Royal Palace – Tapas Route
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The Moslim Saint in Toledo Cathedral By: Angus Macnab
The Moslim Saint in Toledo Cathedral By: Angus Macnab Studies in Comparative Religion, Vol. 2, No. 2. (Spring, 1968) © World Wisdom, Inc. www.studiesincomparativereligion.com THE main chapel of Toledo Cathedral has one curious feature which is sometimes allowed to pass unnoticed, though it must surely be unique among Christian churches. Amid the effigies of saints, holy bishops, abbots, and Christian monarchs—defenders of the faith—there stands a fine polychrome statue of an Islamic doctor of theology. This cathedral was not begun until the early thirteenth century; but the memory of the saintly Mussulman was still held in such regard at Toledo a century and a half after the reconquest of the city from the Arabs, that his image was set up in one of the two most prominent positions of honour. These two conspicuous sites are the two pillars which, with the two others beside the twin pulpits, sustain the vault of the main chapel. The one on the Gospel side has a statue of the mysterious Shepherd of Las Navas—thought by some to have been an apparition of St. Isidore the Farm-Hand, Patron of Madrid—who showed King Alfonso the Good the secret mountain pass that enabled the Christian army to win the decisive victory of the Reconquest at Navas de Tolosa in 1212, and who vanished after showing the path to the leaders; the statue is said to have been made from a rough sketch drawn by the king himself. And in the corresponding position on the Epistle-side pillar stands the Moslem who won the great victory of renunciation and peace. -
Welcome to LONDON TOWN SQUARE
Welcome to LONDON TOWN SQUARE 3545 - 32nd Avenue NE, Calgary,AB Partnership. Performance. Josh Rahme | 403.232.4333 Hani Abdelkader | 403.232.4321 Morena Ianniello | 587.293.3367 [email protected] [email protected] [email protected] © 2017, Avison Young Real Estate Alberta Inc. All rights reserved. The information contained herein was obtained from sources which we deem reliable and, while thought to be correct, is not guaranteed by Avison Young. LONDON TOWN SQUARE RETAIL SPACE FOR LEASE 3545 - 32 Avenue NE, Calgary,AB Particulars Highlights UNIT SIZE (SF) OCCUPANCY - 120,304 sf community shopping centre located 205 1,521 Nov 1, 2018 in the northeast quadrant of Calgary 210 544 Immediately - Strong tenant mix, including London Drugs, TD 225 1,482 July 1, 2018 Canada Trust, Starbucks, Penningtons, and Liquor 235 1,318 May 1, 2018 Depot 239 944 Nov 1, 2018 555 1,200 Immediately - Located at the southwest corner of 32nd Avenue and 36th Street NE Rental rates: Market - Exposure to 44,000 vehicles per day along 36th Street NE CAM: $7.84 psf (2018 est.) LONDON TOWN SQUARE - Shadow anchored by Sunridge Mall, the largest 32 AVENUE NE AND 36 STREET NE | 3431Tax: – 3545 32 AVENUE$6.09 NE, psf CALGARY, (2018 est.) AB mall in northeast Calgary (+850,000 GLA) Zoning: C - C2 KEYPLAN CONCEPTUALTerm: PLAN ONLY 5 - 10 years BARLOW AVAILABLE TRAIL NE WHITEHORN DRIVE NE 32 AVENUE NE 32 Avenue32 AVENUE NE NE (27,000 vpd) 36 STREET NE 26 AVENUE NE TOTAL SITE AREA 10.37 ACRES 1,200 SF TOTAL SITE GLA 120,307 sf TOTAL PARKING 595 SPACES 500 PARKING RATIO 4.95/1,000 555 505 TENANTS 610 605 603 553 510 100 LONDON DRUGS 24,081 sf 205 PHO HA VIENTNAMESE NOODLE 1,521 sf (44,000 vpd) 210 LEASING OPPORTUNITY 546 sf 1,482 SF 215 PENNINGTON’S STORAGE 531 SF 544 SF 220 DR. -
Town Square Park Master Plan Public Hearing Draft
