The Argentinean Exception Proves the Rule Patricia Gherovici
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La Viveza Criolla Venezolana Contemporánea Y Su Anclaje En La Historia
El taco en la brea / Año 7, Nº 12 (junio–noviembre, 2020) ISNN 2362-4191 Dossier 194–217 La viveza criolla venezolana contemporánea y su anclaje en la historia JORDI SANTIAGO FLORES Universidad Simón Bolívar − Universidad Central de Venezuela, Venezuela ORCID 0000-0001-8178-5847 [email protected] Resumen Contemporary venezuelan native cunning and La viveza criolla es uno de los rasgos más reconocida- its anchoring to history mente característicos de la venezolanidad. Lo reconoce Abstract su propio pueblo. Se constata entre sus habitantes su Native cunning is one of the most recognizably cha- manutención y reparto en tanto su presencia es cons- racteristic traits of Venezuelan ship. It sown people tante en el lazo social venezolano. La viveza es una forma recognize it. It is a constant presence in the Venezuelan de entretejido sociocultural muy afín entre nosotros. social bond, confirmed by its share dup keep among its Pero precisamente por ello muestra en gran medida dwellers. Cunning is a kind of socio-cultural fabric that su carácter problemático. La viveza se interpreta en los is common among us. But precisely because of this, it más de los casos como un agravio, un agravio a la norma shows its problematic nature in great extent. In most o al semejante. Es reconocida abiertamente como un cases, cunning is interpreted as a wrong to ward the law problema social del que, paradójicamente, poco se ha and to others. It is openly recognized as a social problem sistematizado. Así, el presente artículo propone un re- about which, paradoxically, little has been systemati- corrido argumentativo que muestre los anclajes de esta zed. -
Tango Varsoviano De Alberto Félix Alberto: La Intemacionalización Dei Suburbio Revisitada
Mester, VoL xxiii, No. 2 (Fali, 1994) Tango varsoviano de Alberto Félix Alberto: la intemacionalización dei suburbio revisitada^ "Este es el tango/ canción de Buenos Aires/ nacido en el suburbio/ que hoy reina en todo el mundo./ Este es el tango/ que llevo muy profundo/ clavado en lo más hondo/ del criollo corazón...." "La canción de Buenos Aires", Azucena Maizani Esta estrofa de tango con la que se encabeza este trabajo resulta paradigmática en cuanto a la trayectoria internacional de este famoso género popular porteño, y, paralelamente, a la difusión de los productos culturales periféricos en el mercado internacional del capitalismo tardío. En la enunciación de Azucena no queda claro si lo que reina en todo el mundo es el "tango" o el "suburbio", ambigüedad que queda subsanada si consideramos al tango como expresión cultural de la realidad suburbana (entendido en este caso el suburbio como zona marginal o periférica de los centros urbanos en vías de modernización: aquel lugar impreciso donde se gestaron—^al menos en Buenos Aires—las transacciones entre una cultura rural agonizante y una cultura urbana moderna en vías de surgimiento. Sin embargo, debe considerarse también la segunda referencia, la más actual . Si leemos esta estrofa en el marco de la retórica de la globalización de las culturas, resulta seductora para los discursos minoritarios o subalternos la idea un tanto populista de que el suburbio /periferia "reine" (o sea, "se imponga") en todo el mundo. Dejando de lado los juegos de poder que tal 1 14 Tango varsoviano de Alberto Félix Alberto idea propone al descentralizar los productos tradicionalmente hegemónicos, y desplazar lo marginal hacia una preponderancia—^aunque atomizada— , global, no debemos ignorar que las culturas periféricas han tenido la oportuiüdad de adquirir mayor visibilidad en el mercado internacional debido a un gesto de concesión del discurso académico o artístico de las élites centrales. -
THE Roudinesco Review
