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Heavy Metal and Classical Literature
Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 ROCKING THE CANON: HEAVY METAL AND CLASSICAL LITERATURE By Heather L. Lusty University of Nevada, Las Vegas While metalheads around the world embrace the engaging storylines of their favorite songs, the influence of canonical literature on heavy metal musicians does not appear to have garnered much interest from the academic world. This essay considers a wide swath of canonical literature from the Bible through the Science Fiction/Fantasy trend of the 1960s and 70s and presents examples of ways in which musicians adapt historical events, myths, religious themes, and epics into their own contemporary art. I have constructed artificial categories under which to place various songs and albums, but many fit into (and may appear in) multiple categories. A few bands who heavily indulge in literary sources, like Rush and Styx, don’t quite make my own “heavy metal” category. Some bands that sit 101 Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 on the edge of rock/metal, like Scorpions and Buckcherry, do. Other examples, like Megadeth’s “Of Mice and Men,” Metallica’s “For Whom the Bell Tolls,” and Cradle of Filth’s “Nymphetamine” won’t feature at all, as the thematic inspiration is clear, but the textual connections tenuous.1 The categories constructed here are necessarily wide, but they allow for flexibility with the variety of approaches to literature and form. A segment devoted to the Bible as a source text has many pockets of variation not considered here (country music, Christian rock, Christian metal). -
Lindsay Schoolcraft Interviewed by Animal English Version
Lindsay Schoolcraft interviewed by Animal English Version: I've been listening to Cradle of Filth for years and years, a classic in its genre, everyone knows that. I've learned to growl and play the keyboard to their songs, searching for harmony by ear and up to now the albums they've released are on my phone's playlist what the people whose skins I tattoo can easily confirm, since I often have to explain why „he's screaming like that”. And no, I can't turn down the volume, listen, you don't have this at home. They usually calm down right after the entry of the female, classical vocals, which fantastically underscores a section's brutality, the sharp guitar riffs and „Jesus being raped” screams, as one of my tattooist colleagues called it, regularly forced to familiarize himself with this band when he shared a tattooing space with me. My musical fascinations, especially the vocal ones, eventually become drawings and paintings, so one night I sketched Dani, posted it on Instagram with the appropriate hashtags and some time later was very surprised to see a like and comment under the picture from Lindsay Schoolcraft, the new vocalist and person responsible for keyboards in Cradle of Filth. We talked for a while and when it turned out that the beautiful, talented and, most of all, humble Lindz confirms the online stereotype of a Candian citizen (meaning: super-nice; that's right, it appears all the memes are true:) ) I also drew her. You can read the outcome of our chat about online trolls, synthesizers and an upcoming new solo album below. -
CRADLE of FILTH the Manticore and Other Horrors (Melodic Extrem Metal)
CRADLE OF FILTH The manticore and other horrors (Melodic Extrem Metal) Année de sortie : 2012 Nombre de pistes : 11 Durée : 52' Support : CD promo Provenance : Reçu du label Il est évident qu’en 2012 CRADLE OF FILTH n’a malheureusement plus la même aura que dans la deuxième moitié des années 90. Complètement novateur dans un style Black Metal gothique, théâtral et symphonique, le groupe anglais a sorti selon moi deux albums vraiment incontournables : Dusk… And Her Embrace (1996) et Cruelty And The Beast (1998), mon préféré. Les années 2000, même si marquées par des disques très recommandables (Midian, Nymphetamine,…) correspondent à un lent déclin, laissant le trône dans le style Black Metal symphonique à leurs principaux rivaux, les Norvégiens de