Kung Yung Pao, the Only Daily Newspaper for the Ethnic Chinese in Java During Japanese Occupation: an Overview
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An Annotated List of Chinese-Malay Publications Compiled by Tom
THE “KWEE COLLECTION” AT THE FISHER LIBRARY (UNIVERSITY OF SYDNEY) An annotated list of Chinese-Malay publications Compiled by Tom Hoogervorst on the basis of library research carried out in October 2019, with financial support from a Sydney Southeast Asia Centre mobility grant CONTENTS Introduction .............................................................................................................................. 3 Abbreviations ............................................................................................................................ 6 1. Poetry ................................................................................................................................. 7 1.1. Han Bing Hwie ................................................................................................................ 7 1.2. “J.S.H.” ............................................................................................................................ 7 1.3. Jap King Hong ................................................................................................................. 7 1.4. Kwee Tek Hoay ............................................................................................................... 8 1.5. “Merk Tek Liong & Co” ................................................................................................. 8 2. Original Fiction ................................................................................................................. 9 2.1. Kwee Seng Tjoan ............................................................................................................ -
Bangsawan Prampoewan Enlightened Peranakan Chinese Women from Early Twentieth Century Java
422 WacanaWacana Vol. Vol.18 No. 18 2No. (2017): 2 (2017) 422-454 Bangsawan prampoewan Enlightened Peranakan Chinese women from early twentieth century Java Didi Kwartanada ABSTRACT The end of the nineteenth century witnessed paradox among the Chinese in colonial Java. On one hand, they were prospering economically, but were nonetheless held in contempt by the Dutch, encountered legal discrimination and faced challenges if they wanted to educate their children in European schools. Their marginal position motivated them do their utmost to become “civilized subjects”, on a par with Europeans, but they were also inspired to reinvent their Chinese identity. This contribution will highlight role played by “enlightened” Chinese, the kaoem moeda bangsa Tjina. Central to this movement were the Chinese girls known to the public as bangsawan prampoewan (the noblewomen), who wrote letters the newspaper and creating a gendered public sphere. They also performed western classical music in public. Considering the inspirational impact of bangsawan prampoewan’s enlightening achievements on non-Chinese women, it is appropriate to include them into the narrative of the history of the nation’s women’s movements. KEYWORDS Chinese; women; modernity; progress; newspapers; Semarang; Surabaya; western classical music; Kartini. Didi Kwartanada studies history of the ethnic Chinese in Indonesia, especially Java. He is currently the Director of the Nation Building Foundation (NABIL) in Jakarta and is preparing a book on the history of Chinese identity cards in Indonesia. His publications include The encyclopedia of Indonesia in the Pacific War (Leiden: Brill, 2009) as co-editor and contributor, and the most recent work Tionghoa dalam keindonesiaan; Peran dan kontribusi bagi pembangunan bangsa (3 vols; Jakarta: Yayasan Nabil, 2016) as managing editor cum contributor. -
Kwee Kek Beng (Guo Keming)
