Codex Upsaliensis Graecus 8 in Perspective
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Book Expo 2018 Javits Center Wednesday, May 30 9:15 Am
Book Expo 2018 Javits Center Wednesday, May 30 9:15 am Thanks Oren, for your kind introduction. I am pleased and honored to be here to talk about Barnes & Noble, and more importantly, how I see the future of the book industry as we turn yet another corner in our dynamic marketplace. I am also here to talk about our mutual love of books, and our shared passion for bookselling. Let me begin with a couple of thoughts I believe all in this room should agree upon. There could never be too many bookstores in America. Bookstores of any stripe, including small and large independent stores; super bookstores and multi-unit organizations such as ours; specialty bookstores; book departments in chain stores; book racks in discount stores and book kiosks in airports. It follows we need to open more stores than we close. Barnes & Noble intends to do its part. Individually and collectively, our bookstores are the place where demand is created because we are the showrooms for the publishing industry. More bookstores equal more demand, and 1 more bookstores lead to a more informed public, and a healthier and more upwardly mobile society. For those of us who own, operate, or work in bookstores, we are privileged to be participants in this important profession. The more bookstores the better. No one is more pleased than I am that independent bookstores are opening their doors again. I do not see them as being in mortal competition with Barnes & Noble any more than we were in competition with them when we were opening 50 stores each year. -
9780521895200 Index.Pdf
Cambridge University Press 978-0-521-89520-0 - The Renaissance in Italy: A Social and Cultural History of the Rinascimento Guido Ruggiero Index More information INDEX Abel (Bible), depiction in art, 561–2 classics and, 251 , 257–8 Abortion, 129–30 clothing, depiction of, 363–4 Academies, 539–47 consensus realities and, 254–6 , 363–4 Accademia della Crusca (Academy), 541–2 culture and, 251 , 254, 257 Accolti, Bernardo, 452 Dante compared, 253 Acta Ecclesiae Mediolanenesis Eugenius IV and, 275 (Borromeo), 521 Gianfrancesco Gonzaga and, 294 Adam (Bible) on honor, 254–6 depiction in art, 561–2 Lorenzo de’ Medici and, 316 Garden of Eden and, 1–2 , 7 Ludovico Sforza and, 294 , 295 knowledge of, 260 Nicholas V and, 276 naming of things by, 221 , 261 , as painter, 294 266–7 , 423 Petrarch compared, 253 Savonarola on, 489–90 Alberti, Lionardo, 254–6 Addormentati (Academy), 541 Albert of Stade, 21 Adoration of the Christ Child (Fra Filippo Albizzi family, 299–300 Lippi), 307–8 Albornoz, Egidio, 60–1 , 157 , 166 Adoration of the Magi (Leonardo), 350 Alexander III (Pope), 39 , 41 , 270 Adoration of the Magi, The (Botticelli), Alexander the Great (Macedon), 458 , 582 345–6 , 357–9 Alexander VI (Pope) Adrian VI (Pope), 503–4 , 507–8 generally, 278 , 379 , 510 Aeschylus, 397 death of, 355 , 442 Africa (Petrarch), 225 French invasion of Italy and, 404–5 , Agathocles (Greece), 448 , 449 410–11 , 412 Age of the Beloveds, The (Andrews and “New World” and, 427 Kalpaki), 582 Piero de’ Medici and, 401 Age of marriage, 375 , 474 , 478 , 480–1 , 483 Savonarola -
HAY-DISSERTATION-2017.Pdf
Copyright by Paul Jerome Hay 2017 The Dissertation Committee for Paul Jerome Hay certifies that this is the approved version of the following dissertation: Time, Saecularity, and the First Century BCE Roman World Committee: Andrew Riggsby, Supervisor Penelope Davies Karl Galinsky Ayelet Haimson Lushkov Molly Pasco-Pranger Time, Saecularity, and the First Century BCE Roman World by Paul Jerome Hay, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2017 To my loving and supportive family Acknowledgements Throughout my career, I have had many sources of encouragement and guidance whose influence helped me reach this stage and to whom I will always be grateful. First of all, my deepest and sincerest thanks go to Andrew Riggsby, whose support has had a profound effect not only on this dissertation, but on my scholarly interests, my approach to research, and my enthusiasm for this field. His patience and thoughtful advice were deeply instrumental to the success of this project, and one of the great joys of my time in this program was the opportunity to work closely with him for the last three years. He has truly served as a role model for how I hope to engage with my own students in the future. I would also like to thank Karl Galinsky and Ayelet Haimson Lushkov, whose mentorship throughout my time in Austin was enormously influential. I spent many hours in their offices discussing my research ideas, as well as my career path in the future as a member of the professoriate. -
Repentance As Divine Communion in St. Symeon the New Theologian´S Hymns of Divine Love
