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MOST HOLY REDEEMER CATHOLIC CHURCH Rev
MOST HOLY REDEEMER CATHOLIC CHURCH Rev. Adam Izbicki, Pastor Fr. William Villa, in Residence 8523 Normandy Blvd., Jax., FL 32221-6701 (904) 786-1192 FAX: 786-4224 e-mail: [email protected] Parish Website: www.mhrjax.org Office Hours: M, Tu, Th, F 9:00 am to 1:00 pm Wed. 9:00 am to 4:00 pm MISSION STATEMENT Most Holy Redeemer Parish is a diverse Catholic community of believers who Mass Schedule celebrate and rejoice in the love of God and love of one another. Empowered by the grace of the Holy Spirit, our mission is to invite and welcome all. Masses for the Lord’s Day Saturday Vigil 5:30 pm Sunday 8 am and 10:30 am “I am the good shepherd, and I know mine and mine know me…” Domingo (en español1:00 Jn:10 Weekday Masses Tuesday, Wednesday, Thursday and Friday at 8:30 am Viernes (en español) 7:00 pm (No Mass on Mondays except holidays) Reconciliation Saturdays 4:30-5:15 pm or by appointment Exposition of the Blessed Sacrament will follow masses on Fourth Sunday of Easter, April 25, 2021 the first Thursday, Friday and Saturday of each month Parish Staff/ Personnel Mass Intentions Pastor Rev. Adam Izbicki Week of April 25-May 1 904-786-1192 X 226 Requestors [email protected] Rev. William F. Villa Sat Apr 24 530pm +Leonia Laxamana Camacho Fam In residence X 230 [email protected] Sun Apr 25 800am +Casimiro & Lourdes Edido Ching Vianzon Deacon John “Jack” H. Baker Sun Apr 25 1030am +Miller Family Majcak Family 904-477-7252 [email protected] Sun Apr 25 100pm Pro-Populo Deacon Milton Vega Mon Apr 26 No Mass 904-945-8321 [email protected] -
RMM00006 B.Pdf
This document is from the Cornell University Library's Division of Rare and Manuscript Collections located in the Carl A. Kroch Library. If you have questions regarding this document or the information it contains, contact us at the phone number or e-mail listed below. Our website also contains research information and answers to frequently asked questions. http://rmc.library.cornell.edu Division of Rare and Manuscript Collections 2B Carl A. Kroch Library Cornell University, Ithaca, NY 14853 Phone: (607) 255-3530 Fax: (607) 255-9524 E-mail: [email protected] PREFACE TO THE LETTERBOOK INDEX The letterbooks of Jacob Gould Schurman were maintained in his office by several persons over his twenty eight year incumbency, resulting in significant variations in control, style, and judgment. Moreover, indexes to each volume were kept by handwritten notation, in both pencil and ink, seldom in alphabetical order, and with numerous addenda and instances of inserted or corrected text. Researchers should exercise special and unusual latitude in an attempt to gather all the citations for a specific name. There are a number of variant patterns, but the most consistent apply to abbreviated versions of the name of the same person. "Cunningham, ~riggs"may be the same as "Cunningham, B." I,Dann, H. E ." may be the same as "Dann, H. H." (due to blurred or illegible handwriting). "Campbell, E. P." may be the same as "Campbell, President" (or Senator, Governor, Secretary, etc.). In many cases the index has knowingly been recreated literally from the original volume indexes with the mistakes intact to avoid an even more confusing, erroneous and unconfirmable interpretation. -
History and Emotions Is Elsa Morante, Goliarda Sapienza and Elena
NARRATING INTENSITY: HISTORY AND EMOTIONS IN ELSA MORANTE, GOLIARDA SAPIENZA AND ELENA FERRANTE by STEFANIA PORCELLI A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2020 © 2020 STEFANIA PORCELLI All Rights Reserved ii Narrating Intensity: History and Emotions in Elsa Morante, Goliarda Sapienza and Elena Ferrante by Stefania Porcell i This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ________ ______________________________ Date [Giancarlo Lombardi] Chair of Examining Committee ________ ______________________________ Date [Giancarlo Lombardi] Executive Officer Supervisory Committee: Monica Calabritto Hermann Haller Nancy Miller THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Narrating Intensity: History and Emotions in Elsa Morante, Goliarda Sapienza and Elena Ferrante By Stefania Porcelli Advisor: Giancarlo Lombardi L’amica geniale (My Brilliant