DIGITAL Slrs
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
This E-Book Is Intended to Be Read on a Computer Screen
This e-book is intended to be read on a computer screen. You can print the e-book for your own use. However, it will have a copyright watermark notice at the bottom of each page. Table of contents and Foreword I am pleased that you purchased one of our “Pentax K-7 – Everything you need to know…..and then some” book. As an enthusiastic photographer for many years, I have had many Pentax cameras. My first “new” camera was a Pentax Spotmatic, purchased when I was still in Junior High. When Pentax stepped into the Digital SLR market, I was delighted. Their first few DSLRs (The *ist series) were the smallest DSLRs on the market but were not particularly special with the 6MP CCD. When the K10D was introduced, everything changed and Pentax was suddenly a major player. The K10D was a breakthrough, in my opinion. It had the capabili- ties of Professional DSLRs with the price of entry-level DSLRs. It had some unique features found nowhere else at any price. In January of 2008, Pentax an- nounced the K20D. It was not a revolution as the K10D was, but it certainly was an evolution of the revolution. The K200D and the K2000/KM followed with no exceptional or marginal improvements. On May 20, 2009, Pentax made history again by introducing the Pentax K-7. This time, it is definitely another revolu- tion, and maybe bigger than the K10D was when introduced. Once again, Pentax engineers have pushed the envelope and designed a DSLR with more features than any camera in it’s price range. -
Canon EOS 1D
C J C GETTING THE MOST FROM YOUR EOS-1 CLASS DIGITAL SLR TIPS AND TECHNIQUES: CAMERA HANDLING & MAXIMUM IMAGE QUALITY OVERVIEW Canon’s EOS-1 class digital SLRs (EOS-1D, EOS-1Ds, EOS-1D Mark II and EOS-1Ds Mark II) are clearly the company’s highest quality and most powerful digital SLRs to date. Thanks to their key attributes of EF Lens compatibility, Canon CMOS sensor technology and DIGIC/DIGIC II Image Processors, EOS-1 class digital SLRs produce images with exceptionally low noise, excellent detail and superb color. As with any professional camera system, there are numerous variables in camera operation, lens selection and image quality optimization that must be clearly understood and mastered by the user in order to achieve the best possible results. The purpose of this document is to identify the factors that affect the autofocus (AF) performance and image quality aspects of EOS-1 class digital SLRs, and provide tips and techniques on getting the most out of this powerful camera and lens system. We have intentionally provided detailed explanations to clarify the reasoning behind our recommendations, but at the beginning of the document there is also a brief summary of the main points for your convenience. Thank you for using Canon products! We want you to know that we sincerely appreciate your patronage. OVERVIEW 2 QUICK REFERENCE GUIDE Camera Operation Tips Select focusing points manually: Selecting the focusing point manually speeds up the autofocus system because the camera does not have to decide which focus point or points to use. Manual focusing point selection also allows you to control exactly where the camera is focusing. -
Lumix DMC-G1.Pdf
Ultra-Compact Digital Interchangeable Lens Camera The LUMIX G1 is as easy to use as a compact digital camera, with the stunning photo quality of a digital SLR camera. It's a new-generation digital interchangeable lens camera that does away with the mirror box and complies with the new Micro Four Thirds System standard. It also features Full-time Live View for compact digital camera shooting ease, and iA (Intelligent Auto) mode for beautiful photos with point-and-shoot simplicity. In short, the G1 writes an entirely new chapter in the evolution of the digital interchangeable lens camera. And it lets you enjoy all this expressive power from the moment you first pick it up. With the G1 in hand, every day is a new chance for discovery. Anne, NEW WAY an art teacher Full-time Live View Lets You Take It Easy Casual, everyday shooting is now its own art form. I decided to upgrade from a compact digital camera to a digital SLR camera when the first of my two girls started kindergarten. But to tell the truth, I was afraid a digital SLR camera would be hard to use. Not the G1. I look at the LCD to frame my shot – just like with my compact camera – and press the shutter button when I like what I see. In addition, it is handy and small! What could be simpler and smaller? And the photos are so beautiful, you'd think they were shot by a professional. The G1 has been a lot of fun, for both me and my children. -
Preliminary Catalog 02 LUMIX G X VARIO 12-35Mm / F2.8 ASPH
