TOTAL DIGITAL IMAGING SYSTEM We’ve Got You Covered Make Your Photography Matter with the Nikon Total Digital Imaging System So you have a digital SLR and an idea — a GREAT idea — for a photograph. Do you have all you need to make that idea hap- pen? A quick look through these pages and you’ll know. Here you’ll find all the accessories available for the Nikon D-SLR lineup: everything you need to realize your present ideas, and inspire new ones. Whether you are a seasoned pro- fessional or a passionate weekend shooter, we’re sure you’ll find something in this brochure that can help you craft better images. Every item found within is designed specifically for Nikon cameras, giving you seamless performance that truly brings out the best in you and your Nikon D-SLR. Got an idea? Make it happen. Here’s where you start. CONTENTS

See what one Nikon Make lighting work for Speedlight can do you with wireless Easy, intelligent, amazing: multiple Speedlights The Nikon Creative Lighting Turn good shots into great System shots with Advanced Wireless Lighting

pp4-5 pp6-7

Your file, your vision Dramatic close-up lighting made easy Capture NX Software: master post-production Explore fine details with flexible, wireless control

pp8-9 pp13-15

Which Speedlight is right for you? Nikon Creative Lighting System compatible pp10-11 Speedlights

Flash Accessories p12

Power when you need it View with clarity and comfort Battery packs and power Viewing attachments management

p16 p18

Communication technology Close in on every subject for any location Close-up accessories GPS cable/wireless transmitters

p16 p19

Steady shots — night or day pp20-21 Remote control accessories System diagram

Nikkor lens lineup p22

p17 Nikon digital SLRs p23 See what one Nikon Speedlight can do

© Gordon Nash Easy, intelligent, amazing: The Nikon Gordon Nash — Wedding photographer (U.S.A.) I shoot about 50 weddings a month, and nearly half of my images Creative Lighting System need a Nikon Speedlight. I always have one on my camera, with Lighting is a vital component of all images, but the past another ready for side-lighting or other handheld effects. Each complexities of flash photography have made many photogra- Speedlight makes a dramatic difference to the finished image. For the above image, I used one SB-800 for side-lighting and a soft-focus filter phers — even seasoned ones — hesitant to explore its full on the lens for a dreamy look. potential. Not any more. Working photographers around the As a professional wedding photographer, I face moving subjects, world are discovering how Nikon’s Creative Lighting System unpredictable shooting situations and limited prep time, so speed and brings simplicity and real-world usability to flash photography. intuition are vital to my success. That’s why I depend on the Nikon The key is Nikon’s breakthrough i-TTL flash control technology. Creative Lighting System. It’s easy to use and With this at its core, Nikon Speedlights offer consistently accu- offers so many options, along with consistent rate flash exposures that can adjust to nearly any lighting situa- exposure and performance. I have to be ready for that special moment at all times. The tions you face. Nikon Speedlights communicate with your Nikon Creative Lighting System helps me do that. D-SLR to perform all the complex lighting calculations for you. http://www.gordonnash.com Nikon’s exclusive monitor pre-flash offers precise feedback infor- mation, registering everything from available light and shadows Camera setting data: to color temperature and reflective surfaces within the scene. Camera and Speedlights: D200 The camera also integrates information from its built-in database (built-in Speedlight as of over 30,000 actual scenes to determine the ideal exposure -– commander) and SB- 800 (remote unit) all within a millisecond before each shutter release. Whether on Lens: AF 85mm f/1.8D top of the camera or used as a wireless remote unit, Nikon’s Shutter speed: 1/125 sec. Aperture: f/2.2 Creative Lighting System offers the most dependable and con- Exposure mode: Aperture-Priority Auto Flash mode: i-TTL sistent flash exposure in the business. Image quality: RAW

4 Speedlight

Bright lights, big ideas – with only one Nikon Speedlight, you can: Nikon’s exclusive i-TTL: a higher level of accuracy Go the distance: more flash power The real breakthrough is Nikon’s moni- The Speedlights built into tor pre-flash. It is designed to provide Nikon D-SLRs are smart and your Nikon D-SLR with consistently responsive, but sometimes accurate feedback information in order your subject is far enough to achieve ideal flash output. This away that you simply need level of accuracy is found nowhere Built-in Speedlight more flash power. Connect a else. Nikon external Speedlight and you can capture sub- jects at a much greater distance with more balanced SB-800 attached © Joe McNally illumination.

Soften the light: bounce flash Direct light can be harsh and leave a distracting shadow i-TTL Balanced Fill-Flash behind your subject. Try turning the flash head toward a wall or Speedlight tips: Diffuser ceiling and you’ll soften the Direct flash light and get rid of the shadow, Use a diffuser above the flash to soft- creating a more flattering atmosphere for portraits. en the light and eliminate harsh shad- ows. This is useful in almost Bounce flash © Gordon Nash any flash situation, includ- ing fill flash, for natural looking skin.

Capture the action: Auto FP High-Speed Sync Indispensable to outdoor pho- tography, this enables action- stopping shutter speeds with fill flash. It is also important to portraiture, allowing you to use Normal sync larger apertures for a more pleasingly radiant ambient light. Your camera will automatically set itself to this mode if the shutter Auto FP High-Speed Sync stops the action © Joe McNally speed rises above the camera’s standard flash sync Shutter speed: 1/3200 sec. speed of 1/250 second.

Maintain the exposure: Flash Value (FV) Lock The FV Lock (Flash Value Lock) maintains the same flash value for correct exposure during a sequence of photographs, allowing you to zoom in on your Original exposure subject, change the composi- tion or adjust the aperture, all without altering your intended exposure. That way you can concentrate on Main subject’s exposure stays the same © Joe McNally capturing your subject without worrying about adjust- regardless of any compositional changes. ing the lighting. Make lighting work for you with wireless

Joe McNally — Photojournalist (U.S.A.) There have been many difficult lighting situations in my career where the Nikon Creative Lighting System literally amazed me by sorting out a proper exposure. The System offers incredibly high accuracy in most shooting scenarios. Milliseconds before each shot, the camera meter and Speedlight speak to each other, relaying and calculating massive amounts of lighting information — exposure variance, RGB, reflectance, distance and contrast, to name a few — all of which are constantly shifting and changing. I’ve always said that no camera system will ever solve every problem, but Nikon cameras and the Creative Lighting System do a phenomenal job of sorting through the data to give you accurate exposures. This is a major reason to use Nikon. http://www.joemcnally.com

Camera setting data: Camera and Speedlight: D2x and three SB-800s (one on-camera mas- ter/commander and two remote units) Lens: AF-S DX 12-24mm f/4G IF-ED Shutter speed: 1/160 sec. Aperture: f/14 Exposure mode: Aperture-Priority Auto Flash mode: i-TTL Image quality: RAW

Turn good shots into great shots with Simply set everything to Nikon's exclusive i-TTL for consistently accu- Advanced Wireless Lighting rate exposures in even the most dif- You can accomplish a lot with just one Speedlight, but ficult lighting situations. It's just as sometimes an image would benefit from more artistic illumina- easy to explore alternate exposures tion. Adding more Speedlights not only adds depth to the scene by adjusting the flash exposure com- but also character and charm to your subject. One of the great- pensation of individual Speedlight Group A illuminates the main subject from est benefits that is singular to Nikon’s Advanced Wireless groups. Or if you like, turn off a the side Lighting is that controlling dozens of Speedlights is just as easy Speedlight group, or set everything as controlling your on-camera Speedlight. And because it’s wire- to manual — all via the LCD panel on the Master Speedlight, all less, setting up your Speedlights can be done quickly and possible without ever leaving your camera. Multiple Speedlight smoothly no matter where you’re shooting. From the Master control has never been this intuitive and fluid. No other lighting Speedlight located on top of your camera, you can control the system comes close. flash output of three groups of wireless remote units, adding any number of Speedlights to each of these groups.

