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Press Release Sabyasachi Couture
Press Release Sabyasachi Couture February 05, 2021 Ratings Amount Facilities Ratings1 Rating Action (Rs. crore) CARE A- (Under Credit watch with Positive Placed on Credit watch Long Term Bank 3.33 Implications) with Positive Facilities (Reduced from 4.00) (Single A Minus) (Under Credit watch with Implications Positive Implications) CARE A- / CARE A2+ Long Term / Short (Under Credit watch with Positive Placed on Credit watch Term Bank 60.00 Implications) with Positive Facilities (Single A Minus / A Two Plus) (Under Credit Implications watch with Positive Implications) 63.33 Total Facilities (Rs. Sixty-Three Crore and Thirty-Three Lakhs Only) Details of instruments/facilities in Annexure-1 Detailed Rationale & Key Rating Drivers CARE has placed the ratings assigned to the Bank Facilities of Sabyasachi Couture (SC) on ‘Credit watch with positive implications’ following the announcement of strategic partnership with Aditya Birla Fashion and Retail Ltd (ABFRL), part of Mr. Kumar Mangalam Birla led Aditya Birla group. ABFRL shall acquire 51% interest in the firm at a cost of approximately Rs.398 crore out of which Rs.75 crore shall be infused in the firm. CARE will take a view on the rating once the exact implication on the credit profile of SC is clear. The ratings continue to draw strength from established brand name of Sabyasachi in the luxury couture segment, diversified product portfolio, national and global collaborations and exposures leading to brand building and popularity, improved financial performance in FY20 (refers to the period April 01 to March 31) with moderation in current year due to suspension of operation on account of outbreak of Covid-19, comfortable financial risk profile and comfortable liquidity position. -
The Sixth String of Vilayat Khan
Published by Context, an imprint of Westland Publications Private Limited in 2018 61, 2nd Floor, Silverline Building, Alapakkam Main Road, Maduravoyal, Chennai 600095 Westland, the Westland logo, Context and the Context logo are the trademarks of Westland Publications Private Limited, or its affiliates. Copyright © Namita Devidayal, 2018 Interior photographs courtesy the Khan family albums unless otherwise acknowledged ISBN: 9789387578906 The views and opinions expressed in this work are the author’s own and the facts are as reported by her, and the publisher is in no way liable for the same. All rights reserved No part of this book may be reproduced, or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without express written permission of the publisher. Dedicated to all music lovers Contents MAP The Players CHAPTER ZERO Who Is This Vilayat Khan? CHAPTER ONE The Early Years CHAPTER TWO The Making of a Musician CHAPTER THREE The Frenemy CHAPTER FOUR A Rock Star Is Born CHAPTER FIVE The Music CHAPTER SIX Portrait of a Young Musician CHAPTER SEVEN Life in the Hills CHAPTER EIGHT The Foreign Circuit CHAPTER NINE Small Loves, Big Loves CHAPTER TEN Roses in Dehradun CHAPTER ELEVEN Bhairavi in America CHAPTER TWELVE Portrait of an Older Musician CHAPTER THIRTEEN Princeton Walk CHAPTER FOURTEEN Fading Out CHAPTER FIFTEEN Unstruck Sound Gratitude The Players This family chart is not complete. It includes only those who feature in the book. CHAPTER ZERO Who Is This Vilayat Khan? 1952, Delhi. It had been five years since Independence and India was still in the mood for celebration. -
International Research Journal of Management Sociology & Humanities
International Research Journal of Management Sociology & Humanities ISSN 2277 – 9809 (online) ISSN 2348 - 9359 (Print) An Internationally Indexed Peer Reviewed & Refereed Journal Shri Param Hans Education & Research Foundation Trust www.IRJMSH.com www.SPHERT.org Published by iSaRa Solutions IRJMSH Vol 6 Issue 8 [Year 2015] ISSN 2277 – 9809 (0nline) 2348–9359 (Print) Shakespeare’s Romeo & Juliet : A boon to B- Town “So long as men can breath or eyes can see, So long lives this, and this gives life to thee” (Shakespeare’s sonnet no. 18) Subhrasleta Banerjee Department of English Balurghat Mahila Mahavidyalaya The name is William Shakespeare who can easily prophesied about the