Specifications Type Digital Single Lens Mirrorless camera Clear Portrait / Silky Skin / Backlit Softness / Clear in Backlight / Relaxing Tone / Sweet Child's Face / Distinct Scenery / Bright Blue Sky / Romantic Sunset Glow / Vivid Sunset SD Memory Card, SDHC Memory Card, Recording media Still image Glow / Glistening Water / Clear Nightscape / Cool Night Sky / Warm Glowing Nightscape / SDXC Memory Card (Compatible with UHS-I standard SDHC / SDXC Memory Cards) TYPE Artistic Nightscape / Glittering Illuminations / Clear Night Portrait / Soft Image of a Flower Image sensor size 17.3 x 13.0 mm (in 4:3 aspect ratio) SCENE / Appetizing Food / Cute Dessert / Freeze Animal Motion / Clear Sports Shot / Monochrome Lens mount Micro Four Thirds mount GUIDE Clear Portrait / Silky Skin / Backlit Softness / Clear in Backlight / Relaxing Tone / Sweet Child's Face / Distinct Scenery / Bright Blue Sky / Romantic Sunset Glow / Vivid Type Live MOS Sensor Motion picture Sunset Glow / Clear Nightscape / Cool Night Sky / Warm Glowing Nightscape / Artistic Nightscape / Clear Night Portrait / Appetizing Food / Cute Dessert / Freeze Animal Total pixels 17.20 Megapixels Motion / Clear Sports Shot / Monochrome IMAGE Camera effective pixels 16.05 Megapixels BURST SH: 20 frames/sec, H: 6 frames/sec, SENSOR Burst speed SHOOTING M: 4 frames/sec [with Live View], L: 2 frames/sec [with Live View] Color filter Primary color filter TTL Built-in-Flash, GN12 equivalent (ISO 100 •m)/GN17 equivalent (ISO 200 •m) Built-in Built in flash type Dust reduction system Supersonic wave filter Pop-up (Reference) Auto, Auto/Red-eye Reduction [when iA, iA+], Forced On, Forced On/Red-eye Reduction, Still Image: JPEG(DCF, Exif 2.3), RAW, MPO (When attaching 3D lens in Micro Four Thirds standard) Flash mode Recording file format Slow Sync., Slow Sync./Red-eye Reduction Motion Image: AVCHD Ver2.0 compliant (AVCHD Progressive), MPEG4-AVC(H.264). -
Getting the Right Gear
Chapter 1 Getting the Right Gear In This Chapter ▶ Picking the right camera for the job ▶ Complementing your camera with accessories ports and action photography is like most things in Slife — if you want to be the best at it, you need to have the best gear. Luckily for you, lots of options are available when determining the best gear based on your level of experi- ence and expertise. In this chapter, I help you determine what you’re going to need — including what type of camera and any necessary accessories — based on what you plan on photographing and how comfortable you are behind the lens. The Internet contains a wealth of information, but nothing beats asking other photographers what they’re using. You can share in their camera jubilation or avoid the same pitfalls that they fell into by purchasing that “bargain” point-and-shoot camera that didn’t turn out to be such a bargain after all. ChoosingCOPYRIGHTED the Best Camera MATERIAL for the Job at Hand Whether you’ll be taking photographs at your daughter’s soccer game or trying to make a career out of sports photography, having the right camera for the situation will make all the difference. In the past, very few affordable cameras could capture action as well as the pro’s gear. However, today’s market is full of completely viable options, 003_9781118385302-ch01.indd3_9781118385302-ch01.indd 3 88/31/12/31/12 11:51:51 PMPM 4 Sports & Action Photography In A Day For Dummies from professional dSLRs (digital single-lens reflex), to compact point-and-shoots that you can take everywhere you go, to smartphones with surprisingly impressive cameras good for the candid shots on the go. -
Stunning Photography Is Just a Step Away Magnifi Cation Approx
Nikon Digital SLR Camera D60 Specifications Type Focus Type Single-lens refl ex digital camera Autofocus Nikon Multi-CAM 530 autofocus sensor module with TTL phase detection, 3 focus points Lens mount Nikon F mount (with AF contacts) and AF-assist illuminator (range approx. 1 ft. 8 in.-9 ft. 10 in./0.5-3 m) Effective picture angle Approx. 1.5 x lens focal length (Nikon DX format) Detection range -1 to +19 EV (ISO 100, 68°F/20°C) Effective pixels Lens servo • Autofocus: Single-servo AF (S), Continuous-servo AF (C), Auto-servo AF (A), Predictive Effective pixels 10.2 million focus tracking automatically activated according to subject status in single- and continuous-servo AF Image sensor • Manual focus: Electronic rangefi nder can be used Image sensor 23.6 x 15.8 mm CCD sensor Focus point Selectable from three focus points Total pixels 10.75 million AF-area mode Single-point AF, dynamic-area AF, Closest subject AF Dust-reduction system Image Sensor Cleaning, Airfl ow Control System, Image Dust Off reference data (optional Focus lock Focus can be locked by pressing shutter-release button halfway (single-servo AF) or by Capture NX software required) pressing AE-L/AF-L button Storage Flash Image size (pixels) 3,872 x 2,592 [L], 2,896 x 1,944 [M], 1,936 x 1,296 [S] Built-in fl ash • Guide number of 39/12 (ft/m, ISO 100, 68°F/20°C) or 43/13 in manual mode (ft/m, ISO File format • NEF (RAW): 12-bit compressed 100, 68°F/20°C) • JPEG: JPEG-Baseline compliant with fi ne (approx. -