TOWN SQUARE PARK MASTER PLAN PUBLIC HEARING DRAFT MAY 2019 ACKNOWLEDGEMENTS The Municipality of Anchorage Parks and Recreation Department and the planning team would like to recognize and thank all the individuals and organizations who have worked to create the Town Square Park Master Plan. A special thanks to the members of the Citizen and Technical Advisory Groups for their dedication, insight and assistance. MUNICIPALITY OF CITIZEN ADVISORY ANCHORAGE GROUP MEMBERS PHOTO CREDITS Ethan Berkowitz, Mayor Radhika Krishna Bettisworth North, Erik Jones: cover, contents, 1, 7, 9, 21, 22, 23, 25-26, 28, 30, 33, 37, 42, Chris Schutte, Director of Economic and Shannon Kuhn Community Development 49, 55, 57, 59, 60, 65, 77-78, 78, 85, 87 Dianne Holmes John Rodda, Director of Parks & Recreation Tayna Iden P&R Horticulture Department: 59, 83 Josh Durand, Parks Superintendent Nancy Harbour James Starzec MOA Parks and Recreation, Steve Rafuse: 3, Nina Bonito Romine 4, 7, 8, 11, 13, 14, 17-18, 23 24, 27, 28, 30, PLANNING TEAM Jennifer Richcreek 32, 33, 35, 41, 45, 53, 58, 60, 61-62, 65-66, John Blaine 66, 68, 69, 75, 77, 83, 89, 95, 100 MOA PARKS & RECREATION Darrel Hess Steve Rafuse, Project Manager R&M Consultants, Van Le: 34 BETTISWORTH NORTH TECHNICAL ADVISORS Anchorage Downtown Partnership: 5-6, 17, Mark Kimerer, Landscape Architect 43-44, 57, 79-80, 81-82 Erik Jones, Landscape Designer GROUP MEMBERS R&M CONSULTANTS Jamie Boring Van Le, Planner Elise Huggins Taryn Oleson, Planner Erin Baca Katie Chan, Graphic Designer Sandy Potvin Sharon Chamard -
Education Practicum in Valencia, Spain May 14-June 15, 2014
Longwood University Education Practicum in Valencia, Spain May 14-June 15, 2014 Wednesday, Meet at Richmond Airport Delta Airlines check-in area at 12:30pm. ¡No later! After check-in and going through May 14 security, we will meet in the gate area for our homework session. We will fly to Atlanta, where we’ll board our overseas flight to Madrid; onboard we’ll have dinner, movies and breakfast before arriving. The best advice is to eat the dinner, but sleep during the movies. It’s morning when we arrive (8:35 AM). Thursday, Arrival in Madrid about 8:35am. You may use the ATM machines to withdraw some Euros from your debit May 15 account, before boarding our private bus for the 3 ½ hour ride to Valencia (one rest stop on the way). We will arrive in Valencia about 1:00 pm, and our host families will be there to greet us and take us home. Have lunch, un pack, rest. Afternoon options: Beach, explore, rest. Make sure to tell your host mom today that you would like to take a lunch on Saturday’s excursion, so she has time to buy necessary items. 9:00 pm (ask to make sure what time dinner will be): Be home for dinner. Then get a good night’s sleep! Friday, Your host mom will take you to the Institute, so that you can see (and remember) how to get there. You must May 16 arrive by 9:30 am. Please be punctual! 9:30-10:45 Orientation: Meet Institute staff and professors; practical info, safety info, etc. -
Constructing the Cámara Santa: Architecture, History, and Authority in Medieval Oviedo
Constructing the Cámara Santa: Architecture, History, and Authority in Medieval Oviedo by Flora Thomas Ward A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Art University of Toronto © Copyright by Flora Thomas Ward 2014 Constructing the Cámara Santa: Architecture, History, and Authority in Medieval Oviedo Flora Thomas Ward Doctor of Philosophy Department of Art University of Toronto 2014 Abstract My dissertation examines the Cámara Santa of the Cathedral of Oviedo as both a medieval and modern monument, shaped by twelfth-century bishops and twentieth-century restorers. I consider the space as a multi-media ensemble, containing manuscripts, metalwork, and sculpture, arguing that we must view it as a composite—if fragmented—whole. My analysis focuses on the twelfth century, a crucial period during which the structure, decoration, and contents of the Cámara Santa were reworked. A key figure in this story is Bishop Pelayo of Oviedo (d. 1153), who sought to enhance the antiquity and authority of the see of Oviedo by means of the cult of its most important reliquary: the Arca Santa. I argue that this reliquary shapes the form and function of the twelfth-century Cámara Santa, considering the use of the space in the context of liturgy and pilgrimage. Finally, I consider the sculpture that lines the walls of the space, arguing that it animates and embodies the relics contained within the Arca Santa, interacting with the pilgrims and canons who used the space. Thus, this sculpture represents the culmination of the long twelfth-century transformation of the Cámara Santa into a space of pilgrimage focused around the Arca Santa and the memory of the early medieval patrons of the Cathedral of Oviedo, a memory which abides to this day. -