Denken over de peranakan identiteit: Kwee Kek Beng (Guo Keming) Que Soei Keng (gepubliceerd in het Hua Yi blad van Maart 2009) seudoniemen: Garem (zout); Thio Boen Hiok. Geboren te Jakarta op 16 P nov 1900 en overleden te Jakarta 31 mei 1975. Gehuwd met Tee Lim Nio. Kwee was publicist en hoofdredacteur van het dagblad Sin Po (1925- 1947). Prominent intellectueel leider van de Chinese gemeenschap in Indonesië en filosoof van de Chinese stroming binnen de Indonesische filosofie. Vader van architect Kwee Hin Goan (Jakarta 4 juni 1932) en journalist-schrijver Xing-hu Kuo (Kwee Hin Houw , Jakarta 12 mei 1938). Opleiding Hollands-Chinese School (HCS) en Hollands- Chinese Kweekschool (HCK) te Jakarta. In 1922 werd hij onderwijzer aan de HCS Tanjakan Empang te Bogor, trad na vier maanden in dienst van Bin Seng (een locaal dagblad van Batavia dat net was opgericht door Tjoe Bou San) en de redactie van het Maleis-Chinese blad Sin Po. Na de dood van Tjoe Bou San in 1925 werd hij hoofdredacteur, een functie die hij tot 1947 zou behouden. Hij vertegenwoordigde evenals zijn voorganger de Chinees nationalistische stroming binnen de Chinese gemeenschap Indonesia Raya en Sin Po (Een bewerking uit de autobiografie “BLOEIENDE BRON, Een architectenleven” door Kwee Hin Goan). In oktober 1910, aan de vooravond van de Chinese revolutie tegen het Manchu- regime, verscheen in toenmalig Batavia een weekblad, “Sin Po” of “Nieuw Blad”. Een jaar later werd het omgezet in een dagblad met Razoux Kuhr, een gewezen Indo ambtenaar (Binnenlands Bestuur), als hoofdredacteur. Sin Po was vervuld van jeugdig enthousiasme en vol vuur voor de revolutionaire beweging in China onder Dr. -
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CREATIVE UNDERSTANDING DALAM PROGRESSIVISME PEMIKIRAN ISLAM POLITIK SYAFRUDDIN PRAWIRANEGARA (1911-1989): SEBUAH PENDEKATAN KOMUNIKASI HASAN MUSTAPA, M. ANWAR SYI’ARUDDIN UIN Sunan Gunung Djati Bandung, STAI Darul Arqam Garut [email protected], [email protected] _________________________________________________________________ Abstrak Peran intelektual tokoh Masyumi cenderung terpinggirkan karena kelemahan posisi politik baik di masa rezim Orde Lama maupun Orde Baru. Kendati gagasan mereka sangat relevan dengan pengentasan problem umat. Beberapa di antaranya seperti Syafruddin Prawiranegara, merespons sikap politik penguasa dengan komunikasi politik yang santun nan progresif. Proses komunikasi politik intelektual Masyumi tersebut diurai melalui beberapa aspek seperti: creative understanding, identity values, aesthetic appeal, community agreement serta reform of society. Menghadapi strategi politik propaganda Soekarno dan Soeharto terhadap sikap politik yang berbeda, Syafrudin Prawiranegara merespons dinamika politik baik Orde Lama maupun Orde Baru lebih bersifat retorik di mana ia bertumpu pada argumentasi yang mengandalkan kekuatan logika serta pendekatan persuasi dan apresiasi yang berimbang dalam melihat peristiwa, tokoh, maupun pergulatan politik yang terjadi. Kata Kunci: Intelektual Progressif, Syafruddin Prawiranegara, Komunikasi Politik __________________________________________________________________ A. PENDAHULUAN Proses komunikasi seorang tokoh dipengaruhi oleh beberapa faktor seperti ideologi, kondisi sosial politik -
1942 Skripsi
DigitalDigital RepositoryRepository UniversitasUniversitas JemberJember PERANAN PERS TIONGHOA PERANAKAN DI SURABAYA DALAM PERGERAKAN NASIONAL 1902 – 1942 SKRIPSI Oleh Saripa Haini Jumita Asmadi NIM. 090110301002 JURUSAN SEJARAH FAKULTAS SASTRA UNIVERSITAS JEMBER 2015 DigitalDigital RepositoryRepository UniversitasUniversitas JemberJember PERANAN PERS TIONGHOA PERANAKAN DI SURABAYA DALAM PERGERAKAN NASIONAL 1902 – 1942 SKRIPSI Diajukan guna melengkapi tugas akhir dan memenuhi salah satu syarat untuk menyelesaikan program Studi pada Jurusan Sejarah (S1) dan mencapai gelar Sarjana Sastra. Oleh Saripa Haini Jumita Asmadi NIM. 090110301002 JURUSAN SEJARAH FAKULTAS SASTRA UNIVERSITAS JEMBER 2015 DigitalDigital RepositoryRepository UniversitasUniversitas JemberJember PERNYATAAN Saya yang bertanda tangan di bawah ini: Nama : Saripa Haini Jumita Asmadi NIM : 090110301002 Menyatakan dengan sesungguhnya bahwa karya ilmiah yang berjudul “Peranan Pers Tionghoan Peranakan di Surabaya dalam Pergerakan Nasional 1902-1942” adalah benar-benar hasil karya sendiri, kecuali kutipan yang sudah saya sebutkan sumbernya, belum pernah diajukan pada institusi mana pun dan bukan karya jiplakan. Saya bertanggung jawab atas keabsahan dan kebenaran isinya sesuai dengan sikap ilmiah yang harus dijunjung tinggi. Demikian pernyataan ini saya buat dengan sebenarnya, tanpa ada tekanan dan paksaan dari pihak mana pun serta bersedia mendapat sanksi akademik apabila ternyata di kemudian hari pernyataan ini tidak benar. Jember, 12 Februari 2015 Yang menyatakan, Saripa Haini -
