Congrès Annuel De La R
(International Conference of the Renaissance Society of America in Montreal (Canada), March, 24th 2011) Storge’s dream in George Buchanan’s Jephthes siue Votum (1554) or how a topos contributed to the revival of tragedy in modern Europe Carine Ferradou, Aix Marseille Univ, CAER, Aix-en-Provence, France Summary: The premonitory and frightening dream of a mother in tears in the Latin tragedy Jephthes siue Votum (1554) is created by George Buchanan for both aesthetical and dramaturgical reasons. Inspired by the classical and the biblical traditions, not only this topos has a lyrical and pathetic dimension, but also it is perfectly inserted into the tragic structure of the drama so that its invention contributes to the deep signification of the holy tragedy. Key words: George Buchanan, Jephthes, dream, Latin tragedy, Renaissance theatre During the years 1540 to 1543, when George Buchanan was a Latin teacher in Bordeaux, he created two Latin tragedies for his pupils, Baptistes siue Calumnia and Jephthes siue Votum. Doing so, Buchanan was one of the first European writers who proposed original biblical tragedies made from the pattern of ancient drama.1 The Scottish scholar was inspired by both the pagan tradition of dream accounts and the Biblical and Christian literature when he chose to set on stage, at the beginning of Jephthes, the female character Storge evoking her frightening dream, whereas her husband, Jephtha, the leader of the Hebrews, is at war against the Ammonites, after he uttered a terrible vow which implied - without his knowing – his only daughter, Iphis. At the end of the tragedy, Jephtha will be victorious, but he will have to sacrifice his daughter to God who helped him during the battle.
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