Group C: Illuminates background

On-camera Commander

Group B: Illuminates Group A: Illuminates middle ground main subject

You can control up to 4 groups of Speedlights, includ- Control it all from here. Set the flash mode, Add Group B to ing the Master and 3 remote i-TTL Speedlight groups, turn Speedlight groups on or off and con- emphasize the middle to achieve complete control of your lighting environ- trol the flash exposure compensation for up ground and Group C ment. All groups can be controlled from the Master, to 4 Speedlight groups from the Master for the background and there is no limit to how many you can use. Controller SB-800's LCD panel. s multipleSpeedlights wooden floor, thelightingachievednaturalwarmth. bouncing lightoffthecream-coloredwalland Two moreSB-800unitsbounced lightoffthefloor. By attached totheballetbarbouncelightoffwall. the dancertomovefreely. FourSB-800unitswere The illuminatedspaceneededtobelargeenoughfor Bounce flash Timing is crucial for location shooters. Here’s how one photographer captured an aspiring dancer in 24 hours, 24 in needed. he dancer flexibility aspiring and an speed the captured provided photographer System one how Lighting Here’s Creative shooters. Nikon the location how for and crucial is Timing Group A:Bouncedoffthewall Dancer © Joe McNally All images aside from product shots by Joe McNally Joe by shots product from aside images All McNally Joe © Commander On-camera off thefloor Group B:Bounced window. remote SB-800illuminatingthedancerfromoutside tilted towardtheceiling,withanadditionalwireless a naturallook,diffuserisattachedtoanSB-800and along withsunlightfromthewindow. To givethescene This shophadmixedlightsources:fluorescent Seamless flashwithmixedambientlighting Dancer outside window Group A:Illuminatesfrom Master/Commander On-camera emphasize thedancer'sshapeappropriately. ments, therewasalargeenoughvolumeoflightto from thefrontandrear. Afterafewangleadjust- two setsofSB-800remoteunitsilluminatethedancer but inanarrowwindowoftime.Fordramaticeffect, Shooting atsunsetcanofferbeautifulambientlight, Directional lightforadramaticexposure from therear Group A:Illuminates image. color ofthe and overall with thesunlight subject whileblendingseamlessly added extrawarmthtothemain (shown left),anambergelfilter the outriggercanoephotograph ural alongsideambientlight.For you wanttheflashtoappearnat- ter isimportant,especiallywhen Selecting therightcoloredgelfil- Speedlight tips:coloredgels Dancer On-camera Commander lighting, while while lighting, units in wireless in units remote as serve can Commander or or Commander Master, as serve can units. SB-600 Speedlights SB-600 SB-800 Speedlights SB-800 separate remote separate from thefront Group B:Illuminates 7

Multiple Speedlights Dramatic close-up lighting made easy

© Foto Natura team Explore fine details with flexible, wireless SU-800 Wireless Speedlight Commander Simple operation lets you easily command control wireless remote Speedlight operation. Detail can be crucial to the impact of an image. That’s why Nikon offers the ultimate tools for creative and versatile close-up lighting. SX-1 Attachment Ring Designed to work seamlessly with Nikon's i-TTL Wireless Creative Allows easy attachment and detachment Lighting System, both the R1C1 and R1 bring an amazing level of of SB-R200 Speedlights to the lens. simplicity and automation to the lighting process. Close-up lighting has countless uses for nearly every kind of sub- ject matter. Hobbyists enjoy capturing ornamental patterns found on coins, flowers and other small objects, while people photogra- SB-R200 Wireless Remote phers take advantage of the shallow depth-of-field for intimate Speedlight portraits. And with no wires to get in the way, you can handhold Flexible, dependable the Speedlights to make quick adjustments or to follow moving flash control. Can be subjects, such as insects. From medical applications to food pho- handheld, clamped on a stand or attached to tography, the R1C1 and R1 will make you see things differently. the lens using the SX-1. The lighting angle Both the R1C1 and R1 contain a comprehensive assortment of can be adjusted by tilting the flash head. R1C1 accessories, including the SW-11 Extreme Close-up Positioning R1C1 comes equipped with the SU-800, two SB-R200 Speedlights, and more. Adapter, the SJ-R200 Color Filter Set, the SW-12 Set Diffuser, the SW-C1 Flexible Arm Clip and a set of five adapter rings to ensure the SX-1 Attachment Ring can be mounted on virtually any Nikkor Nikon Wireless Close-up lens designed for close-range photography. Whichever set is right Speedlight System for you, both make mastering close-up flash photography simple, fascinating and fun. R1 R1 comes equipped with two SB-R200 Speedlights, and more. 8 Location: Turtle Bay Resort Bay Turtle Location: the twoSB-R200unitsincludedare capableofa widerangeoflightingsituations,but diffusers providing beautifullysoftlight.Whether attachedtothecameraorhandheld, operate. You canexpectsuperbperformancestraightoutofthebox,withtheirsmall Nikon’s Wireless Close-upSpeedlightSystemisflexible,consistentandamazinglyeasyto photographers atFotoNaturateam(TheNetherlands) Wil Meinderts,JanVermeer andDannyEllinger—Nature http://www.fotonatura.com ous macro photographer, theR1C1isamust-havetool. ing, especiallywheninsectsare yoursubjects,but foranyseri- tions. The105mmVRMacro lensisidealforthis typeofshoot- control aspectoflighting–eveninpoorlylitloca- nearlyevery add anSB-800oradditionalSB-R200units,andyouseamlessly © Foto Natura team Natura Foto © © Noriyuki Yuasa Noriyuki © © Joe McNally Joe © Shutter speed: 1/125 sec. 1/125 speed: Shutter Aperture: f/13 Aperture: Exposure mode: Aperture-Priority Auto Aperture-Priority mode: Exposure Flash mode: i-TTL mode: Flash Image quality: RAW quality: Image error, theidealangleandSpeedlightpositioningwas from above andonefrombelow. After alittle trialand remoteunits:one minated by twohandheldSB-R200 holds ashardofmirror infrontofherface, which isillu- Sometimes smallunitsmake abigimpact. The model night. dreamlike imageofarabbitrunning acrossthefieldat the illusionofadual-tonebluebackground. The result:a ing adapterSW-11 anddiffuser SW-12 helping tocreate angled downwards, withtheextreme close-upposition- wasa secondSB-R200 placed behind theglassand rabbit relief.ing thethinlycarved To draw outtheblue, wasglass, oneSB-R200 placedunderneath,emphasiz- To fromsimpleornamental createasenseoffantasy drama. determined. The and result:ashotfullofmystery Close-up lighting:Step-by-step Brighten yoursubjectfornaturalbeauty Reveal depthandspacefromordinaryobjects look. with diffusers softening thelightfor amorenatural been angledfor side-lightingandbackground fill, directly atthebutterfly. Two off-camera unitshave used: oneisattached tothecameraandpointed was overcast, Speedlightswere sothreeSB-R200 landsonavividorangeflower.momentarily The day Some subjectsdon’t posewillingly. Hereabutterfly Camera setting data: setting Camera Camera and Speedlight: and Camera D200 and R1C1 and D200 Lens: AF-S VR Micro VR AF-S Lens: 105mm f/2.8G IF-ED f/2.8G 105mm top ofcamera SU-800 Commanderon Diffused frombelow Group B: On-camera Commander Illuminates subject Group A: animals. ing peopleand tographers preferitwhenshoot- flash withtheSU-800,somepho- because there’s nodistracting pre- options thantheSB-800.And operation andawiderrangeof separately, andfeaturessimpler The SU-800canalsobebought for multiplelighting. offer excitingcreativepossibilities The SX-1andSB-R200Speedlights lighting Speedlight tips:close-up Group A: On-camera Commander Diffuser SW-12 Adapter Close-up Positioning behind usingExtreme Group B:Diffusedfrom and background Illuminates subject Group B: below Illuminates from Group B: above Illuminates from Group A: 9