Instruction Av 04/2020 Issued by the Management Of
INSTRUCTION AV 04/2020 ISSUED BY THE MANAGEMENT OF PATRIMONIO NACIONAL ESTABLISHING SPECIAL TEMPORARY CONDITIONS FOR PUBLIC VISITS TO THE PATRIMONIO NACIONAL PALACES AND MONASTERIES, AND MONUMENTS FOUNDED UNDER ROYAL PATRONAGE. The present instruction updates the special temporary conditions and reduction in admission charges for visitors to the Patrimonio Nacional palaces and monasteries, and monuments founded under Royal Patronage: CONDICIONES PARA LA VISITA PÚBLICA 1. Opening hours for the different monuments: The opening hours valid as from Monday 26 October 2020 are shown below: OPENING HOURS TIME Mon Tue Wed Thu Fri Sat Sun 10 to 11 11 to 12 12 to 13 13 to 14 ROYAL PALACE OF MADRID 14 to 15 AND ROYAL KITCHEN 15 to 16 16 to 17 17 to 18 Paid admission Free admission NOTE: It is not possible to visit the Royal Kitchen during free admission times. OPENING HOURS TIME Mon Tue Wed Thu Fri Sat Sun PALACE OF LA ALMUDAINA 10 to 11 PALACE OF ARANJUEZ + BARGE MUS. 11 to 12 MONASTERY OF El ESCORIAL 12 to 13 VALLEY OF THE FALLEN 13 to 14 PALACE OF LA GRANJA 14 to 15 PALACE OF RIOFRIO 15 to 16 MONASTERY OF YUSTE 16 to 17 EL PARDO 17 to 18 Paid admission Free admission Página 1 de 6 OPENING HOURS TIME Mon Tue Wed Thu Fri Sat Sun 10:00 to 10:30 10:30 to 11 11 to 12 12 to 13 CONVENT OF SANTA MARIA LA REAL HUELGAS 13 to 14 14 to 15 CONVENT OF SANTA CLARA TORDESILLAS 15 to 16 16 to 17 17 to 18 18 to 18:30 Paid admission Free admission The Casas del Príncipe (at El Pardo and El Escorial), Casa del Infante (at El Escorial) and Casa del Labrador (at Aranjuez) will not be open. -
Catedral Camino De Santiago
joyas del prerrománico, San Miguel de Lillo y Santa María del Naranco. del María Santa y Lillo de Miguel San prerrománico, del joyas Fuente de Foncalada de Fuente Iglesia de Lloriana de Iglesia Llampaxuga señalización del camino del señalización en el primer peregrino primer el en al Oeste y, en su frente, la ladera ya visible del monte Naranco con las dos dos las con Naranco monte del visible ya ladera la frente, su en y, Oeste al Capilla del Carmen del Capilla Símbolo urbano de urbano Símbolo del Apóstol Santiago convirtiéndose convirtiéndose Santiago Apóstol del paisaje que se disfruta es espectacular, con el cordón montañoso del Aramo Aramo del montañoso cordón el con espectacular, es disfruta se que paisaje Iria Flavia para conocer el sepulcro el conocer para Flavia Iria En el siglo IX viajó desde Oviedo a a Oviedo desde viajó IX siglo el En dirige hacia Oviedo por la Venta del Aire, Caxigal, Los Prietos y El Caserón. El El Caserón. El y Prietos Los Caxigal, Aire, del Venta la por Oviedo hacia dirige Alfonso II, el Casto el II, Alfonso través de un camino que sale a la derecha de la carretera, el peregrino se se peregrino el carretera, la de derecha la a sale que camino un de través pronunciadas, que nos llevan hasta las casas del Picu Llanza. Desde aquí, a a aquí, Desde Llanza. Picu del casas las hasta llevan nos que pronunciadas, Portazgo. En la Manzaneda, el Camino discurre a media ladera, con subidas subidas con ladera, media a discurre Camino el Manzaneda, la En Portazgo. -
Download References File
