NIKON D10 0 6.1-Megapixel Digital SLR Designed to make digital SLR photography a reality for high-end amateur photographers and photo enthusiasts, the high-performance 6.1-megapixel D100 provides a unique combination of advanced SLR functionality and powerful digital capabilities with Nikon's intuitive ergonomics and exclusive feature set. High-definition 6.1 million-pixels CCD with improved image-processing algorithm, enhanced auto white balance system, 3D Matrix metering system and D-TTL flash control capability work with the camera's advanced image-processing abilities to ensure well- balanced exposures and rich, true colors. The D100 also offers a top shutter speed of 1/4000 DIGITAL SLRs DIGITAL second, built-in speedlight with D-TTL flash control and a flash sync speed of up to 1/180 second, three-color mode options to customize the camera for different color gamut environments, on-demand grid lines and a five area autofocus with dynamic AF operation to make composition, autofocusing and manual focusing fast and accurate. Nikon Inc. Ltd. warranty included FEATURES
6.1-megapixel Resolution Fast and Accurate Autofocus ◆ At the heart of the D100 is it’s 6.1- In photography, a moment’s hesitation could cost you the shot. That’s why the D100 incor- 182 megapixel CCD for high-definition 3,008 porates Nikon’s Five-Area Dynamic Autofocus system — highly regarded for its responsive x 2,000-pixel images. This allows you to performance. Featuring five AF sensors, covering a wide area in both the horizontal and capture images with extremely fine the vertical ranges, the system provides the speed and creative control you need to make detail, or make big enlargements and razor-sharp images. Choose from high-speed, accurate Single Servo (S) AF and Continuous crop closely to show more detail. Servo (C) modes, as well as fully mechanical Manual focus (M) mode. ◆ The D100’s high-resolution 23.7 x 15.6mm RGB CCD provides a wide dynamic range and captures a great amount of light for high sensitivity. The CCD also features reduced noise, and a wide S/N ratio to ensure truly stunning photographic quality in the form of sharp, clear and smooth-toned images. ◆ Images can be stored as JPEGs (three Dynamic AF: Focus stays on the subject even though the subject moves out of the selected compression levels), uncompressed area by shifting focus area automatically. TIFF files, or in the NEF (Nikon Electronic File) RAW data format. Single Area & Dynamic Autofocus Focus Tracking with Lock-On Single Area AF gives you five focusing positions Nikon’s Focus Tracking system Electronic and Mechanical to work with in the frame. The selected focus enables you to focus continuously on Shutters area is indicated on the top LCD panel and a moving subject. Using Nikon’s ◆ If intense light is received by the CCD superimposed in the viewfinder. Great when unique overlap servo method, the during data processing, this can shooting carefully composed landscapes or D100’s AF system focuses and drives adversely affect the data, resulting in portraits. the lens simultaneously, offering fast the emergence of smear. The camera’s In Dynamic AF mode you’ll never have trouble and accurate AF operation. alleviate this problem by incorporating again, shooting moving subjects like animals, Furthermore, with Lock-On Autofocus, a mechanical shutter in addition to the athletes, or children at play. This mode the D100 will continue to track your charge-coupled electronic shutter to ensures accurate focusing, even if your subject main subject even if something cut out the light, further enhancing moves from its original position after you’ve momentarily blocks it in the viewfind- image quality. selected a focus area. er or if it moves off an AF sensor.
For Any Inquiries Regarding Your Order, Call Our Customer Service: (800) 221-5743 • (212) 239-7765 • FAX: (800) 947-2215 • (212) 239-7549 NIKON D10 0
Three Color Modes Accurate Exposure and Faithful Colors ◆ To suit a range of applications, the D100 employs three color modes: Often, achieving great results means getting the right exposure and color temperature readings. When white balance is precise, coloration appears more —Mode I is sRGB-optimized and sets hue
accurate, while correct exposure enhances the richness of the image’s colors. DIGITAL SLRs and chroma values that are especially Nikon’s 3D Digital Matrix Image Control can give you both — automatically. It effective for rendering the natural-look- features an advanced image-processing algorithm that ensures extremely faithful ing skin tones required in portraits. color reproduction with exceptionally smooth gradations. —Mode II is Adobe RGB-optimized and delivers a wider color reproduction range than the other modes. The high- Exposure Metering Modes Exposure Control quality final output it provides is ideal for the wider color gamut required for ◆ The D100 offers three exposure metering ◆ The camera offers four exposure modes: studio commercial photography. modes: Nikon’s highly regarded 10-seg- Auto-Multi Program, Shutter and ment 3D Matrix Metering mode for intelli- Aperture Priority, and Manual with shut- —Like Mode I, Mode III is sRGB-optimized, gent image analysis, Center Weighted ter speeds from 1/4000 to 30 seconds. but sets hue and chroma values for Metering and Spot Metering. landscape and nature photography. ◆ In Program mode, you can select different combinations of aperture and shutter TTL White Balance speed settings from those automatically NEF (Nikon Electronic File) ◆ The D100 offers several options for white selected. This gives you more control RAW Data Format balance control: while still letting the camera do most of the work for you. When in manual mode, 183 ◆ Change the attributes of a NEF file’s RAW —In Auto mode, the camera analyzes the an electronic exposure display in the image data, including exposure (±2EV), light through the lens, automatically viewfinder shows the amount an image Tone Compensation, Sharpening, Hue achieving white balance that produces will be under- or overexposed. Adjustment and Saturation natural-looking images. ◆ In all exposure modes, the D100’s Noise – Image Sharpen: adjust in-camera sharp- —Manual mode provides six settings Reduction function can be automatically ening (Auto, Normal, Low, High, or of) (incandescent, florescent, direct sunlight, flash cloudy and shade) with fine tuning activated at slower shutter speeds to – Tone Compensation: adjusts the overall (-3 to +3 settings with the lower number overcome background noise buildup. tone and contrast of the image. Choices being warmer, the higher being cooler) to ◆ Exposure compensation of ±5 EV is avail- are Auto, Normal, Low Contrast, High match the light source. able in 1/3 or 1/2 EV increments and Auto Contrast, and Custom (lets you down- Exposure Bracketing (three consecutive load a tone curve from a computer). —In Preset mode, you use a grey or white card as a reference to get the most accu- shots with varying exposures) let you see – Hue Adjustment: Controls the overall rate white balance setting—ideal when the effects of varying brightness. hue of the image. Adjustment values shooting under mixed-light conditions. ◆ ISO Auto Control mode automatically range from +9 to -9 degrees, in +/-3-step adjusts sensitivity (from ISO equivalent increments. —White balance bracketing shoots with three different white balance settings 200 to 6400) when optimal exposure can- (reddish, selected value, and bluish). not be achieved in any exposure mode. High Performance ◆ The D100 is more than just compact, it’s also quick. Shutter release time lag, On-Demand Grid Lines start-up time, autofocus and image pro- cessing are all very fast. ◆ In Continuous Shooting mode, the D100 can capture up to nine consecutive (six in TIFF or 4 in RAW formats) at 2.5 fps. ◆ Self-timer provides a short delay between shutter release and exposure with intervals from 2 to 20 seconds.
◆ Anti-vibration mode, crucial in special- On-Demand Grid Lines (Custom Setting) ized applications such as photomicrog- This precisely composed image was raphy, effects a delay between the taken with the help of the D100’s On- instant of shutter release and image Demand Grid Lines display and the capture, preventing mirror shock. Nikkor 14mm f/2.8D ED.
ORDER & INFO. (212) 444-5027 • FAX: (212) 239-7770 (800) 947-7008 1-800-947-9927 • www.bhphotovideo.com NIKON D10 0 Built-in Speedlite Large, Bright LCD Display ◆ Built-in pop-up 5-mode (Front-Curtain ◆ 1.8-inch, 120,000-dot, low-temperature polysilicon TFT LCD monitor displays captured Sync, Red-Eye Reduction, Red-Eye images, menus and histogram indications. The monitor is LED backlit, making it easier Reduction with Slow Sync, Slow Sync, and to see even in bright light, and displays 100% of the playback image. Rear-Curtain Sync) flash offers coverage ◆ Knowing the details of a captured image is extremely helpful for postproduction tweak- for lenses as wide as 20mm and boasts a ing, reshooting and as reference for future assignments. With the D100, you can choose guide number of 56 (ISO 200, ft.). The to view images in one-frame or thumbnail (4 or 9) playback formats. Then, when you Speedlight performs with D-TTL flash select a desired image, the LCD monitor displays a range of information — including operation, controlled by the 5-segment camera setting, histogram indication and highlight point — pertaining to that image. TTL Multi Sensor and a new algorithm for ◆ more accurate flash control. D-TTL con- To confirm focusing of a shot you’ve taken, just press the One-Touch Zoom button and trol enables you to take balanced fill-flash the D100 provides up to 20x magnification of an L size image (3008 x 2004). pictures even under complex lighting ◆ Scrolling menu display gives you immediate access to a range of features. Using the conditions. multi selector, you can choose the camera settings for the following menus: Playback ◆ Menu, Shooting Menu, CSM (Custom) Menu and Set-up. DIGITAL SLRs DIGITAL For more power or dramatic effects, the D100 also offers an external flash hot shoe allowing use of Nikon flashes like AF-S and VR Nikkor Optics the SB-80DX and SB-50DX as well as a Equipped with the venerable Nikon F-mount, the D100 wide range of third party flashes. is compatible with a full selection of AF Nikkor optics. Additional Features This includes Nikon’s AF-S Nikkors whose built-in Silent Wave Motors (SWM) offer near silent ultra- ◆ Uses CompactFlash cards for storing fast auto-focus operation. The D100 also accepts images, as well as IBM MicroDrives Nikon’s innovative VR Nikkor lenses such as the AF VR Zoom-Nikkor 80-400mm f/4-5.6D. These
184 lenses minimize image blur caused by camera shake, and offer the equivalent of shooting at a shutter speed three stops (eight times) faster than the actual setting. The VR (Vibration Reduction) system is ideal for handheld shooting at dusk, at night, and also in poorly lit interiors. A VR lens also automatically detects when you pan — no special mode is required.
Supplied and Optional Accessories
◆ The D100 provides 26 Custom Settings for Nikon D100 Body includes: your most-frequently used functions, Neck Strap, Video and USB Cable, Rechargeable Li-ion Battery (EN-EL3), Quick including On-Demand Grid Line display. Charger (MH-18), “Nikon View” 5 CD-ROM, 1 Year Limited Warranty There are two combinations of selected settings that can be “memorized” by the When the EN-EL3 Li-ion Battery Pack is fully charged, you can capture up to 1,600 camera and later recalled. For fast and images with the D100. To recharge the battery pack, use either the supplied MH-18 easy operation, you can select camera (100-240v AC) Quick Charger or the optional MH-19 (12v DC) Multi-Charger. An set-up via the Custom Settings function optional AC adapter, the EH-5 (100-240v AC) is also available. on the LCD monitor. Attaching the optional MB-D100 Multi-Function Battery ◆ Multi-selector enables inputting of Pack is an easy way to add shooting capability to the alphanumeric characters (max. 36) D100. It provides a vertical shutter release button, Main ◆ When you connect the D100 to a comput- and Sub Command Dials, and an AE-LAF-L/Focus area er via USB, the camera will show up on select button—all of which make it easier to shoot your screen as a hard disk, for fast, easy vertical-format pictures. Powered by six 1.5V LR6 (AA- image transfer. In addition, the Nikon size alkaline) batteries or one or two Li-ion batteries for View 5 driver software launches automat- extended shooting capability, it also features a voice ically, allowing you to selectively view, memo recording/playback function, AF start button and a 10-pin remote terminal. transfer, print, erase and make minor The 10-pin remote terminal lets you use remote connected accessories such as the adjustments to captured images, includ- MC-20 and ML-3. ing NEF (RAW) image files.
EQUIPMENT LEASING AVAILABLE NIKON D10 0
Nikon View 6 Software— Bundled with the D100
The beginning of the post-production workflow starts with the supplied DIGITAL SLRs Nikon View 6 software. Browser software for downloading and managing your images, the Nikon View 6 offers an efficient way to transfer images directly from the D100 (via USB) or from a CompactFlash reader. Image thumbnails can be viewed, selectively transferred, printed, erased, rotated or viewed with the picture enlarged in a separate window. Other features include the ability to transfer all or selected images at different sizes for e- mail, uploading, or for insertion into documents and newsletters. Keyword attachment and shooting data can be added to the image files for searching and identification.