Friend) by Elena Ferrante (published in Italy in four volumes between 2011 and 2014 and translated into English between 2012 and 2015) has galvanized critics and readers worldwide to the extent that it is has been adapted for television by RAI and HBO. It has been deemed “ferocious,” “a death-defying linguistic tightrope act,” and a combination of “dark and spiky emotions” in reviews appearing in popular newspapers. Taking the considerable critical investment in the affective dimension of Ferrante’s work as a point of departure, my dissertation examines the representation of emotions in My Brilliant Friend and in two Italian novels written between the 1960s and the 1970s – La Storia (1974, History: A Novel) by Elsa Morante (1912-1985) and L’arte della gioia (The Art of Joy, 1998/2008) by Goliarda Sapienza (1924-1996). -
Administration
Smart & Sustainable Campuses Conference 2008 Organizations that sent attendees AASHE Academic Privatization, LLC /AP Management Company, LLC Affiliated Engineers, Inc. Amenta/Emma Architects Amherst College APPA Appalachian State University Aquinas College ARAMARK Higher Education Arcadia University Archibus Arizona State University ASG, Inc. Association for the Advancement of Sustainability in Higher Education Atlantic Information Services Ayers Saint Gross, Architects & Planners Barton Malow Company Bentley University Berea College Biohabitats, Inc. BLT Architects Bowie State University Brown University Bucknell University Burt Hill Kosar Rittelmann Associates California State University, East Bay California State University, Fresno California State University, Monterey Bay Campus Consortium for Environmental Excellence Cannon Design Case Western Reserve University Castleton State College Cedar Valley College Central Michigan University Chatham University Chesapeake Climate Action Network Chestnut Hill College Chevron Energy Solutions Christchurch School Clark University Clean Air-Cool Planet College of William and Mary Colorado Academy Colorado College Community Energy, Inc Connecticut College Coppin State University Creative Artists Agency Cubellis Culver Academies Cunningham + Quill Architects, PLLC CUNY Herbert H. Lehman College Smart & Sustainable Campuses Conference 2008 Organizations that sent attendees CUNY The City College of New York Davidson County Community College Design Collective, Inc. Dickinson College Dining Services -
Defining and Perceiving Peoples in the Chronicles of Norman Italy" (2011)
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 6-2011 "Videbantur Gens Effera": Defining and erP ceiving Peoples in the Chronicles of Norman Italy Jesse Hysell Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the European History Commons Recommended Citation Hysell, Jesse, ""Videbantur Gens Effera": Defining and Perceiving Peoples in the Chronicles of Norman Italy" (2011). Master's Theses. 394. https://scholarworks.wmich.edu/masters_theses/394 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. "VIDEBANTUR GENS EFFERA": DEFINING AND PERCEIVING PEOPLES IN THE CHRONICLES OF NORMAN ITALY by Jesse Hysell A Thesis Submitted to the Faculty ofThe Graduate College in partial fulfillment ofthe requirements for the Degree of Master ofArts Department of History Advisor: Luigi Andrea Berto, Ph.D. Western Michigan University Kalamazoo, Michigan June 2011 "VIDEBANTUR GENS EFFERA": DEFINING AND PERCEIVING PEOPLES IN THE CHRONICLES OF NORMAN ITALY Jesse Hysell, M. A. Western Michigan University, 2011 The goal ofthis project is to analyze the ways different cultural groups in Sicily and southern Italy were depicted in a set ofhistorical texts associated with the Norman takeover ofthose regions in the eleventh and twelfth centuries. To achieve that aim, I consider social vocabulary applied to three distinct peoples (native Italians, Greeks, and Muslims) in five sources written by Amatus ofMontecassino, Geoffrey Malaterra, William ofApulia, Alexander ofTelese, and Hugo Falcandus. -
Variation and Change in the Romance Possessive Constructions: an Overview of Nominal, Adverbial and Verbal Uses1