TECNOLOGÍA NAVARRA DE NANOPRODUCTOS S.L. (TECNAN) THINK BIG, ACT NANO! REFERENCES RESTORATION AND CONSERVATION OF HERITAGE BUILDINGS TECNADIS PRODUCTS - REMARKABLE WORKS Metropolitan Cathedral Seville Cathedral Oviedo Cathedral (Panama City) (Sevilla - Spain) (Asturias - Spain) Mosque-Cathedral of Cordoba La Almudena Cathedral Tui Cathedral Santander Cathedral (Córdoba - Spain) (Madrid - Spain) (Pontevedra - Spain) (Cantabria - Spain) Tarazona Cathedral Burgo de Osma Cathedral Pamplona Cathedral Segovia Cathedral (Zaragoza - Spain) (Soria - Spain) (Navarra - Spain) (Segovia - Spain) TECNADIS PRODUCTS - REMARKABLE WORKS Cologne Cathedral Pisa Cathedral Saint Bavon Cathedral Saint Esteban Cathedral (Italy) (Germany) (Ghent - Belgium) (Wien - Austria) (Bélgica) São João National Theatre Santo Domingo de la Calzada Cathedral Casa Milá – La Pedrera Viana Do Castelo Cathedral (Porto-Portugal) (La Rioja - Spain) (Barcelona - Spain) (Portugal) Buen Pastor Cathedral The Real Alcazar Casa Batlló Valencia Cathedral Museum (San Sebastián - Spain) (Sevilla - Spain) (Barcelona - Spain) (Valencia - Spain) TECNADIS PRODUCTS - REMARKABLE WORKS Bank of Spain Headquarters Santander Bank Headquarters National Library Parador of Leon (Madrid-Spain) (Santander - Spain) (Madrid - Spain) (León - Spain) ) Bank of Spain Building Spain Square Canalejas Complex Prado Museum (Málaga - Spain) (Sevilla - Spain) (Madrid - Spain) (Madrid - Spain) Royal Pavilion - Mª Luisa Park The old Seville Artillery Factory Astorga Episcopal Palace Catalunya Caixa Bank Headquarters -
BROCHURE-ARRE-2011-UK:Mise En Page 1
Discovering European Heritage in Royal Residences Association of European Royal Residences Contents 3 The Association of European Royal Residences 4 National Estate of Chambord, France 5 Coudenberg - Former Palace of Brussels, Belgium 6 Wilanow Palace Museum, Poland 7 Palaces of Versailles and the Trianon, France 8 Schönbrunn Palace, Austria 9 Patrimonio Nacional, Spain 10 Royal Palace of Gödöllo”, Hungary 11 Royal Residences of Turin and of the Piedmont, Italy 12 Mafra National Palace, Portugal 13 Hampton Court Palace, United Kingdom 14 Peterhof Museum, Russia 15 Royal Palace of Caserta, Italy 16 Prussian Palaces and Gardens of Berlin-Brandenburg, Germany 17 Royal Palace of Stockholm, Sweden 18 Rosenborg Castle, Denmark 19 Het Loo Palace, Netherlands Cover: Chambord Castle. North facade © LSD ● F. Lorent, View from the park of the ruins of the former Court of Brussels, watercolour, 18th century © Brussels, Maison du Roi - Brussels City Museums ● Wilanow Palace Museum ● Palace of Versailles. South flowerbed © château de Versailles-C. Milet ● The central section of the palace showing the perron leading up to the Great Gallery, with the Gloriette in the background © Schloß Schönbrunn Kultur- und Betriebsges.m.b.H., Vienna ● Real Sitio de La Granja de San Ildefonso © Patrimonio Nacional ● View from the garden © Gödöllo “i Királyi Kastély ● The Margaria © Racconigi ● Venaria Reale. View of the Palace © Venaria Reale ● Mafra National Palace. Photo S. Medeiros © Palacio de Mafra ● Kew Palace © Historic Royal Palaces ● White Tower, Tower of London © Historic Royal Palaces ● Kensington Palace © Historic Royal Palaces ● Banqueting House © Historic Royal Palaces ● Hampton Court Palace © Historic Royal Palaces ● Grand Palace and Grand Cascade © Peterhof Museum ● Caserta – Royal Palace – Great staircase of honour © Soprintendenza BAPSAE. -
The North Way
PORTADAS en INGLES.qxp:30X21 26/08/09 12:51 Página 6 The North Way The Pilgrims’ Ways to Santiago in Galicia NORTE EN INGLES 2009•.qxd:Maquetación 1 25/08/09 16:19 Página 2 NORTE EN INGLES 2009•.qxd:Maquetación 1 25/08/09 16:20 Página 3 The North Way The origins of the pilgrimage way to Santiago which runs along the northern coasts of Galicia and Asturias date back to the period immediately following the discovery of the tomb of the Apostle Saint James the Greater around 820. The routes from the old Kingdom of Asturias were the first to take the pilgrims to Santiago. The coastal route was as busy as the other, older pilgrims’ ways long before the Spanish monarchs proclaimed the French Way to be the ideal route, and provided a link for the Christian kingdoms in the North of the Iberian Peninsula. This endorsement of the French Way did not, however, bring about the decline of the Asturian and Galician pilgrimage routes, as the stretch of the route from León to Oviedo enjoyed even greater popularity from the late 11th century onwards. The Northern Route is not a local coastal road for the sole use of the Asturians living along the Alfonso II the Chaste. shoreline. This medieval route gave rise to an Liber Testamenctorum (s. XII). internationally renowned current, directing Oviedo Cathedral archives pilgrims towards the sanctuaries of Oviedo and Santiago de Compostela, perhaps not as well- travelled as the the French Way, but certainly bustling with activity until the 18th century. -