by FRED INGLIS Our Dark Side: a history of perversion by Elisabeth Roudinesco Translated by David Macey Polity Press, 188pp ISBN 978-0-7456-4592-6 (hb) 4593-3 (pb) Sex is a subject much discussed in the official literature of French intellectual life. The works of Georges Bataille, Jean Genet, Michel de Certeau, Michel Foucault towering above them all, bear voluble witness to the imperturbable attentiveness with which the grand maitres à penser will calmly analyse the much mentioned unmentionables of carnal knowledge, taking due intellectual pride in counting in such knowledge as part of the natural purview of the inclusively human sciences. The genteel Anglophones can't touch them. Now the masters are joined by a maitresse and one intimately schooled in the mysteries of that Freudian psychoanalysis which is the de rigeur training in inwardness of the Ecoles Normales for whom the outward half of thought is built out of Marx's dark materialism. Elisabeth Roudinesco is, however, far less Olympian an authority than Foucault, not at all a serene determinist of discourse, and less a historian than an exasperated spirit, admonishing on a decidedly grand and unevidenced scale a humankind disfigured by the hideous enormities of the past and rendered irredeemably trivial by the antinomian self-indulgence of the present. Her brief book – too brief, surely, for so giant and extended a topic – starts out by handing conceptual centrality to that elusive, untranslatable and here untranslated word 'jouissance', which has locked in its jewelled depths something of pleasure, of enjoyment, of desire, of voluptuous excess. Whatever it is, it drives perversion and, Roudinesco promises us, we are all perverts, glad with all our hearts to find our indecorum get an airing from Paolo Pasolini, Alfred Hitchcock, or Last Tango in Paris . -
History of Structuralism. Vol. 2
DJFHKJSD History of Structuralism Volume 2 This page intentionally left blank History of Structuralism Volume 2: The Sign Sets, 1967-Present Francois Dosse Translated by Deborah Glassman University of Minnesota Press Minneapolis London The University of Minnesota Press gratefully acknowledges financial assistance provided by the French Ministry of Culture for the translation of this book. Copyright 1997 by the Regents of the University of Minnesota Originally published as Histoire du structuralisme, 11. Le chant du cygne, de 1967 anos jour«; Copyright Editions La Decouverte, Paris, 1992. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Published by the University of Minnesota Press III Third Avenue South, Suite 290, Minneapolis, MN 554°1-2520 Printed in the United States of America on acid-free paper http://www.upress.umn.edu First paperback edition, 1998 Library of Congress Cataloging-in-Publication Data Dosse, Francois, 1950- [Histoire du structuralisme. English] History of structuralism I Francois Dosse ; translated by Deborah Glassman. p. cm. Includes bibliographical references and index. Contents: v. 1. The rising sign, 1945-1966-v. 2. The sign sets, 1967-present. ISBN 0-8166-2239-6 (v. I: he: alk. paper}.-ISBN 0-8166-2241-8 (v. I: pbk. : alk. paper}.-ISBN 0-8166-2370-8 (v. 2: hc: alk. paper}.-ISBN 0-8166-2371-6 (v. 2: pbk. : alk. paper}.-ISBN 0-8166-2240-X (set: hc: alk. paper}.-ISBN 0-8166-2254-X (set: pbk. -
A Brief History of Argentina
A Brief History of ArgentinA second edition JonAtHAn c. Brown University of Texas at Austin A Brief History of Argentina, Second Edition Copyright © 2010, 2003 by Lexington Associates All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Brown, Jonathan C. (Jonathan Charles), 1942– A brief history of Argentina / Jonathan C. Brown. — 2nd ed. p. cm. Includes bibliographical references and index. ISBN 978-0-8160-7796-0 1. Argentina—History. I. Title. F2831.B88 2010 982—dc22 2010004887 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Excerpts included herewith have been reprinted by permission of the copyright holders; the author has made every effort to contact copyright holders. The publishers will be glad to rectify, in future editions, any errors or omissions brought to their notice. Text design by Joan M. McEvoy Maps and figures by Dale Williams and Patricia Meschino Composition by Mary Susan Ryan-Flynn Cover printed by Art Print, Taylor, Pa. Book printed and bound by Maple-Vail Book Manufacturing Group, York, Pa. -
From Or Toward the Symbolic? a Critique of Žižek's the Sublime