International Journal of Orthodox Theology 11:1 (2020) 7 urn:nbn:de:0276-2020-1025 John Anthony McGuckin Repentance as Divine Communion in St. Symeon the New Theologian´s Hymns of Divine Love Abstract Much English language scholarship on St. Symeon the New Theologian has, perhaps understandably, been intri- gued by and focused on the saint's narrative of his luminous visions of the Lord. But this has often served to Archpriest John Anthony distract readers from the primary McGuckin is the Nielsen thrust of the most rhapsodic and ec- Professor of Byzantine static of all his writings, the Hymns Theology Emeritus at Uni- of Divine Love. This paper argues that on Theological Seminary, New York, Professor of this major teaching is the doctrine of Early Christian Thought in radical repentance that the saint the Theological Faculty of espouses: and he does it in such a way Oxford University, Rector as to redirect the flow of earli- of St. Gregory's Orthodox Mission in St. Anne's on er Christian teaching on the develop- Sea in England, and a ping stages of the spiritual life in a Fellow of the British Royal profoundly innovative manner. Historical Society. 8 John Anthony McGuckin Rather than seeing re-pentance as a 'beginner's stage' in spiri- tuality, to be succeeded by 'unitive' and 'contemplative' stages (as in many manuals of spiritual theology which suppose they thus reproduce Pseudo-Dionysios) Symeon appears to pro- ject radical and heartfelt repentance as the royal road to the deepest level of communion with Christ. For him, repentance is one of the highest spiritual states, not the lowest. -
The American Poetry Review
“As soon as we subscribe to a hierarchy, we circumscribe ourselves within a value system. This is perhaps the great conundrum AMERICAN of art—once we define a term, we impose a limit, thereby inviting both orthodoxy and transgression. Our concept of ‘art’ or ‘poem’ or ‘novel’ is, then, always in flux, and I think we’d agree that this is how art renews itself—through those who dare to challenge those terms. The making of art, and the evaluation of it, is always an act POETRY REVIEW of self-definition.” —KITANO, p. 37 MAY/JUNE 2021 VOL. 50/NO. 3 $5 US/$7 CA MEGAN FERNANDES MAGICAL REALISM IN AMERICA & OTHER POEMS FORREST GANDER OWNING YOURSELF: AN INTERVIEW WITH JACK GILBERT SALLY WEN MAO PARIS SYNDROME & OTHER POEMS ALSO IN THIS ISSUE: ALISON C. ROLLINS MAGGIE SMITH NATALIE EILBERT PHOTO: APRWEB.ORG RIVKAH GEVINSON 2 THE AMERICAN POETRY REVIEW The American Poetry Review (issn 0360-3709) is published bimonthly by World Poetry, Inc., a non-profit corporation, and Old City Publishing, Inc. Edi torial offices: 1906 Rittenhouse Square, Philadelphia, PA 19103-5735. Subscription rates: U.S.: 3 years, $78.00; 2 years, $56.00; 1 year, $32.00. Foreign rates: 3 years, $129.00; 2 years, $92.00; 1 year, $49.00. Single copy, $5.00. Special classroom adoption rate per year per student: MAY/JUNE 2021 VOL. 50/NO. 3 $14.00. Free teacher’s subscription with classroom adoption. Subscription mail should be addressed to The American IN THIS ISSUE Poetry Review, c/o Old City Publishing, 628 N. -
Chapter 2 Orthodox Church Life A. Church Etiquette an Orthodox
chapter 2 Orthodox Church Life A. Church Etiquette The Church is the earthly heaven in which the heavenly God dwells and moves. An Orthodox Church is that part of God’s creation which has been set apart and “reclaimed” for the Kingdom of God. Within its walls, the heavenly and earthly realms meet, outside time, in the acts of worship and Sacrifice offered there to God. Angels assist the Priest during the Divine Liturgy, and Saints and members of the Church Triumphant participate in the Ser- vices. The Blessed Theotokos, the Mother of God, is also present and, of course, our Lord Jesus Christ is invisibly present wher- ever two or three gather in His Name, just as He is always present in the reserved Eucharist preserved on the Holy Table of most Orthodox Churches. Given these very significant spiritual realities, we should al- ways approach an Orthodox Church with the deepest attitude of reverence. Even when passing an Orthodox Church on foot or in a car, we always cross ourselves out of respect for the presence of God therein. It is, indeed, unthinkable that we should ever pass in front of an Orthodox Church without showing such rev- erence. Therefore, it is obvious that we must approach our meeting with the heavenly realm during Divine Services with careful and proper preparation. When preparing for Church, we should always dress as we would for a visit to an important dignitary. After all, we are about to enter into the very presence of God. Therefore, casual apparel is not appropriate. For example, shorts should never be St. -
The Lovely Serendipitous Experience of the Bookshop’: a Study of UK Bookselling Practices (1997-2014)