Liem Thian Joe's Unpublished History of Kian Gwan
Southeast Asian Studies, Vol. 27, No.2, September 1989 Liem Thian Joe's Unpublished History of Kian Gwan Charles A. COPPEL* Studies on the role of the overseas Chinese sue the talent for writing which was already in the economies of Southeast Asia are rare evident in his schoolwork. A short ex enough, despite their generally acknowledged perience as a trader in Ngadiredjo soon con importance. This has been particularly true vinced him, however, that he should seek his of Indonesia, and consequently it is a matter livelihood as a writer. of some interest to discover an unpublished His career in journalism seems to have history of Kian Gwan (Oei Tiong Ham Con begun in the 1920's when he joined the staff of cern), the biggest and longest-lasting Chinese the Semarang peranakan Chinese daily, Warna business of all in Indonesia. Further interest Warla (although there is some suggestion that is aroused by the fact that the manuscript was he also contributed to the Jakarta daily, Per written by the late Liem Thian Joe, the well niagaan, at this time). In the early 1930's, he known Semarang journalist and historian. moved from Warna Warta to edit the Semarang This combination gives us promise of insights daily, Djawa Tengah (and its sister monthly into the firm itself, the Oei family which Djawa Tengah Review). In later years he established it and built it up, and the history of was also a regular contributor to the weekly the Chinese of Semarang where its original edition of the Jakarta newspaper, Sin PO.2) office was founded. -
Denys Lombard and Claudine Salmon
Is l a m a n d C h in e s e n e s s Denys Lombard and Claudine Salmon It is worth pausing for a moment to consider the relationships that were able to exist between the expansion of Islam in the East Indies and the simultaneous formation of "Chinese" communities. These two phenomena are usually presented in opposition to one another and it is pointless here to insist on the numerous conflicting accounts, past and present.* 1 Nevertheless, properly considered, it quickly becomes apparent that this is a question of two parallel developments which had their origins in the urban environment, and which contributed to a large extent to the creation of "middle class" merchants, all driven by the same spirit of enterprise even though they were in lively competition with one another. Rather than insisting once more on the divergences which some would maintain are fundamental—going as far as to assert, against all the evidence, that the Chinese "could not imagine marrying outside their own nation," and that they remain unassimilable—we would like here to draw the reader's attention to a certain number of long-standing facts which allow a reversal of perspective. Chinese Muslims and the Local Urban Mutation of the 14th-15th Centuries No doubt the problem arose along with the first signs of the great urban transformation of the 15th century. The fundamental text is that of the Chinese (Muslim) Ma Huan, who accompanied the famous Admiral Zheng He on his fourth expedition in the South Seas (1413-1415), and reported at the time of their passage through East Java that the population was made up of natives, Muslims (Huihui), as well as Chinese (Tangren) many of whom were Muslims. -
M. Cohen on the Origin of the Komedie Stamboelpopular Culture, Colonial Society, and the Parsi Theatre Movement
