Owner's Manual

Total Page:16

File Type:pdf, Size:1020Kb

Owner's Manual Turning ordinary moments into extraordinary pictures Owner’s Manual Revision 1.10 Copyright 2013 Cognisys, Inc. 1 Table of Contents 1. SAFETY INSTRUCTIONS .................................................................................................................................. 5 2. GETTING STARTED ......................................................................................................................................... 5 2.1 THE STOPSHOT CONTROLLER .............................................................................................................................. 5 2.2 GETTING FAMILIAR WITH STOPSHOT ..................................................................................................................... 6 2.3 CONNECTING STOPSHOT - BEAM SENSOR - (LASER OR IR)......................................................................................... 9 2.4 CONNECTING STOPSHOT – MULTIPLE FLASHES ..................................................................................................... 10 2.5 CONNECTING STOPSHOT – SHUTTER INTERFACE SWITCH ........................................................................................ 12 2.6 NAVIGATING STOPSHOT ................................................................................................................................... 13 3. DETAILED OPERATION ................................................................................................................................. 14 3.1 OVERVIEW ..................................................................................................................................................... 14 3.2 GAIN CONTROL ............................................................................................................................................... 15 3.3 GLOBAL CONFIGURATION ................................................................................................................................. 16 3.3.1 Global Trigger Mode Overview .............................................................................................................. 16 3.3.2 Loading/Saving configurations .............................................................................................................. 17 3.3.3 Load Defaults ......................................................................................................................................... 18 3.3.4 Backlighting ........................................................................................................................................... 18 3.3.5 Sensor Power Off ................................................................................................................................... 19 3.3.6 Power Off Duration ................................................................................................................................ 19 3.3.7 Sequential Timeout ................................................................................................................................ 20 3.4 OUTPUT CONFIGURATION ................................................................................................................................. 21 3.5 INDEPENDENT TRIGGERING ............................................................................................................................... 22 3.5.1 Overview ................................................................................................................................................ 22 3.5.2 Manual ................................................................................................................................................... 22 3.5.3 Trigger .................................................................................................................................................... 23 3.5.4 Cross-Beam sensor modes ..................................................................................................................... 26 3.5.5 Ballistics ................................................................................................................................................. 28 3.6 SEQUENTIAL TRIGGERING.................................................................................................................................. 31 3.6.1 Overview ................................................................................................................................................ 31 3.6.2 Manual Trigger ...................................................................................................................................... 33 3.6.3 Input Trigger .......................................................................................................................................... 33 3.6.4 Delayed Trigger ...................................................................................................................................... 33 3.7 TIME-LAPSE ................................................................................................................................................... 36 3.8 SHUTTER LAG MEASUREMENT ........................................................................................................................... 38 4. WIRING EXTERNAL DEVICES ........................................................................................................................ 40 4.1 SENSOR/MIC INPUTS ....................................................................................................................................... 40 4.2 TRIGGER OUTPUTS .......................................................................................................................................... 41 4.3 ACTIVATING RELAYS......................................................................................................................................... 42 4.4 CROSS-BEAM SENSOR ...................................................................................................................................... 42 2 5. SETUP EXAMPLES ........................................................................................................................................ 45 5.1 THE STOPSHOT WATER DROP KIT ...................................................................................................................... 45 5.1.1 The Big Picture ....................................................................................................................................... 46 5.1.2 Water Drop Kit Assembly ....................................................................................................................... 47 5.1.3 Water Drop Kit Electrical Connections ................................................................................................... 49 5.1.4 Configure StopShot ................................................................................................................................ 50 5.2 WATER DROP KIT QUICK-START ......................................................................................................................... 55 5.3 BALLISTICS – TIPS AND TRICKS ........................................................................................................................... 56 5.4 WILDLIFE ....................................................................................................................................................... 57 5.4.1 Lions, Tigers, and Bear ........................................................................................................................... 57 5.4.2 The Catch-All .......................................................................................................................................... 58 6. ANIMATED TIME-LAPSE MOVIES ................................................................................................................. 61 7. TROUBLESHOOTING .................................................................................................................................... 62 8. SPECIFICATIONS .......................................................................................................................................... 63 9. ACCESSORIES ............................................................................................................................................... 64 10. WARRANTY ............................................................................................................................................. 74 11. GLOSSARY ............................................................................................................................................... 75 12. REVISION HISTORY .................................................................................................................................. 77 3 Table of Figures Figure 1 - StopShot Controller ...................................................................................................................... 5 Figure 2 – Connecting the Beam Sensor ..................................................................................................... 10 Figure 3 - Connecting two flashes to a single output ................................................................................. 11 Figure 4 - Connecting multiple flashes with the Flash Splitter ................................................................... 11 Figure 5 - Shutter Interface Switch (Canon) ...............................................................................................