‘The Lovely Serendipitous Experience of the Bookshop’: A Study of UK Bookselling Practices (1997-2014). Scene from Black Books, ‘Elephants and Hens’, Series 3, Episode 2 Chantal Harding, S1399926 Book and Digital Media Studies Masters Thesis, University of Leiden Fleur Praal, MA & Prof. Dr. Adriaan van der Weel 28 July 2014 Word Count: 19,300 Table of Contents Introduction .................................................................................................................................................................... 3 Chapter One: There is Value in the Model ......................................................................................................... 10 Chapter Two: Change and the Bookshop .......................................................................................................... 17 Chapter Three: From Standardised to Customised ....................................................................................... 28 Chapter Four: The Community and Convergence .......................................................................................... 44 Conclusion .................................................................................................................................................................... 51 Bibliography: ............................................................................................................................................................... 54 Archival and Primary Sources: ....................................................................................................................... -
Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... The Civic Virtue of Women in Quattrocento Florence A Dissertation Presented by Christine Contrada to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in History Stony Brook University May 2010 Copyright by Christine Contrada 2010 Stony Brook University The Graduate School Christine Contrada We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Dr. Alix Cooper – Dissertation Advisor Associate Professor, History Dr. Joel Rosenthal – Chairperson of Defense Distinguished Professor Emeritus, History Dr. Gary Marker Professor, History Dr. James Blakeley Assistant Professor, History St. Joseph’s College, New York This dissertation is accepted by the Graduate School. Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation The Civic Virtue of Women in Quattrocento Florence by Christine Contrada Doctor of Philosophy in History Stony Brook University 2010 Fifteenth century Florence has long been viewed as the epicenter of Renaissance civilization and a cradle of civic humanism. This dissertation seeks to challenge the argument that the cardinal virtues, as described by humanists like Leonardo Bruni and Matteo Palmieri, were models of behavior that only men adhered to. Elite men and women alike embraced the same civic ideals of prudence, justice, fortitude, and temperance. Although they were not feminists advocating for social changes, women like Alessandra Strozzi, Margherita Datini, and Lucrezia Tornabuoni had a great deal of opportunity to actively support their own interests and the interests of their kin within popular cultural models of civic virtue. -
Printing and the Renaissance World University Libraries--University of South Carolina
University of South Carolina Scholar Commons Irvin Department of Rare Books & Special Rare Books & Special Collections Publications Collections 5-2003 Printing and the Renaissance World University Libraries--University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/rbsc_pubs Part of the Library and Information Science Commons Recommended Citation University of South Carolina, "University of South Carolina Libraries - Printing and the Renaissance World, May 2003". http://scholarcommons.sc.edu/rbsc_pubs/38/ This Catalog is brought to you by the Irvin Department of Rare Books & Special Collections at Scholar Commons. It has been accepted for inclusion in Rare Books & Special Collections Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. PRINTING and the RENAISSANCE WORLD all exhibition of lJJanuscnpts and earlY books from Thomas Cooper Library J. C. ANDERSON LIBRARY University of South Carolina at Sumter * Mqy 18-JUilC 19, 2003 This exhibition illustrates the development and impact of printing, from Johann Gutenberg's invention of moveable type in Germany in the mid-fifteenth-centUlY, through its effects for the Renaissance in classical learning, for the Refonnation in religion, for science and geography during the age of exploration, and (more briefly) for illustration, science, and literature. Among the items on display are an iIluminated medieval manuscript codex or book from c. 1420; an early printed book from 1483, with hand-colored initials, and its original wooden binding; a wood-engraving by the Gennan artist Albrecht Durer; a leaf from the 1611 first edition of the King James Bible; and the 1625 English edition of Leo Africanus's account of the African city of Tirnbuktu. -