Close-up Speedlights Which Speedlight is right for you? Ultimate flash performance: Nikon Creative Lighting System compatible Speedlights

SB-800 SB-600 SB-400

Powerful, Intelligent, Complete Practical, Intelligent, Indispensable Compact, Intelligent, Versatile Serves as Master, Commander or Remote Unit Serves as Remote Unit in Advanced Wireless i-TTL and Bounce Flash Capability in Advanced Wireless Lighting Lighting [for D2 series, D200, D80, D40 series] [for D2 series, D200, D80, D40 series] [for D2 series, D200, D80, D40 series]

SB-800 Accessories (supplied) Creative Lighting System Features Bounce Adapter SW-10H Speedlight Stand AS-19 Soften the shadows and diffuse light (comes with SB-800 / SB-600) • i-TTL Flash during bounce flash by attaching the The AS-19 allows stable place- • Advanced Wireless Lighting* SW-10H over the flash head. ment when used as a remote unit. • Modeling Flash* A tripod socket is also provided. • FV (Flash Value) Lock (D2 series/D200/D80) Quick Recycling Battery Pack SD-800 • Auto FP High-Speed Sync* (D2 series/D200/D80) Shorten recycling time to as little as 2.9 • Wide-Area AF Assist Illuminator* seconds in Manual mode at full output Colored Gel Filter Set SJ-1 • Flash Color Information Communication (optional for SB-800/SB-600) by attaching an additional battery. • Distance Priority Manual Flash (SB-800) This set includes 8 types of colored Colored Gel Filter Set SJ-800 * Not available with the SB-400. Use these gels for correct color gels for creative Speedlight options. temperature in ambient lighting • FL-G1/G2 (for fluorescent light) situations. • TN-A1/A2 (for incandescent/tungsten light) • BLUE • YELLOW • RED • AMBER

Specifications SB-800 SB-600 SB-400 Electronic construction Automatic Insulated Gate Bipolar Transistor (IGBT) and series circuitry Guide number 38 (ISO 100, m), 53 (ISO 200, m) 30 (ISO 100, m), 42 (ISO 200, m) 21 (ISO 100, m), 30 (ISO 200, m) (with zoom head set at 35mm) (with zoom head set at 35mm) Angle of coverage Auto power zoom 24mm, 28mm, 35mm, 50mm, Auto power zoom 24mm, 28mm, 35mm, 50mm, 18mm 70mm, 85mm, 105mm; 17mm, 14mm with 70mm, 85mm; 14mm with built-in wide-flash adapter built-in wide-flash adapter; 14mm with soft dome Flash mode i-TTL; D-TTL; Auto Aperture; Non-TTL Auto; i-TTL; D-TTL; Manual (Full ~ 1/64 output); i-TTL; Manual (with D40 series only) Manual (Full ~ 1/128 output); Distance-Priority Red-Eye Reduction Manual; Repeating Flash; Red-Eye Reduction Flash exposure -3.0 to +3.0 EV in increments of 1/6 steps in i-TTL or -3.0 to +3.0 EV in increments of 1/6 steps in i-TTL — compensation Auto Aperture flash modes Minimum recycling time Approx. 2.5 seconds with the SD-800 (Manual at full) Approx. 2.5 seconds with Nickel/Ni-MH batteries (Manual at full) Approx. 2.5 seconds with Ni-MH batteries (Manual at full) Number of flashes Approx. 130 (Manual at full) (with alkaline batteries) Approx. 200 (Manual at full) (with alkaline batteries) Approx. 140 (Manual at full) (with alkaline batteries) Bounce capability Flash head tilts down to -7°, or up to 90°; Flash head tilts up to 90°; flash head rotates Flash head tilts up to 90° with click-stops flash head rotates horizontally 180° to the left horizontally 180° to the left or 90° to the right at 0°, 60°, 75°, 90° or 90° to the right AF-Assist Illuminator Automatically turns on when performing autofocus in dim light or in the dark — Power source Four AA-size alkaline/NiCd/Nickel/Ni-MH/ Four AA-size alkaline/NiCd/Nickel/Ni-MH/ Four AA-size alkaline/lithium/oxyride/Ni-MH lithium batteries; SD-8A, SK-6A/6 lithium batteries batteries Mounting foot lock lever Provided Provided Provided Dimensions (W x H x D) Approx. 70.5 x 129.5 x 93.0mm Approx. 68.0 x 123.5 x 90.0mm Approx. 66.0 x 56.5 x 80.0mm Weight (without batteries) Approx. 350g Approx. 300g Approx. 127g Soft case SS-800 SS-600 SS-400 10 Close-up Speedlight Commander Kit R1C1 (SU-800, two SB-R200s and all the accessories)

Close-up Speedlight Remote Kit R1 (Two SB-R200s and all the accessories) Speedlights

SB-R200 Wireless Remote Speedlight SU-800 Wireless Speedlight Commander Also available as a separate unit Also available as a separate unit [for D2 series, D200, D80, D40 series] [for D2 series, D200, D80, D40 series]

Two SB-R200 units are included with both the R1C1 and Included only with the R1C1, the SU-800 features a the R1. Each unit features a guide number of 10 (ISO 100, commander function that can trigger the SB-R200, m) or 14 (ISO 200, m). When attached to a lens via the SB-600 and SB-800 wireless remote flash units. SX-1, the flash head can be tilted up to 60 degrees toward AF-Assist Illuminator, Target Light button and Test the optical axis of the lens or up to 45 degrees away from button are provided. the lens.

Attachment Ring SX-1 Can hold SB-R200 Speedlights. Extreme Close-up Positioning Adapter SW-11 For centering the light from the SB-R200 Speedlight Stand Adapter Rings IR Panel for Built-in flash to an optical axis, which is especially AS-20 Enable placing of Flash SG-3IR effective in close-up shooting. For the stable placement Attachment Ring SX-1 on Attached to the camera’s Recommended for shooting of the SB-R200. A tripod the front of the lens. Five fil- accessory shoe when the distances within socket is also provided. ter attachment sizes (52mm, built-in Speedlight of a 15cm (lens to 62mm, 67mm, 72mm, camera is used as a com- subject). 77mm) are available. mander.

Color Filter Holder Color Filter Set SJ-R200 Case Flexible Arm Clip SW-C1 SZ-1 Diffuser SW-12 Allows attachment of items Enables filters to be Change the mood of your •Soft Case for SU-800 This milky-white panel such as a diffuser. Can be attached to the SB-R200. close-up photography with •Soft Case for SB-R200 diffuses light from a attached to the guide groove four filters: Blue, Red, FL- •Soft Case for SX-1 flash and softens of the Attachment Ring SX-1. G1 for fluorescent light •Close-up Speedlight Kit shadows. and TN-A1 for incandes- Case cent light.