Recommended publications
  • Canon EOS 1D
    C J C GETTING THE MOST FROM YOUR EOS-1 CLASS DIGITAL SLR TIPS AND TECHNIQUES: CAMERA HANDLING & MAXIMUM IMAGE QUALITY OVERVIEW Canon’s EOS-1 class digital SLRs (EOS-1D, EOS-1Ds, EOS-1D Mark II and EOS-1Ds Mark II) are clearly the company’s highest quality and most powerful digital SLRs to date. Thanks to their key attributes of EF Lens compatibility, Canon CMOS sensor technology and DIGIC/DIGIC II Image Processors, EOS-1 class digital SLRs produce images with exceptionally low noise, excellent detail and superb color. As with any professional camera system, there are numerous variables in camera operation, lens selection and image quality optimization that must be clearly understood and mastered by the user in order to achieve the best possible results. The purpose of this document is to identify the factors that affect the autofocus (AF) performance and image quality aspects of EOS-1 class digital SLRs, and provide tips and techniques on getting the most out of this powerful camera and lens system. We have intentionally provided detailed explanations to clarify the reasoning behind our recommendations, but at the beginning of the document there is also a brief summary of the main points for your convenience. Thank you for using Canon products! We want you to know that we sincerely appreciate your patronage. OVERVIEW 2 QUICK REFERENCE GUIDE Camera Operation Tips Select focusing points manually: Selecting the focusing point manually speeds up the autofocus system because the camera does not have to decide which focus point or points to use. Manual focusing point selection also allows you to control exactly where the camera is focusing.
    [Show full text]
  • Getting the Right Gear
    Chapter 1 Getting the Right Gear In This Chapter ▶ Picking the right camera for the job ▶ Complementing your camera with accessories ports and action photography is like most things in Slife — if you want to be the best at it, you need to have the best gear. Luckily for you, lots of options are available when determining the best gear based on your level of experi- ence and expertise. In this chapter, I help you determine what you’re going to need — including what type of camera and any necessary accessories — based on what you plan on photographing and how comfortable you are behind the lens. The Internet contains a wealth of information, but nothing beats asking other photographers what they’re using. You can share in their camera jubilation or avoid the same pitfalls that they fell into by purchasing that “bargain” point-and-shoot camera that didn’t turn out to be such a bargain after all. ChoosingCOPYRIGHTED the Best Camera MATERIAL for the Job at Hand Whether you’ll be taking photographs at your daughter’s soccer game or trying to make a career out of sports photography, having the right camera for the situation will make all the difference. In the past, very few affordable cameras could capture action as well as the pro’s gear. However, today’s market is full of completely viable options, 003_9781118385302-ch01.indd3_9781118385302-ch01.indd 3 88/31/12/31/12 11:51:51 PMPM 4 Sports & Action Photography In A Day For Dummies from professional dSLRs (digital single-lens reflex), to compact point-and-shoots that you can take everywhere you go, to smartphones with surprisingly impressive cameras good for the candid shots on the go.