Late German Gothic Methods of Vault Design and Their Relationships with Spanish Ribbed Vaults
Late German Gothic Methods of Vault Design and Their Relationships with Spanish Ribbed Vaults Rafael Martín Talaverano, Carmen Pérez de los Ríos, Rosa Senent Domínguez Polytechnic University of Madrid, Spain Despite the differences among the Late Gothic The vault of the Antigua Chapel has two vaults in different European countries in the striking characteristics: the first is the design of 15th century, masons travelled throughout the the vault plan, which is divided in four rectangles, continent, maintaining an ongoing exchange each reproducing a tierceron ribbed vault with among the different lodges. The Spanish case five keystones;2 the second is the aforementioned is particularly significant, as a great number of ribs that intersect in the tas-de-charge. These two masons from Europe arrived to Spain during the charac teristics can also be found in one of the 1440s and 1450s; for instance, Pedro Guas from vaults illustrated in the Codex Miniatus 3. Brittany and the Coeman family from Brussels Research work on Late Gothic vault construc- settled in Toledo, while Juan de Colonia travelled tion is usually restricted to a single country or from Cologne to Burgos. These masters brought region, and no comparative studies have been with them the advanced knowledge and the tech- carried out in order to prove a potential transfer nological improvements used in Their countries, of knowledge. This present paper, which com- which would appear in the vaults created in Spain pares a German-appearing Spanish vault with the from that moment on. This hypothesis is sup- theoretical German vault construction system, is ported by the fact that some Late Gothic vault intended as a starting point for further research models found in central Europe were also used on this field. -
The Acoustics of the Choir in Spanish Cathedrals
acoustics Article The Acoustics of the Choir in Spanish Cathedrals Alicia Alonso * , Rafael Suárez and Juan J. Sendra Instituto Universitario de Arquitectura y Ciencias de la Construcción, Escuela Técnica Superior de Arquitectura, Universidad de Sevilla, Seville 41012, Spain; [email protected] (R.S.); [email protected] (J.J.S.) * Correspondence: [email protected]; Tel.: +34-954-559-51 Received: 13 November 2018; Accepted: 4 December 2018; Published: 6 December 2018 Abstract: One of the most significant enclosures in worship spaces is that of the choir. Generally, from a historical point of view, the choir is a semi-enclosed and privileged area reserved for the clergy, whose position and configuration gives it a private character. Regarding the generation and transformation of ecclesial interior spaces, the choir commands a role of the first magnitude. Its shape and location produce, on occasions, major modifications that significantly affect the acoustics of these indoor spaces. In the case of Spanish cathedrals, whose design responds to the so-called “Spanish type”, the central position of the choir, enclosed by high stonework walls on three of its sides and with numerous wooden stalls inside, breaks up the space in the main nave, thereby generating other new spaces, such as the trascoro. The aim of this work was to analyse the acoustic evolution of the choir as one of the main elements that configure the sound space of Spanish cathedrals. By means of in situ measurements and simulation models, the main acoustic parameters were evaluated, both in their current state and in their original configurations that have since disappeared.