Advanced Wireless Lighting System Compatibility

Cameras Function SB-800 SB-600 SU-800 SB-R200 Built-in Close-up Cameras Function SB-800 SB-600 SU-800 SB-R200 Built-in Close-up Speedlight Speedlight Kit Speedlight Speedlight Kit Master unit ● – R1C1 Master unit ● R1C1 D2 ●● ● D40 ●● ● series Remote unit – R1+SB-800 series Remote unit R1+SB-800 Commander ●● – Commander ●● Master unit ●●R1C1 D200 Remote unit ●● ● R1 D80 Commander ●● ●

Wireless Speedlight Commander SU-800 Specifications Wireless Remote Speedlight SB-R200 Specifications Transmission mode Flash light wavelengths Electronic construction Flash head tilt angle Infrared-pulse emitting communication using a Approx. 800 to 1,000nm (infrared ray) Automatic Insulated Gate Bipolar Transistor Down to 60°, or up to 45° flash discharge tube Flash coverage (IGBT) and series circuitry (for wireless remote Mounting foot Transmission range Approx. 60° (vertical), approx. 78° (horizontal) flash unit only) Dedicated shoe for Attachment Ring SX-1 or Approx. 20m for the SB-800/SB-600, and approx. 4m Display Guide number Speedlight Stand AS-20 for the SB-R200 at normal setting LCD, ready-light 10 (ISO 100, m), 14 (ISO 200, m) Target light Number of channels AF-Assist Illuminator Angle of coverage White LED 4 Automatically turns on when performing auto 24mm Display Number of groups focus in dim light or in the dark Flash mode Ready-light 3 Power source i-TTL; D-TTL; M (Manual): full ~ 1/64 output Power source Number of transmissions One 3V CR123A lithium battery (close-up), full ~ 1/128 output (commander) One 3V CR123A lithium battery Approx. 1,200 Dimensions (W x H x D) Recycling time Dimensions (W x H x D) Transmission interval Approx. 68 x 96 x 58mm Approx. 6.0 seconds (Manual at full) Approx. 80 x 75 x 55mm Approx. 1 second Weight (without battery) Number of flashes Weight (without battery) Approx. 160g Approx. 290 (Manual at full) Approx. 120g

11 Flash Accessories Expand the possibilities of your flash photography Speedlights

For press photography as well as photographers more comfortable with wired flash synchronization, Nikon offers additional flash accessories. They are also indis- pensable for Nikon D-SLRs that lack a built-in wireless commander (such as D2 series, D40 series) for off-camera flash operation.

SC-28 SC-29

Sync Terminal Adapter TTL Remote Cord AS-15 SC-28/SC-29 (1.5m) for D80, D40 series for D2 series, D200, D80, D40 series The AS-15 is compatible with The TTL Remote Cord SC-28/SC-29 makes off-camera TTL flash con- the D80 and D40 series which trol easy and assured. With the Nikon digital SLRs, the SC-29 also feature standard ISO-type acces- works as an external AF-assist illuminator. sory shoe but lack a sync termi- nal for large studio strobes.

Power Bracket Unit High-Performance Battery SK-6A* (for SB-800) Pack SD-8A (for SB-800)

[for D2 series, D200, D80, D40 series] [for D2 series, D200, D80, D40 series] Not only does the SK-6A The SD-8A is designed for use enable you to use the camera- with the SB-800 to shorten mountable SB-800 as a grip- flash recycling time and type flash, it also offers you enhance flash capacity. It remote-flash capability. Used accepts six 1.5V LR6 (AA-size as an external power source or alkaline), 1.2V KR-AA (R6/AA- in combination with the size NiCd), 1.5V FR6 (AA-size Speedlight’s own power source, lithium) or 1.2V R6/AA-size Ni- the SK-6A reduces minimum MH batteries. recycling time by nearly half while doubling the total num- ber of flashes available. * The SK-6 may be substituted for the SK-6A in some countries. 12 what isaffected. white sothatyou know immediately white, withControlPoint adjustmentsin This feature turns your imageintoblack & Show SelectionforAccurateControl: images. more depthanddynamismtoyour casts andrefinecolorbalance,adding These ControlPoints helpcorrect color Black, White,NeutralControlPoints: cated results. ness andmorewithimmediate,sophisti- slider canadjusthue,saturation, bright- require. A quick adjustmenttoapoint’s time thatotherimageeditingtools any partofyour imageinafractionofthe new system letsyou adjustthecolorof Easy toview andreposition,thisamazing Color ControlPoints: post-production master software: NX Capture your vision Your file, Technology benefits Technology Revolutionary: U Point U Revolutionary: ware isthisintuitive. ers totheleftorright.Noothersoft- incredibly simple.Justdragtheslid- This uniqueinterfacemakesediting Color Control Points Control Color Brightness Hue Size Saturation Show Selection Show applied toit.Ordinarily, any change made set ofeveryenhancementcommand nail aresaved automatically, alongwitha ments. All yourandathumb- originaldata evenfile data, after dozens ofadjust- aboutdamagingyourworry originalNEF CaptureWith NX,you’ll never have to NEF (NikonElectronicFormat) an enhancement. Brush toolcannow paintinorout selections like LassoandMarquee,the enhancement tools.Inadditiontofamiliar Take advantageofcommonlyused Easy-to-use SelectiveTools over theeyes, click, andit’s gone. place aRed-Eye Reduction ControlPoint Now red-eye isabreeze toremove. Just Red-Eye Reduction: NEF files.How’s thatfor easy? JPEG and TIFF imagesconveniently into simple toavoid by converting original Nikon’s originaltechnology makes this to afileaffects but theoriginaldata, © Joe McNally Joe © Red-Eye Reduction Red-Eye editing hasnever beensocomprehensive, fast andfun! usable editingsoftware for alllevels ofphotographers.Image NX doesallthecalculationsfor you, makingitthefirsttruly Thanks toNikon’s exclusive new UPoint Technology, Capture the mouse.Nomorenumbercrunching. Nomoreguesswork. bly fast, turning complicatedphotoeditingintoafew clicks of everyone in best the ed by design,thenew Capture NXiseasy, intuitive andincredi- out brings Post-productionthat willnever bethesame.Simpleandsophisticat- software Finally, and it’sdone!Hoursofworkcan an areayouwanttoadjust,click, sky orskintone,simplypointto easy andintuitive.Whetherit’sthe Capture NXmakestheprocess amounts ofmemoryandpatience. raphers, thisdemandedfrustrating in theprocess.Formanyphotog- each individualeffectanewstage countless seriesofsteps,with Conventional softwarerequiresa Capture NXisitssimplicity. available tothem.Thebeautyof post-production opportunities alike nowhaveanewworldof Both professionalsandamateurs photographer (Japan) Kenji Miura—commercial and experience. of knowledge requiring years and without utes, easily, - plished inmin now beaccom- 13

Capture NX Your file, your vision Capture NX software: master post-production

■ Enhancing the color of the sky using Color Control Points

1. 2. 3. Place a Color Control Point on the sky. Sliders for Saturation, Hue and Brightness will To repeat the effect in another area, duplicate the appear. Adjust these as you wish. Control Point and place it somewhere else.

■ Correcting skin tones using the Color Picker

1. 2. 3. Place a Color Control Point on any area of the sub- Select the appropriate color from the skin tones Rotate the outside ring to adjust the hue to ject's skin. provided in the center triangle of the Color Picker. warmer or cooler.

■ Perfecting portions of an image using Brush Tool

1. 2. 3. Choose the Brush Tool in the Selective Tools menu. Paint in the area you want to enhance. Painting Add any desired effects. Over 25 enhancements out the enhancement is just as easy. are available.