power of his golden pen through which his beloved might not need children to preserve his youthful beauty and can defy time and last forever. It is surprisingly related today. The main theme of Shakespeare’s work is ‘LOVE’- ‘the blind fool’. He indirectly acknowledges there may be obstacles in true love and urges to marry with true ‘mind’ rather than merely two people. This love is a bold subject matter that has always lacked rules and always attracts controversy - specially within the strict norms of Asian Culture. These various challenges and obstacles make multistory-love-complex silently. Cinema woos audiences by offering this emotion. Modern Indian Cineme is already an indestructible massive field of art work which has been successfully taken the extract of the Shakespearean drama to serve the common. The literary works of Shakespeare reinvigorate uncountable people of the world. The unique excellence of Bard’s ‘violent delights’ and ‘violent ends’; excessive passion and love full of zeal; jealousy and romance; greed for empowerment and assassination; laughter and satire; aesthetic sensibility and of course the plot construction both in comedy and tragedy- are all time favourite to Bollywood screen. -
Shankar Jaikishan – Emperors of Music by Ashwini Kumar Rath
Shankar Jaikishan – Emperors of Music By Ashwini Kumar Rath Shankar Jaikishan music, synonym of Indian Film music, has far reaching impact in India and outside. The duo moulded music and musical mood of masses since 1949, and are still considered to be the best music composers from India. The duo also contributed outside movie industry with their much celebrated album Raga in Jazz Style, and background music for documentary Everest expedition among many others. If we look at the popular impact by any personalities in the field of music during the post-independence period in India, the obvious choice is Shankar Jaikishan. Shankar, the more versatile of the two, was a prolific musician with mastery over dozens of instruments, Indian classical music and dance forms. He was primarily responsible for building Shankar Jaikishan team with dedicated lyricists, music assistants, and jumbo-sized 60-pieces orchestra, and was the lead composer. On the other hand, Jaikishan was incredibly creative and legendary composer himself. He was genius of background music and romantic tunes though he too could compose songs in other genres. While Shankar's musical jhankar propels divine dwellers to zoom in unison with ecstasy, romantic effervescence of Jaikishan music brings divine feelings on to earth. During initial years, all decisions about musical engagements were made by Shankar; but both started taking up assignments separately in the late sixties. They had sharp contrasts in personalities and physical appearances. Shankar was gym-savvy, non- drinker, and was a strict disciplinarian. On the other hand, Jaikishan was party-man and was very social. -
Effect of Consumption-Context and Product Attributes on Social Value Perception of Luxury Clothes for Indian Female Consumers Raghav Manocha
Effect of consumption-context and product attributes on social value perception of luxury clothes for Indian female consumers Raghav Manocha To cite this version: Raghav Manocha. Effect of consumption-context and product attributes on social value perception of luxury clothes for Indian female consumers. Business administration. Université Panthéon-Sorbonne - Paris I, 2020. English. NNT : 2020PA01E001. tel-03119250 HAL Id: tel-03119250 https://tel.archives-ouvertes.fr/tel-03119250 Submitted on 23 Jan 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. ECOLE DOCTORALE DE MANAGEMENT PANTHÉON-SORBONNE n°559 Effect of consumption-context and product attributes on social value perception of luxury clothes for Indian female consumers. Effets du contexte de consommation et des caractéristiques des produits sur la perception de la valeur sociale des vêtements de luxe pour les consommatrices indiennes. Thèse de Doctorat présentée en vue de l’obtention du grade de docteur en sciences de gestion par « Raghav MANOCHA » dirigée par Mme Raphaëlle LAMBERT-PANDRAUD Professeure ESCP Business School Soutenance le 29 Juin 2020 Devant un jury composé de : Rapporteurs: M. Gilles LAURENT Research Fellow, ESSEC, Professeur Emérite, HEC Mme Liselot HUDDERS Assistant Professor, Ghent University Suffragants: Mme Sandrine MACE Professeure, ESCP Business School Mme Anne MICHAUT Professeure Associée, HEC 1 L’Université n’entend donner aucune approbation ou improbation aux opinions émises dans les thèses. -