    [Show full text]
  • Megapixels and Sensors: Is Bigger Really Better? Seven Or Eight Megapixels Is the Current Standard on Most Point-And-Shoot Cameras
    POINT & SHOOT DIGitAL CAMERAS B UYING Digital Cameras Digital Store & Mail Order Hours: Sunday: 10:00 am – 5:00 pm Monday - Thursday: 9:00 am – 7:00 pm Friday: 9:00 am – 1:00 pm EST, 2:00 pm DST Saturday: Closed 800-947-9950 212-444-6600 420 Ninth Avenue @ 34th Street New York, NY 10001 INTRODUCTION 4 TYPES OF CAMERA USERS 6 ENTRY LEVEL 8 ADVANCED 10 PRO 12 MEGAPIXELS 14 Digital Cameras bhphotovideo.com FEATURES & ACCESSORIES 16 Quick searches and live support help you get everything you want and exactly what you need. Create an account, make a wish KEY FEATURES 22 list, and sign up for our newsletter, all in our secure environment. Introduction Today’s point-and-shoot cameras are convenient, simple, and small enough to fit in the palm of your hand. Stash one in your jacket pocket and you won’t miss a moment. Advances in camera technology now enable image capture at faster speeds. Some have bells and whistles specifically tailored to the needs of photographers—from built-in waterproof casings to in-camera panorama stitching. Manufacturers offer several models, from simple to sophisticated, to meet a wide variety of picture-taking needs. But with all the digital cameras out there, how do you even begin to pick the one that’s right for you? First consider budget. Point-and-shoot cameras range from $79 on upwards to $800. A lower-priced camera might have all the basic features you need. Or, you might want to invest more for a camera with beefy manual controls.
    [Show full text]
  • High ISO Heroes Which APS-C and Full-Frame Cameras Perform the Best in Poor Light?
    Saturday 4 February 2017 High ISO heroes Which APS-C and full-frame cameras perform the best in poor light? All-new Passionate about photography since 1884 BUYING GUIDE COMPLETE GUIDE 550 cameras & lenses listed ISO & rated and How to get pictures as good as this at high ISO Get great low light images and keep noise right down ● What ISO and when ● Best noise removers ● Settings of the pros Digital ISO demystified Fujifilm Where noise comes from first look and how it relates to X-T20 mirrorless & sensor size & resolution X100F compact The high ISO king? We see how Nikon’s D5 copes with ice-hockey boot camp Ice on the black sand beach at Jökulsárlón.raw ON THE ICE BEACH IT’S A DARK, SOMBRE WINTER’S DAY. The grey cloud is low, and the rain is steady, but the muted light is just perfect for the subject matter all around me, namely waves lapping around the artfully sculpted blocks of ice on the black sand. Now I’ve seen many images of this unique combination before – it’s an Icelandic photographic staple – but there’s no resisting the appeal of such stark, elemental beauty. In fact it’s a beauty that is enhanced by the flat lighting, a cold scene of black and blue with simple graphic appeal. But as so often is the case here in Iceland the conditions are difficult: apart from the rain, salty spray is being driven inshore off the waves and onto my increasingly crusty camera, lens and filter. So be it, such adversity is now familiar.
    [Show full text]
  • The Shutter Lag of Cameras - the Project
    The shutter lag of cameras v s t 풔 = 풗 ∗ 풕 02.2020 © Copyright eltima electronic 2018 2 Table of Contents Table of Contents Table of Contents ...................................................................................................................................................... 2 The shutter lag of cameras - the project.................................................................................................................... 3 Legal Notices .................................................................................................................................................................... 3 The shutter lag ................................................................................................................................................................. 3 The variation of the shutter lag ...................................................................................................................................... 3 The operating modes of the cameras ............................................................................................................................ 4 The behaviour of the cameras summarized .................................................................................................................. 4 What should be done? .................................................................................................................................................... 4 The measuring method ..................................................................................................................................................