■ Seamless workflow from browsing to editing

1. 2. 3. Choose browsing function to see images at a Organize images by labeling and sorting. Start enhancing an image quickly and simply by glance. double-clicking on it.

14 Capture NX

Capture NX: Versatile Functions Browser (NEW) Color Aberration Control Completely redesigned to sort, organize, compare, tag and improve images with more speed and agility. Batching This simple, timesaving process automatically applies one or more enhancements to a series of images. Edit List (NEW) Original image Enhanced image For easier, more intuitive photo editing, the Capture NX Edit List helps you to track, cancel or add new modifications. Advanced Noise Reduction Markers 16-bit image compatibility (available for RAW and 16-bit TIFF Now it’s possible to create multiple versions of your original NEF files only) image, all within the original image file, saving you time as well D-Lighting for pulling out more detail in both the highlights and as memory on your computer. Want to have a dozen versions of the shadowy areas of your images. one image in a single file? No problem! You’ll never have to Most features, found in Nikon Capture 4, including some not search your computer to find other versions — they’re all there shown here, are also included in Capture NX. with the original, and just a click away. Capture NX System Requirements Lens Correction Tools (some functions available for RAW files Windows only) (NEW) CPU 1.0GHz Pentium® III or higher (2.0GHz Pentium® 4 or higher recommended) OS Windows Vista™ (32 bit), Windows® XP Home Edition, Windows® XP Professional, Vignette Control automatically reduces the effect of marginal illumi- Windows® 2000 Professional nation, Color Aberration Control reduces color-fringing effects, and RAM 256MB minimum (1.0GB or more recommended) Distortion Control reduces pincushion and barrel distortion effects. Hard Disk 200MB required for installation Display 800 x 600 pixels (1024 x 768 or higher recommended) with 16-bit color (High Color/ Color Management (NEW) thousands of colors) or 24-bit color (True Color/millions of colors) recommended Lets you create a color profile so that colors are consistent from Others • CD-ROM drive required for installation • Internet connection required for some options your first to last edit. Use the Soft Proof tool to see how a spe- Macintosh cific printer will recreate specific colors on your monitor. There’s CPU G4 or G5 also the Capture NX print function, which lets you use an OS Mac® OS X (version 10.4 or later), Intel Core Duo, Intel Core 2 Duo, Intel Xeon assigned profile to print your images. RAM 256MB minimum (1.0GB or more recommended) Hard Disk 200MB required for installation Display 800 x 600 pixels (1024 x 768 or higher recommended) with 16-bit color (High Color/ thousands of colors) or 24-bit color (True Color/millions of colors) recommended Others • CD-ROM drive required for installation • Internet connection required for some options More useful software

Camera Control Pro program helps you organize, edit, enhance, print and share your Remote control for your Nikon D-SLR digital images. Picture Project also helps you e-mail images, as When used in combination with an AF Nikkor lens (DX, D and G well as burn them to a CD or DVD. types), you can operate and control most of your Nikon D-SLR settings from a computer. Image files will be stored directly onto Do more with PictureProject using the following software: your hard disk, turning your computer into one large-capacity • nik Color Efex™ Pro 2.0 Express Edition*2 media card, which can be especially valuable during high-volume Offering fifteen kinds of digital filters for professional-level filtering shooting such as studio work. Compatible with Wireless effects, nik Color Efex™ Pro 2.0 Express Edition can help you Transmitter WT-2/2A and WT-3/3A, Camera Control Pro also lets apply considerably more artistry to your work. you control the camera via wireless LAN. • PictureProject DVD Show*2 Image Authentication Software (Windows only) Turn your images and movies from your still digital camera into Protect the integrity of your valuable data moving video clips set to music. You can even add sound effects (for D2Xs, D2X*1, D2Hs*1, D200*1) and then burn them to a CD or DVD (Windows only). 2 When authenticity needs to be proven, Nikon's exclusive Image • PictureProject COOLPIX Remote Control* Authentication function indicates whether an actual image has Control your COOLPIX S4, COOLPIX L1 and COOLPIX been tampered with. It also lets you clarify any changes made 8800/8400 cameras via computer. Simply connect the camera to item by item, such as the shooting date and any GPS information your computer via USB cable. -– indispensable for public works projects and the press. *2 Operation is not guaranteed with Windows Vista. *1 Firmware upgrading is required to use this software. PictureProject (provided free with all Nikon digital cameras) Designed specifically for Nikon digital cameras, this specialized 15 Power when you need it Battery packs and power management

Multi-Power Multi-Power Rechargeable Li-ion Rechargeable Li-ion Rechargeable Li-ion Quick Charger Quick Charger Quick Charger Battery Pack MB-D200 Battery Pack MB-D80 Battery EN-EL4a Battery EN-EL3e Battery EN-EL9 MH-21 MH-18a MH-23 for D200 for D80 for D2 series for D200, D80 for D40 series for D2 series for D200, D80 for D40 series Runs on either six Provides extra command These rechargeable batteries provide extended life and con- Enables charging Enables charging Enables charging LR6/AA-size alkaline, dials, shutter release sistent power, even in cold conditions. Used together with of rechargeable Li- of rechargeable Li- of rechargeable Li- FR6/AA-size lithium, or button and AE-L/AF-L your Nikon D-SLR, the camera’s fuel gauge accurately dis- ion Battery EN- ion Battery EN- ion Battery EN-EL9. 1.2V R6/AA-size Ni-MH button for vertical shoot- plays the remaining charge, number of shots since last EL4a. EL3e. batteries, or one or two ing. Runs on one or two charge, and current battery life status. The EN-EL4a even EN-EL3e rechargeable EN-EL3e rechargeable gives notice when calibration is necessary. Li-ion batteries. Li-ion batteries, or six Features two command AA-size batteries. dials, shutter release button and AF start but- ton for vertical shooting.

Communication technology for any location GPS cable/Wireless transmitters

GPS Cable Wireless Transmitter Wireless Transmitter Extended Range Antenna Filters MC-35 WT-2/2A WT-3/3A WA-E1 for D2 series, D200 for D2 series for D200 for D2 series, D200 Enables the Nikon D2-series/ Wireless Transmitters WT-2/2A and WT-3/3A enable image data Increases the effective transmis- D200 digital SLRs to be connect- transfer via wireless LAN (Wi-Fi)*. Simply mount one on the bottom sion range of wireless LAN from ed to NMEA-O183 protocol-com- of your camera and connect via USB cable, then any captured data the normal 30m to approx. patible GPS (Global Positioning can be transferred at high speed. And since they support various net- 150m. Neutral Color TM System) units such as GARMIN work and security protocols, these transmitters are NC Filers and MAGELLANTM for recording compatible with a wide range of system environments. Available in attachment GPS positioning information and Camera Control Pro also enables wireless remote con- sizes 39mm, 46mm, 52mm, time signals synchronous to UTC trol from a personal computer via PTP/IP. With WT- 58mm, 67mm, these filters (Universal Coordinated Time) 3/3A, data transfer through a wired LAN via Ethernet serve as lens protectors within image data files during network is also possible. and do not affect color bal- shooting. * Conforming to the IEEE802.11b/g standard ance. In addition, multilayer coating prevents light Note: The WT-2/3 is sold in countries reflection inside the glass, where governments approve the use of thereby improving color 13 frequency channels. The WT-2A/3A rendition. is sold in countries that authorize only the use of 11 frequency channels.

