand New Museum of the American Revolution
Village of East Hills Senior Activities Committee PRESORTED 209 Harbor Hill Road May 2018 FIRST CLASS East Hills, NY 11576 U.S. POSTAGE (516) 621-2796 Newsletter PAID [email protected] ROSLYN, NY Our thanks the Mayor and the Village Trustees for PERMIT NO.4 Stanley Stern, Chairperson their Sponsorship of our Newsletter and for being so Irving Chernofsky supportive of the Senior Activities Committee (SAC) Rhoda Helman Barbara Klein Joan Perilla Eileen Reed SPECIAL TRIP TO THE BRAND NEW MUSEUM OF THE AMERICAN REVOLUTION IN PHILADELPHIA - TUESDAY, MAY 15TH BUS WILL LEAVE VILLAGE HALL AT 8:30 AM First, we will have lunch on our own at the fabulous Reading Terminal Market. Great food, wonderful shopping for all! Then we will have a private docent-led tour of the core exhibition of this wonderful brand new museum. We will see authentic objects that include manuscripts, artwork, weaponry, the actual tent used by Washington, plus personal diaries and the paper money (Continentals) that were issued. We will learn the stories of America’s founding generation including craftsmen, laborers, seamen, farmers, African Americans, women and Native people. These are the people who had to wrestle with conflicting ideals of loyalty and independence. Come join us for a truly enlightening and exciting visit to the start of our nation! Dinner at Famous Dave’s in Cherry Hill, NJ on the way home. Cost for Bus, Private tour and dinner: $80 for Residents/$90 for Non-residents SPECTACULAR MUSICAL EVENT: SINGIN’ IN THE RAIN SUNDAY, JUNE 24th 2:00 PM ENGEMAN THEATER, NORTHPORT DINNER AT ANTONETTE’S We have all seen the movie, but have you experienced the live performance of one of the greatest movies ever made? Join us as we see the glitz and glamour of Hollywood’s golden age. -
MEMORY of the WORLD REGISTER the Wizard of Oz
MEMORY OF THE WORLD REGISTER The Wizard of Oz (Victor Fleming 1939), produced by Metro-Goldwyn-Mayer REF N° 2006-10 PART A – ESSENTIAL INFORMATION 1 SUMMARY In 1939, as the world fell into the chaos of war, Metro-Goldwyn-Mayer released a film that espoused kindness, charity, friendship, courage, fortitude, love and generosity. It was dedicated to the “young, and the young in heart” and today it remains one of the most beloved works of cinema, embraced by audiences of all ages throughout the world. It is one of the most widely seen and influential films in all of cinema history. The Wizard of Oz (1939) has become a true cinema classic, one that resonates with hope and love every time Dorothy Gale (the inimitable Judy Garland in her signature screen performance) wistfully sings “Over the Rainbow” as she yearns for a place where “troubles melt like lemon drops” and the sky is always blue. George Eastman House takes pride in nominating The Wizard of Oz for inclusion in the Memory of the World Register because as custodian of the original Technicolor 3-strip nitrate negatives and the black and white sequences preservation negatives and soundtrack, the Museum has conserved these precious artefacts, thus ensuring the survival of this film for future generations. Working in partnership with the current legal owner, Warner Bros., the Museum has made it possible for this beloved film classic to continue to enchant and delight audiences. The original YCM negatives have been conserved at the Museum since 1975, and Warner Bros. recently completed our holdings of the film by assigning the best surviving preservation elements of the opening and closing black and white sequences and the soundtrack to our care. -
One Night with Fanny Brice
The American Century Theater presents Audience Guide Edited by Jack MarshallNovember 5–27 Rosslyn Spectrum Theater you can afford to seesee———— ppplaysplays you can’t afford to miss! About The American Century Theater The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, but overlooked American plays of the twentieth century . what Henry Luce called “the American Century.” The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past playwrights, nor can we afford to surrender our moorings to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all Americans, of all ages, origins and points of view. In particular, we strive to create theatrical experiences that entire families can watch, enjoy, and discuss long afterward. These audience guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. The American Century Theater is a 501(c)(3) professional nonprofit theater company dedicated to producing significant 20th Century American plays and musicals at risk of being forgotten. The American Century Theater is supported in part by Arlington County through the Cultural Affairs Division of the Department of Parks, Recreation, and Cultural Resources and the Arlington Commission for the Arts. This arts event is made possible in part by the Virginia Commission on the Arts and the National Endowment for the Arts, as well as by many generous donors. -
MGM 70 YEARS: REDISCOVERIES and CLASSICS June 24 - September 30, 1994
The Museum of Modern Art For Immediate Release May 1994 MGM 70 YEARS: REDISCOVERIES AND CLASSICS June 24 - September 30, 1994 A retrospective celebrating the seventieth anniversary of Metro-Goldwyn- Mayer, the legendary Hollywood studio that defined screen glamour and elegance for the world, opens at The Museum of Modern Art on June 24, 1994. MGM 70 YEARS: REDISCOVERIES AND CLASSICS comprises 112 feature films produced by MGM from the 1920s to the present, including musicals, thrillers, comedies, and melodramas. On view through September 30, the exhibition highlights a number of classics, as well as lesser-known films by directors who deserve wider recognition. MGM's films are distinguished by a high artistic level, with a consistent polish and technical virtuosity unseen anywhere, and by a roster of the most famous stars in the world -- Joan Crawford, Clark Gable, Judy Garland, Greta Garbo, and Spencer Tracy. MGM also had under contract some of Hollywood's most talented directors, including Clarence Brown, George Cukor, Vincente Minnelli, and King Vidor, as well as outstanding cinematographers, production designers, costume designers, and editors. Exhibition highlights include Erich von Stroheim's Greed (1925), Victor Fleming's Gone Hith the Hind and The Wizard of Oz (both 1939), Stanley Kubrick's 2001: A Space Odyssey (1968), and Ridley Scott's Thelma & Louise (1991). Less familiar titles are Monta Bell's Pretty Ladies and Lights of Old Broadway (both 1925), Rex Ingram's The Garden of Allah (1927) and The Prisoner - more - 11 West 53 Street, New York, N.Y. 10019-5498 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART 2 of Zenda (1929), Fred Zinnemann's Eyes in the Night (1942) and Act of Violence (1949), and Anthony Mann's Border Incident (1949) and The Naked Spur (1953). -
NPRC) VIP List, 2009
Description of document: National Archives National Personnel Records Center (NPRC) VIP list, 2009 Requested date: December 2007 Released date: March 2008 Posted date: 04-January-2010 Source of document: National Personnel Records Center Military Personnel Records 9700 Page Avenue St. Louis, MO 63132-5100 Note: NPRC staff has compiled a list of prominent persons whose military records files they hold. They call this their VIP Listing. You can ask for a copy of any of these files simply by submitting a Freedom of Information Act request to the address above. The governmentattic.org web site (“the site”) is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website.