◆ The transfer of images is simple, with selectable size ◆ The support for IPTC text data includes the capability of thumbnails and a one-button download of either all images adding user-defined keywords into the file as it is transferred in the camera or just those that have been already tagged or from the camera into the computer under the control of untagged after shooting. Nikon View 6”. ◆ Images can be renamed with a user-defined suffix and/or ◆ Nikon View 6 has a plug-in enabling RAW files to be opened prefix such as the photographer’s name and incorporate the within Photoshop.
date or a sequence # within the file name. 185 ◆ Nikon View 6 also adds a window where camera shooting ◆ The directory into which images are copied can be chosen data of any selected image is visible. The contents of this from any local or networked drive and the files can be auto- matically added to the index system of proprietary image text window may be copied to other documents via the database applications. system clipboard. User-selectable thumbnail sizes have also been incorporated, allowing the easy preview of images ◆ For more general industry-standard meta-data support, it is under more difficult viewing conditions. possible to copy the camera shooting data (exposure, camera configuration at time of shooting, user ID field, etc.) ◆ Nikon View 6 is compatible with Windows 2000/ME/98SE and into the IPTC Caption field to every file during download. Mac OS.
Optional Nikon Capture 4 Software for the D100
Photographers now have have an incredibly comprehensive tool for controlling their remote control requirements. A comprehensive camera control and image editing software package, Nikon Capture 4 allows the D100 to be controlled remotely via its USB interface. Images can be downloaded directly into the computer, taking advantage of high-capacity, low cost local and networked memory storage. Once in the computer, the full advantage of Nikon’s Total Image Quality processing algorithms can be applied to the file to produce stunning 16-bit color depth images of up to 33.6MB. This combination gives the ability to change nearly every camera setting including ISO, exposure mode, shutter speeds, aperture, firing speed, auto-focus sensor, and many others. Time-lapse photography is also possible and can be adjusted to various time intervals for very creative sequences. With the Auto-save feature, the use of wireless LAN systems can be used to transfer images from a computer connected to the camera to another computer or server without a hardwire connection. This offers any photographer the ability to work very quickly without the need to stop and download images to a personal computer. Images are transmitted in seconds to the host computer for immediate use. Images upon delivery in Nikon Capture 4 can be auto-saved to a disk location and moved individually on through the workflow to an output device or to be published. Nikon Capture 4 Software (NISWC4.0) ...... Call
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D1X 5.47-Megapixel Digital SLR Camera The D1x, featuring a 5.47-megapixel CCD, powerful algorithm set and advanced image processing, is optimized for superior image quality and higher resolution. Via interpolation it can produce 8-bit 17.7 MB TIFF files, and with Nikon Capture 4 software it will produce 16-bit 34.4MB TIFF files. The D1x is ideal for professionals requiring high image quality for a wide range of applications, including high-tech, scientific, pre-press, advertising, graphic arts, education, commercial and other photography that requires extremely high detail. The camera also features a IEEE1394 (Firewire) interface for rapid data transfer and uses Compact Flash and Microdrives for storage. Also includes advanced capabilities for color reproduction, DIGITAL SLRs DIGITAL white balance and exposure control.
FEATURES
Nikon Quality High-Speed System Exposure Metering Modes Features wide dynamic range, high sensi- Advanced image-processing algorithm In addition to 3D Color Matrix Metering tivity and benefits from Nikon’s compre- with selectable JPEG compression enables (see box next page), it offers: hensive noise-suppression design. And high speed image processing. For highest Center-weighted metering: The meter 186 with high-quality image processing, it is quality, it offers Nikon’s RAW file format concentrates 75% of its sensitivity on the able to deliver stable and consistent per- which is processed using “Nikon Capture 8mm-diameter circle while feathering the formance—ensuring true photographic 4” software. “Lossless Compression Mode” rest out to the edges, resulting in excellent quality images with excellent color, for RAW-file save mode enables more overall balance. smooth tone gradation and overall high images to be saved on the CF card without quality. sacrificing visual image quality. Spot Metering : Offers pinpoint accuracy, reading approx. 2% of the imaging area. As Electronic and Mechanical Shutters you manually choose the selected focus If intense light is received by the CCD during data processing, this can adversely affect area (there are 5), the sensing area is auto- the data, resulting in the emergence of smear. The camera’s alleviate this problem by matically adjusted for optimum control. incorporating a mechanical shutter in addition to the charge-coupled electronic shutter to cut out the light, further enhancing image quality. Exposure Control ◆ Provides four convenient auto exposure modes: Programmed Auto with Flexible D1X – 5.3 MEGAPIXEL CCD Program, Shutter and Aperture-Priority Auto, and Manual exposure mode. The D1X’s superb ability to create sharper pictures is ◆ ±3 EV exposure compensation in 1/2 or derived from its 5.33-million (effective) pixel CCD, 1/3 EV steps. Instant exposure compen- which delivers high-resolution 3008 x 1960-pixel sation is possible even during shooting. images, making A3 and 11 x 14˝ prints possible ◆ Auto Exposure Bracketing of two or at 200 dpi. And it has continuous shooting capability of three frames in 1/3 to 1 EV steps in all exposure modes. 3 frames per second for up to 9 consecutive shots in JPEG or ◆ You can manually set the sensitivity TIFF mode, 6 consecutive for RAW data). The D1x’s exceptional image quality, between ISO-equivalent 125 and 800. It highlighted by RAW files capacity in “NEF” format, and possibilities for configuration also features a comprehensive noise- make it the ideal camera for portrait, commercial, medical and science photography suppression design, so picture noise is - fields which require enlarged images—as well as in all specialized fields where dramatically reduced, especially in the high sensitivity range. Custom Settings high detail is the priority. are also available to offer a one- or two-step boost to the highest ISO ratings.
EQUIPMENT LEASING AVAILABLE NIKON
D1X
TTL White Balance 3D Digital Matrix Image Control To complement the high-precision Auto Incorporates a 1,005-pixel RGB exposure/color metering sensor to automatically mode with its extremely natural coloration, produce outstanding digital images. The “3D Digital Matrix Image Control” system gives they offer a Preset Mode and Manual Mode it the ability to evaluate the image and intelligently and automatically optimize the for white balance settings. results. This advanced performance gives you the power to preform tasks that until DIGITAL SLRs - In Preset mode, a value previously now had to be done on a computer during post-processing. The key to this highly measured by TTL white balance can be effective image-enhancing function is the cooperative efforts of three high-performance stored and recalled. functions—3D Color Matrix Metering, TTL White Balance and Tone Compensation. - Manual mode provides six settings: • 3D Color Matrix Metering calculates the optimum exposure value by comparing Incandescent and fluorescent light, brightness and color data, along with subject-to-camera distance to a database of fine and cloudy weather, shade and flash more than 35,000 actual shots. Use of a database distinguishes this meter from typical condition, plus seven-step fine-tuning for multi-segment meters. personal control. • TTL White Balance then evaluates the color temperature and makes fine adjustments to the predetermined value, automatically achieving proper white balance. Tone Compensation If you prefer alternative tone control than • Tone Compensation selects the optimal tone curve to enable the reproduction of those automatically selected by 3D Digital natural tones according to the scene brightness and contrast. These three innovative Matrix Control, you can choose from four features offered by the D1x give you increased control over total picture quality for preset tone curves (via Custom Settings) or incomparable results in digital imaging—automatically. use the optional “Nikon Capture 4” control
software to create original tone curves and 187 download them to the camera. Save cus- LCD Monitor tomized tone curves for unusual light con- The 2.0˝, 130,000-dot low temperature polysilicon ditions that you have experienced. TFT LCD Monitor displays captured images, menus Sharpness and histogram indications. White LED backlighting Choose from four preset values (via makes it easier to see even in bright light. 100% of Custom Settings) to control the sharpness the playback image can be viewed on the monitor. of the image. In-camera sharpness setting In capture preview mode you can see the image can be turned off if post-processing adjust- ment is preferred. before saving. This allows you to decide whether or not to store the data. Color Mode Incorporates two selectable color modes to One-Touch Playback best suit your application: Confirm an image you’ve taken simply by pressing a button. During review, you can delete - Mode I (optimized for sRGB) provides the image. Pressing the shutter release returns the camera ready for shooting again. more vibrant color rendition, suitable for monitor display and posting on the web. Thumbnail Playback - Mode II (optimized for Adobe RGB) is bet- and Slide Show ter suited for a wider range of color repro- Augmenting one-frame playback is thumbnail duction and is more effective for hard- playback, in 4 or 9 segments. In Slide show copy printed output. mode, you can view images in order, as they automatically advance one at a time. Selectable Image Quality Modes Enlarged Playback Select from among compressed JPEG (1/4, With the press of a button the playback image 1/8, 1/16), uncompressed TIFF and uncom- can be enlarged, letting you check details and pressed Raw modes. Also available is a image sharpness. You can also scroll the image to view portions of it. lossless-compression mode for RAW-file save mode. Using a special process and algorithm, image data is compressed by 50 Histogram and Highlight Point Display to 60% without sacrificing image quality. Display a histogram (graphical representation of brightness distribution) of the image’s exposure. Highlight Point Display alerts you to overexposure by flashing a warning in the Nikon Inc. Ltd. warranty included overly bright areas.
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D1X High-speed AF System Features the same performance proven TTL Flash Control Multi-CAM1300 autofocus sensor module (incorporating five AF sensors) as Nikon’s Uses the five-segment TTL Multi Sensor,with five sensors configured for legendary F5 and F100. for precise flash output. As the shutter release is pressed but before the actual exposure, the Nikon SB-50DX or SB-800AF Speedlights fire Focus Mode: Choose from high-speed, imperceptible Monitor pre-flashes to determine the amount of flash out- accurate Single Servo (S) AF and put by monitoring the light reflecting off of the shutter curtains. In addi- Continuous Servo (C) modes, as well as tion, known reflectance values are compared to the actual values in fully mechanical manual focus (M) mode. order to determine the subject’s reflectance and compensate for poten- tial under or over exposure from whiter or blacker subjects. AF Area Modes: Single Area AF gives you five strategic focusing positions to work ◆ Nikon’s exclusive 3D Multi-Sensor ◆ Equipped with five flash sync modes: with in the frame. The selected focus area Balanced Fill-Flash, controlled by the — Front-Curtain Sync (standard) is indicated on the top LCD panel and five-segment TTL Multi Sensor, is avail- DIGITAL SLRs DIGITAL superimposed (red) in the viewfinder. able with the SB-50DX or SB-800AF and — Red-Eye Reduction for natural-looking Great when shooting carefully composed a D-or G-type Nikkor lens. The D1X’s flash portraits indoors or at night landscapes or portraits. built-in computer calculates the prop- — Red-Eye Reduction with Slow Sync for Second area mode is Dynamic AF. In (C) er flash output level according to the natural-looking portraits in twilight or AF mode, if the subject moves out of the data from the TTL Multi Sensor, lens when using a flash indoors selected focus area, Dynamic AF instantly aperture and distance information — Slow Sync for natural-looking back- shifts the focus to another of the five with the results of 3D Color Matrix grounds areas. In (S) AF mode, the Closest Subject Metering to create a beautifully bal- Priority function automatically selects the anced picture, even in difficult situa- — Rear-Curtain Sync for creating a focus area with the closest subject so you tions like high- and low-contrast condi- “stream of light effect” trailing a
188 can concentrate on shutter timing. tions and backlighting. flash-illuminated moving subject.