Variation and change in the Romance possessive constructions: An overview of nominal, adverbial and verbal uses1 MIRIAM BOUZOUITA Humboldt-Universität zu Berlin MATTI MARTTINEN LARSSON Stockholm University Abstract In this introductory article, we will first illustrate the great morpho-syntactic diversity that exists in the Romance possessive systems from a comparative perspective, and then detail the recent changes that have taken place. After discussing the various nominal patterns, the use of tonic possessives in the adverbial and verbal domain will be examined. Subsequently, the various contributions of this special issue will be summarized and evaluated. Keywords: Romance, possessive, noun, prepositional phrase, adverbial, verbal, analogical extension, reanalysis 1. Introduction Despite having a common ancestor, there are important morpho-syntactic differences between the various Romance possessive systems.2 While some possessives behave like adjectives, others function like determiners, and yet others as pronouns (e.g. Lyons 1985; Schoorlemmer 1998; GLA 2001:108; Ledgeway 2011; Van Peteghem 2012; De Andrés Díaz 2013:375, among others). Indeed, while Latin possessives are strong forms with a distribution similar to that of lexical adjectives, various divergent systems exist in the Romance languages (e.g. Van Peteghem 2012). To illustrate the great (morpho-)syntactic diversity that exists in the Romance possessive systems and the different recent changes that have taken place, we will give a broad comparative overview of the various possessive configurations in the nominal, adverbial and verbal domains (sections 1.1 and 1.2), detailing similarities and differences. We will focus especially on the Ibero- Romance varieties, albeit not exclusively, as they have received less attention in the 1 We would like to thank the participants and audience of the Possessive Constructions in Romance Conference (PossRom2018), held at Ghent University (27th-28th of June 2018) for their valuable input. -
Rewriting Dante: the Creation of an Author from the Middle Ages to Modernity
Rewriting Dante: The Creation of an Author from the Middle Ages to Modernity by Laura Banella Department of Romance Studies Duke University Date: _______________ Approved: ___________________________ Martin G. Eisner, Supervisor ___________________________ David F. Bell, III ___________________________ Roberto Dainotto ___________________________ Valeria Finucci Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2018 ABSTRACT Rewriting Dante: The Creation of an Author from the Middle Ages to Modernity by Laura Banella Department of Romance Studies Duke University Date: _________________ Approved: ___________________________ Martin G. Eisner, Supervisor ___________________________ David F. Bell, III ___________________________ Roberto Dainotto ___________________________ Valeria Finucci An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2018 Copyright by Laura Banella 2018 Abstract Rewriting Dante explores Dante’s reception and the construction of his figure as an author in early lyric anthologies and modern editions. While Dante’s reception and his transformation into a cultural authority have traditionally been investigated from the point of view of the Commedia, I argue that these lyric anthologies provide a new perspective for understanding how the physical act of rewriting Dante’s poems in various combinations and with other texts has shaped what I call after Foucault the Dante function” and consecrated Dante as an author from the Middle Ages to Modernity. The study of these lyric anthologies widens our understanding of the process of Dante’s canonization as an author and, thus, as an authority (auctor & auctoritas), advancing our awareness of authors both as entities that generate power and that are generated by power. -
Officers for the Year 1952