16 Steady shots — night or day Remote control accessories Battery pack/Remote control/ GPS cable/Wireless transmitter

Remote Cord Remote Cord Remote Cord Extension Cord Connecting Cord MC-36 (0.85m) MC-30 (0.8m) MC-22 (1m) MC-21 (3m) MC-23 (0.4m) for D2 series, D200 for D2 series, D200 for D2 series, D200 for D2 series, D200 for D2 series, D200 Enables remote firing of a Enables remote firing of a Useful for making connections to For use with MC-30 or MC-22. Connects two cameras for simul- camera, and setting of Interval camera with trigger-lock function a shutter-triggering device, such taneous or synchronized shutter Timer and Long Time Exposure. by keeping the shutter release as those activated by an infrared release. Incorporates illuminated LCD button depressed — useful for sensor to take pictures of panel. bulb shooting. wildlife after dark.

Modulite Remote Control Adapter Cord Remote Cord Wireless Remote Control Set ML-3 MC-25 (0.2m) MC-DC1 (1m) ML-L3 for D2 series, D200 for D2 series, D200 for D80 for D80, D40 series The ML-3 offers remote control of Enables use of two-pin remote Enables remote firing of the D80. Enables wireless remote shutter two separate channels via an accessories: Remote Cord release. infrared LED beam to enable auto- MC-4A, Remote Cord MC-12B, matic camera operation from a and Terminal Release MR-3. distance up to about 8m. Features include auto-triggering and delayed shutter release, as well as single and continuous shooting.

AF-3 AF-4 Circular Polarizing Gelatin Filter Holders Slip-in Circular Polarizing Filters Filters AF-3, AF-4 Designed for use with telephoto lenses that provide a slip-in filter By reducing the light reflected These holders accommodate gelatin or glass filters to a thickness of holder, these filters reduce glare from non-metallic surfaces such as from non-metallic surfaces, approx. 2mm. The AF-3 is used with 3-inch square gelatin filters and glass and water. Simply turn the rotating ring on the holder to find polarizing filters allow direct Nikkor lenses having an attachment size of 52/62/67/72/77mm. The the most effective position. These filters do not affect autofocus or shooting through glass windows AF-4 is used with 4-inch square gelatin filters and Nikkor lenses hav- auto exposure operation. Both the C-PL1L and C-PL-3L feature 52mm and minimize glare from water ing an attachment size of 52/62/67/72/77/82/95mm. diameter. surfaces, sunlit trees and grass. Slip-in Circular Polarizing Filters—Compatible lenses Nikon also offers two dedicated hood Compatible with both color and C-PL1L C-PL3L options — the HN-36 for the AF-3 and the AF-S VR 200mm f/2G IF-ED — √ monochrome photography. HN-37 for the AF-4. Several hoods of the AF-S VR 300mm f/2.8G IF-ED √ — AF-S 300mm f/2.8D IF-ED II √ — same diameter can be stacked, depending AF-S 400mm f/2.8D IF-ED II √ — on the focal length of the lens in use. AF-S 500mm f/4D IF-ED II √ — AF-S 600mm f/4D IF-ED II √ — AF-S VR 200-400mm f/4G IF-ED √ — √: Compatible —: Incompatible 17 View with clarity and comfort Viewing attachments

Eyepiece Magnifier Eyepiece Adapter Magnifying Eyepiece Right-Angle Viewing DG-2 DK-22 DK-18 DK-17M Attachment DR-5/DR-6 for D2 series, D200, D80, D40 series for D200, D80, for D2 series for D2 series for D2 series, D200, D80, D40 series D40 series The DG-2 provides 2x magnifica- Attached to a D2 series camera, Provides an upright, unreversed image for right-angle viewing. tion of the central area of the Enables attachment of Eyepiece the DK-17M magnifies the finder Individual eyesight adjustments are possible. The DR-5/DR-6 finder image. Eyesight adjust- Magnifier DG-2 to the camera’s image approximately 1.2 times. allows you to set the reproduction ratio to either 1:1 or 1:2. ment provided. Useful for critical eyepiece. DK-22 is for cameras Diopter adjustment range is The DR-5 is for cameras with a circular eyepiece (D2 Series); the focusing in close-up photogra- with a rectangular eyepiece. widened at both the (+) and (-) DR-6 is for cameras with a rectangular eyepiece (D200, D80, D40 phy. Requires an eyepiece DK-18 is for cameras with a cir- sides. series). An eyepiece adapter is required when attaching the DR-5 adapter. cular eyepiece. to D2 series cameras.

Magnifying Eyepiece Eyepiece Correction Eyepiece Correction Antifog Finder Eyepiece Rubber Eyecup DK-21M Lenses DK-20C Lenses DK-17C DK-17A DK-19 for D200, D80 for D200, D80, D40 series for D2 series for D2 series for D2 series The DK-21M magnifies the D200 An easy-to-use viewing and Five correction lenses from –3 to A transparent plastic plate with Improves viewing comfort and finder image by approximately focusing aid which enables near- +2m-1 for circular-eyepiece cam- a special surface coating that prevents stray light from enter- 1.1 times. and farsighted photographers to eras. reduces fogging. ing the viewfinder and washing view the finder image accurately out contrast. Normal image without having to wear eye- glasses.

With DK-21M Reproduction ratio The reproduction ratio, which indicates the relationship between sub- Interchangeable Focusing Screens ject size and the size of the image on an image sensor, is determined by the distance to the subject and by the lens’ focal length setting. If Reproduction ratios using 50mm lens

Type B Type E Type V Type W

Type B Type E Type V, W 1/8X 1/4X for D2 series for D2 series D2X only Auto Extension Ring: 1/6.5x ~ 1.1x Offers unobstructed viewing and Features grid patterns ideal for With the D2X, corner brackets easy focusing over the entire copying and architectural pho- indicate the rectangular area to matte surface. Good for all gen- tography. be shot in High-speed Crop eral photography. mode. 18 Close in on every subject Close-up accessories (For information on the PB-6 and its limitations, see chart below) Close-up accessories Viewing attachments/ Viewing

Bellows Focusing Extension Bellows Bellows Spacer Slide Copying Adapter Macro Copy Stand Attachment PB-6 PB-6E PB-6D PS-6 PB-6M Renders reproduction ratios from Attaches to the PB-6 for an Enables a D2 series camera to Used with the PB-6 and a Nikkor Attaches to the end of the PB-6 about 1:1 to nearly 11x life-size, astounding magnification of 23x move on the PB-6 rail without lens to make duplicate slides. to convert it into a miniature depending on the lens in use life-size when using a 20mm interference and allows horizon- Cropping of the original slide is copy stand or specimen stage. and whether the lens is mounted wideangle lens in reverse posi- tal/vertical changeover any- possible. in normal or reverse position. tion. With this combination, the where along the rail. Two Focal range of compatible lenses continuously variable extension PB-6Ds are needed when using is from 20mm to 200mm. The range is from 83mm to 438mm. the PB-6; three are needed when lens extension covers the range using the PB-6E. from 48mm to 208mm, for pro- ducing frame-filling images of even the tiniest subjects.