Focus Tracking with Lock-On: Focus Tracking is automatically activated when the subject starts to move, regardless of High Performance the AF mode or AF area mode selected. ◆ Uses CompactFlash Type I/II or Microdrive cards to record images. The computer-assisted system analyzes ◆ the speed and anticipates the direction of Incorporates an optical-type fixed eye-level pentaprism viewfinder which features frame movement of the subject while driving the coverage of approx. 96%, a high eyepoint at 22mm at -1 DP, and a diopter adjustment autofocus. Focus Tracking is supplement- within -3 to +1 DP. ed by Overlap Servo which ensures con- ◆ Can accommodate virtually any Nikkor lens with the Nikon F-mount – over 80 lenses in stant lens focusing—even during driving— all. The picture angle is equivalent to 1.5x focal length in 35mm format. and Lock On, which continuous tracks a ◆ High-speed interface IEEE1394 makes possible the fast transfer of great amounts of data. subject, even when temporarily blocked. Used together with “Nikon View 6” and the optional “Nikon Capture 4” software you can also enjoy the benefits of connectivity with a computer, enhancing studio photography Quick Response Time & operation. Incredible Shutter Speeds Conveniences A quick startup, a short shutter release ◆ GPS position information can be saved within an image data file. Connects to GPS unit time lag (approx. 0.058 seconds) and fast via RS-232C interface. data processing (compress and store the ◆ Four combinations of selected settings (36 total custom settings) can be memorized and data for 1 frame in 2 seconds) combine to recalled at the press of a button. Camera set-up via Custom Settings can be selected on ensure speedy and smooth operation. the LCD monitor for fast, easy operation. Charge-coupled electronic shutter enables ◆ Anti-vibration mode, crucial in applications such as photomicrography, effects a delay you to set shutter speeds from 30 sec. to between the instant of shutter release and image capture, preventing mirror shock. an amazing 1/16,000 sec., fast enough to freeze virtually any action. TTL flash sync ◆ Housed in a rugged magnesium body, for rigidity and strength as well as lighter, smaller speed up to 1/500 sec.expands your choic- construction. Also highly resistant to moisture. es for fill-flash photography in daylight. ◆ Supplied EN-4 Ni-MH Battery gives you about 1,000 pictures on a single charge. Sync speeds of up 1/8000 sec. are also pos- Recharge with the supplied MH-16 (100-240v AC) or optional MH-17 (12V DC) Quick sible for manual FP exposure operation Chargers.
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D2H Next-Generation Pro Digital SLR for Photojournalism, Action and Sports
Time is of the essence to photojournalists heavily involved in action or sports DIGITAL SLRs photography. Capturing the moment demands instant response, high speed, accuracy, and logical design for ease of handling and operation. Image quality must be exceptional. And, these images must be deliverable into the workflow and out to the viewer quickly. Working alongside pros in the field, Nikon set out to satisfy these needs and demands through ground-up development of the next-generation professional digital SLR camera. Designed exclusively for photojournalists and sports/action photographers, the D2H features the fastest full system performance in a digital SLR camera, setting a new standard in speed and accuracy while achieving exceptional image quality. Virtually every aspect of the camera's performance has been designed from the ground up to facilitate high-speed photography under demanding conditions. The D2H is capable of continuously shooting 8 frames per second and buffers up to a staggering 40 JPEG images. It incorporates an all new 11-sensor autofocus system with 9 cross type sensors and versa- 189 tile performance, a revolutionary new DX format 4.1-megapixel JFET imaging sensor called 'LBCAST', and Wi-Fi capabili- ties for 802.11b wireless transmission of images. It also includes new i-TTL speedlight technology and is bundled with NikonView 6.1 software.
FEATURES
LBCAST 4.1-megapixel JFET Imaging Sensor Total Image Quality The D2H features a new 4.1-megapixel (2484 x 1636) DX format JFET (Junction Field Effect Using a newly developed Nikon imaging Transistor) Imaging Sensor called LBCAST (Lateral Buried Charge Accumulator and sensor, the D2H is able to produce Sensing Transistor Array). The new sensor's technology and performance, as developed data-rich files that are compact enough by Nikon meets the challenging needs of photojournalists and sports/action photogra- for immediate transmission and rapid phers, and provides the foundation for the D2H system's advanced performance. The sen- workflow, yet yield dramatically high sor is not only capable of producing high image quality, but also delivers high-speed per- image quality. While many routinely formance. The sensor reads 2 channels of data from each pixel -- while also handling associate image quality and image brightness data in the same process to achieve maximum image reproduction speed. sharpness with megapixel count alone, Additionally, its JFET technology, combined with a host of new innovations, enables this engineers understand that there are sensor to render extremely low noise performance with extraordinary color accuracy, many additional factors that affect detail, sharpness and overall quality that is unparalleled by any other similarly sized sensor. sharpness and total image quality. The D2H’s imaging sensor was ◆ A new ASIC design significantly reduces color artifacts and ‘jaggies’ on oblique lines, developed together with associated while helping improve overall image sharpness. support technology, to overcome ◆ Next-generation signal processing algorithms improve automatic functions such as auto nearly every aspect of image quality white balance, auto tone control and auto color correction to ensure optimal accuracy degradation, including false colors, for each scene. noise, ‘artifacting’ and ‘jaggies’ to name ◆ A new color-processing engine minimizes false colors, while maintaining superior color a few. With the D2H system, Nikon is rendition, accuracy and consistency. leading action oriented digital photography into a new realm where ◆ A high signal-to-noise ratio combined with high-level image processing offers enhanced Total Image Quality takes precedence performance at high ISO settings. over any individual image specification. ◆ With the new sensor design, powerful algorithms and total image quality control tech- nologies, the D2H produces images far superior compared to other 4-megapixel cameras.
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D2H Multi-Cam 2000 Autofocus System Exposure System ◆ A next generation autofocus system, Multi-Cam 2000 is not only fast enough 3D Color Matrix Metering Center-Weighted Metering to keep up with the D2H’s rapid Automatically calculates the optimum Concentrates 75% of its sensitivity continuous frame rate, but it is exposure value by evaluating brightness, within an 8mm circle and the remain- remarkably accurate in detecting focus color, contrast, selected focus area and ing 25% in the surrounding area. You even in challenging situations, including subject-to-camera distance information, can change the diameter of the circle dim lighting conditions as low as EV -1. and then referencing the large onboard via the Custom Settings. database. The combination of Nikon's Spot Metering exclusive 1,005-pixel RGB exposure/ Can be used with Single Area AF color metering sensor, advanced operation to provide precise meter- algorithms that reference a database ing by reading a 3mm-diameter area developed from over 30,000 scenes from that corresponds to the selected AF actual photography, and high-speed area. Or, use it with Dynamic AF and DIGITAL SLRs DIGITAL processing, results in automatic choose the sensor to be used for exposure upon which you can depend. metering.
Exposure Modes ◆ The system consists of 11 AF sensors, 9 • Programmed Auto with Flexible Program • Manual control over exposure com- of which are cross-type sensors laid out automatically sets the shutter speed pensation is available from ±5 EV in consistently with the rule of thirds for and aperture. Flexible Program can be 1/3, 1/2 or 1 EV steps. composition, and an additional two sen- used to quickly choose a correct alter- • Automatic bracketing of two to nine sors placed at the horizontal ends of the nate exposure-combination setting.
190 consecutive frames with EV values frame. This ensures that the D2H has • Shutter-Priority offers a choice of shut- changing in increments of 1/3, 1/2, over 75% horizontal autofocus coverage ter speeds from 1/8,000 to 30 seconds. 2/3 or 1 EV. Changes for exposure -- the widest cross-type sensor coverage correspond with the mode’s auto- in its class. Photographers have the • Aperture-Priority lets you choose from the complete range of aperture settings. matically selected variable. For option of setting preferences for AF sen- example, bracketing in Shutter Mode sor selection, including choosing each • Manual mode gives you full control changes the aperture, and Aperture sensor individually or combining them over all settings, including Bulb. Mode changes shutter speed. into groups to ensure ideal coverage in diverse picture taking compositions. Sensitivity (ISO Equivalent)) ◆ The D2H also features enhanced Dynamic AF and a new Group Dynamic Thorough testing to find the perfect combination of productivity and image quality AF detection option, as well as Focus revealed sensitivity of ISO-equivalent 200 to be the optimal starting point for the Tracking with Lock-On technology to D2H. Sensitivity can be manually set from ISO-equivalent 200 up to 1,600. Custom ensure razor sharp pictures. Settings can also be used to boost the highest setting one or two steps beyond 1,600 ISO-equivalent. The advanced noise-suppression technology of the LBCAST image ◆ Taking the D2H’s remarkable autofocus sensor and image processing engine greatly reduce picture noise, and are particularly system one step further is its capability effective in the challenging high-sensitivity range. for ‘extreme focus detection.’ A typical camera can detect focus in a scene up to a certain ‘defocus’ limit, beyond which the camera enters a scanning Three Color Modes mode. During this mode, the camera's autofocus system scans through the The color reproduction system newly developed for the D2H improves on Nikon's already entire focusing range of the lens before unrivaled color while optimizing the three available color modes to best match the specif- detecting a focus point. This process ic assignment and workflow environment can waste precious time, especially Mode I: sets hue and chroma values that are effective in rendering natural-looking skin when photographing high-speed action. tones in portraits. (Color profile: sRGB) The D2H's autofocus system can detect Mode II: realizes a wider color reproduction range for high-quality output with a wider focus in scenes with about twice the color gamut. (Color profile: Adobe RGB) defocus limit of other cameras, ensuring more accurate and consistent operation. Mode III: sets hue and chroma values for landscape and flora colors. (Color profile: sRGB)
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D2H
Precise Auto White Balance Lightweight, Compact and Durable & Auto Tone Control The D2H is housed in a durable, lightweight and compact magnesium alloy body built to The new advanced Auto White Balance withstand the rigors of professional assignments. The sealing system is designed to cover (AWB) and Auto Tone Control (ATC) system every possible seam and exposed part to make the body highly resistant to water and developed for the D2H combines the advan- dust. Photographers will immediately appreciate the ergonomic layout and size of the but- DIGITAL SLRs tages of three separate sensors to effective- tons and controls. Operation is both smooth and intuitive to make the D2H comfortable in ly handle complicated lighting conditions. the hand and practical to use, even when wearing gloves. Of particular note are the AWB searches for white to use as reference Command and Sub Command dials for both horizontal and vertical shooting, larger AF-On and distinguishing color can be difficult buttons, and the new multi-selector. when the subject is, for example, set against a backdrop of a single color. With New Rechargeable Lithium-ion Battery System one sensor for reading reflected light, a sec- ◆ New EN-EL4 lithium-ion rechargeable bat- ◆ An accurate new status display on the ond for reading the image area during expo- tery is very compact and lightweight, yet LCD monitor shows the percent of sure, and a third for ambient light reading, it has the energy capacity to realize up to remaining battery charge, the number of the three-sensor system adds unprecedent- 2,900 images per charge. The EN-EL4 is shots taken since the last charge, the ed depth and flexibility in measuring and free from "memory effect", so can be overall status of the battery's life, and comparing color temperature to achieve recharged at any time or any level; it fea- recommends calibration when necessary. optimum white balance. tures improved discharge cycle charac- A microchip built into the battery meas- 1) Nikon’s 1,005-pixel RGB Exposure/Color teristics that extend battery life; and it ures discharge capacity and compares it Matrix Metering Sensor performs direct performs better when subjected to low to the full (maximum) capacity recorded
TTL metering of the subject. temperature conditions. when the battery was last calibrated. 191 2) The LBCAST image sensor calculates the lighting characteristics of the image data Easy-to-View Displays in real time. A massive 2.5-inch 211,200-pixel 3) The new external Ambient Light Sensor high-resolution LCD monitor is meters ambient light without being strategically positioned in the center of affected by the color of the subject. the body's back. Its resilient tempered anti-scratch glass surface and clip-on The system also features revised integrated Nikon BM-3 clear acrylic cover ensure signal processing and AWB and ATC algo- optimum viewing quality. The built-in rithms that contribute to refined color and features that prove effective tools for tone reproduction. evaluating photos for sharpness, expression and exposure include Powerful Manual WB One-Touch Zoom, which makes it easy ◆ Eight manual white balance modes plus a to preview images at up to 4x Color Temperature mode that lets you magnification, as well as the data and select Kelvin color temperature settings histogram displays. Clearer viewing and directly from 31 values covering a range larger type fonts also improve access to between 2,500°K and 10,000°K. color-coded menus. ◆ Preset mode allows quick selection from The new organization and menu display for the Custom Settings groups them according to five white balance settings stored in mem- basic features to make it easier and faster to find a setting, change it, and begin shooting. ory to match a frequented venue or other Because the camera’s memory bank can store up to four complete selections of Custom conditions you shoot under regularly. The Settings, you can instantly and easily convert your camera to the optimized selection of settings can be derived from a gray card Custom Settings for the assignment. Shooting menu settings are also stored in four inde- reading, extracted from the CompactFlash pendent banks for fast and easy switching between custom sets of shooting menu set- card using the setting from an image tings.The top and rear control panels are also designed to convey maximum information in taken by the camera, or from values cre- a manner that makes it quick to confirm at a glance. ated in Nikon Capture 4. The D2H’s eye-level viewfinder features frame coverage of virtually 100%, an eyepoint of ◆ White balance bracketing lets you test dif- 19.9mm, built-in diopter adjustment from -3 to +1m-1, and a lock mechanism that prevents ferent settings and find the one that best inadvertent removal of the eyepiece. Joining the familiar information bar along the bottom suits the assignment. Bracketing for two is a new second vertical info bar that adds displays of the current white balance mode, to nine consecutive frames is available in voice memo status, image quality and size settings, ISO sensitivity setting and more. Also adjustable increments of 10, 20 or 30 available is an optional E-type Focusing Screen with grid guide that is interchangeable with MIREDs. the provided B-type BrightView Clear Matte Screen III.