Nikon D2hs Brochure
Nikon Digital SLR Camera D2Hs Specifi cations Type of Camera Lens-interchangeable digital SLR camera Exposure Metering TTL full-aperture exposure metering system; Effective Pixels 4.1 million System 1) D-/G-type Nikkor lenses support 3D-Color Matrix Metering II using the Image Sensor JFET image sensor LBCAST, 23.3 x 15.5mm size, 4.26 million total pixels 1,005-pixel RGB Sensor while other AF Nikkor lenses with built-in CPUs Recording Pixels [L] 2,464 x 1,632-pixel / [M] 1,840 x 1,224-pixel support Matrix Metering (Non-CPU lenses require manual input of lens data) Sensitivity ISO equivalency 200 to 1600 (Hi-1 and Hi-2 available) 2) Center-Weighted Metering (75% of the meter’s sensitivity concentrated on the Storage System NEF (12-bit uncompressed or compressed RAW), 8mm dia. circle) given to 6, 10 or 13mm dia. circle in center of frame, or weighting Exif 2.21, DCF 2.0 and DPOF compliant based on average of entire frame (uncompressed TIFF-RGB or compressed JPEG) 3) Spot Metering (3mm dia. circle, approx. 2% of entire frame); metering position Storage Media CompactFlash™ (CF) Card (Type I / II) and Microdrive™ can be linked to the focus area when using Nikkor lenses with built-in CPU Shooting Modes 1) Single frame shooting [S] mode: advances one frame for each shutter release Exposure Metering 1) 3D-Color Matrix Metering II: EV 0 to 20 2) Continuous high shooting [CH ] mode: 8 frames per second (fps) Range 2) Center-Weighted Metering: EV 0 to 20 [up to 50 (JPEG)/40 (TIFF)/40 (RAW:NEF) consecutive shots] 3) Spot Metering: EV 2 to 20 [at normal -
CMOS Active Pixel Sensor for Fault Tolerance and Background Illumination Subtraction
CMOS ACTIVE PIXEL SENSOR DESIGNS FOR FAULT TOLERANCE AND BACKGROUND ILLUMINATION SUBTRACTION Desmond Yu Hin Cheung B.A.Sc. Simon Fraser University 2002 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF APPLIED SCIENCE in the School of Engineering Science O Desmond Yu Hin Cheung 2005 SIMON FRASER UNIVERSITY Summer 2005 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL Name: Desmond Yu Hin Cheung Degree: Master of Applied Science Title of Thesis: CMOS Active Pixel Sensor for Fault Tolerance and Background Illumination Subtraction Examining Committee: Chair: Dr. Faisal Beg Assistant Professor Dr. Glenn Chapman Senior Supervisor Professor Dr. Ash Parameswaran Supervisor Professor Dr. Karim Karim Examiner Assistant Professor Date Approved: J,,,,p 13 zoos SIMON FRASER UNIVERSITY PARTIAL COPYRIGHT LICENCE The author, whose copyright is declared on the title page of this work, has granted to Simon Fraser University the right to lend this thesis, project or extended essay to users of the Simon Fraser University L~brary, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its OWTI behalf or for one of its users. The author has hrther granted permission to Simon Fraser University to keep or make a digital copy for use in its circulating collection. The author has further agreed that permission for multiple copying of this work for scholarly purposes may be granted by either the author or the Dean of Graduate Studies. -
Expand Your Creative Playground Contents
Expand your creative playground Contents Superior performance in diverse scenes. 6-7 FX-Format image sensor and NIKKOR lenses ISO 100-51200. © ful.fi lled © Mattia Bonavida © Mattia Bonavida 8-9 273-point AF system. Eye-detection AF & Animal-detection AF. 5.0-stop in-camera VR. 10-11 NIKKOR Z 24-50mm f/4-6.3. NIKKOR Z 24-70mm f/4 S. NIKKOR Z 24-200mm f/4-6.3 VR. Intuitive operation your style. 12-13 Creative picture controls. Multiple exposure. © ful.fi lled Silent photography function. © Mattia Bonavida 14-15 Electronic viewfi nder. Tilting touch screen monitor. P menu. 16-17 Nikon’s ergonomics. Robustness with anti-weather / dust sealing. Long battery life & USB power delivery. Snapbridge. © Jordi Koalitic © Jordi Koalitic Wide-ranging options to go further. 18-19 4K UHD videos. 4K UHD time-lapse movie. Accessories. 20 Nomenclature. 21 System chart. 22 Specifi cations. © John Wingfi eld © John Wingfi eld © Shohki Eno © Shohki Eno The FX sensor and NIKKOR® Z combo unlocks your hidden potential. Why do you create? Whatever your reasons, do full justice to your creative voice with new range of possibilities from impressive portraits with beautiful bokeh to richly striking, high-quality images brought by the combination of a full-frame sensor and colored landscape shots – all from a portable, tough, easy-to-handle body. City or superb NIKKOR® Z lenses. An ode to every kind of creator, the Z 5 gives you a whole nature, day or night, wherever inspiration strikes – the world is your playground. 4 5 Eye-catching bokeh and remarkable low-light performance. -