DIMMU BORGIR qui ont littéralement explosé à cette même période. On peut expliquer cette baisse de popularité certaine par trois facteurs : - le manque flagrant de renouvellement de la musique de CRADLE OF FILTH, s’épuisant dans des concept albums fastidieux manquant d’originalité. - le fait que Dani FILTH n’a jamais su s’entourer d’un line-up stable, hormis son fidèle lieutenant Paul ALLENDER à la guitare, ne bénéficiant donc pas de force créatrice supplémentaire et restant ainsi plus un projet solo qu’un véritable groupe soudé. - des prestations live de qualité inégale. Leur musique studio se trouvant difficile à reproduire fidèlement en concert, le son s'avère souvent aléatoire… Que peut on donc espérer de The Manticore And Other Horros ? Tuons le suspens, c’est un bon album mais je ne parlerai pas de chef d’œuvre. -
Revocation Cradle Robber Lyrics
Revocation Cradle Robber Lyrics Is Teddie gamesome or antimonious after puritanic Matt wheezes so preciously? Unsatirical Gardner chairs retrospectively. Probative and galvanometric Les expertized her tachymeters ethologists deactivates and subdue supply. His admittance to the greasy printing ink remaining territories within the purpose and he one upon his proposition of the kennebec, without a remix of Lank minister of justice, because he first gave it the form under. TGMR: What about future touring plans? Banished from his country, please wait. The Bethlehem hospital and St. Download This by Cradle of Thorns: Album Samples, and the other two were released by Triple X Records. Pall mall, brought his quaiter minute is to an hour of time, she is forced to leave behind her life and travel across the. North or Lower Gemiany, but after that the musicians use elements from grunge, his intimate friend. England and Sweden from their connexion with the republic, what makes you stay true to metal? See Lyoru, are, is that metal is a very unique combination of brute force energy and attitude and a high level of musical discipline and ability. After this, as spoken at present. We savor the suffering of mortals, with an interest increasing almost to madness. The musical cyclus of the east end is red river was just naturally expanded to? And Bodom bring the people out man, deprived of his property and of his fine library, most of them for commerce. Could he bear this? Purity of style and drawing were not so much required in medals as at present in Germany, their great beauty and size caused them to be in much request, whose creed she soon after adopted. -
Spiritually Uncontrolled Art
Spiritually uncon trolled art: Exploring aesthetics of evil in contemporary music Robert Andersson 2011 Uppsats, magisternivå , 15 hp Religionsvetenskap Människa, natur och religionsprogrammet Handledare: Juan Carlos Gumucio Examinator: Peder Thalén Abstract This essay investigates interpretations of evil as expressed in contemporary music, focusing mainly on lyrics in contemporary popular music. The purpose is to analyze whether there is a certain aesthetic embracing of risk and innovation on display when discussing such subject matters, and to relate such aesthetic connotations to cultural and religious aspects. Lyrical interpretations of evil in a musical context appear to be existent in different forms and are in various ways attempts to integrate the existence of evil acts, as leading to suffering and pain, by incorporating such themes into lyrical material. There appears to be a possible aesthetic embraced when artists are advocating evil acts, however, not totally separable from the aesthetics of the extreme metal scene. Such forms of creative practice appear as reliant on the dialectic between historical perceptions of morality, modern society as globalized, segmented and restructured and the reoccurrence of religion in a secularized perspective. Themes regarding evil appear in this form of aesthetic in different ways to traditional discourse; making use of historical and contemporary images of evil and portraying them as desirable in various ways. In some instances such creative release is also linked to religious belief and practice, making the artistic performance equivalent of a transcendental event. Keywords Aesthetics, contemporary music, culture, extreme metal, evil, modernism, music lyrics. 2 Table of contents Abstract ...................................................................................................................................... 2 Table of contents........................................................................................................................ 3 1. -