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D2H
Creative Lighting System Wi-Fi Connectivity with Optional WT-1/1A Wireless Transmitter
Speedlight SB-800 with i-TTL flash control The new light-weight WT-1/1A Wireless Transmitter attaches to evolves the technology beyond the D-TTL the bottom of the D2H and connects via the USB 2.0 port to of the D1 series, and introduces features interface directly with any IEEE 802.11b compatible access that include Advanced Wireless Lighting -- point and realize wireless transfer of image and sound wireless remote control over multiple data to FTP servers. The transmitter’s maximum range is flashes, Flash Value Lock (FV Lock), Auto approximately 500´ with the optional WA-E1 Extended Range FP High-Speed Sync, and Flash Color Antenna attached. As shipped with its own WA-S1 Standard Information Communication. Antenna, the WT-1/1A has a range of up to about 100´. The WT-1/1A was created because speed is essential to the action/sports photographer, and working in a sports arena provides an outstanding opportunity to take advantage of wireless image transfer. Now you can shoot continuously—free of the need to lug a computer on your back or be otherwise tethered. It’s true LAN freedom, now applied to DIGITAL SLRs DIGITAL the pro photographer’s needs. The WT-1/1A offers three security protocols to protect valuable image data being transferred. —ESSID (Extended Service Set ID) adds a password that you configure in the access point. —WEP (Wired Equivalent Privacy) is designed to provide the same level of security as that of a wired LAN. ◆ Wide Area AF Assist Illuminator is —MAC Address lets you add a unique address on a wireless Mac network for a higher tailored to the new D2H’s 11-area Multi- level of security. CAM 2000 AF Sensor Module. Operation can be set to automatically transfer the image every time a frame is shot, or to 192 ◆ Built-in wide flash adapter for 14mm leave it to the user to select images for transfer while previewing them on the camera’s wideangle lens coverage, GN 38/53 (ISO LCD monitor. You can continue to shoot and capture images normally during data transfer, 100/200, at 35mm), and flash coverage and transmission is automatically retried if it is disrupted for some reason. from 35mm-105mm in 5mm zoom steps when using the Auto Zoom function. The D2H features a Hi-Speed USB 2.0 connector that is used when connecting the camera ◆ Nikon's i-TTL technology introduces an to a computer to download images, for operating the camera with the remote camera improved method for the monitor pre- control software in Nikon Capture, or to hook up the Wireless Transmitter WT-1/1A. With a flash. It also adopts an advanced new theoretical maximum transfer rate of 480 Mbps, Hi-Speed USB delivers more than enough data communication protocol, improves bandwidth to do the job right. the S/N ratio, improves accuracy of The D2H is compatible with CompactFlash as well as MicroDrive media. The D2H features measurement when using bounce, and it faster read and write speeds to CF cards, with the write speed for NEF (RAW) files being features wireless operation. The D2H is some three times that of the D1 series. The FAT32 file system is supported, so CF cards of optimized to take full advantage of the 2GB and larger capacity can be used. Lexar WA (Write Acceleration) technology is supported new i-TTL system. for extra speed, and compatible CF cards are recommended for fastest throughput. ◆ The brighter, shorter pre-flash scheme realized by i-TTL improves the accuracy of the monitor pre-flash used by the sys- tem's AE Sensor to evaluate flash expo- sure and perform an automatic balanced flash that delivers outstanding results and new creative possibilities. ◆ When in Auto White Balance mode, flash color information from the master SB- 800 attached to the D2H is transmitted to the camera’s body. Flash color infor- mation varies depending on voltage, flash duration and such. Data on each of these details is transmitted to the cam- era body and used in achieving optimum white balance. NIKON
D2H
Nikkor Lenses Provides the speed, response and stability that will let you The D2H is compatible with the extensive shoot fast, shoot reliably and make every second count AF Nikkor lens lineup, which gives the photographer dozens of high-quality lens- ◆ High-speed image processing, high performance hardware components and huge buffer es from which to choose. Professionals capacity lets you shoot at 8 frames per second (fps) for up to 40 consecutive JPEG, 35 DIGITAL SLRs across the globe favor AF Nikkors for their TIFF or 25 superb color, razor-sharp images, and con- RAW (NEF) sistently excellent autofocus performance. full-resolution The lineup also features more fast (f/2.8) images of lenses than any other system. 2,464 x 1,632 pixels in size. New DX Nikkor Lenses That's the DX Nikkor lenses are designed exclusively fastest total for use with Nikon DX cameras. These number of lenses deliver wider picture angle, higher continuous performance, faster aperture, fast autofo- shots available cus, smaller and lighter size and outstand- on a digital ing edge-to-edge image quality. DX Nikkor SLR. The frame rate remains consistent when any combination of the D2H's focus points lenses have a picture angle equal to is selected, or even when older, non-CPU based Nikkor lenses are used. approximately that of a 35mm format lens ◆ Nikon developed the LBCAST sensor to meet the needs of the photojournalists and with a 1.5x focal length. action/sports assignments. Not only is it optimized to deliver a higher level of Total 193 Image Quality, but also designed for maximum speed and high performance. The LBCAST AF-S DX 12-24mm f/4G IF-ED sensor reads 2 channels of data simultaneously from each pixel while also handling Compact, lightweight brightness data in the same process to achieve maximum image reproduction speed. design realized by ◆ The LBCAST image sensor's innovative design eliminates the need to perform fixed optimizing the pattern noise correction or other power-up diagnostics that slow the start-up of other image circle size. cameras. The D2H is ready to shoot the instant it is turned on. Combine this and other Its true focal length optimized systems with the extremely short shutter release time lag of just 37 milliseconds of 12-24mm covers - speed that is comparable to the legendary Nikon F5, and you have a camera that is fast an ultra-wide angle enough to realize the feel of a true professional digital SLR. range from 99° at 12mm to 61° at 24mm. ◆ In addition to the advancements made in the D2H’s superb electronic components, its mechanical operations have been completely revised and optimized to support maxi- mum performance for speed and accuracy. One good example is the mirror balance AF DX Fisheye-Nikkor mechanism, which completes its motion and reaches a full stop virtually without mirror 10.5mm f/2.8G ED bounce to enable more stable mirror movement and maximum speed for smoother AF The first fisheye lens for the DX format detection. This lengthens viewing time to provide faster and more accurate Focus and also the first to achieve a 180° picture Tracking and support 8 fps continuous shooting. It’s an all-new system to support the angle on a digital SLR. It features opti- D2H’s speed with accuracy. mized optical and close-range focusing ◆ The D2H is equipped with a further refined version of the durable and precise double- performance. Nikon Capture 4 enhances bladed shutter mechanism used on Nikon's F5 Pro SLR. Shutter speeds from 1/8,000 to 30 the possibilities of the lens by offering a seconds are available, or you can opt to use Bulb exposure. function that transforms images taken with it to ultra-wideangle format images. ◆ Voice memo feature allows the photographer to record voice memos as WAV files of up to 60 seconds after each shot (auto/manual) or when in playback mode. These memos can be listened to via the built-in speaker when in playback mode or during slideshows. AF-S DX 17-55mm f/2.8G IF-ED ◆ The D2H has a built-in intervalometer that makes time-lapse photography easier and The world’s first constant f/2.8 · 3.2x zoom more portable. lens developed exclusively for use with ◆ the Nikon DX format, it features a light- Another Nikon first for the D2H is the option to simultaneously record RAW (NEF: Nikon weight and compact design. Its focal Electronic image Format) and JPEG data for the same shot to the camera's storage length range features a picture angle that media. Now you can optimize and speed up workflow operations by selecting the file covers from 79° at 17mm to 28° 50´ at type or types that best suit your shooting conditions. 55mm and provides excellent versatility ◆ Use JPEG for faster image transfer and keep the NEF as your ultimate electronic image from wide-angle through standard and file. NEF is always a convenient option as you can later make non-destructive edit medium telephoto. changes to your NEF file and subsequently produce JPEGs and TIFFs from the NEF file.
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D2H Bundled Nikon View 6 Software
The beginning of the post-production workflow starts with the supplied Nikon View 6 browser software for downloading and managing your images. Transfer images directly from the D2H via USB or from a CompactFlash reader. Image thumbnails can be viewed, selectively transferred, printed, erased, rotated or viewed with the picture enlarged in a separate window. Other features include the ability to transfer all or selected images at different sizes for e-mail, uploading, or for insertion into documents and newsletters. Keyword attachment and shooting data can be added to the image files for searching and identification. ◆ Images can be renamed with a user- ◆ Copy the camera shooting data (exposure, ◆ Plug-in enables RAW files to be opened defined suffix and/or prefix such as the camera configuration at time of shooting, within Photoshop. photographer’s name and incorporate the user ID field, etc.) into the IPTC Caption ◆ Adds a window where camera shooting date or a sequence # within the file name. field to every file during download.
DIGITAL SLRs DIGITAL data of any selected image is visible. ◆ The directory into which images are ◆ Support for IPTC text data includes the User-selectable thumbnail sizes have also copied can be chosen from any local or capability of adding user-defined keywords been incorporated, allowing the easy networked drive and the files can be auto- into the file as it is transferred from the preview of images under more difficult matically added to the index system of camera into the computer under the viewing conditions. proprietary image database applications. control of Nikon View 6.
Optional Capture 4 Software
Nikon Capture 4 offers a unique image-editing environment by giving you the full power to edit the RAW image data within NEF 194 (Nikon Electronic image Format) files. Settings made manually or automatically at the time the shot was taken can be changed with- out ever changing the original image’s settings. Any number of versions can be saved as Instruction Sets without affecting the origi- nal file. You get the best of versatile image editing combined with precious savings in hard disk space.
◆ Nikon Capture 4 controls most settings ◆ Features Digital DEE scene-specific auto- ◆ Fisheye-to-rectilinear Image Transformation for the D2H remotely via the USB 2.0 matic dodge and burn control - a new transforms fisheye shots from the AF DX interface, and images can be downloaded function that applies the appropriate Fisheye-Nikkor 10.5mm f/2.8G ED lens into directly to a computer while shooting. amount of dodge or burn to specific areas two modes (V-mode and H-mode) of ultra- ◆ Supports browsing and editing of the file of a photo to bring out the highlights and wideangle images. This allows the lens to formats supported by the D2H, including achieve an overall exposure balance. double as a useful ultra-wideangle lens. NEF (RAW), TIFF and JPEG. ◆ Virtually all lenses, especially wide-angles ◆ A wide variety of image adjustments and ◆ Image Dust Off—sensor dust and particle experience some degree of vignetting corrections can be automatically applied shade removal control—uses a reference (gradual darkening from center-to-edge- to any number of files in a folder for great image first taken by the user to map dust to-corner). Nikon Capture 4’s Vignette savings in time when working with many on the sensor and then automatically Control automatically adjusts to counter- photos shot under like conditions. Batch remove the effect of sensor dust from NEF act the vignette effect and produce processing in Capture 4 adds more images. The time saved with this feature images with near perfect center-to-edge- options, including the ability to create new alone makes it worth it to photo editors. to-corner brightness. folders and new destination subfolders.
NEF files are like having a fresh negative on hand. In addition to Another advantage of the NEF file is that the 12-bit image data the RAW image data captured by the LBCAST sensor and thumb- captured by the D2H is processed by an advanced algorithm and nail images of the raw data, a basic component within the NEF displayed in Nikon Capture 4 as full 16-bit images. Working with file is an Instruction Set that retains the camera settings from the 16-bit images allows you to make tonal and other color moment the shot was taken. Variations of Instruction Sets can be corrections with smoother fidelity. You can save the data as a created to create several versions of the same image. Instruction 16-bit image TIFF file, save any changes as a new Instruction Set Sets can be saved and applied to other shots, even large number for the NEF file, or opt for JPEG compression when handling and of photos from the same shoot (during batch control). transfer speed are the priority.