    [Show full text]
  • Autofocus Measurement for Imaging Devices
    Autofocus measurement for imaging devices Pierre Robisson, Jean-Benoit Jourdain, Wolf Hauser Clement´ Viard, Fred´ eric´ Guichard DxO Labs, 3 rue Nationale 92100 Boulogne-Billancourt FRANCE Abstract els of the captured image increases with correct focus [3], [2]. We propose an objective measurement protocol to evaluate One image at a single focus position is not sufficient for focus- the autofocus performance of a digital still camera. As most pic- ing with this technology. Instead, multiple images from differ- tures today are taken with smartphones, we have designed the first ent focus positions must be compared, adjusting the focus until implementation of this protocol for devices with touchscreen trig- the maximum contrast is detected [4], [5]. This technology has ger. The lab evaluation must match with the users’ real-world ex- three major inconveniences. First, the camera never can be sure perience. Users expect to have an autofocus that is both accurate whether it is in focus or not. To confirm that the focus is correct, and fast, so that every picture from their smartphone is sharp and it has to move the lens out of the right position and back. Sec- captured precisely when they press the shutter button. There is ond, the system does not know whether it should move the lens a strong need for an objective measurement to help users choose closer to or farther away from the sensor. It has to start moving the best device for their usage and to help camera manufacturers the lens, observe how contrast changes, and possibly switch di- quantify their performance and benchmark different technologies.
    [Show full text]
  • Sample Manuscript Showing Specifications and Style
    Electronic trigger for capacitive touchscreen and extension of ISO 15781 standard time lag measurements to smartphones François-Xavier Bucher, Frédéric Cao, Clément Viard, Frédéric Guichard DxO Labs, 3 rue Nationale, 92100 Boulogne Billancourt, FRANCE ABSTRACT We present in this paper a novel capacitive device that stimulates the touchscreen interface of a smartphone (or of any imaging device equipped with a capacitive touchscreen) and synchronizes triggering with the DxO LED Universal Timer to measure shooting time lag and shutter lag according to ISO 15781:2013. The device and protocol extend the time lag measurement beyond the standard by including negative shutter lag, a phenomenon that is more and more commonly found in smartphones. The device is computer-controlled, and this feature, combined with measurement algorithms, makes it possible to automatize a large series of captures so as to provide more refined statistical analyses when, for example, the shutter lag of “zero shutter lag” devices is limited by the frame time as our measurements confirm. Keywords: Image quality evaluation, Smartphone, Capacitive touchscreen, Shutter release time lag, Shutter lag, Shooting time lag, Latency, Autofocus speed 1. INTRODUCTION Most users expect to capture the image they see when pressing the camera trigger, but most cameras have a noticeable delay between the moment the trigger is pressed and when the image is actually captured. This delay is particularly noticeable in candid, spontaneous, and action or sports photography. Shooting time lag is the delay between the time the shutter is pressed and the time the image is acquired. The delay is caused by many-time consuming control operations within the camera such as auto-exposure, autofocus, and stabilization start-up.
    [Show full text]
  • AR0835HS 1/3.2‐Inch 8 Mp CMOS Digital Image Sensor
    AR0835HS AR0835HS 1/3.2‐inch 8 Mp CMOS Digital Image Sensor Table 1. KEY PERFORMANCE PARAMETERS Parameter Value www.onsemi.com Array Format 8 Mp: 3264 × 2448 6 Mp: 3264 × 1836 Primary Modes 4:3 − 8 Mp 46 fps Max (HiSPi) and 42 fps Max (MIPI) 16:9 − 6 Mp at 60 fps Max 1080p 60 fps / 720p 120 fps Max Pixel Size 1.4 mm Back Side Illuminated (BSI) CLCC48 10 y 10 Optical Format 1/3.2″ CASE 848AJ Die Size 6.86 mm × 6.44 mm (Area: 44.17 mm2) Input Clock Frequency 6−27 MHz ORDERING INFORMATION Interface HiSPi Mode: 4 lanes at 1 Gbps Max. See detailed ordering and shipping information on page 2 of MIPI Mode: CSI−2 (2, 3, 4 lanes) at this data sheet. 896 Mbps max. Subsampling Modes X − Bin2, Sum2 Skip: 2×, 4× Features (Continued) Y − Sum2, Skip: 2×, 4×, 8× • Data Output Serial Interface: Four-lane Output Data Depth 10-bit Raw, 10-to-8 bit A-Law, 8/6-bit DPCM High-speed Serial Pixel Interface (HiSPi) or × × × × × × Analog Gain 1 , 2 , 3 , 4 , 6 , 8 Mobile Industry Processor Interface (MIPI) × High Quality Bayer Scalar Adjustable Scaling Up to 1/6 Scaling • Bit-depth Compression Available for Serial Temperature Sensor 10-bit, Single Instance on Chip, Interface: 10-to-8 and 10-6 Bit Compression Controlled by Two-wire Serial I/F to Enable Lower Bandwidth Receivers for VCM AF Driver 8-bit Resolution with Slew Rate Control Full Frame Rate Applications 3−D Support Frame Rate and Exposure Synchronization • On-chip Temperature Sensor Supply Voltage • On-die Phase-locked Loop (PLL) Oscillator Analog 2.5−3.1 V (2.8 V Nominal) Digital 1.14−1.3 V (1.2 V Nominal)