Famous Indian Fashion Designers and How They Made It Big- Part 1 | Shiksha
Famous Indian fashion designers and how they made it big - Part 1 Shiksha Internal Authors Updated on Dec 29, 2016 16:36 IST Famous Indian fashion designers and how they made it big - Part 1 The Indian fashion industry has witnessed a sudden boom and massive takers all across the globe in recent years. From a time where Indian fashion was not acknowledged anywhere in the world to a time when the Indian national dress – Saree is increasingly been credited to be the sexiest and most regal attire a woman can don, our very own fashion industry has come a long way. And we can easily credit this to our stylish, creative and very talented fashion designers. So, for all fashion design aspirants or people like you and me who love to dress-up and look good, Shiksha spills the beans on how some famous fashion designers became the celebs they are today, on Indian as well as Disclaimer: This PDF is auto-generated based on the information available on Shiksha as on 02-Sep-2021. international platforms. Manish Arora Born in the ‘City of Dreams’, Mumbai, Manish Arora was pursuing a graduation degree in commerce when the fashion bug bit him and he went on to join the National Institute of Fashion Technology (NIFT) at New Delhi. He is known to have graduated from NIFT with the ‘Best Student Award’ in 1994. Image courtesy: @im_manisharora on Twitter.com The world for the first time saw the works of Manish Arora in 1997 when he started his own label called – Manish Arora. -
Nation, Fantasy, and Mimicry: Elements of Political Resistance in Postcolonial Indian Cinema
University of Kentucky UKnowledge University of Kentucky Doctoral Dissertations Graduate School 2011 NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA Aparajita Sengupta University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sengupta, Aparajita, "NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA" (2011). University of Kentucky Doctoral Dissertations. 129. https://uknowledge.uky.edu/gradschool_diss/129 This Dissertation is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Doctoral Dissertations by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF DISSERTATION Aparajita Sengupta The Graduate School University of Kentucky 2011 NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA ABSTRACT OF DISSERTATION A dissertation submitted in partial fulfillment of the requirements for the degree Doctor of Philosophy in the College of Arts and Sciences at the University of Kentucky By Aparajita Sengupta Lexington, Kentucky Director: Dr. Michel Trask, Professor of English Lexington, Kentucky 2011 Copyright© Aparajita Sengupta 2011 ABSTRACT OF DISSERTATION NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA In spite of the substantial amount of critical work that has been produced on Indian cinema in the last decade, misconceptions about Indian cinema still abound. Indian cinema is a subject about which conceptions are still muddy, even within prominent academic circles. The majority of the recent critical work on the subject endeavors to correct misconceptions, analyze cinematic norms and lay down the theoretical foundations for Indian cinema. -
Immigration and Globalization at the Turn of the 21St Century