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D10 0 / D1X /D2H COMPARISON CHART
D100 D1X D2H Camera Effective Pixels 6.1-million 5.3 million/2.7 million 4.1 million
ISO Equivalent) 200-1600 in 1/3 steps 125-800 (D1X)/200-1600 (D1H) 200 TO 1,600 DIGITAL SLRs Variable in 1/3, 1/2, 1 EV steps Variable in 1/2,1/3,or 1EV steps Picture Angle 1.5x focal length in 35mm 1.5x focal length in 35mm 1.5x focal length in 35mm Interface USB IEEE394; RS-232C USB 2.0 (Hi-Speed) White Balance Auto, Manual (6 settings) Auto, Manual (6 settings) Auto, Manual (6 settings) Preset Preset (3 settings) Preset (5 settings) WB Bracketing — — Shooting Modes Single (S) Single Frame Single Frame Single Frame
Continuous (C) 3 fps up to 6 shots (JPEG 3 fps up to 9 shots (D1X) 8 fps up to 40 shots or TIFF 4 shots with RAW 5 fps up to 40 shots (D1H) JPEG /35 OR TIFF 25 (RAW:NEF) Self-timer Duration can be set Duration can be set Duration can be set
LCD Monitor Type 1.8˝, 120,000-dot, 2˝, 130,000-dot LCD with 2.5˝, 211,200-dot, LCD with white LED backlighting white LED backlighting; white LED backlighting; 195 backlight/brightness adjustment backlight/brightness adjustment
Playback Functions 1 frame, Multi (4/9 segments), 1 frame, Multi (4/9 segments), 1 frame, Multi (4/9 segments), Slide show, 20x zoom Slide show, One-touch zoom, Slide show, One-touch zoom (to 4x) Histogram indication and Histogram indication and Histogram indication and highlight point display highlight point display highlight point display Viewfinder Type Fixed-eye level pentaprism; Fixed-eye level pentaprism; Fixed-eye level pentaprism; built-in diopter adjustment built-in diopter adjustment built-in diopter adjustment eyepiece shutter provided eyepiece shutter provided Focusing Screen B Type BriteView clear Matte B-type BriteView clear Matte B-type BriteView clear Matte interchangeable with optional interchangeable with optional E-type screen with grid E-type screen with grid Exposure Metering Modes 10-segment 3D Color Matrix 1,000 segment 3D Color Matrix 1,005 segment 3D Color Matrix Center-Weighted Metering Center-Weighted Metering Center-Weighted Metering Spot Metering Spot Metering Spot Metering Exposure Comp ±5 EV in 1/2 or 1/3 EV steps ±5 EV in 1/2 or 1/3 EV steps ±5.0 EV in 1/3,1/2 or 1 EV steps AE Exposure Two or three shots Two or three shots Two to nine shots Bracketing ±2EV in 1/3 or 1/2 steps 1/3, 1/2 or 1 EV steps 1/3, 1/2, 2/3 or 1 EV steps
Shutter Speed 30 to 1/4000 sec. and bulb 30 to 16,000 sec and bulb 30 to 1/8,000 sec and bulb General Accessory Shoe Hot shoe Hot shoe Hot shoe Sync Terminal With optional AS-15 Yes ISO 519 standard terminal Custom Settings 26 36 — Voice Memo With optional MB-D100 — Yes Letter Input Yes — Yes Dimensions (WHD) 5.7 x 4.6 x 3.2˝ 6.2 x 6.1 x 3.4˝ 6.2 x 5.9 x 3.4˝ Weight 25 oz. 33 oz. 2.4 lbs.
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D10 0 / D1X/D2H Accessories
SB-50DX SPEEDLIGHT SB-29s Macro Speedlight (NISB29s) A TTL Speedlight for The SB-50DX is a high-performance, close-up work, the SB-29s compact and lightweight flash that offers attaches to front of the photographers enhanced creative flash Nikkor micro and other performance that's easy! Designed to select lenses giving you expand the creative picture-taking the most convenient capabilities of the D100, D1X and D2H , the and accurate flash 8.3 oz. SB-50DX features 3D Multi-Sensor control possible. CALL Balanced Fill-Flash capability, a GN of 72 • Two flash tubes provide extremely accurate TTL (ISO 100/feet) at 35mm position, and NISB50DX flash control during ultra close-up photography minimum recycling time of 3.5 seconds. • Main unit can be attached to controller on top of hot • AF-Assist Illuminator automatically fires an LED beam toward the subject to shoe; brightness of flash can be reduced incremen- augment dim light or dark conditions. tally down to 1⁄4 power; modeling light lets you DIGITAL SLRs DIGITAL • Auto-zoom (24 to 50mm) flash head tilts up 90° for bounce flash or down to check effects of flash before shooting minus 18° for close up shooting (up to 11.8 inches). • Easy-to-read reproduction-ratio scale on back of • Ready-light indicates charge level; flash button for test firing; 14mm wide Controller is matched to Micro Nikkor lenses flash adapter and diffuser for bounce operation • Extensive Nikon Multiple Flash System compatibility • Flash compensation from +/-3 EV in 1/6 EV steps (digital) includes: SC-18 and SC-19 Cords and SU-4 Wireless • Safety lock system assures positive contact and prevents the SB-50DX from Slave Flash Controller for TTL operation...... CALL accidentally slipping off the camera’s flash shoe. • Can be used as a wireless slave flash with TTL Auto Control in multiple flash SD-7 DC Power Supply (NISD7) set-up, or used on camera to trigger other Nikon TTL speedlights using the
196 The SD-7 is a portable DC power source supplied SW-9IR Infra-red filter. for the SB-80DX. Operating on six C-type batteries, the SD-7 shortens flash recycling time and enhances flash SB-800 AF SPEEDLIGHT capacity ...... 129.95 The SB-800 AF features powerful new i-TTL flash control system for automatic balanced fill-flash SD-8A and advanced wireless lighting capabilities that Battery Pack (NISD8A) delivers outstanding results creative new Operating on 6 AA alkaline, possibilities. The SB-800’s i-TTL Balanced Fill- lithium or nicad batteries, Flash control utilizes Nikon’s Advanced Data the SD-8A shortens the Communication system to introduce improved SB-80DX’s recycling time by monitor-pre-flash and wireless operation. as much as 60-75% and more than doubles • Auto flash control is set to match the camera it’s flash capacity...... 114.95 body: i-TTL Balanced Fill-Flash control with the D2H, D-TTL Balanced Fill-Flash control and Auto CALL (NISK6) Aperture Flash (AA) with D1 Series and D100 digital SLR cameras SK-6 Power Bracket An external power unit, the • Intelligent i-TTL system supports advanced wireless lighting including 3 SK-6 reduces flash recycling remote i-TTL speedlight groups controlled through the Master SB-800. time, while increasing • Individual flash mode settings (TTL), (AA), (A) and (M) are available for each the number of of the four groups (including master controller) for easy total lighting con- available flashes. trol based on the brightness of the subject and not simply on general output For convenience, it ratios for each group offers an adjustable • Auto FP High Speed Sync Mode delivers needed fill flash in bright light side-mounted handle, so camera, flash and all necessary connections are made • FV Lock (Flash Value Lock) lets you change the composition or zoom for the within a single unit. The handle also provides a shot while maintaining desired lighting of the subject convenient hand-hold for the entire camera/flash • Wide-area AF Illuminator, covers D2H’s 11 AF sensors; compatible with every system, or when the SB-80DX is disconnected AF Nikkor lens for creative lighting effects...... 264.95
EQUIPMENT LEASING AVAILABLE NIKON
D100/D1X/D2H Accessories Remote Controls FOCUSING SCREENS and VIEWFINDER ACCESSORIES Nikon remote controls let you stay out-of-sight while your camera stays within range. Now you can shoot without Type E disturbing the action. DIGITAL SLRs Interchangeable Focusing Screen MW-2 Wireless MC-21 Extension Cord (NIMC21) The D1X and D2H come Radio Remote Control (NIMW2) with Nikon’s B-type The MW-2 provides interference- BriteView clear Matte free remote control of the D1X and The MC-21 is a 9.9´ Screen III, which D1H from up 2,300 ft. away (MC-25 extension cord that enables the enables an unobstruct- 10-pin Adapter Cable required). ed view and easy D1X and D1H to be connected to Can automatically operate three focusing. When using Nikon 10-pin remote accessories separate cameras ...... 1649.95 Type-E Screen PC Nikkor lenses, the like the ML-2 ...... 63.95 standard screen can be interchanged with the Type- MC-25 10-Pin E Screen with Grid, for more precise composition. ML-2 Modulite Adapter Cord (NIMC25) NIFSED1 ...... 27.95 Remote Control Set (NIML2) An 8˝ adapter cord, the MC-25 The ML-2 enables use of two- or three-pin DR-4 Right Angle Modulite Nikon remote accessories like the Viewing Attachment can auto- MW-2, ML-2 and MC-12B with the 197 A right angle adapter, the DR-4 matically 10-pin remote terminal of the D1X provides 100% viewfinder coverage control up and D1H ...... 59.95 from a convenient 90° angle to to two D1 facilitate low-level viewing. Diopter cameras MC-12B Remote Trigger Cord adjusts from +4 to -4. (requires NIDR4Q ...... 139.95 MC-25 10-pin Adapter Cable) for ▼ distances up to 325´...... 344.95 DG-2 Eyepiece Magnifier The DG-2 offers 2x magnification of the central portion of the finder ML-3 Modulite image. Diopter adjusts from -5 to Remote
+1. (D1x and D1h require DK-7 Control Set Eyepiece Adapter). (NIML3) ▼ NIDG2 ...... 59.95 The Modulite MC-25 (NIDK7) DK-7 Eyepiece Adapter ...... 9.95 ML-3 is a 10-pin 10-Pin Adapter Cord auto triggering Rubber Eyecups device with Eyecups provide viewing comfort and delayed shutter MC-30 Adapter Cord (NIMC30) keep stray light from entering the viewfinder. release for the Locking and 10-pin cable release for the D1X and D1H...... 54.95 DK-2 Rubber Eyecup (NIDK2)...... 9.95 D1X and D1H. Provides single DK-14 Anti-Fog Finder Eyepiece (NIDK14Q)...... 22.95 MC-12B Remote and continuous Trigger Cord (NIMC12B) shooting capability up to 24´.164.95 Diopters Equipped with convenient hand- Diopters or eyepiece correction lenses help those grip, trigger release button and with eye deficiencies to see more clearly. Diopters MC-20 Remote Cord trigger lock lever, the MC-12B pro- for the D1X and D1H range from -3 to +2. with Timer (NIMC20) vides remote control photogra- -3.0 Diopter (NIDM3D1) ...... 16.95 Enables remote firing (2.6´ locking phy up to 2.6-ft. away. Depressing -2.0 Diopter (NIDM2D1) ...... 16.95 electronic cable release) and long the button halfway turns on the 0 Diopter (NID0D1) ...... 16.95 time-exposures settings (up to 10- camera’s exposure meter, hrs.) for the D1X and D1H. An illu- depressing fully, releases the +1.0 Diopter (NIDP1D1)...... 16.95 minated LCD panel counts expo- shutter. Trigger lock enables time +2.0 Diopter (NIDP2D1)...... 16.95 sure time up or down. Provides exposures (D1X and D1H require both B and T operation ...... 104.95 the MC-25 Adapter Cable) ....49.95
ORDER & INFO. (212) 444-5027 • FAX: (212) 239-7770 (800) 947-7008 1-800-947-9927 • www.bhphotovideo.com NIKON AF NIKKOR LENSES
When it comes to choosing photographic equipment, perhaps the most important decision a photographer faces is which lens system to use. For the majority of professional photographers, that choice is simple: Nikkor. The reasons for this are many, not the least of which is Nikon’s total commitment to controlling every aspect of lens manufacturing. This no-compromise attitude toward manufacturing extends performance. For each Nikkor lens is designed to function seamlessly with Nikon SLRs. This is exemplified most clearly in the legendary Nikon F mount. For even the most advanced Nikkor lenses incorporate this standard for its consistency and reliability. This design also ensures that when Nikon introduces new cameras with revolutionary features such as 3D Color Matrix Metering and Multi-Sensor Balanced Fill-Flash, you’ll always have an array of lenses available to handle these advances. DIGITAL SLRs DIGITAL
F D-type Nikkor Lenses ED Glass AF Nikkor D-type lenses are special because they relay subject-to- Nikon developed ED (Extra-low Dispersion glass to make telephoto camera distance information to AF Nikon camera bodies that use lenses that offer superior sharpness and color correction by the information. This makes possible new technologies like Nikon’s minimizing chromatic aberration. (Chromatic aberration is a type of 3D Color Matrix Metering and 3D Multi-Sensor Balanced Fill-Flash. image and color distortion that occurs when light rays of varying wavelengths pass through optical glass). ED lenses deliver stunning Aspherical Lens Elements sharpness and contrast even at their largest maximum apertures. Nikon introduced the first photographic lens with aspherical lens
198 elements in 1968. Aspherical lenses minimize the problem of coma Nikon Integrated Coating (NIC) and other types of lens distortion—even when used at the widest To enhance the performance of lens elements, Nikon employs aperture. They are particularly useful in correcting the distortion sophisticated multi-layer coating to help reduce ghost and flare to in wide-angle lenses. In addition, use of aspherical lenses con- negligible levels. Called Nikon Integrated Coating (NIC), the tributes to a lighter and smaller and lens design. coating minimizes reflections over a wide wavelength range, and enhances color balancing. It is carefully integrated into the design Internal Focusing of each Nikkor lens type, with the coatings calculated to match the Imagine being able to focus a lens without it changing in size. lens type and glass. Nikon’s IF technology enables just that. All internal optical movement is limited to the interior of the non-extending lens AF DC-Nikkor Lenses barrel. This allows for a more compact, lightweight construction A set of unique lenses for unique portraits, exclusive AF DC as well a closer focusing distance. (Defocus-image Control) technology allows photographers to con- Rear Focusing (RF) trol the degree of spherical aberration in the foreground or back- ground by rotating the lens’ DC ring. This will create a rounded With Nikon’s Rear Focusing (RF) system, all the lens elements are out-of-focus blur that is ideal for portrait photography. divided into specific groups, with only the rear lens group moving to conduct focusing. As with IF, this technique makes autofocusing operation smoother and faster. AF-S Technology AF-S lenses feature Nikon’s Silent Wave Motor (SWM) which Close-Range Correction System converts “traveling waves” into rotational energy to focus the Providing superior picture quality at close focusing distances and optics. This enables high-speed autofocusing that’s extremely increasing the close focus range, the Close-Range Correction (CRC) accurate and super quiet. system is one of Nikon’s most important focusing innovations. With CRC, the lens elements are configured in “floating element” M/A Mode design wherein each lens group moves independently to achieve AF-S lenses also feature Nikon’s exclusive M/A mode, that allows focusing. This ensures superior lens performance even when switching from autofocus to manual operation with virtually no shooting at close distances. time lag – even during AF servo operation.