PK-11A PK-12 PK-13

Macro Adapter Ring Adapter Ring Focusing Stage Auto Extension Rings * BR-2A BR-3 PG-2 PK-11A**, PK-12 and PK-13 auto Enables reverse-mounting of A handy adapter that converts Simplifies close-up focusing extension rings fit between the lenses. The BR-2A also increas- the bayonet mount of reverse- when using a tripod-mounted camera body and lens singly or in es the working distance for nor- mounted lenses to the 52mm camera. combinations. When attached to an mal or wideangle lenses. thread used for filters and (For D200, D80, D40 series) AI Nikkor lens, the lens retains PB-6 Compatibility Chart Depending on the camera used, cer- Compatible with lenses having a hoods. automatic diaphragm and meter tain accessories may be required 52mm-sized front attachment. coupling functions. This gives you when using the PB-6. Auto Extension freedom to compose, focus and Rings can increase lens extension. meter at the brightest, fullest aper- D2 series PK-12 or PK-13; ture position without having to stop two PB-6Ds down the lens manually before (depending on shooting. (Exposure meter does not camera position) work with D80, D40 series.) D200 PK-12 or PK-13 D200 with PK-13 and * G-type lenses cannot be used. ** Cannot be used with AF-S lenses. MB-D200 two PB-6Ds the reproduced image is the same size as the subject, the reproduction ratio is one-to-one (1:1 or 1x). If the image is two times larger, the ratio is 2:1 or 2x. Nikon equipment for close-up photography offers a wide range of reproduction ratio capabilities.

1/2X 1X 2X 4X 8X

PB-6 (normal mounting): 1/1.1x ~ 4.0x PB-6 (reverse mounting): 1.4x ~ 3.9x PB-6 + PB-6E (reverse mounting): 1.4x ~ 8.4x 19 SYSTEM DIAGRAM Prepare for the Possibilities

SPEEDLIGHTS (Pp.0-0)(pp4-12) VIEWING VIEWING ATTACHMENT ATTA (PCH

Eyepiece Speedlight Speedlight Speedlight TTL Remote Cord DK-17 SB-800 SB-600 SB-400 SC-28/SC-29 (1.5m) Antifog Finder Eyepiece DK-17A

Close-up Speedlight Close-up Speedlight Commander Kit R1C1 Remote Kit R1 Eyepiece Correction Lenses (SB-800 required) DK-17C (–3 to +2m-1, 5 kinds) Power Bracket Unit High-performance SK-6A (for SB-800) Battery Pack SD-8A Eyepiece Adapter (for SB-800) DK-18

POWER SOURCES (p16) FOCUSING SCREENS (p18)

Rechargeable Quick Charger Type-B Li-ion Battery EN-EL4a MH-21

AC Adapter Type-E EH-6

SPEEDLIGHTS (pp4-12)(Pp.0-0) VIEWING VIEWING ATTACHMENT ATTA (PCH

Rubber Eyecup Speedlight Speedlight Speedlight TTL Remote Cord DK-21 SB-800 SB-600 SB-400 SC-28/SC-29 (1.5m) Magnifying Eyepiece DK-21M Close-up Speedlight Close-up Speedlight Commander Kit R1C1 Remote Kit R1 Eyepiece Correction Lenses DK-20C (–5 to +3m-1, 9 kinds)

Power Bracket Unit High-performance Eyepiece Adapter SK-6A (for SB-800) Battery Pack SD-8A DK-22 (for SB-800)

POWER SOURCES (p16) WIRELESS TRA N

Rechargeable Multi-Power Battery Pack Li-ion Battery MB-D200 EN-EL3e Wireless Transmitter WT-3/3A Quick Charger AC Adapter MH-18a EH-6

SPEEDLIGHTS (pp4-12) VIEWING ATT AC

Rubber Eyecup Speedlight Speedlight Speedlight TTL Remote Cord DK-20 (for D80) SB-800 SB-600 SB-400 SC-28/SC-29 (1.5m) Rubber Eyecup DK-16 (for D40X/D40)

Eyepiece Correction Close-up Speedlight Close-up Speedlight Lenses DK-20C Commander Kit R1C1 Remote Kit R1 (–5 to +3m-1, 9 kinds) (SB-800 required for D40X/D40) Eyepiece Adapter DK-22 Power Bracket Unit High-performance SK-6A (for SB-800) Battery Pack SD-8A (for SB-800) REMOTE ACC ES

Remote Cord MC-DC1 Sync Terminal Adapter (for D80) AS-15

20 TANT (Pp.0-0)CHMENT (p18) TEN-PIN REMOTE ACCESSORIES (p17) CLOSE-UP ACCESSORIES (p19)

Rubber Eyecup Remote Cord Connecting Cord DK-19 MC-36 (0.85m) MC-23 (0.4m)

Magnifying Eyepiece Remote Cord Modulite Remote MC-30 (0.8m) Control Set ML-3 Bellows Focusing Extension Bellows Bellows Spacer DK-17M Attachment PB-6 PB-6E PB-6D

Right-Angle Viewing Remote Cord Adapter Cord Attachment DR-5 MC-22 (1m) MC-25 (0.2m)

Extension Cord GPS Cable Eyepiece Magnifier MC-21 (3m) MC-35 (0.35m) DG-2 Slide Copying Macro Copy Focusing Stage Adapter PS-6 Stand PB-6M PG-2 (for D200, D80, D40X/D40) WIRELESS TRANSMITTER (p16) SOFTWARE (pp13-15)

Capture NX Macro Adapter Adapter Ring Auto Extension Ring Wireless Transmitter Extended Range Camera Control Pro Ring BR-2A BR-3 PK-11A/12/13 WT-2/2A Antenna WA-E1 Image Authentication Software PictureProject

STRAPS

TANT (Pp.0-0)CHMENT (p18) TEN-PIN REMOTE ACCESSORIES (p17)

Eyepiece Cap Remote Cord Connecting Cord DK-5 MC-36 (0.85m) MC-23 (0.4m)

Right-Angle Viewing Remote Cord Modulite Remote AN-6W AN-6Y AN-4Y AN-4B Attachment DR-6 MC-30 (0.8m) Control Set ML-3

Remote Cord Adapter Cord MC-22 (1m) MC-25 (0.2m)

Eyepiece Magnifier Extension Cord GPS Cable MC-21 (3m) MC-35 (0.35m) DG-2 Hand Strap AH-4

RA NSMITTER (p16) SOFTWARE (pp13-15) CAMERA CASE LENS AND BODY CAPS

Capture NX Extended Range Camera Control Pro Antenna WA-E1 Image Authentication Software CF-D200 Front Cap PictureProject Rear Cap LF-1 Body Cap BF-1A

TT ACHMENT (p18) POWER SOURCES (p16) LCD MONITOR COVER Eyepiece Cap Rechargeable Quick Charger Multi-Power DK-5 Li-ion Battery MH-18a Battery Pack EN-EL3e (for D80) (for D80) MB-D80 (for D80) BM-3 (for D2 series) Rechargeable BM-6 (for D200) Right-Angle Viewing Li-ion Battery BM-7 (for D80) Attachment DR-6 EN-EL9 Quick Charger AC Adapter (for D40X/D40) MH-23 EH-5 (for D40X/D40) AC Adapter Eyepiece Magnifier Connector EP-5 DG-2 (for D40X/D40)

CC ESSORIES (p17) SOFTWARE (pp13-15) CAMERA CASES

Capture NX Wireless Remote Control CF-D80 CF-DC1 ML-L3 Camera Control Pro (for D80) (for D40X/D40) PictureProject Note: Some multi-accessory combinations may not be compatible with certain cameras.