Image from US Library of Congress. 1 Student Group #4 Photo by NASA. Images removed due to copyright restrictions. Please see: Sign reading "No Illegals -> No Burritos (You Better Think Twice America)“; Irish immigrant family, 1929; Kal Penn speaking at the University of Maryland, 2008; Graph of Asian immigration to America, 1820-2000 2 Images removed due to copyright restrictions. Please see: Cover, Live Your Best Life. Birmingham, AL: Oxmoor House, 2005. First national broadcast of the Oprah Winfrey Show, 1986. 3 4 Cartoon removed due to copyright restrictions. 5 6 http://www.migrationinformation.org/usfocus 7 http://www.migrationinformation.org/usfocus Movie posters removed due to copyright restrictions. Please see: Dhoom 2: Back In Action, 2006; Don, 2006; Taare Zameen Par, 2007; Life in a Metro, 2007; Race, 2008. 8 Success of “Slumdog Millionaire” in Hollywood Movie was made for the American audience Accurately captures the poverty, the pace, and luck in life in Mumbai Image removed due to copyright restrictions. Please see Slumdog Millionaire, 2008. Elements of Bollywood films: 1. Beat in the music 2. Vibrant colors 3. Bollywood item song ‘Jai Ho,’ (fusion of PCD and Indian composer A. R. Rahman) 9 Photos of Irfan Khan, Anil Kapoor, and A. R. Rahman removed due to copyright restrictions. 10 ……&& HHoollllyywwoooodd Jessica Alba in this still from “The Love Guru” wearing a traditional Indian dress and dancing a Bollywood- type item song shows Photos of Jessica Alba and Aishwarya Rai removed due to copyright restrictions. the influence of Bollywood elements. Aishwarya Rai in “Pink Panther 2” shows the influence of Bollywood Actors in Hollywood Movies 11 The poet-prophet of alternative medicine Published over 50 books translated into 35 different languages US President Bill Clinton said, "My country has Photo of Deepak Chopra removed due to copyright restrictions. -
Curriculum Vitae
CURRICULUM VITAE PERSONAL INFORMATION: Name: Sabyasachi Mukherjee Date of Birth: 4th February, 1986 Nationality: Indian Official Address: School of Mathematics, Tata Institute of Fundamental Research, 1 Homi Bhabha Road, Colaba, Mumbai 400005, India Email: [email protected], [email protected] Phone: (+91) 2222782218 Current position: Reader at Tata Institute of Fundamental Research, India since July 2019. ACADEMIC INFORMATION: 1. 2004-2007 : Bachelor of Science (Mathematics (Honours), Physics, and Computer Science) from University of Calcutta, India with First Class; degree awarded on 23rd July, 2007. 2. 2007-2009 : Master of Science (Pure Mathematics) from University of Calcutta, India with First Class; degree awarded on 15th September, 2009. 3. 2009-2010 : Ph.D. coursework in Mathematics at Ramakrishna Mission Vivekananda University, India with 8.75 grade points out of 10 (Grade Sheet issued on 27th May, 2010). 4. 2010-2011 : ‘Master mention Mathématiques et Informatique’ (Masters in Mathematics and Informatics) from Université Paris 13, France with 15.18 grade points out of 20 with mention ‘Bien’; degree awarded on 2nd December, 2011. 5. 2012-2015 : Ph.D. in Mathematics with special distinction from Jacobs University Bremen, Germany; degree awarded on 20th August, 2015. 6. 2015-2019: Lecturer in Institute for Mathematical Sciences, Stony Brook University, USA. Ph.D. thesis: Title: Antiholomorphic dynamics: topology of parameter spaces, and discontinuity of straightening. Ph.D. adviser: Dierk Schleicher, Jacobs University, Bremen, Germany. Jury: John Hamal Hubbard (Cornell University), Alan Huckleberry (Ruhr-Universität Bochum/Jacobs University), Hiroyuki Inou (Kyoto University), Keivan Mallahi-Karai (Jacobs University), John Milnor (Stony Brook University), Dierk Schleicher (Jacobs University). -
A Peck on the Cheek (Kannathil Muthamittal)
A Peck on the Cheek (Kannathil Muthamittal) Directed by Mani Ratnam India, 2002 * 136 minutes * In Tamil and Sinhala with English subtitles WON - In Spirit for Freedom Award – Jerusalem FF WON – 6 Silver Lotus Awards (Best Child Artist, Best Audiography, Best Editing, Best Music Direction, Best Regional Film [Tamil], Best Lyrics) – National Film Awards, India WON – Audience Award (Best Film) – Los Angeles Indian FF Official Selection. – Toronto Int’l FF, Palm Springs Int’l FF, Cleveland Int’l FF, Philadelphia Int’l FF, San Francisco Int’l FF Distributor Contact: Meghan Wurtz Film Movement Series 109 W. 27th St., Suite 9B, New York, NY 10001 Tel: 212-941-7744 ext. 201 Fax: 212-941-7812 [email protected] Film Synopsis: A little girl's search for her biological mother who had abandoned her as a newborn baby is brought out poignantly in 'Kannathil Muthamittal'. With films like 'Mouna Ragam', 'Alaipayuthe' and now 'Kannathil Muthamittal', Maniratnam yet again proves that he is at his best when tackling human emotions and relationships. Amudha, adopted by Thiru and Indira and growing up with the couple’s two sons, is blissfully unaware of her parentage, until the couple decides to inform her of it on her ninth birthday. At first shocked into disbelief, Amudha then expresses her determination to seek out for her biological mother. The search takes the family to strife- torn Sri Lanka, where Amudha comes face-to-face with reality, and reconciles herself to it. Credits: Cast: Mani Ratnam… writer/director/producer R. Madhavan… Thiruchelvan G. Srinivasan… producer Simran (alias) Rishi Novel… Indira Ravi K. -