Nikkor lenses featuring the Nikon F-mount can be used with the D100, D1X, D1H or D2H, PleaseNote: but the picture angle is equivalent to 1.5x focal length in 35mm format.
www.bhphotovideo.com NIKON AF NIKKOR LENSES
FISHEYE and ULTRA WIDE ANGLE LENSES
AF 14mm f/2.8D ED (NI1428DAF)
Fast, ultra wide angle lens offers a 90° angle of view (used as 21mm) when used with the D1X or D1H, DIGITAL SLRs making it perfect for shooting interiors, real estate, landscape or special effects. Rectilinear design ren- ders images that are amazingly true and undistorted. ED glass and two aspheric lens elements provide superior image quality and compact size, as well as minimized distortion and aberration. A/M Switch for quick shifting from automatic to manual focusing. Built-in lens hood minimizes ghosting and enhances contrast. Filtering is possible using the integrated gelatin filter holder...... 1399.95
AF Fisheye 16mm f/2.8D (NI1628DAF) Full frame 180° fisheye coverage with advanced D-type autofocus lens technology. Delivers high-contrast images even at full aperture. Close-Range Correction (CRC) system provides high performance at both near and far focusing distances. Super Integrated Coating minimizes flare and ghosting. (39ø) ...... 749.95 AF 14mm f/2.8D ED
AF 18mm f/2.8D (NI1428DAF) Compact ultra wide angle lens with aspherical lens element and rear focusing capability, the AF 18mm f/2.8D’s outstanding image correction quality makes it ideal for architecture and landscape photography. Superb center-to-edge sharpness with excellent control of distortion and aberration. (77ø)...... 1299.95
AF 20mm f/2.8D (NI2028DAF) 199 Compact ultra wide angle lens, the AF 20/2.8D features Close Range Correction (CRC) system provides high performance at both near and far focusing distances. Delivers distortion-free pictures as close as 0.85 inches. Superb optical design for architecture, wedding and landscape photography. Nikon Super AF 18mm f/2.8D Integrated Coating for minimized flare and ghost. (62ø) ...... 479.95
WIDE ANGLE and NORMAL LENSES
AF 24mm f/2.8D (NI2428DAF) AF 35mm f/2D (NI352DAF) Compact and lightweight, the AF 24/2.8D Versatile wide-angle lens for a broad range is ideal for candids and landscapes. Close ▼ AF 50mm of uses, the fast f/2 maximum aperture Range correction (CRC) system provides f/1.4D make it ideal for low light, hand-held high performance at both near and far shooting. Perfect lens for the photographer focusing. (52ø) ...... 299.95 on the go. (52ø)...... 304.95
AF 28mm f/2.8D (NI2828DAF) AF 50mm f/1.8D (NI5018DAF) Standard wide-angle lens for general photog- A compact and very affordable Nikon lens that combines the ease of autofocus raphy, the AF 28/2.8D is exceptionally light, AF 35mm weighing only 7.4 oz. Wide 74° coverage lets operation with advanced Nikon optics. Ideal
f/2D ▼ you take candids, portraits and travel pho- for scenery or full-length portraits. Steps tos. (52ø)...... 224.95 down to f/22 providing great depth-of-field control. Weighs only .34 lb. (52ø) ...... 99.95 AF 28mm f/1.4D (NI2814DAF) A compact, wide angle lens that uses AF 50mm f/1.4D (NI5014DAF ) Nikon’s Rear Focus system for fast, smooth A high-speed normal lens, the AF 50mm f/1.4 autofocusing. It’s exceptionally large aper- ▼ AF 28mm is great for travel and for shooting full- ture makes it perfect for low-light photogra- f/1.4D length portraits in available light. Provides phy—indoors or out. Precision ground-glass high-contrast and distortion-free images aspherical lens elements minimize distor- with superb resolution and color rendition, tion and coma. (72ø)...... 1694.95 even at maximum aperture. (52ø) ...... 269.95
ORDER & INFO. (212) 444-5027 • FAX: (212) 239-7770 (800) 947-7008 1-800-947-9927 • www.bhphotovideo.com NIKON AF NIKKOR LENSES
MACRO LENSES
AF 60mm f/2.8D Micro (NI6028DMAF) A versatile and compact macro lens, the AF 60mm f/2.8D Micro is ideal for photomicrography, forensic, flora, flat field copy, as well as candids and landscape photography. Close-Range Correction (CRC) system provides high performance at both near and far focusing distances. Continuous focusing from infinity to life-size (1:1) Close-up to approximately 8.6˝. (62ø)...... 389.95
AF 105mm f/2.8D Micro (NI10528DMAF) Medium telephoto macro lens for portrait and other high magnification close-up applications, the AF 105mm f/2.8D Micro provides extra working distance for elusive subjects or ones requiring supplemental illumination. Close-Range Correction (CRC) system provides high performance at near and far focusing distances. AF 105mm Continuous focusing from infinity to life-size (1:1). Close-up to 12.4˝. (52ø) ...... 649.95 f/2.8D Micro DIGITAL SLRs DIGITAL AF 200mm f/4D Micro (NI2004DMAF) A legendary close-up lens, the AF 200mm f/4D Micro delivers images of striking clarity while providing reproduction ratios of up to 1:1 without additional accessories. Extra Low Dispersion (ED) glass ensures apochromatic-like performance, with high contrast and sharper images, while the extra long focal length provides versatile work- ing distance. Also offers Internal Focusing and an A-M (Automatic-Manual) switch. Continuous focusing from infinity to life-size. Close-up to 19.4˝. (62ø) ...... 1349.95 200 PORTRAIT and TELEPHOTO LENSES
AF 85mm f/1.8D (NI8518DAF) Compact and lightweight, the high-speed AF 85mm f/1.8D is perfect for indoor or outdoor portrait shooting. RF (Rear Focusing) technology provides fast AF operation. (62ø)...... 394.95
85mm f/1.4D IF (NI8514DAF) Fast f/1.4 aperture makes this lens a standout for indoor portraits, sports, and all-around photo journal- ism. The lens’ aperture has extra blades, enabling the diaphragm shape to be a near-perfect circle, this ensures crisper images and more flattering highlights in the out-of-focus portion of the image. Internal Focusing technology guarantees fast autofocus operation. (77ø) ...... 999.95
AF 105mm f/2D DC (NI1052DAF) A fast, medium telephoto lens, the AF 105mm f/2D features Defocus-image Control, allowing you to cre- AF 180mm f/2.8D ED-IF ate a rounded out-of-focus blur that is ideal for portrait photography. Large aperture permits shooting in low-light, while the rounded diaphragm opening makes out-of-focus elements appear more natural. RF (Rear Focusing) technology for fast AF operation. (72ø) ...... 919.95
AF 135mm f/2D DC (NI1352DAF) Except for the longer focal length, this lens is identical to the AF 105mm f/2D. A standard telephoto lens, the AF 135mm f/2D also features Defocus-image Control, rounded diaphragm and RF (Rear Focusing) technology for fast AF operation. (72ø)...... 1069.95
AF 180mm f/2.8D ED-IF (NI18028DEDAF) High-performance telephoto lens for sports arenas, concert halls, photo journalism and astronomical photography. This lens uses ED glass elements to ensure high-resolution and high-contrast image even AF 135mm f/2D at maximum aperture. Internal Focusing technology for fast AF operation. (72ø)...... 749.95 NIKON AF NIKKOR LENSES
SUPER TELEPHOTO LENSES
Ideal for a wide range of picture taking, from sports, action and wildlife, to extraordinary tight-close-up portraits, to general landscape photography, DIGITAL SLRs these super telephoto lenses combine Nikon's superior optical quality with the legendary Nikon Silent Wave Motor for fast, quiet, and accurate autofocus. In addition, Nikon optical design including Extra Low Dispersion (ED) optical glass and Internal Focusing (IF) optical design compliments the smooth mechanical construction of these lenses. AF-S 500mm f/4D ED-IF II • Exclusive Silent Wave Motor (SWM) • Nikon D-type (Distance Signal • M/A Mode provides instant switching makes autofocus operation virtually Technology) design provides focus from autofocus to manual focus even silent while providing extremely fast distance information to camera's meter- during AF servo operation. and accurate focus. Subjects literally ing systems. This enables the lenses to • They offer a lightweight magnesium “pop” into focus. support Nikon's 3D Matrix Metering and die-cast body with a tripod mounting flash operation and achieve precise • Three high performance Extra Low foot for easy portability and handling. exposure accuracy, anywhere. Dispersion (ED) optical glass elements Lens hoods are supplied to minimize (the 300mm f/4 has two elements) stray light.
virtually eradicate secondary optical 201 chromatic aberrations which are typical • With Nikon’s legendary F lens mount in ordinary telephoto optics. (triple claw bayonet) they are manual focus -compatible with every Nikon SLR • Internal Focusing (IF) allows a smaller made since 1959. and more compact design. Also enables auto and manually focus without lenses • Easy, smooth manual focusing operation; changing size or balance. Provides simulated leather finish for superior smooth and fast autofocus or responsive, AF-S 300mm f/2.8D ED-IF II grip; filter attachment does not rotate finger-light manual focusing. during focusing; dust- and water drop-resistant design;. black, light-grey • 9-blade rounded aperture—more than • Nikon Super Integrated Optical coating versions are available. ordinary lenses— makes out-of-focus is applied to enhance image quality for elements appear more natural while crisper color rendition and reduced • They accept Nikon’s TC-14E II and providing crisper details. flare and ghosting. TC20E II AF-S teleconverters.