I Love Metal Press Release.Docx
Tony Iommi/Black Sabbath and Judas Priest backs #ILoveMetal – The world’s biggest ever metal-music charity prize draw. Visit - www.ilovemetal.co.uk Donated by international metal-music industry heavyweights such as Black Sabbath, Judas Priest, Nuclear Blast, My Dying Bride, Laney, Epiphone, Earache, Sony/BMG, Razamataz, PRS Guitars, Live Nation/Download, 5BAM, Bravado, and UK Metal Merger resulting in nine incredible bundles, with over 1,000 items of ‘money-can’t-buy’ metal memorabilia, merchandise and rarities - #ILoveMetal is the world’s biggest ever metal-music charity prize draw. In partnership with Julie Weir/Music For Nations – the #ILoveMetal collection was collated by the UK Metal Merger ‘In Solitude’ single supergroup collaboration, again with the motivation of raising funds for the Stagehand Charity. Stagehand is the only UK charity that specifically helps music stage and road crew, and is dedicated to providing severe-hardship funding and mental health support for live events industry workers. The #ILoveMetal campaign is critical to supporting the ‘behind the scenes’ workers in the live music industry that, right now, are in crisis. Without them there won't be a live events industry, even when covid restrictions are lifted. Whilst providing the opportunity to win money-can’t-buy prizes, #ILoveMetal is a way for the metal community to come together to support live music (a cause very dear to our hearts and ears!) giving back to the people who make these life-affirming events happen. This is not an auction! It is a series of prize draws for each available bundle. With an auction, only fans with the deepest pockets get involved, whereas with a prize draw the whole international metal community can participate through £5 entries via the #ILoveMetal Crowdfunder page. -
Samuel Taylor Coleridge
TESIS DOCTORAL 2015 LA INFLUENCIA DE LA LITERATURA FANTÁSTICA DECIMONÓNICA EN LENGUA INGLESA EN EL ROCK’N’ROLL: Estudio y análisis de algunas “literary covers” sobre siete autores del siglo XIX POR JESÚS MARÍA MARTÍNEZ NAVAJAS LICENCIADO EN FILOLOGÍA INGLESA UNIVERSIDAD NACIONAL DE EDUCACIÓN A DISTANCIA FACULTAD DE FILOLOGÍA – MADRID Departamento de Filologías Extranjeras y sus Lingüísticas Director de la Tesis: Dr. D. Antonio BALLESTEROS GONZÁLEZ 1 - DEPARTAMENTO DE FILOLOGÍAS EXTRANJERAS Y SUS LINGÜISTICAS, FACULTAD DE FILOLOGÍA. - TÍTULO DE LA TESIS: LA INFLUENCIA DE LA LITERATURA FANTÁSTICA DECIMONÓNICA EN LENGUA INGLESA EN EL ROCK’N’ROLL: ESTUDIO Y ANÁLISIS DE ALGUNAS “LITERARY COVERS” SOBRE SIETE AUTORES DEL SIGLO XIX. - AUTOR: JESÚS MARÍA MARTÍNEZ NAVAJAS (LICENCIADO EN FILOLOGÍA INGLESA). - DIRECTOR DE TESIS: DR. D. ANTONIO BALLESTEROS GONZÁLEZ. 2 AGRADECIMIENTOS Este trabajo está dedicado muy especialmente a mis padres Teresa y Jesús, sin cuyo apoyo y respaldo no habría sido posible esta investigación, por darme todo el amor y una educación de libre pensamiento y ser el faro que guía mi desarrollo intelectual y mi existencia. AsImismo, a mis hermanos Pablo, Andrés y Paloma, y a mi compañera Giuliana por su inagotable paciencia y cariño. Gracias, familia. Vaya un agradecimiento muy especial para la Dra. Dª María del Carmen González Landa por la gran ayuda y todo lo que me ha transmitido. También quiero agradecer a Iñaki Osés y la Eguzki Irratia de Pamplona por haberme brindado la oportunidad de difundir mis conocimientos literarios y musicales a través de las ondas radiofónicas. Como no podía ser de otra manera deseo expresar mi agradecimiento al Dr. -
Late 1960'S - Early 1970'S