TJhe fllodoj&nguage^ssoriatton oj America ORGANIZED 18 83 INCORPORATED 1900 Officers for the year 1952 President: Albert C. Baugh, University of Pennsylvania, Philadelphia 4 First Vice President: Casimir D. Zdanowicz, University of Wisconsin, Madi son 6 Second Vice President: Henry W. Nordmeyer, University of Michigan, Ann Arbor Executive Secretary: William Riley Parker, J<iew York University, New York 3 Treasurer: John H. Fisher, New York University, New York 3 Executive Council For the term ending 31 Dec. 1953 Merritt Y. Hughes, University of Wisconsin, Madison 6 Kemp Malone, Johns Hopkins University, Baltimore 18, Md. Ira O. Wade, Princeton University, Princeton, N. J. For the term ending 31 Dec. 1953 Douglas Bush, Harvard University, Cambridge 38, Mass. Henry Grattan Doyle, George Washington University, Washington 6, D. C. Donald A. Stauffer, Princeton University, Princeton, N. J. For the term ending 31 Dec. 1954 Hayward Keniston, University of Michigan, Ann Arbor H. W. Victor Lange, Cornell University, Ithaca, N. Y. Carl F. Schreiber, Yale University, New Haven, Conn. For the term ending 31 Dec. 1955 C. Grant Loomis, University of California, Berkeley 4 Justin M. O’Brien, Columbia University, New York 27 A. S. P. Woodhouse, University of Toronto, Toronto $ Staff Assistant Editor: Robert E. Taylor, J^ew Yor/( University; Assistant to the Executive Secretary: Donna Rowell; Assistant to the Treasurer: Ruth Olson; typists: Naomi Taylor and Trudy Kalbfleisch Trustees of Invested Funds George Henry Nettleton, Yale University William Albert Nitze, University of Chicago LeRoy Elwood Kimball, tyw York University, Managing Trustee The 1953 Meeting is scheduled to be held in Boston, Massachusetts, on 17, 38, and 39 December UNIVERSITY PRESS Melville’s Quarrel with God By LAWRANCE THOMPSON. -
Arthur Livingston
Arthur Livingston: An Inventory of His Papers at the Harry Ransom Humanities Research Center Descriptive Summary Creator: Livingston, Arthur, 1883-1944 Title: Arthur Livingston Papers Inclusive Dates: 1494-1986 Extent: 22 document boxes, 3 galley folders, 1 oversize folder (9.16 linear feet) Access: Open for research Administrative Information Acquisition: Gift, 1950 Processed by: Robert Kendrick, Chip Cheek, Elizabeth Murray, Nov. 1996-June 1997 Repository: Harry Ransom Humanities Research Center The University of Texas at Austin Livingston, Arthur, 1883-1944 Biographical Sketch Arthur Livingston, professor of Romance languages and literatures, publisher, and translator, was born on September 30, 1883, in Northbridge, Massachusetts. Livingston earned the A. B. degree at Amherst College in 1904, continuing his work in Romance languages at Columbia University, where he received the Ph. D. in 1911. His teaching positions included an instructorship in Italian at Smith College (1908-1909), an associate professorship in Italian at Cornell University, where Livingston also supervised the Petrarch Catalogue (1910-1911), and an associate professorship in Romance Languages at Columbia University (1911-1917). Among the various honors bestowed upon Livingston were membership in Phi Beta Kappa and the Venetian academic society, the Reale deputazione veneta di storia patria; he was also decorated as a Cavalier of the Crown of Italy. Livingston's desire to disseminate the work of leading European writers and thinkers in the United States led him to an editorship with the Foreign Press Bureau of the Committee on Public Information during World War I. When the war ended, Livingston, in partnership with Paul Kennaday and Ernest Poole, continued his efforts on behalf of foreign literature by founding the Foreign Press Service, an agency that represented foreign authors in English-language markets. -
Kirwan, R. / S. Mullins, Eds.: Specialist Markets in the Early Modern Book World
KIRWAN, R. / S. MULLINS, EDS.: SPECIALIST MARKETS IN THE EARLY MODERN BOOK WORLD Introduction: The Risks, Rewards and Perils of Specialisation. Richard Kirwan Part I. High Risk Speculation: The Cultivation of New Markets and Tastes Chapter 1. Tabloid Values: On the Trail of Europe’s First News Hound Andrew Pettegree Chapter 2. The Changing Landscape of the Competitive Nuremberg Print Trade: The Rise and Fall of Paulus Fürst (1608-1666) John Roger Paas Chapter 3. Networks of Printers and the Dissemination of News: The Case of Milan in the Sixteenth and Seventeenth Centuries Massimo Petta Chapter 4. New Books for a New Reading Public: Frankfurt “Melusine” Editions from the Press of Gülfferich, Han and Heirs Ursula Rautenberg Chapter 5. Exotic Knowledge as Commodity: De Bry’s Historia Indiae Orientalis Isabella Matauschek Chapter 6.The Unexpected Success of a Spanish Anatomy Book: Juan de Valverde y Amusco´s “Historia de la composicion del cuerpo humano” (Rome, 1556), and its Many Later Editions Bjørn Okholm