Papst Und Kardinalskolleg Im Bannkreis Der Konzilien – Von Der Wahl Martins V
Sonderdrucke aus der Albert-Ludwigs-Universität Freiburg JÜRGEN DENDORFER / CLAUDIA MÄRTL Papst und Kardinalskolleg im Bannkreis der Konzilien – von der Wahl Martins V. bis zum Tod Pauls II. (1417-1471) Originalbeitrag erschienen in: Jürden Dendorfer/Ralf Lützelschwab (Hrsg.): Geschichte des Kardinalats im Mittelalter (Päpste und Papsttum 39). Stuttgart: Hiersemann, 2011, S. 335-397. Papst und Kardinalskolleg im Bannkreis der Konzilien – von der Wahl Martins V. bis zum Tod Pauls II. (1417–1471) von Jürgen Dendorfer / Claudia Märtl Mit der Wahl Kardinal Oddo Colonnas zu Papst Martin V. auf dem Konstanzer Konzil endete im Jahr 1417 die Kirchenspaltung1. Es begann ein neuer Abschnitt in der Geschichte des Papsttums, den die kirchengeschichtliche Forschung mit dem Schlagwort «Restauration» gekennzeichnet hat. Der mühsame Weg zur Wiederge- winnung des Kirchenstaats nach den Entwicklungen der avignonesischen Zeit, vor allem aber der Anspruch, das Papsttum und die Kurie wieder als unangefochtenen Bezugspunkt einer geeinten Kirche zu etablieren, prägen die nachfolgenden Jahr- zehnte. Dieser Prozess der erneuerten Durchsetzung päpstlicher Autorität vollzog sich in spannungsreicher Auseinandersetzung mit korporativ-konziliaren Vorstellun- gen und Praktiken der Kirchenleitung. Die Konzilien von Konstanz, Pavia-Siena und Basel debattierten zum einen grundsätzlich über das Verhältnis von konzi- liarer und päpstlicher Gewalt (potestas), entwickelten zum anderen aber auch Vor- stellungen von der Verfasstheit der Kirche neben und unter dem Papst, die -
382 Index.Qxd
405 INDEX INDEX More detailed or explanatory references (where there any many references listed), or references to an artist’s masterpiece (in cases where it is not listed by name), are given in bold. Numbers in italics are pic- ture references. Dates are given for all artists and sculptors. Saints’ names for towns are written out in full (San Gimignano); churches are listed as S. Martino, S. Agata etc. Note that artists in medieval and Renaissance Italy are often named for their parentage, provenance or occupation (Piero della Francesca = son of Francesca; Pietro da Cortona = Pietro from Cortona and Paolo Veneziano = Paolo the Venetian; Lorenzo Monaco = Lorenzo the monk). They are indexed under ther first names. A Florentine painter; 1343–77) 188 Abano Terme 109 Angelico, Fra’ (Guido di Pietro; Florentine painter; Aeneas, story of 236, 285, 310, 326, 375 c.1400–55) 186, 196, 270; (tomb of) 256 Agathocles of Syracuse 375 Angera 50 Agrate, Marco d’ (Lombard sculptor; active Angevin rulers of Naples and Sicily 312, 368 1534–71) 34 Annigoni, Pietro (painter; 1910–88) 106 Agrigento 378–79, 379 d’Annunzio, Gabriele, poet 111 Alba 24 Anselm, St 9, 355 Alba Longa, ancient city 236, 285 Anselmo da Campione (Campionese sculptor; Alban Hills 285–86 fl.1160–80) 142 Albenga 167 Antelami, Benedetto (architect, active in Parma; Alberobello 359–60, 359 c.1178–1230) 143 Alberti, Leon Battista (Florentine architect; Anthony of Padua, St 106 1404–72) 59, 60, 60, 156, 187, 188 Antinous, favourite of Hadrian 283 Albissola 167 Antonelli, Alessandro (Piedmontese -
Ecaade 2021 Towards a New, Configurable Architecture, Volume 2
eCAADe 2021 Towards a New, Configurable Architecture Volume 2 Editors Vesna Stojaković, Bojan Tepavčević, University of Novi Sad, Faculty of Technical Sciences 1st Edition, September 2021 Towards a New, Configurable Architecture - Proceedings of the 39th International Hybrid Conference on Education and Research in Computer Aided Architectural Design in Europe, Novi Sad, Serbia, 8-10th September 2021, Volume 2. Edited by Vesna Stojaković and Bojan Tepavčević. Brussels: Education and Research in Computer Aided Architectural Design in Europe, Belgium / Novi Sad: Digital Design Center, University of Novi Sad. Legal Depot D/2021/14982/02 ISBN 978-94-91207-23-5 (volume 2), Publisher eCAADe (Education and Research in Computer Aided Architectural Design in Europe) ISBN 978-86-6022-359-5 (volume 2), Publisher FTN (Faculty of Technical Sciences, University of Novi Sad, Serbia) ISSN 2684-1843 Cover Design Vesna Stojaković Printed by: GRID, Faculty of Technical Sciences All rights reserved. Nothing from this publication may be produced, stored in computerised system or published in any form or in any manner, including electronic, mechanical, reprographic or photographic, without prior written permission from the publisher. Authors are responsible for all pictures, contents and copyright-related issues in their own paper(s). ii | eCAADe 39 - Volume 2 eCAADe 2021 Towards a New, Configurable Architecture Volume 2 Proceedings The 39th Conference on Education and Research in Computer Aided Architectural Design in Europe Hybrid Conference 8th-10th September