    [Show full text]
  • 121 Digital Frames
    PHOTOGRAPHY 121 800-947-7785 | 212-444-6635 Digital Frames Digital Photo Frames More than just a digital frame, these are Digital Lifestyle Devices PanImage 7- and 8-inch Digital Photo Frames View pictures, listen to music and watch home videos on these true The PanImage 7” and 8” frames feature 800 x 600 resolution, color LCDs. Insert an SD /SDHC card or USB drive into the frame and hold up to 6400 images on 1GB of internal memory and are picutures automatically start in a slideshow mode. Easily transfer files WiFi/Bluetooth compatible. Built-in stereo speakers allows for a from your computer to the frames’ built-in memory with the included full multimedia experience. They allow you to transfer images USB 2.0 cable. Display on a table top with the included frame stand directly from a memory card via 5-in-1 card reader or from PC or mount on your wall — great for digital signage. They include a with included USB cable. Customize the look of your frame with remote control for easy operation the interchangeable white and charcoal mats. They also feature 8-inch: 512MB Memory, 800 x 600 resolution (ALDPF8) ............................................................52.99 a real time clock, calendar, alarm, audio out port, programmable 8-inch: Same as above, without speakers and no remote (ALDPF8AS) .........................................40.96 On/Off, and image rotate/resize. 12-inch: 512MB Memory, 800 x 600 resolution (ALDPF12) .........................................................95.00 7-inch Frame (PADPF7) ..........................................................................................................59.95 15-inch: 256MB Memory, 1024 x 768 resolution (ALDPF15) .....................................................159.00 8-inch Frame (PADPF8) ..........................................................................................................64.95 PanImage 10.4” Digital Picture Frame DP356 Stores up to 5000 images on 1GB of internal memory and is WiFi/ 3.5” Digital Photo Album with Alarm Clock Bluetooth compatible.
    [Show full text]
  • Digital Camera Buying Guide
    DIGITAL CAMERA BUYING GUIDE THE PROFESSIONAL’S SOURCE DIGITAL CAMERA Welcome B&H Guest! Your timing could not be better. Digital cameras have evolved in just a few years, to become remarkably easy to use yet very capable photographic tools. You can now choose from a broad spectrum of products, based on color, size, style, features and performance. With the help of our knowledgeable sales associates, you will get the camera that is perfect for you. We are certain you will enjoy many years of picture taking with your new camera. Thank you for choosing to shop at B&H, “the professional’s source”. We look forward to serving you again in the near future with all your imaging needs. What you should know about digital cameras This guide is designed to help you understand digital camera basics, and allow you to make informed Digital cameras are highly sophisticated computers purchase decisions when you choose your digital designed to capture, record and store images in digital camera and accessories. files. These mini computers are compact, lightweight, full of features and incredibly easy to use. Your image Our knowledgeable sales associates will help you files are stored in small memory cards and can be select the camera that is just what you need. We easily viewed, copied, stored, transferred and printed hope you will be delighted with your purchase and many different ways. look forward to your next visit. BUYING GUIDE How many pixels do I need? File Formats Choose a camera with the minimum number of Digital cameras store images in computer usable files megapixels that will yield the best results for the using various universally accepted standards so you can largest size you expect to view or print.