AF-S 300mm f/2.8D ED-IF II AF-S 300mm f/4D ED-IF AF-S 600mm f/4D ED-IF II Close focusing in AF mode down to 7.5´. Close focusing to 4.8 ft. gives photogra- The ultimate super telephoto lens for Includes CL-L1 reinforced ballistic nylon phers the ability to make dramatic por- sports, distant fast-moving subjects and case for storage – even when attached to traits. Incredibly lightweight at 3.1 lbs. wildlife. Close focusing to 18.4´. Weighs an SLR, HK-26 lens hood and 52mm ND fil- Has a built-in, retractable lens hood. (77ø). 10.7 lbs. Includes CT-502 Trunk Case, ter. Weighs in at only 5.6 lbs. NI3004DAFS...... 1119.95 HK-28 Lens Hood and 52mm ND filter. NI30028DAFSB...... CALL NI6004AFB...... CALL AF-S 400mm f/2.8D ED-IF II Close focusing to 11.8´. Weighs 9.8 lbs. Includes CT-502 Trunk Case, HK-28 Lens Hood and 52mm ND filter. NI40028AFS2B ...... CALL
AF-S 500mm f/4D ED-IF II Close focusing to 16´. Weighs 7.6 lbs. Includes CT-502 Trunk Case, HK-28 Lens Hood and 52mm ND filter. AF-S 400mm f/2.8D ED-IF II NI5004AFB...... CALL AF-S 600mm f/4D ED-IF II
ORDER & INFO. (212) 444-5027 • FAX: (212) 239-7770 (800) 947-7008 1-800-947-9927 • www.bhphotovideo.com NIKON AF NIKKOR LENSES
SUPER WIDE ANGLE ZOOM LENSES
AF-S 17-35mm f/2.8D ED-IF 24-85mm f/3.5-4.5G AF-S ED-IF An ultra-wide-angle rectilinear zoom lens. It Compact and lightweight, this high performance features ED glass and aspheric lens elements to zoom lens captures 24mm wide angle images provide superior optical performance and and provides close focusing throughout the minimized chromatic aberration, even at close focusing range. Ideal for landscapes, full length distances (0.9´ through the entire zoom range). portraits, travel and general purpose photogra- Internal Focusing (IF) design for smoother focusing, phy. The AF-S motor provides superior speed, Silent Wave Motor for super-fast, super-quiet AF silence and convenience of operation. (67ø). operation, and M/A mode for instant switching to NI248535GAFS ...... 359.95 AF 18-35mm f/3.5-4.5D IF manual focus even during AF operation by simply rotating the focus ring. (77ø). AF 24-85mm f/2.8-4D DIGITAL SLRs DIGITAL NI173528DAFS ...... 1479.95 Compact and lightweight, this high performance zoom lens captures 24mm wide angle images AF 18-35mm f/3.5-4.5DD with a fast f/2.8 maximum aperture, making it The AF 18-35mm is a compact ultra wide to wide ideal for available light shooting or Slow/Rear angle lens with a focus distance of 1´ to infinity— flash sync techniques. Maximum reproduction making it ideal for landscape, candid, ratio from 35-85mm is 1/2 life size (1:2) allowing environmental, close-up and full-length portrait superb close-ups. Features Nikon Super photography. It features an Internal Focusing (IF) Integrated Optical coating, two aspherical lens design, and an aspherical lens element to elements (hybrid and molded-glass aspherical) minimize distortion throughout the zoom range. and Internal Focusing (IF) design. Filter attach-
202 Supplied lens hood shields the lens against ment does not rotate during focusing or zooming. reflection from stray light. (77ø). Supplied with HB-25 flower-type lens shade. (77ø). AF 24-85mm f/2.8-4D IF NI183535DAF ...... 499.95 NI248528DAF ...... 549.95
WIDE ANGLE ZOOM LENSES
AF-S 28-70mm f/2.8D ED-IF (NI287028AFS) Equipped with all of Nikon’s exclusive lens technologies, this lens is one of the world’s highest perform- ing lenses. Features include Silent Wave Motor (SWM), aspherical lens element, two ED (Extra Low Dispersion) glasses, 9-blade rounded aperture, M/A mode, Nikon Super Integrated Optical coating, Nikon D-type (Distance Signal Technology) and IF (Internal Focusing) design. Rotating zoom ring offers precise zoom control. Filter attachment does not rotate during focusing or zooming. Dedicated lens AF-S shade effectively shields against stray light. Has a dust and moisture-resistant design. (77ø)...... 1429.95 28-70mm f/2.8D ED-IF AF 28-80mm f/3.3-5.6G (NI288033GAF) Ultra-compact with a comfortable, well-balanced feel, this lens is ideal for travel landscapes, scenics and general family photography. Built-in aperture control via the Command Dial (found on the newest Nikon SLRs) allows the aperture ring to be left off, resulting in a more compact and lighter lens. Also features an aspherical lens element and Nikon Super Integrated Coating. A rounded diaphragm opening with seven blades, makes out-of-focus elements appear more natural. (58ø)...... 89.95
AF 35-70mm f/2.8D (NI357028DAF) Excellent for general photography, the AF 35-70mm f/2.8D is a high-performance, high-speed, standard zoom lens with a fast and constant f/2.8 maximum aperture. Distortion is well controlled throughout the range Push-pull type zoom is ideal for zoom effects during shooting. (62ø)...... 684.95 AF 28-80mm f/3.3-5.6G
ONE HOUR FREE PARKING AT 349 W. 34th STREET (with purchase of $100 or more) NIKON AF NIKKOR LENSES
HIGH-POWER ZOOM LENSES
AF 24-120mm f/3.5-5.6G ED-IF AF-S VR (NI2412035DA) DIGITAL SLRs An incredibly compact and versatile 5X zoom lens the AF 24-120mm is ideal for travel, landscape, stock and portraiture photography as well as photo journalist applications. Hybrid and molded-glass aspherical lens elements for minimized distortion, higher resolution and excellent contrast. IF (Internal Focusing) design for fast AF operation. (72ø) ...... Call
AF 28-100mm f/3.5-5.6 G (NI2810035GAF) This all-around lens is ideal for travel, landscapes and even portraits. It features Super Integrated Coating to enhance color performance while minimizing flare, G technology to enable lens apertures to be selected directly from Nikon SLR camera, and Distance Technology which provides precision distance information from the lens. (62ø)...... 119.95
(NI2810535DA) AF 24-120mm f3.5-5.6D IF, top AF 28-105mm f/3.5-4.5D AF 28-105mm f3.5-4.5D, bottom A versatile 3.8X zoom lens, the AF 28-105mm creates sharp and beautiful images including close-ups (up to half life-size at 105mm), landscapes, portraits, fast action, nature and wildlife pictures. Features hybrid-type aspherical lens element for minimized distortion and IF (Internal Focusing) technology for
fast AF operation. Nine-blade rounded diaphragm opening makes out-of-focus elements appear more 203 natural. A dedicated lens hood effectively minimizes stray light. (62ø)...... 324.95
AF 28-200mm f/3.5-5.6G ED-IF (NI2820035DA) A flexible high-power 7x zoom lens, the AF 28-200 covers an amazing 28mm wide angle to 200mm telephoto range, incorporating eight popular focal lengths. Ideal for travel, landscapes, portraits, sports and much more. Compact and lightweight, it features IF (Internal Focusing) technology for fast AF operation, and aspherical elements for minimized distortion, higher resolution and excellent contrast. AF 28-100mm f/3.5-5.6 G Includes HB-12 lens hood to minimize stray light. (72ø) ...... Call
TELEPHOTO ZOOM LENSES
AF 70-300mm AF 70-300mm f/4-5.6G (NI7030045GAF) f/4-5.6D ED (NI703004DAF) The AF 70-300mm f/4-5.6G is a portable telephoto zoom lens A powerful, yet compact and lightweight with Nikon quality optics, high-performance Nikon Super 4.3x telephoto zoom lens. It features a Integrated Coating and a 9-blade rounded diaphragm opening, rotating zoom ring for precise zoom which makes out-of-focus elements appear more natural. It is operation and ED glass for high resolution also a “G-type” Nikon lens, meaning there are no aperture rings and high contrast even at maximum (the aperture is selected on the camera body). The result is a aperture. Supplied lens hood minimizes more compact lens with mistake free operation since the stray light. (62ø)...... 304.95 aperture does not need to be set to minimum. (62ø)...... 149.95
AF 80-200mm f/2.8D (TO8020028PN) High-performance, high-speed telephoto zoom lens, the AF 80-200mm f2.8D is a superb choice for sports and nature photography. Features fast and constant f/2.8 maximum aperture, and three ED glass elements for high-resolution and high-contrast even at maximum aperture. (77ø) ...... 909.95
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SPECIALIZED LENSES
AF VR 80-400mm f/4.5-5.6 D ED (NI8040045AF) Now photographers who shoot hand-held, especially in low light conditions can count on dramatically sharper pictures. Equipped with Nikon’s Vibration Reduction (VR) Technology and superior optical design, the AF VR 80-400mm delivers sharp images in otherwise impossible situations. Extending hand-held picture-taking into the realm of photography that usually requires a cumbersome tripod, sports and nature photographers can concentrate on capturing the hoop shot of the century or the flight of a rare bird knowing that even if their hand is not steady, the images will be sharper and truer. (77ø) • Nikon’s proprietary vibration reduction (VR) system • Automatically detects shake that takes place during pan- detects and compensates for image blur caused by camera ning in any direction. And there is no need to stop and DIGITAL SLRs DIGITAL shake. When VR is activated, the system allows photogra- reset the lens for panning action; it happens automatically. phers to shoot with ambient light at shutter speeds that • Three ED glass elements reduce secondary chromatic are slower by up to about 3 stops, when compared to the aberrations and help the lens provide significantly sharper restrictions of shooting without vibration reduction. pictures throughout the 80-400mm zoom range. • The VR system uses angular speed sensors that detect • Also features Nikon's Super Integrated Coating, a nine- minute shifts in camera movement. Data from the sensors blade diaphragm for rounder more natural highlights, and is used to calculate the change in position and drive voice A/M switch for fast switching from auto to manual focus. coil motors to shift the position of the VR lens element.
204 200-400mm f/4G IF-ED AF-S VR Zoom-Nikkor Combines four fixed focal length super-telephoto lenses into a single compact super-telephoto AF Zoom Nikkor lens. The world’s first AF-S VR super-telephoto 200-400mm zoom lens, it automatically detects when a photographer is panning and compensates. Has two VR modes: Normal mode or Active Mode for when taking pictures with extreme movement. VR operation offers the equivalent of using a shutter speed 3 stops faster. It also features an exclusive Silent Wave Motor enabling ultra-high-speed autofocusing with exceptional accuracy and powerful super-quiet operation. 4 Extra-Low Dispersion (ED) glass elements minimizes chromatic aberration and provides higher resolution and superior contrast. Internal Focusing (IF) design for smoother focusing and great body balance. M/A mode enables instant switching from autofocus to manual with virtually no time lag even during AF servo operation
• Compatible with AF-S TC14E (II) • Rounded diaphragm (9 blades) for natural • Nikon D-type design provides precise and TC20E (II) Teleconverters blur distance information for flash and • Minimum focus distance of 6.2´ at • Includes detachable tripod mounting collar ambient light exposure processes all focal lengths • G design enables apertures to be selected • Fully Compatible with D1X, D1H, • No power consumption during from select camera bodies D2H, D100, F5, F100, N80, N75 and manual focus operation N65 cameras
All AF Nikkor lenses include 1-Year Nikon USA Warranty, plus 4-years extended service coverage. Many lenses also include rebates up to $400. Please go on-line or call us for details and expiration dates.