M. Cohen On the origin of the Komedie StamboelPopular culture, colonial society, and the Parsi theatre movement In: Bijdragen tot de Taal-, Land- en Volkenkunde 157 (2001), no: 2, Leiden, 313-357 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com10/10/2021 12:19:15AM via free access MATTHEW ISAAC COHEN On the Origin of the Komedie Stamboel Popular Culture, Colonial Society, and the Parsi Theatre Movement Introduction . The Komedie Stamboel, also known as the Malay Opera, occupies a prom- inent place in Indonesia's cultural history.1 lts emergence in 1891 has been characterized as a 'landmark' in the development of modern popular theatre (Teeuw 1979:207). The theatre later contributed greatly to the birth of Indo- nesian contemporary theatre and film2 and played a formative role in mod- ern political discourse and representation (see Anderson 1996:36-7). The Komedie Stamboel has been celebrated as one of the most significant 'artistic achievements' of the Eurasian population of colonial Java (see Van der Veur 1968a), but also damned for its deleterious influence on Java's classical and 1 This article was written while a postdoctoral research fellow at the International Institute for Asian Studies (DAS). It was presented in part as lectures at KAS and the Fifth International Humanities Symposium, Gadjah Mada University, in 1998.1 would like to thank all the particip- ants in the research seminar, 'Popular theatres of Indonesia', Department of Southeast Asian and Oceanic Languages and Cultures, Leiden University, where I developed some of the ideas pre- sented here, as well as Kathryn Hansen, Rakesh Solomon, Catherine Diamond, Surapone Virulrak, Hanne de Bruin, and two anonymous BKI reviewers for their comments. -
Indo 92 0 1319755155 157
W omen an d M odernity: Reading the Femme Fatale in Early Twentieth-Century Indies Novels Elizabeth Chandra1 In colonial Indonesia, literary works written in Malay by Chinese authors were commonly denigrated as pulp fiction, and therefore deemed "un-literary," due to their affinity with stories of secrecy, scandal, sex, and crime.2 The sinister sensibilities of these novels supposedly ran counter to the ideal notion of literature as "beautiful writings," which the colonial government had attempted to introduce in the Netherlands Indies beginning in the second decade of the twentieth century.3 This article offers a close examination of one such novel, Si Riboet atawa Boenga Mengandoeng Ratjoen: Soeatoe Tjerita jang Betoel Terdjadi di Soerabaja Koetika di Pertengahan Taon 1916, jaitoe Politie Opziener Coenraad Boenoe Actrice Constantinopel jang Mendjadi Katjinta'annja (Riboet, or the Venomous Flower: A True Story which Occurred in Soerabaja in Mid- 11 thank those who read and commented on this essay at different stages: Tamara Loos, John Wolff, Sylvia Tiwon, Benedict Anderson, and Indonesia's editors and anonymous reviewer. Any remaining errors are, of course, my own. 2 Claudine Salmon, Literature in Malay by the Chinese of Indonesia: A Provisional Annotated Bibliography (Paris: Editions de la Maison des Sciences de l'Homme, 1981). See also Elizabeth Chandra, "National Fictions: Chinese-Malay Literature and the Politics of Forgetting" (PhD dissertation, University of California- Berkeley, 2006). 3 Balai Pustaka, Balai Pustaka Sewadjarnja, 1908-1942 (Djakarta: Balai Pustaka, 1948); Bureau voor de Volkslectuur, The Bureau of Popular Literature of Netherlands India: What It is and What It Does (Batavia: Bureau voor de Volkslectuur, 1930); D. -
Wage Rudolf Supratman
WAGE RUDOLF SUPRATMAN Oleh : Bambang Sularto DEPARTEMEN PENDIDIKAN DAN KEBUDA YAAN DIREKTORAT SEJARAH DAN NILAJ TRADISIONAL PROYEK INVENT ARISASI DAN DOKUMENT ASI SEJARAH NASIONAL JAKARTA 1985 Milik Depdikbud. Tidak'diperdagangkan WAGE RUDOLF SUPRATMAN Oleh: Bambang Sularto DEPARTEMEN PENDIDIKAN DAN KEBUDAYAAN DIREKTORAT SEJARAH DAN NILAI TRADISIONAL PROYEK INVENTARISASI DAN DOKUMENT ASI SEJARAH NASIONAL JAKARTA 1985 Penyunting : 1. Sutrisno Kutoyo 2. P. Wayong 3. M. Soenjata Kartadarmadja iii Gambar kulit oleh : Hafid Alibasyah iv SAMBUTAN DIREKTUR JENDERAL KEBUDAYAAN Proyek Inventarisasi dan Dokumentasi Sejarah Nasional (IDSN) yang berada pada Direktorat Sejarah dan Nilai Tradisi onal, Direktorat Jenderal Kebudayaan, Departemen Pendidik an dan Kebudayaan telah berhasil menerbitkan seri buku-buku biografi dan kesejarahan. Saya menyambut dengan gembira hasil penerbitan tersebut. Buku-buku tersebut dapat diselesaikan berkat adanya kerja sama antara para penulis dengan tenaga-tenaga di dalam proyek. Karena baru merupakan langkah pertama, maka dalam buku-buku hasil Proyek IDSN itu masih terdapat kelemahan dan kekurangan. Diharapkan hal itu dapat disempurnakan pada masa yang akan datang. Usaha penulisan bµku-buku ·kesejarahan wajib kita ting katkan mengingat perlunya kita untuk senantiasa memupuk, memperkaya dan memberi corak pada kebudayaan nasional dengan tetap memelihara dan membina tradisi peninggalan sejarah yang mempunyai nilai perjuangan bangsa, kebanggaan serta kemanfaatan nasional. Saya mengharapkan dengan terbitnya buku-buku -