    [Show full text]
  • English (PDF:1.6MB)
    X30 Specifications Model name FUJIFILM X30 Hot shoe YES (dedicated TTL Flash compatible) Number of effective pixels 12.0 million pixels Electronic Viewfinder 0.39-in., approx.2,360K-dot OLED color viewfinder Coverage of viewing area vs. capturing area: approx. 100% ( ) -1 -1 Image sensor 2/3-inch X-Trans CMOS Ⅱ with primary color filter Eye point: approx. 17.5mm from the rear end of the camera's eyepiece Diopter adjustment: -4m to +2m Magnification: 0.65× with 50mm (35mm format equivalent) at infinity and diopter set to -1.0 m-1 ( ) ( ) 1 Storage media Internal memory approx. 55MB / SD / SDHC / SDXC UHS-I memory card* Diagonal angle of view: approx. 31° (Horizontal angle of view: approx. 25°) File format Still image JPEG (Exif Ver. 2.3*2), RAW (RAF format), RAW+JPEG (Design rule for Camera File system compliant / DPOF-compatible) Built-in eye sensor Movie MOV (H.264, Audio: Linear PCM / stereo sound) LCD monitor 3.0-inch, aspect ratio 3:2, approx. 920K-dot, Tilt type color LCD monitor (approx. 100% coverage) Number of recorded pixels L : [ 4:3 ] 4000 × 3000 [ 3:2 ] 4000 × 2664 [ 16:9 ] 4000 × 2248 [ 1:1 ] 2992 × 2992 Movie recording 1920 × 1080 pixels (60fps, 50fps, 30fps, 25fps, 24fps) Continuous recording: up to approx. 14min. M: [ 4:3 ] 2816 × 2112 [ 3:2 ] 2816 × 1864 [ 16:9 ] 2816 × 1584 [ 1:1 ] 2112 × 2112 1280 × 720 pixels (60fps, 50fps, 30fps, 25fps, 24fps) Continuous recording: up to approx. 27min. S : [ 4:3 ] 2048 × 1536 [ 3:2 ] 2048 × 1360 [ 16:9 ] 1920 × 1080 [ 1:1 ] 1536 × 1536 640 × 480 pixels (30fps, 25fps) with stereo sound, Optical zoom (manual) can be used.
    [Show full text]
  • Look Inside This Book
    About Tom Dempsey W ith 30 years of nature travel photography experience in over 20 countries, Tom has mastered the use of lightweight camerasSierra forNational photography Geographic DKon thePublishing go. His imagesRough Guidesappear Moonin travel Travel Guidespublications by , , , , , and more. www.PhotoSeek.com He authors internet website and teaches photography workshops in his home city of Seattle. [email protected] comments and order images/books: Above: Tom traveling in New Zealand, a favorite destination. Photo by Carol Dempsey. (2007) “We shall not cease from exploration And the end of all our exploring Will be to arrive where we started And know the place for the first time.” Little Gidding — T. S. Eliot, Back cover: Natural tannins released from decomposing vegetation stain Tidal River brown, in Wilson’s Promontory National Park, Victoria, Australia. Captured with a compact camera. (2004) Canon PowerShot G5 210 | Light Travel Tom Dempsey Light Travel Photography on the Go PhotoSeek Publishing Seattle, Washington � Right: A Nepali woman turns a large prayer wheel at Pangboche Gompa, a Buddhist temple near Mount Everest in Sagarmatha National Park, a UNESCO World Heritage Site in Nepal. (2007) Previous pages: The mountains of Eiger, Mönch, and Jungfrau (Ogre, Monk, and Virgin) reflect in a pond at Kleine Scheidegg train station in Switzerland. Six images were stitched to make this panorama—learn how on pages 44-45. Jungfrau-Aletsch is inscribed on the World Heritage List by UNESCO. (2005) Cover photo: Trekkers pause at 13,000 feet/4000 meters elevation near the impressive mountain face of Fang (25,088 feet/7647 meters) in the Annapurna Sanctuary, Nepal.
    [Show full text]