Décalages Manuscript 1022 From or Toward the Symbolic? A Critique of Žižek’s The Sublime Object of Ideology Won Choi This Article is brought to you for free and open access by Occidental College Scholar. It has been accepted for inclusion in Décalages by an authorized administrator of Occidental College Scholar. For more information, please contact [email protected] . Choi: From or Toward the Symbolic? From or Toward the Symbolic? A Critique of Žižek’s The Sublime Object of Ideology Won Choi In her biography, Jacques Lacan , Elisabeth Roudinesco o ffers us a sharp contrast between the positions occupied by Louis Althusser and Jacques Lacan as follows: “Lacan . had traveled in the opposite direction from Althusser. Hence his constantly renewed attachment to Lévi-Strauss’s idea of symbolic function. While Althusser believed that only by escaping from all filial symbolism could one achieve a founding act, Lacan showed that, on the contrary, while such an escape might indeed produce logical discourse, such discourse would be invaded by psychosis” (Roudinesco 1997, pp. 301-2). Many readers today may be dumbfounded by this passage, since the picture presented here about the two theorists is diametrically opposed to the picture they tend to hold true. In the latter picture, Althusser is depicted as an adamant structuralist who disallowed the subject any chance to escape from the dominant ideology, while Lacan is portrayed as a genuine critic of such a position, who, by stressing the irreducible dimension of the real, showed how the subject might be able to find a way to subvert the entire symbolic structure. -
Trabajo Titulación La Viveza Criolla 05 04 20019.Pdf
i FACULTAD DE JURISPRUDENCIA Y CIENCIAS SOCIALES Y POLÍTICAS CARRERA DE SOCIOLOGÍA Y CIENCIAS POLÍTICAS UNIDAD DE TITULACIÓN TRABAJO DE TITULACIÓN REALIZADO COMO REQUISITO PREVIO A LA OBTENCIÓN DEL TÍTULO DE SOCIÓLOGO Portada TÍTULO: “LA VIVEZA CRIOLLA EN LA CULTURA GUAYAQUILEÑA” AUTORES: Gabriela Fernanda Jara Sánchez Julio Hernán Rosado Cusme TUTOR: Eco. Víctor Javier Arcos Uyaguari GUAYAQUIL, FEBRERO DEL 2019 ii FACULTAD DE JURISPRUDENCIA Y CIENCIAS SOCIALES Y POLÍTICAS CARRERA DE SOCIOLOGÍA Y CIENCIAS POLÍTICAS UNIDAD DE TITULACIÓN TRABAJO DE TITULACIÓN REALIZADO COMO REQUISITO PREVIO A LA OBTENCIÓN DEL TÍTULO DE SOCIÓLOGO Contraportada TÍTULO: “LA VIVEZA CRIOLLA EN LA CULTURA GUAYAQUILEÑA” AUTORES: Gabriela Fernanda Jara Sánchez Julio Hernán Rosado Cusme TUTOR: Eco. Víctor Javier Arcos Uyaguari GUAYAQUIL, FEBRERO DEL 2019 iii FACULTAD DE JURISPRUDENCIA Y CIENCIAS SOCIALES Y POLÍTICAS CARRERA DE SOCIOLOGÍA Y CIENCIAS POLÍTICAS UNIDAD DE TITULACIÓN Urkund iv FACULTAD DE JURISPRUDENCIA Y CIENCIAS SOCIALES Y POLÍTICAS CARRERA DE SOCIOLOGÍA Y CIENCIAS POLÍTICAS UNIDAD DE TITULACIÓN Certificado Porcentaje de Similitud Habiendo sido nombrado Eco. VÍCTOR JAVIER ARCOS UYAGUARI, tutor del trabajo de titulación certifico que el presente trabajo de titulación ha sido elaborado por los estudiantes Gabriela Fernanda Jara Sánchez con C.C. 0950207076 y Julio Hernán Rosado Cusme con C.C. 0914978838, con mi respectiva supervisión como requerimiento parcial para la obtención del título de SOCIÓLOGO. Se informa que el trabajo de titulación: “LA VIVEZA CRIOLLA EN LA CULTURA GUAYAQUILEÑA, ha sido orientado durante todo el período de ejecución en el programa antiplagio URKUND quedando el 3% de coincidencia ________________________________________ Eco. Víctor Javier Arcos Uyaguari C.C. 0913729026 v FACULTAD DE JURISPRUDENCIA Y CIENCIAS SOCIALES Y POLÍTICAS CARRERA DE SOCIOLOGÍA Y CIENCIAS POLÍTICAS UNIDAD DE TITULACIÓN Certificado de Tutor Guayaquil, diciembre de 2018 MSc. -
Elisabeth Roudinesco, Self-Plagiarist
Translated by Philip Dravers Elisabeth Roudinesco, Self-Plagiarist Nathalie Jaudel “With these Écrits I needed to erect a barrier against the covetousness, now set in motion, of forgers always ready to serve under the banner of the intellectual spirit” Jacques Lacan, “Discourse at the ORTF” Elisabeth Roudinesco loves Lacan. She loves him “In spite of everything”, as Charlene Wittstock loves Prince Albert of Monaco.1 As she declares as early as the epigraph of her last work, she loves him in spite of the fact that he was a “clown” who readily assumed that role.2 She loves him in spite of his “excesses” (LECT, p.13), his “mania for neologisms” (LECT, p.13), his “attacks of rage and pique, his hermeticism (LECT, p.26), his unacknowledged conceptual borrowing (LECT, p. 31), his “cult of not keeping records” paradoxically