Skaarup Part II. Demand and Supply: The Satisfaction of Existing Appetites Chapter 7. Poetic Gymnasium and Bibliographical Maze: Publishing Petrarch in Renaissance Venice Neil Harris Chapter 8. Poor Man’s Music? The Production of Song Pamphlets and Broadsheets in Sixteenth-Century Augsburg Amelie Roper Chapter 9. Printed Polyphonic Choirbooks for the Spanish Market Iain Fenlon Chapter 10. Publishing Military Books in the Low Countries and in Italy in the Early Seventeenth Century Nina Lamal Chapter 11. The Italian Job: John Wolfe, Giacomo Castelvetro and Printing Pietro Aretino Kate de Rycker Chapter 12. Early Printed Book Sale Catalogues from Seville: The Extension of the European Book Market into Mexico (1680-1689) Pedro Rueda Ramírez and Lluís Agustí Ruiz Part III. -
Life of John Florio: Revaluating His Influence on Shakespeare's Style
The ‘Doubling’ Life of John Florio: Revaluating his Influence on Shakespeare’s Style Joe Falocco Texas State University [email protected] I. Introduction John Florio was a major figure in the literature of the English Renaissance. As a lexicographer and translator, Florio was responsible for the introduction of 1,149 words into English usage, ranking him eleventh on a list that includes Chaucer in first-place with 2,102. Florio may have edited the 1590 Quarto of Sidney’s Arcadia and composed the first English translation of Boccaccio’s Decameron; he contributed to the development of euphuism as a prose style; and he provided source material and inspiration for late- Elizabethan sonneteers building on the Petrarchan tradition. Florio’s accomplishments are all the more impressive if one agrees with Frances A. Yates that he was not a native speaker of English, and that in achieving his master-work, the 1603 version of Montaigne’s Essayes, Florio translated ‘from a language not his own into a language not his own’. But was this actually the case? Most scholars assume that Florio was, as the subtitle of Yates’s seminal work states, ‘an Italian in Shakespeare’s England’. Yet a commendatory poem by R. Collines prefacing Florio’s 1578 Italian-language manual, His First Fruites, refers to the author as ‘a countryman of ours’, and, as Arundell Del Re notes, ‘Other similar poems – while stressing his bilingualism – never specifically allude to him as anything but English, nor does Florio himself’. Thus his address ‘To the Reader’ in Florios Second Frutes (1591), where Florio identifies himself as ‘an Englishman’, albeit ‘an Englishman in Italiane’.1 Many thanks to Roberta Zanoni for proofreading the Italian quotations within this essay. -
The Pennsylvania State University
The Pennsylvania State University The Graduate School Department of Art History THE DOCUMENTED PAINTINGS AND LIFE OF ANDREA VACCARO (1604-1670) A Thesis in Art History by Anna Kiyomi Tuck-Scala Ó 2003 Anna Kiyomi Tuck-Scala Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2003 The thesis of Anna Kiyomi Tuck-Scala was reviewed and approved* by the following: Jeanne Chenault Porter Associate Professor of Art History Thesis Adviser Chair of Committee Roland E. Fleischer Professor Emeritus of Art History George L. Mauner Distinguished Professor Emeritus of Art History Alfred A. Triolo Associate Professor Emeritus of Italian and Spanish Craig Zabel Associate Professor of Art History Head of the Department of Art History *Signatures are on file in the Graduate School iii ABSTRACT This dissertation takes stock of what is known about Andrea Vaccaro (1604- 1670), one of the most prominent painters of Naples in the middle of the seventeenth- century. Although successful during his lifetime, Vaccaro currently suffers a reputation that is, at best, second rate. Due to the hundreds of paintings attributed to Vaccaro of dubious quality, modern art historians characterize his art as “eclectic” and “academic.” The sole monograph on Vaccaro, Maria Commodo Izzo’s Andrea Vacccaro pittore (1604-1670) published in 1951, is also sorely out of date. This study provides a new and more accurate portrayal of the artist. Rather than the customary all-inclusive approach, this study is based on the solid foundation of all known documents about the artist’s life and art, which are gathered and analyzed in one place for the first time.