21 NIKKOR LENS LINEUP

DX Nikkor Lenses AF Zoom-Nikkor Lenses

AF DX Fisheye-Nikkor AF-S DX Zoom-Nikkor AF-S DX Zoom-Nikkor AF-S Zoom-Nikkor AF Zoom-Nikkor AF Zoom-Nikkor AF-S VR Zoom-Nikkor AF-S Zoom-Nikkor 10.5mm f/2.8G ED 12-24mm f/4G IF-ED 17-55mm f/2.8G IF-ED 17-35mm f/2.8D IF-ED 18-35mm f/3.5-4.5D IF-ED 24-85mm f/2.8-4D IF 24-120mm f/3.5-5.6G IF-ED 28-70mm f/2.8D IF-ED (2.0x) (3.2x) (2.1x) (1.9x) (3.5x) (5.0x) (2.5x)

AF-S DX Zoom-Nikkor AF-S DX Zoom-Nikkor AF-S DX Zoom-Nikkor AF-S VR Zoom-Nikkor AF Zoom-Nikkor AF-S VR Zoom-Nikkor 18-55mm f/3.5-5.6G ED II 18-70mm f/3.5-4.5G IF-ED 18-135mm f/3.5-5.6G IF-ED 70-200mm f/2.8G IF-ED 70-300mm f/4-5.6D ED 70-300mm f/4.5-5.6G IF-ED (3.0x) (3.8x) (7.5x) (2.9x) (4.3x) (4.3x)

AF-S DX VR Zoom-Nikkor AF-S DX Zoom-Nikkor AF-S DX VR Zoom-Nikkor AF Zoom-Nikkor AF VR Zoom-Nikkor AF-S VR Zoom-Nikkor 18-200mm f/3.5-5.6G IF-ED 55-200mm f/4-5.6G ED 55-200mm f/4-5.6G ED 80-200mm f/2.8D ED 80-400mm f/4.5-5.6D ED 200-400mm f/4G IF-ED (11.1x) (3.6x) (3.6x) (2.5x) (5.0x) (2.0x)

AF Single-Focal-Length Nikkor Lenses

AF Nikkor AF Fisheye-Nikkor AF Nikkor AF Nikkor AF Nikkor AF Nikkor AF Nikkor AF Nikkor AF Micro-Nikkor 14mm f/2.8D ED 16mm f/2.8D 20mm f/2.8D 24mm f/2.8D 28mm f/2.8D 35mm f/2D 50mm f/1.4D 50mm f/1.8D 60mm f/2.8D

AF Nikkor AF Nikkor AF DC-Nikkor AF-S VR Micro-Nikkor AF DC-Nikkor AF Nikkor AF-S VR Nikkor 85mm f/1.4D IF 85mm f/1.8D 105mm f/2D 105mm f/2.8G IF-ED 135mm f/2D 180mm f/2.8D IF-ED 200mm f/2G IF-ED

AF Micro-Nikkor AF-S VR Nikkor 300mm AF-S Nikkor 200mm f/4D IF-ED f/2.8G IF-ED 300mm f/4D IF-ED

AF-S Nikkor 400mm f/2.8D IF-ED II

AF-S Teleconverter TC-14E II

AF-S Teleconverter TC-17E II

AF-S Nikkor AF-S Nikkor 500mm f/4D IF-ED II 600mm f/4D IF-ED II AF-S Teleconverter TC-20E II

22 NIKON DIGITAL SLRS You want performance. You need consistency. You’re searching for the best image quality in the business. You’re looking in the right place. Professionals and passionate amateurs around the world understand that Nikon means quality and dependability. Which digital SLR is right for you?

Professional digital SLR: Integrated like no other ● 12.4 effective megapixels for 4,288 x 2,848 pixel images ● Exclusive Nikon DX Format CMOS imaging sensor and high-speed 4-channel independent data output ● Continuous shooting at 5 fps (Full Image) or 8 fps (6.8 megapixel High-speed Crop Image) ● High-speed, high-preci- sion 11-area AF system with 9 cross-type AF sensors ● LCD monitor with 170 degree of view- ing angle ● i-TTL flash control supports the Creative Lighting System ● Quick startup and short 37-millisecond shutter release time lag

Dependable high-speed professional digital SLR ● 4.1 effective megapixels for 2,464 x 1.632 pixel images ● Exclusive Nikon DX Format JFET imaging sensor LBCAST ● Image-processing engine with refined ASIC ● Continuous shooting at approx. 8 fps for up to 50 consecutive JPEG or 40 RAW (NEF) ● High-speed, high-precision 11-area AF system with 9 cross-type AF sensors ● 3D Color Matrix Metering II featuring 1,005- pixel RGB sensor ● i-TTL flash control supports Creative Lighting System

Precision crafted, for the ultimate digital SLR experience ● 10.2 effective megapixels for 3,872 x 2,592 pixel images ● Exclusive Nikon DX Format CCD imaging sensor and high-speed 4-channel independent data output ● Continuous shooting at 5 fps up to 37 consecutive JPEG or 22 RAW (NEF)* ● 3D Color Matrix Metering II featuring 1,005-pixel RGB sensor ● High-performance System LSI ● High-speed, high-precision 11-area AF system ● Built-in Speedlight supports Creative Lighting System * When using a SanDisk SDCFX3 (Extreme III), SDCFH (Ultra II) or Lexar Media 80X WA CompactFlashTM card

High performance that satisfies all shooting styles ● 10.2 effective megapixels for 3,872 x 2,592 pixel images ● Exclusive Nikon DX Format CCD imaging sensor and high resolution image processing engine ● 3D Color Matrix Metering II featuring 420 segment RGB sensor ● Seven automated Digital Vari-Program modes ● Broad ISO-equivalent sensitivity range (100-1,600) ● High-performance i-TTL built-in flash and Creative Lighting System compatibility

Outstanding picture quality that’s easy for everyone ● 10.2 (D40X)/6.1 (D40) effective megapixels; Nikon DX format CCD ● Advanced digital image processor ● 3D Color Matrix Metering II featuring 420-segment RGB sensor ● Intuitive and ergonomically designed control ● Eight automated Digital Vari-Programs, including Auto (Flash Off) mode ● Advanced AF system with refined algorithms ● “Assist Images” to help select appropriate settings for many camera features ● Built-in Flash with i-TTL flash control

23 Microsoft® and Windows® are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. Macintosh® is a registered trademark or a trademark of Apple Inc. in the United States and/or other countries. Specifications and designs are subject to change without any notice or obligation on the part of the manufacturer. ©2006/7 NIKON CORPORATION

TO ENSURE CORRECT USAGE, READ MANUALS CAREFULLY BEFORE USING WARNING YOUR EQUIPMENT

Other Nikon product brochures Brochures are available for all Nikon digital imaging products. Please consult your nearest authorized dealer, or check your local Nikon website via http://nikonimaging.com/global/about/worldwide.htm

D2Xs D2Hs D200 D80 D40X D40 Nikkor Lenses COOLPIX Lineup Capture NX

You can also download brochures at http://nikonimaging.com/global/products/brochure/

http://nikonimaging.com/global/activity/npci/

Visit the Nikon Europe website at: www.europe-nikon.com

Nikon Nordic AB Danish Branch Office Ørestads Boulevard 67-1, DK-2300 København S, Danmark www.nikon.dk Nikon U.K. Ltd. NIKON House, 380 Richmond Road, Kingston, Surrey KT2 5PR, U.K. www.nikon.co.uk Foto Distributors 516 Kyalami Boulevard, Kyalami Business Park, Midrand 1684, South Africa www.nikonsa.co.za NIKON CORPORATION NIKON CANADA INC. 1366 Aerowood Drive, Mississauga, Ontario, L4W 1C1, Canada www.nikon.ca Fuji Bldg., 2-3, Marunouchi 3-chome, Chiyoda-ku, Tokyo 100-8331, Japan http://nikonimaging.com/

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