correlated with an obsession for leaving a trace for posterity (LECT, p.66-67), his “having lost sight, over the years, of the confrontational essence of dialogue” (LECT, p.86) unless it was simply a question of his innate “inability (…) to hold a dialogue with anyone”, his blunders (LECT, p.86), his resemblance to Charcot‟s hysterics (LECT, p.74), his submission, “beyond what was reasonable, to the ritual of patient presentations” (LECT, p.21), his extravagant shirts (LECT, p.74), his adoration for the One Hundred and Twenty Days of Sodom (LECT, p.119), his transgressions (LECT, p.171), his “jealousy” and his “rather ridiculous allusions” (LECT, p.162) and the risk he took of “becoming one of the henchmen of obscurantism and anti- enlightenment thought” (LECT, p.20). -
Ljst 12 Syllabus
Professor Adam Sitze Email: [email protected] Office: Clark 204 Phone: x2021 Office Hours: Friday, 1PM-5PM LJST 12: Psychoanalysis and Law This purpose of this course is to provide an introduction to psychoanalysis as a comprehensive theory of law. Although psychoanalysis has not traditionally been considered an integral part of the discipline of legal theory, its insights into the origin and structure of law are at once intriguing and disturbing, and its response to the basic question of jurisprudence—“what is law?”—permits us to refer with clarity and precision to an experience of law about which we would otherwise have to remain silent. Freud teaches that law is an institution that at once emerges from and recoils upon our most quotidian and intimate experiences of desire—love and aggression, sublimation and art, language and fantasy, perversion and wit, jealousy and forgetfulness, conscience and paranoia, obedience and transgression, gender and sexuality, anxiety and infancy—and he provides us with a set of interpretive terms and techniques that help us grasp this teaching. Our inquiry into psychoanalysis and law will be divided into three parts. After (a) studying the account of law offered by Freudian psychoanalysis, and (b) considering the way in which certain juridical experiences and events are prior to and generative of Freudian psychoanalysis, we will then (c) explore the ways that various scholars have applied, modified, and critiqued psychoanalytic concepts in their understanding of law. In addition to reading Freud’s Five Lectures on Psychoanalysis, The Question of Lay Analysis, Totem and Taboo, Civilization and its Discontents, Moses and Monotheism, and Lacan’s Seminar VII: The Ethics of Psychoanalysis, we will thus also read works by such thinkers as Alain Badiou, Judith Butler, Frantz Fanon, Carlo Galli, Bonnie Honig, Pierre Legendre, Julia Kristeva, Juliett Mitchell, Jacqueline Rose, Edward Said, and Slavoj Žižek. -
Revolution in Esprit Français from the Mid-1910S to the End of the 1930S: Three Episodes1 Tomoko SATO2 I Am Honored to Particip
“Deviating with Freud: Discussions with George Makari” 21 March 2019, Seikei University (Tokyo) Revolution in esprit français from the mid-1910s to the end of the 1930s: Three episodes1 Tomoko SATO2 I am honored to participate in the workshop on Professor George Makari’s book, Revolution in Mind (RM)3. I thank Professor Endo for giving me this opportunity. Today, I would like to discuss the “Revolution in esprit français from the 1910s to the 1930s.” The “esprit français” means the “French spirit” or “French mind.” My talk is directly inspired by Makari’s book, which consists of three parts, including “Part One: Making Freudian Theory,” “Part Two: Making the Freudians,” and “Part Three: Making Psychoanalysis.” While all three parts are quite informative and interesting, Part Three in particular caught my attention the most since it puts different events, which occurred from the mid-1910s to the end of the 1930s, in the same perspective. Indeed, this periodization allowed the author to clearly define what is at stake for the development of the psychoanalytic movement. This persuasively demonstrated how this movement, carried by Freudians, came to spread with those whom we should call psychoanalysts, rather than Freudians, to the Western world. Taking a cue from Makari’s successful demonstration, I propose examining three cases, which took place during the same period in France, in the context of chauvinistic resistance to psychoanalysis and their decline. Through this brief examination, I will attempt to respond, though indirectly, to the invitation written in the announcement of this workshop, for “re-historicization and re-evaluation of psychoanalysis as a radical ‘anti-psychology’—a persistent and daring resistance to modern institutionalizations of the human ‘mind’—in British, French, American, and Central-European contexts.” I Freud’s theoretical shifts as factors for openness Let us recall some remarks formulated in Part Three of the Revolution in Mind. -