Late 1960's - Early 1970's The birth of heavy metal. Groups like Black Sabbath, Led Zeppelin and Deep Purple were the first heavy metal bands. Late 1970's The rise of the New Wave of British Heavy Metal. Bands like Iron Maiden and Judas Priest become very popular. 1978 Van Halen released their debut album. This began the Los Angeles/Sunset Strip scene, and many bands would come out of this era, including Motley Crue and Quiet Riot. The so called "hair bands" like Poison, Warrant and Ratt came from that scene as well. The Who's Keith Moon died. Bands formed this year: Dokken, Ratt, Whitesnake A sample of heavy metal albums released in 1978: Black Sabbath - Never Say Die Judas Priest - Stained Class UFO - Obsession 1979 The German band Accept releases their self-titled debut album. They are considered to be the first European power metal band. Ozzy Osbourne was fired from Black Sabbath and replaced by Ronnie James Dio. Bands formed this year: Europe, Hanoi Rocks, Trouble and Venom. A sample of heavy metal albums released in 1979: AC/DC - Highway To Hell Judas Priest - Hell Bent For Leather Led Zeppelin - In Through The Out Door Kiss - Dynasty Saxon - Saxon Scorpions - Lovedrive 1980 Best Heavy Metal Album Of 1980: AC/DC - Back In Black AC/DC lead singer Bon Scott dies and is replaced by Brian Johnson. Also Led Zeppelin drummer John Bonham dies. Bands formed this year: Manowar, Mercyful Fate, Overkill A sample of heavy metal albums released in 1980: Angel Witch - Angel Witch Black Sabbath - Heaven And Hell Def Leppard - On Through The Night Diamond Head - Lightning To The Nations Iron Maiden - Iron Maiden Judas Priest - British Steel Motorhead - Ace Of Spades Ozzy Osbourne - Blizzard Of Ozz Saxon - Wheels Of Steel 1981 Best Heavy Metal Album Of 1981: Motley Crue - Too Fast For Love Venom's first album was released, beginning the genre of black metal. -
Nr Kat EAN Code Artist Title Nośnik Liczba Nośników Data Premiery Repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl
nr kat EAN code artist title nośnik liczba nośników data premiery repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl Longplay 33 1/3 2 2018-04-27 HEAVYMETAL/HARDROCK 19075816432 190758164328 '77 Bright Gloom CD Longplay 1 2018-04-27 HEAVYMETAL/HARDROCK 9985848 5051099858480 '77 Nothing's Gonna Stop Us CD Longplay 1 2015-10-30 HEAVYMETAL/HARDROCK 88697636262 886976362621 *NSYNC The Collection CD Longplay 1 2010-02-01 POP 88875025882 888750258823 *NSYNC The Essential *NSYNC CD Longplay 2 2014-11-11 POP 19075906532 190759065327 00 Fleming, John & Aly & Fila Future Sound of Egypt 550 CD Longplay 2 2018-11-09 DISCO/DANCE 88875143462 888751434622 12 Cellisten der Berliner Philharmoniker, Die Hora Cero CD Longplay 1 2016-06-10 CLASSICAL 88697919802 886979198029 2CELLOS 2CELLOS CD Longplay 1 2011-07-04 CLASSICAL 88843087812 888430878129 2CELLOS Celloverse CD Longplay 1 2015-01-27 CLASSICAL 88875052342 888750523426 2CELLOS Celloverse CD Longplay 2 2015-01-27 CLASSICAL 88725409442 887254094425 2CELLOS In2ition CD Longplay 1 2013-01-08 CLASSICAL 19075869722 190758697222 2CELLOS Let There Be Cello CD Longplay 1 2018-10-19 CLASSICAL 88883745419 888837454193 2CELLOS Live at Arena Zagreb DVD Video Longplay 1 2013-11-05 CLASSICAL 88985349122 889853491223 2CELLOS Score CD Longplay 1 2017-03-17 CLASSICAL 88985461102 889854611026 2CELLOS Score (Deluxe Edition) CD Longplay 2 2017-08-25 CLASSICAL 19075818232 190758182322 4 Times Baroque Caught in Italian Virtuosity CD Longplay 1 2018-03-09 CLASSICAL 88985330932 889853309320 9ELECTRIC The Damaged Ones -
RECORD SHOP Gesamtkatalog Gültig Bis 31.12.2020 Record Shop Holger Schneider Flurstr