For Any Inquiries Regarding Your Order, Call Our Customer Service: (800) 221-5743 • (212) 239-7765 • FAX: (800) 947-2215 • (212) 239-7549 NIKON AF NIKKOR LENS SPECIFICATIONS
Lens Lens Construction Picture Minimum Filter Lens Lens Weight (groups/elements) Angle f/stop Size Case Hood
Wideangle
AF 14mm f/2.8D 14/12 90° 22 Provided Soft Case Built-in 23.6 DIGITAL SLRs AF Fisheye 16mm f/2.8D 5/8 180° 22 Provided CL-31S, CL-S2 Built-in 10.1 AF 18mm f/2.8D 10/13 100° 22 77 CL-47 HB-8 13.6 AF 20mm f/2.8D 9/12 94° 22 62 CL-30S, CL-S2 HB-4 9.5 AF 24mm f/2.8D 9/9 84° 22 52 CL-30S, CL-S2 HN-1 9.5 AF 28mm f/1.4D 8/11 74° 16 72 CL-44, CL-S2 HK-7 18.3 AF 28mm f/2.8D 6/6 74° 16 52 CL-30, CL-S2 HN-2 7.3 AF 35mm f/2D 5/6 62° 22 52 CL-30S, CL-S2 HN-3 7.2 Normal AF 50mm f/1.4D 6/7 46° 16 52 CL-30S, CL-S2 HR-2 7.9 AF 50mm f/1.8 5/6 46° 22 52 CL-30S, CL-S2 HR-2 5.5 Telephoto AF 85mm f/1.4D IF 8/9 28° 30’ 16 77 CL-44, CL-S2 HN-31 19.8 AF 85mm f/1.8D 6/6 28° 30’ 16 62 CL-15S, CL-S2 HN-23 13.2 205 AF DC 105mm f/2D 6/6 23° 20’ 16 72 CL-38, CL-S2 Built-in 21.9 AF DC 135mm f/1.8D 6/7 18° 16 72 CL-38, CL-S2 Built-in 28.6 AF 180mm f/2.8D ED-IF 6/8 13° 40’ 22 72 CL-38, CL-S2 Built-in 27.2 AF-S 300mm f/4D ED IF 6/8 8° 10’ 32 82/39 CL-42 Built-in 46.9 AF-S 300mm f/2.8D ED-IF 8/11 8° 10’ 22 52 CT-305 HK-26 105.8 AF-S 400mm f/2.8D ED-IF 9/11 6° 10’ 22 52 CT-402 HK-27 169.3 AF-S 500mm f/4D ED-IF 9/11 5° 22 52 CT-502 HK-28 130.5 AF-S 600mm f/4D ED-IF 7/10 4° 10’ 22 52 CT-605 HK-28 204.6 Zoom AF-S 17-35mm f/2.8D 13/10 104°-62° 22 77 CL-76 HB-23 26.3 AF 18-35 f/3.5-4.5D 11/8 100°-62° 22 77 CL-S2 HB-23 13 AF 24-85mm f/2.8-4D 15/11 84°-28° 30’ 22 72 CL-S2 HB-25 19.2 AF 24-85mm f/3.5-5.6G ED-IF 12/15 84°-28° 30’ 22 67 – HB-28 14.3 AF 24-120mm f/3.5-5.6D IF 11/15 80°-20° 30’ 22 72 CL-49, CL-S2 HB-11 19.6 AF-S 28-70mm f/2.8D 15/11 74°-34° 20’ 22 77 CL-74 HB-19 33 AF 28-80mm f/3.3-5.6G 7/7 74°-30° 10’ 22 58 CL-32S, CL-S2 HB-10 7.8 AF 28-105mm f/3.5-4.5D 16/12 74°-23° 20’ 22 62 CL-49 HB-18 16 AF 28-200mm f/3.5-5.6D IF 13/16 74°-12° 20’ 22 72 CL-49, CL-S2 HB-12 19.6 AF 35-70mm f/2.8D 12/15 62°-34° 20’ 22 62 CL-33S, CL-S2 HB-1 23.8 AF 70-300mm f/4-5.6D ED 9/13 34° 20’-8° 10’ 32 62 CL-72, CL-S2 HB-15 18.2 AF-S 80-200mm f/2.8D ED 18/14 30° 10’-12° 20’ 22 77 CL-73 HB-17 51.1 Special Purpose AF Micro 60mm f/2.8D 7/8 39° 40’ 32 62 CL-32S, CL-S2 HN-22 16.0 AF Micro 105mm f/2.8D 8/9 23° 20’ 32 52 CL-15S, CL-S2 HS-7 19.6 AF Micro 200mm f/4D ED IF 8/13 12° 20’ 32 62 CL-45 HN-30 42.3 AF Micro 80-400mm f/4.5-5.6D ED 17/11 30°-6° 10’ 32 77 CL-M1 HB-24 47 AF Micro 200-400mm f/4.5-5.6D ED 24/17 22 52 Rear CL-L2 HK-30 7 lbs.
ORDER & INFO. (212) 444-5027 • FAX: (212) 239-7770 (800) 947-7008 1-800-947-9927 • www.bhphotovideo.com NIKON AF NIKKOR LENS ACCESSORIES Lens Hoods Reduces stray light and minimizes flare, FILTERS FOR COLOR AND to improve contrast and better the color saturation. They also provide shock protection should your lens be dropped Soft Focus No. 1, No. 2 or bumped. These filters soften images. No. 1 lends a romantic aura to portraits. The stronger Screw-in Hoods No. 2 produces a fog-like effect in land- Screws on to the front of the lens. Metal FOR COLOR FILM scapes and also highlights small subjects type available for extra strength. Rubber Amber Filters A2, A12 against a field of dark space. Both can be type folds back over the lens when not Amber filters control the bluish used together for stronger effects. in use. coloration that affect daylight shooting. Available in 52mm, 62mm and 72mm. Rubber Screw-in The mild A2 warms scenes shot on HR-2 (NIHR2) ...... 12.95 cloudy days. The deeper-colored A12 is Metal Screw-in used for outdoor shooting in fair weather. DIGITAL SLRs DIGITAL HN-1 (NIHN1) ...... 14.95 Blue B2, B8, B12 HN-2 (NIHN2) ...... 14.95 Blue filters remove reds and have a HN-3 (NIHN3) ...... 14.95 cooling effect. The mild B2 banishes reds HN-22 (NIHN22) ...... 21.95 from sunrise or sunset shots. The B12 neutralizes the red cast produced by HN-30 (NIHN30) ...... 39.95 photofloods. Use a B8 or B12 and HN-12 (NIHN12) underexpose to create eerie night scenes. For 52mm Neutral Density ND2s, ND4s, ND8s Polarizer.....24.95 Ultraviolet (UV) L37C Skylight L1BC These filters allow you to use larger aper- UV filters cut haze for sharper b&w tures without changing shutter speed or 206 HN-13 (NIHN13) prints, and correct the blue and violets in use slower shutter speeds in bright con- For 72mm color prints. The integrated coated L37C ditions for creative motion effects. Polarizer.....29.95 HN-12 Hood reduces reflection and is designed to be Neutral; density filters do not change HN-26 (NIHN26) used with integrated coated lenses. color balance. For 62mm Polarizer ...... 32.95
HN-34 (NIHN34) For 77mm Polarizer ...... 29.95 NIKON FILTER CHART Slip-On Hood Filter Type Desc. 39mm 52mm 58mm 62mm 72mm 77mm 82mm Slips over the front of the lens. Tightened Clear/ NINC39 NINC52 NINC58 NINC62 NINC72 NINC77 NC with knurled screw and retainer ring. Use No Tint 22.95 23.95 29.95 33.95 54.95 64.95 with wide-zoom and ultra-wide lenses. Skylight L1BC NIL1BC39 NIL1BC52 NIL1BC62 NIL1BC72 HK-7 (NIHK7) ...... 52.50 24.95 25.95 38.95 57.95 NIL37C39 NIL37C52 NIL37C62 NIL37C72 NIL37C77 NIL37C82 Ultraviolet L37C 22.95 23.95 33.95 54.95 64.95 84.95 Snap-On Hood Yellow NIY4452 Snaps onto the front of the lens with a Y44 Light 26.95 spring-type retainer retainer ring. The Yellow NIY4839 NIY4852 NIY4862 NIY4872 NIY4877 Y48 mounting can be conveniently reversed Medium 24.95 26.95 34.95 44.95 59.95 for storage. Yellow NIY5239 NIY5252 Y52 HS-7 (NIHS7) ...... 23.95 Dark 24.95 26.95 NIO5639 NIO5652 NIO5662 NIO5672 NIO5677 Bayonet Hood Orange O56 24.95 26.95 34.95 44.95 59.95 Twist-lock mounting for extra security. Red R60 NIR6039 NIR6052 NIR6062 NIR6072 NIR6077 HB-1 (NIHB1) ...... 16.95 24.95 26.95 34.95 44.95 59.95 HB-4 (NIHB4) ...... 16.95 Green NIX052 X0 HB-7 (NIHB7) ...... 29.95 Light 26.95 HB-8 (NIHB8) ...... 29.95 Green NIX152 X1 HB-11 (NIHB11) ...... 15.95 Dark 26.95 HB-18 (NIHB18) ...... 18.95 Circular NICP52 NICP58 NICP62 NICP72 NICP77 Polarizer II CP 64.95 Call 94.95 124.95 144.95 HB-20 (NIHB20) ...... 11.95
For Any Inquiries Regarding Your Order, Call Our Customer Service: (800) 221-5743 • (212) 239-7765 • FAX: (800) 947-2215 • (212) 239-7549 NIKON AF NIKKOR LENS ACCESSORIES Lens Cases BLACK & WHITE PHOTOGRAPHY Protect your investment with genuine Nikon lens cases. They are available in a variety of types and sizes.
FOR B&W FILM DIGITAL SLRs Cylindrical Cases Yellow Y44, Y48, Y52 Tough black leatherette finish combines Yellow filters absorb both blue and ultra- with soft, plush lining to protect your lenses, violet light so skies appear darker. They shielding them from shocks and bumps. work well in landscape or telephoto pho- CL-15S (NICL15S) ...... 34.95 tography, clearing up haze around dis- CL-30S (NICL30S) ...... 26.95 Circular Polarizing Filters tant objects. Y44 is the mildest filter and CL-31S (NICL31S) ...... 26.95 These filters darken the sky without Y52 produces the strongest effect. affecting color balance, cut out the glare CL-32S (NICL32S) ...... 32.95 from water and metallic surfaces, and Orange O56 CL-33S (NICL33S) ...... 32.95 allow shooting through glass windows. Stronger than yellow filters, the O56 CL-38 (NICL38) ...... 34.95 Their mounts can be rotated for different tones down blue, ultraviolet and green. It CL-44 (NICL44) ...... 49.95 angles which you can monitor through heightens contrast between sky and CL-49 (NICL49) ...... 47.95 the viewfinder. (Note: use of circular objects and darkens foliage. CL-71 (NICL71) ...... 79.95 polarizing filters requires a filter hood. CL-72 (NICL72) ...... 44.95 Red R60
Conversion Filters A12, B2, B8, B12 Ultra high contrast. All colors except red 207 Soft Pouch These filters can be used to match film are filtered out so blue skies appear almost Accommodates different lenses with color balances. For example, Color black and green leaves appear darker. different focal lengths; put it away in a Conversion Filter A12 can be used to pocket when you’re not using it. shift the color balance of tungsten film Green X0, X1 CL-S2 ...... 29.95 to daylight. Blue Color Conversion Filters Green filters absorb red and blue, letting B2, B8 and B12 counteract existing light green and yellow through. The X0 is ideal that is too warm. B12 matches artificial for general-purpose use. The X1 gives light to that of normal daylight film. skin a more natural tone.
NIKON FILTER CHART Filter Type Desc. 39mm 52mm 58mm 62mm 72mm 77mm 82mm Neutral NIND2S39 ND2s Density 32.95 Neutral NIND4S39 NIND4S52 ND4s Density 32.95 24.95 Neutral NIND8S39 NIND8S52 ND8s Density 32.95 24.95 Amber NIA239 NIA252 NIA262 NIA272 NIA277 A2 Light 24.95 23.95 34.95 44.95 59.95 Nikon Straps AN-1 ...... 14.95 Amber NIA1239 NIA1252 NIA1262 A12 Dark 24.95 23.95 34.95 AN-4B (Black)...... 14.95 AN-4Y (Yellow)...... 14.95 Blue NIB239 NIB252 NIB262 NIB272 NIB277 B2 Light 24.95 23.95 34.95 44.95 59.95 NS-5...... 14.95 Blue NIB839 NIB852 AN-6Y...... 23.95 B8 Medium 24.95 23.95 Blue NIB1239 NIB1252 NIB1262 Close-up Lenses B12 Dark 24.95 23.95 34.95 52mm Close-up Lens Soft Focus NISF152 NISF162 NISF172 NISF177 #0, 1, 2, 3T, 4T. Please specify...... ea. 29.95 No. 1 56.95 79.95 99.95 Call 52mm Close-up Kit Soft Focus NISF252 NISF262 NISF272 No. 2 56.95 79.95 99.95 # 1, 2 ...... 39.95 NICC30R52 62mm Close-up Lens CC30R Call 5T, 6T. Please specify...... ea. 45.95
ORDER & INFO. (212) 444-5027 • FAX: (212) 239-7770 (800) 947-7008 1-800-947-9927 • www.bhphotovideo.com