Christian Louboutin Exhibition[Niste] Press Kit
CHRISTIAN LOUBOUTIN EXHIBITION[NISTE] PRESS KIT CHRISTIAN LOUBOUTIN EXHIBITION TH TH 26 FEBRUARY - 26 JULY PALAIS DE LA PORTE DORÉE 293 AVENUE DAUMESNIL - 75012 PARIS MÉTRO 8 • TRAMWAY 3A • BUS 46 • PORTE DORÉE LEXPOSITION.CHRISTIANLOUBOUTIN.COM | 1 | CHRISTIANCHRISTIAN LOUBOUTIN LOUBOUTIN L’EXHIBITION[NISTE] EXHIBITION[NISTE] PRESSPress KITKit TABLE OF CONTENTS PRESS RELEASE p. 3 THE POSTER p. 4 INTRODUCTION BY HÉLÈNE ORAIN, EXECUTIVE DIRECTOR OF THE PALAIS DE LA PORTE DORÉE p. 5 THE EXHIBITION p. 6 BY OLIVIER GABET, CURATOR OF THE EXHIBITION THE PALAIS DE LA PORTE DORÉE p. 7 AS SEEN BY CHRISTIAN LOUBOUTIN EXHIBITION ITINERARY p. 8 CHRISTIAN LOUBOUTIN p. 14 BIOGRAPHY OLIVIER GABET p. 15 BIOGRAPHY ARTISTS AND CRAFTSPEOPLE IN THE EXHIBITION p. 16 VISUALS AVAILABLE FOR PRESS p. 20 THE PALAIS DE LA PORTE DORÉE p. 35 THE MAISON CHRISTIAN LOUBOUTIN p. 35 BOOK: CHRISTIAN LOUBOUTIN EXHIBITION[IST] p. 36 ARTE DOCUMENTARY p. 38 NORDSTROM p. 39 MAIN SPONSOR OF THE EXHIBITION PRACTICAL INFORMATION p. 40 || 2 || CHRISTIANCHRISTIAN LOUBOUTIN LOUBOUTIN L’EXHIBITION[NISTE] EXHIBITION[NISTE] PRESSPress KITKit THE POSTER « L’Exhibition[niste] is a title that came to me quite quickly. It is a play on the idea of an exhibit and the act of exhibitionism. An exhibit, meaning to expose or display to the public and exhibitionism as drawing attention to oneself. Both are quite close, but I like the more subversive notion that in exhibiting my work I am exposing myself in a more intimate way. I’ve put a lot of myself in this project from both a professional and personal perspective. -
FINAL DISTRIBUTION.Xlsx
Annexure-1B 1)Taxpayers with turnover above Rs 1.5 Crores b) Taxpayers falling under the jurisdiction of the State Taxpayer's Name SL NO GSTIN Registration Name TRADE_NAME 1 NATIONAL INSURANCE COMPANY LIMITED NATIONAL INSURANCE COMPANY LTD 19AAACN9967E1Z0 2 WEST BENGAL STATE ELECTRICITY DISTRIBUTION CO. LTD WEST BENGAL STATE ELECTRICITY DISTRIBUTION CO. LTD 19AAACW6953H1ZX 3 INDIAN OIL CORPORATION LTD.(ASSAM OIL DIVN.) INDIAN OIL CORPORATION LTD.(ASSAM OIL DIVN.) 19AAACI1681G1ZM 4 THE W.B.P.D.C.L. THE W.B.P.D.C.L. 19AABCT3027C1ZQ 5 ITC LIMITED ITC LIMITED 19AAACI5950L1Z7 6 TATA STEEL LIMITED TATA STEEL LIMITED 19AAACT2803M1Z8 7 LARSEN & TOUBRO LIMITED LARSEN & TOUBRO LIMITED 19AAACL0140P1ZG 8 SAMSUNG INDIA ELECTRONICS PVT. LTD. 19AAACS5123K1ZA 9 EMAMI AGROTECH LIMITED EMAMI AGROTECH LIMITED 19AABCN7953M1ZS 10 KOLKATA PORT TRUST 19AAAJK0361L1Z3 11 TATA MOTORS LTD 19AAACT2727Q1ZT 12 ASHUTOSH BOSE BENGAL CRACKER COMPLEX LIMITED 19AAGCB2001F1Z9 13 HINDUSTAN PETROLEUM CORPORATION LIMITED. 19AAACH1118B1Z9 14 SIMPLEX INFRASTRUCTURES LIMITED. SIMPLEX INFRASTRUCTURES LIMITED. 19AAECS0765R1ZM 15 J.J. HOUSE PVT. LTD J.J. HOUSE PVT. LTD 19AABCJ5928J2Z6 16 PARIMAL KUMAR RAY ITD CEMENTATION INDIA LIMITED 19AAACT1426A1ZW 17 NATIONAL STEEL AND AGRO INDUSTRIES LTD 19AAACN1500B1Z9 18 BHARATIYA RESERVE BANK NOTE MUDRAN LTD. BHARATIYA RESERVE BANK NOTE MUDRAN LTD. 19AAACB8111E1Z2 19 BHANDARI AUTOMOBILES PVT LTD 19AABCB5407E1Z0 20 MCNALLY BHARAT ENGGINEERING COMPANY LIMITED MCNALLY BHARAT ENGGINEERING COMPANY LIMITED 19AABCM9443R1ZM 21 BHARAT PETROLEUM CORPORATION LIMITED 19AAACB2902M1ZQ 22 ALLAHABAD BANK ALLAHABAD BANK KOLKATA MAIN BRANCH 19AACCA8464F1ZJ 23 ADITYA BIRLA NUVO LTD. 19AAACI1747H1ZL 24 LAFARGE INDIA PVT. LTD. 19AAACL4159L1Z5 25 EXIDE INDUSTRIES LIMITED EXIDE INDUSTRIES LIMITED 19AAACE6641E1ZS 26 SHREE RENUKA SUGAR LTD. 19AADCS1728B1ZN 27 ADANI WILMAR LIMITED ADANI WILMAR LIMITED 19AABCA8056G1ZM 28 AJAY KUMAR GARG OM COMMODITY TRADING CO.