Argentine Cinema and National Identity
Argentine Cinema and National Identity (1966–1976) Liverpool Latin American Studies Series Editor: Matthew Brown, University of Bristol Emeritus Series Editor: Professor John Fisher 1 Business History in Latin 9 British Trade with Spanish America: The Experience of America, 1763‒1808 Seven Countries Adrian J. Pearce Carlos Dávila and Rory Miller (eds) 10 Colonial Tropes and Postcolonial 2 Habsburg Peru: Images, Tricks: Rewriting the Tropics in Imagination and Memory the novela de la selva Peter T. Bradley and David Cahill Lesley Wylie 3 Knowledge and Learning in the 11 Argentina’s Partisan Past: Andes: Ethnographic Perspectives Nationalism and the Politics of Henry Stobart and Rosaleen History Howard (eds) Michael Goebel 4 Bourbon Peru, 1750‒1824 12 The Reinvention of Mexico: John Fisher National Ideology in a Neoliberal Era 5 Between Resistance and Gavin O’Toole Adaptation: Indigenous Peoples and the Colonisation of the 13 Armies, Politics and Revolution: Chocó, 1510‒1753 Chile, 1808–1826 Caroline A. Williams Juan Luis Ossa Santa Cruz 6 Shining Path: Guerilla War in 14 Andean Truths: Transitional Peru’s Northern Highlands, Justice, Ethnicity, and 1980‒1997 Cultural Production in L ewis Taylor Post-Shining Path Peru Anne Lambright 7 South American Independence: Gender, Politics, Text 15 Positivism, Science, and ‘The Catherine Davies, Claire Brewster Scientists’ in Porfirian Mexico: and Hilary Owen A Reappraisal Natalia Priego 8 Adventuring Through Spanish Colonies: Simón Bolívar, Foreign Mercenaries and the Birth of New Nations Matthew Brown Liverpool Latin American Studies, New Series 16 Argentine Cinema and National Identity (1966–1976) Carolina Rocha Argentine Cinema and National Identity LIVERPOOL UNIVERSITY PRESS First published 2017 by Liverpool University Press 4 Cambridge Street Liverpool L69 7ZU Copyright © 2017 Carolina Rocha The right of Carolina Rocha to be identified as the author of this book has been asserted by her in accordance with the Copyright, Design and Patents Act 1988. -
La Nuestra: Football and National Identity in Argentina 1913–1978
La Nuestra: Football and National Identity in Argentina 1913–1978 Mark Antony Orton Faculty of Arts, Design and Humanities December 2020 A thesis submitted in fulfilment of the University’s requirements for the Degree of Doctor of Philosophy De Montfort University Leicester Declaration To the best of my knowledge I confirm that the work in this thesis is my original work undertaken for the degree of PhD in the Faculty of Arts, Design and Humanities, De Montfort University. I confirm that no material of this thesis has been submitted for any other degree or qualification at any other university. I also declare that parts of this thesis have been submitted for publications and conferences. 2 Contents Declaration …………………………………………………………………………………..2 Abstract ……………………………………………………………………………………...5 List of Illustrations and Tables …………………………………………………………….6 List of Abbreviations ………………………………………………………………………..7 Acknowledgements …………………………………………………………………………8 Introduction ………………………………………………………………………………...9 Research Questions ………………………………………………………………………10 Historiography ……………………………………………………………………………..11 Sport and National Identity ……………………………………………………………….11 Migration, Assimilation and the Construction of Argentine Identity ………………….14 Football Style as a Projection of Argentine Identity ……………………………………16 Race, Ethnicity and the Role of the Interior in Argentine Identity …………………….19 Football and Politics in Argentina ………………………………………………………..21 Methodology and Sources ………………………………………………………………..23 Chapter Structure ………………………………………………………………………….26 Chapter