Owner's Manual
Turning ordinary moments into extraordinary pictures Owner’s Manual Revision 1.10 Copyright 2013 Cognisys, Inc. 1 Table of Contents 1. SAFETY INSTRUCTIONS .................................................................................................................................. 5 2. GETTING STARTED ......................................................................................................................................... 5 2.1 THE STOPSHOT CONTROLLER .............................................................................................................................. 5 2.2 GETTING FAMILIAR WITH STOPSHOT ..................................................................................................................... 6 2.3 CONNECTING STOPSHOT - BEAM SENSOR - (LASER OR IR)......................................................................................... 9 2.4 CONNECTING STOPSHOT – MULTIPLE FLASHES ..................................................................................................... 10 2.5 CONNECTING STOPSHOT – SHUTTER INTERFACE SWITCH ........................................................................................ 12 2.6 NAVIGATING STOPSHOT ................................................................................................................................... 13 3. DETAILED OPERATION ................................................................................................................................. 14 3.1 OVERVIEW .................................................................................................................................................... -
Megapixels and Sensors: Is Bigger Really Better? Seven Or Eight Megapixels Is the Current Standard on Most Point-And-Shoot Cameras
POINT & SHOOT DIGitAL CAMERAS B UYING Digital Cameras Digital Store & Mail Order Hours: Sunday: 10:00 am – 5:00 pm Monday - Thursday: 9:00 am – 7:00 pm Friday: 9:00 am – 1:00 pm EST, 2:00 pm DST Saturday: Closed 800-947-9950 212-444-6600 420 Ninth Avenue @ 34th Street New York, NY 10001 INTRODUCTION 4 TYPES OF CAMERA USERS 6 ENTRY LEVEL 8 ADVANCED 10 PRO 12 MEGAPIXELS 14 Digital Cameras bhphotovideo.com FEATURES & ACCESSORIES 16 Quick searches and live support help you get everything you want and exactly what you need. Create an account, make a wish KEY FEATURES 22 list, and sign up for our newsletter, all in our secure environment. Introduction Today’s point-and-shoot cameras are convenient, simple, and small enough to fit in the palm of your hand. Stash one in your jacket pocket and you won’t miss a moment. Advances in camera technology now enable image capture at faster speeds. Some have bells and whistles specifically tailored to the needs of photographers—from built-in waterproof casings to in-camera panorama stitching. Manufacturers offer several models, from simple to sophisticated, to meet a wide variety of picture-taking needs. But with all the digital cameras out there, how do you even begin to pick the one that’s right for you? First consider budget. Point-and-shoot cameras range from $79 on upwards to $800. A lower-priced camera might have all the basic features you need. Or, you might want to invest more for a camera with beefy manual controls. -
User's Manual
Autofocus Speedlight User’s Manual No reproduction in any form of this manual, in whole or in part (except for brief quotation in critical articles or reviews), may be made without written authorization from NIKON CORPORATION. AMA14349 Nikon Manual Viewer 2 Install the Nikon Manual Viewer 2 app on Printed in Europe your smartphone or tablet to view Nikon digital camera manuals, anytime, anywhere. Nikon TT5E05(11) En Manual Viewer 2 can be downloaded free of charge 8MSA4511-05 from the App Store and Google Play. En About the SB-910 and This User’s Manual Thank you for purchasing the Nikon Speedlight SB-910. To get the most out of your A Speedlight, please read this user’s manual thoroughly before use. Keep this manual handy for quick reference. How to find what you are looking for i Table of contents (0A-11) Preparation You can search by item, such as operation method, fl ash mode or function. i Q&A index (0A-9) You can search according to objective without knowing the specifi c name or term of an item. i Index (0H-22) You can search using the alphabetical index. i Troubleshooting (0H-1) This is handy when there is a problem with your Speedlight. For your safety Before using the Speedlight for the fi rst time, read the safety instructions in “For Your Safety” (0A-14 – A-18). A–2 Included items A Check that all items listed below are included with the SB-910. If any items are missing, inform the store where the SB-910 was purchased or the seller immediately.