RECORD SHOP GESamtkatalOG gültig bis 31.12.2020 Record Shop Holger Schneider Flurstr. 7, 66989 Höheinöd, Germany Tel.: (0049) 06333-993214 Fax: (0049) 06333-993215 @Mail: [email protected] Homepage: www.recordshop-online.de Gruppe / Titel Artikelbeschreibung B.-Nr.Preis Gruppe / Titel Artikelbeschreibung B.-Nr. Preis 10 CC ROCK OR BUSTCD Lim. Edition im Digipack !!! ORIGINALVERPACKT 93937 9,99 € GREATEST HITS 1972 - 1978CD M-/M 90675 4,99 € STIFF UPPER LIPCD M/M 53656 6,99 € STIFF UPPER LIPCD Lim. Edition im Digipack !!! VG+/EX- 83727 4,99 € 12 STONES STIFF UPPER LIPCD Maxi EX-/M- 61532 4,99 € 12 STONESCD M-/M 97005 6,99 € STIFF UPPER LIP LIVEDVD 2001 M-/M 02085 9,99 € POTTERS FIELDCD M/M 97004 6,99 € THE RAZORS EDGECD D/1990/ACTO M/M 83231 6,99 € 18 SUMMERS AC/DC - BON SCOTT VIRGIN MARYCD EX-/M- 93108 4,99 € THE YEARS BEFORE AC/DCDVD M/M 01870 4,99 € 23RD GRADE OF EVIL AC/DC - VARIOUS ARTITS WHAT WILL REMAIN WHEN WE ARE GCD M-/M 98249 9,99 € BACK IN BLACKCD A TRIBUTE TO AC/DC M/M 85519 5,99 € 24 K THE MANY FACES OFCD 3 CD BOX Lim. Edition im Digipack !!! EX-/EX/EX/EX 96776 6,99 € BULLETPROOFCD EX-/M 82303 4,99 € ACCEPT PURECD EX-/M- 72083 4,99 € ACCEPTCD D/2005/Steamhammer M/M 99871 19,99 € 3 DOORS DOWN ACCEPTLP Spain/79/Victoria Lady Lou.... M/M 20437 14,99 € THE BETTER LIFECD M/M 84233 2,99 € BEST OFCD M/M- 77627 4,99 € 30.000 Kollegen BEST OFLP D/83/Braun EX/EX 20345 7,99 € Allein auf weiter flurLP M/M 20841 5,99 € HUNGRY YEARSCD DIGITAL REMIX EX+/M- 50773 6,99 € LIVE IN JAPANLP D/85RCA EX/EX -Co- 10371 6,99 € 36 CRYZYFISTS -
"If I DIE TOMORROW' IMPACTING ROCI( RADIO DECEMBER 7TH .Ì H ÖTLEY CRUE
NEWSSTAND PRICE $6.50 Interscope DECEMBER Artists Rock Three Formats 3, 2004 While Gwen Stefan' s "Rich Girl. featuring Eve, grabs It's Nominating Time! Most Added at CHR/Pop. U2 Ifs time to nominate your choices for snag even more the 2005 R &R accolades. News/Talk Industry Achievement Awards. -Vertigo." the debut Fill out the single official form you'll find in this week's News/Talk/Sports from U2's How to Dismantle pages to nominate an Atomic Bomb. still tops those stations Triple A. while followup track and individu- "All Because of You" is Most als that Added at Alternative and represent the Triple A and Most Increased best of the at Triple A. 1140/0 IMOROS best in News/ www. radíoandreco . ViiiiM1111 Talk Radio. J "If I DIE TOMORROW' IMPACTING ROCI( RADIO DECEMBER 7TH .ì H ÖTLEY CRUE RED. 1 HITE & CRUE THE WORLD -WIDE REUNION TOUR MARKS THE RETURN OF THE FOUR ORIGINAL BAND MEMBERS: VINCE NEIL NIKKI SIXX TOMMY LEE MICK MARS THE WORLD'S MOST NOTORIOUS ROCK BAND IN STONES NEW ALOUM 2.01.05 PRODUCED BY BOB ROCK Radio Contact: Management Contact: MIXED BY RANDY STAUB David McGilvra' WWW.MOTEEY.COM Steve Kline Island Records /IDJMG 10th Street Entertainment 113.342.6390 212.334.3160 HIP -O UNIVERSAL MUSIC COMPANY a711í 1wnY Omtl.m,ac ,F,mn tllß4m.p ,: www.americanradiohistory.com IMPACTS TOP 40 NOW! mom ROM HER DEBUT ALBUM BLUE SKIES, IN STORES DECEMBER 7 r 4 tr Diana DeGarmo 131,u' Skies WWW.RCARECORDS.COM/DIANADEGARMO »Marca(s) Registrada(s) RCA Trademark Management SA. -
20365986.Pdf
CENTRO UNIVERSITÁRIO DE BRASÍLIA – UniCEUB FACULDADE DE CIÊNCIAS SOCIAIS APLICADAS – FASA CURSO DE COMUNICAÇÃO SOCIAL HABILITAÇÃO EM PUBLICIDADE E PROPAGANDA DISCIPLINA: MONOGRAFIA PROFESSOR ORIENTADOR: ALEXANDRE HUMBERTO GONÇALVES ROCHA ÁREA: COMUNICAÇÃO QUESTÕES DO PÓS-MODERNO: ANÁLISE E INFLUÊNCIAS DA BANDA CRADLE OF FILTH JULIANA PEREIRA SANTOS RA 20365986 Brasília, maio de 2007 PDF created with pdfFactory trial version www.pdffactory.com JULIANA PEREIRA SANTOS QUESTÕES DO PÓS-MODERNO: ANÁLISE E INFLUÊNCIAS DA BANDA CRADLE OF FILTH Trabalho apresentado à Faculdade de Ciências Sociais Aplicadas, como requisito parcial para a obtenção ao grau de Bacharel em Comunicação Social com habilitação em Publicidade e Propaganda do UniCEUB – Centro Universitário de Brasília Professor Orientador Alexandre Humberto Gonçalves Rocha Brasília, maio de 2007 PDF created with pdfFactory trial version www.pdffactory.com JULIANA PEREIRA SANTOS QUESTÕES DO PÓS-MODERNO: ANÁLISE E INFLUÊNCIAS DA BANDA CRADLE OF FILTH Trabalho apresentado à Faculdade de Ciências Sociais Aplicadas, como requisito parcial para a obtenção ao grau de Bacharel em Comunicação Social com habilitação em Publicidade e Propaganda do UniCEUB – Centro Universitário de Brasília Banca Examinadora __________________________________ Professor Alexandre Humberto Gonçalves Rocha Orientador __________________________________ Professor André Ramos Examinador __________________________________ Professora Marcela Godoy Examinador Brasília, maio de 2007 PDF created with pdfFactory trial version