Representing Colonial Indonesia in the Films of Saeroen Christopher Woodrich Chris [email protected]
2014 Working Paper Series Volume 1 Between the Village and the City: Representing Colonial Indonesia in the Films of Saeroen Christopher A. Woodrich Editors: David Price and Frank Dhont Recommended Citation: Woodrich, Christopher A. "Between the Village and the City: Representing Colonial Indonesia in the Films of Saeroen." International Indonesia Forum, 2014 Working Paper Series 1 (2014). Between the Village and the City: Representing Colonial Indonesia in the Films of Saeroen Christopher Woodrich [email protected] Abstract: Following the Great Depression, colonial Indonesia was in a flux. The economic shift from a rural agrarian to an urban manufacturing economic base led to increasingly rapid urbanization and the accompanying societal woes. This shift in societal make-up influenced various forms of popular culture, which writers and other creative professionals used to express their opinions – both positive and negative – of the cultural shift. The reporter turned screenwriter Saeroen, a keen social observer who wrote under the name Kampret and was several times arrested for his writings, was no exception. Attached to four film production houses in his four-year screenwriting career (1937–41), Saeroen’s oeuvre included some of the biggest commercial successes of the period and often involved migration from the villages to the cities. Though the majority of Saeroen’s films are now thought lost, enough evidence survives in the form of film reviews, novelizations, and promotional material for a textual analysis of his works and the views contained within. As will be shown, Saeroen’s works, including Terang Boelan, Sorga Ka Toedjoe, Asmara Moerni, and Ajah Berdosa, represent a testament to the experience of abandoning the villages and embracing the cities. -
Pramoedya Ananta Toer and China: the Transformation of a Cultural Intellectual
PRAMOEDYA ANANTA TOER AND CHINA: THE TRANSFORMATION OF A CULTURAL INTELLECTUAL Hong Liu As one of the most prominent writers in Indonesia, Pramoedya Ananta Toer has been at the center of a number of valuable studies which carefully document his intellectual journey and his place in modern Indonesian cultural history.* 1 It has been generally agreed that the years between 1956 and 1959 were crucial in the evolution of Pramoedya's cultural and political thinking. In an effort to trace the causes of this change, the existing literature focuses almost exclusively on Indonesia's turbulent domestic political transformation and its impact on Pramoedya; very little attention * This is an expanded version of a chapter from my doctoral dissertation, "'The China Metaphor': Indonesian Intellectuals and the PRC, 1949-1965" (Ohio University, 1995). I am indebted to William H. Frederick for his constructive and thorough comments. Charles Alexander, Donald Jordan, Benedict Anderson, Chen Xiaru, Go Gien Tjwan, Kent Mulliner, Kohar Rony, Yong Mun-Cheong, and Tsing Yuan have been helpful in shaping my understanding of the complex questions relating to China in Indonesia, for which I am grateful. Financial support for my overseas research was provided by a fellowship from the Center for International Studies at Ohio University and a grant from the Southeast Asian Council of the Association for Asian Studies, both funded by the Henry Luce Foundation. I alone, of course, am responsible for the views expressed here and any remaining errors. 1 See for example, Bahrum Rangkuti, Pramoedya Ananta Toer dan Karja Seninja (Jakarta: Gunung Agung, 1963); Savitri Scherer, "From Culture to Politics: The Writings of Pramoedya Ananta Toer" (PhD diss., Australian National University, 1981); Mohamad Zamri bin Shaari, "Sebuah Analisa Kebahasaan terhadap Bumi Manusia Karya Pramoedya Ananta Toer" (PhD diss., Universitas Nasional Indonesia, 1985); and A.