Red-Light Novels of the Late Qing
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Images of Women in Chinese Literature. Volume 1. REPORT NO ISBN-1-880938-008 PUB DATE 94 NOTE 240P
DOCUMENT RESUME ED 385 489 SO 025 360 AUTHOR Yu-ning, Li, Ed. TITLE Images of Women in Chinese Literature. Volume 1. REPORT NO ISBN-1-880938-008 PUB DATE 94 NOTE 240p. AVAILABLE FROM Johnson & Associates, 257 East South St., Franklin, IN 46131-2422 (paperback: $25; clothbound: ISBN-1-880938-008, $39; shipping: $3 first copy, $0.50 each additional copy). PUB TYPE Books (010) Reports Descriptive (141) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *Chinese Culture; *Cultural Images; Females; Folk Culture; Foreign Countries; Legends; Mythology; Role Perception; Sexism in Language; Sex Role; *Sex Stereotypes; Sexual Identity; *Womens Studies; World History; *World Literature IDENTIFIERS *Asian Culture; China; '`Chinese Literature ABSTRACT This book examines the ways in which Chinese literature offers a vast array of prospects, new interpretations, new fields of study, and new themes for the study of women. As a result of the global movement toward greater recognition of gender equality and human dignity, the study of women as portrayed in Chinese literature has a long and rich history. A single volume cannot cover the enormous field but offers volume is a starting point for further research. Several renowned Chinese writers and researchers contributed to the book. The volume includes the following: (1) Introduction (Li Yu- Wing);(2) Concepts of Redemption and Fall through Woman as Reflected in Chinese Literature (Tsung Su);(3) The Poems of Li Qingzhao (1084-1141) (Kai-yu Hsu); (4) Images of Women in Yuan Drama (Fan Pen Chen);(5) The Vanguards--The Truncated Stage (The Women of Lu Yin, Bing Xin, and Ding Ling) (Liu Nienling); (6) New Woman vs. -
Parodies of Qing: Ironic Voices in Romantic Chuanqi Plays Yanbing Tan Washington University in St
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Washington University St. Louis: Open Scholarship Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Summer 8-15-2018 Parodies of Qing: Ironic Voices in Romantic Chuanqi Plays Yanbing Tan Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Asian Studies Commons, Comparative Literature Commons, East Asian Languages and Societies Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation Tan, Yanbing, "Parodies of Qing: Ironic Voices in Romantic Chuanqi Plays" (2018). Arts & Sciences Electronic Theses and Dissertations. 1656. https://openscholarship.wustl.edu/art_sci_etds/1656 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of East Asian Languages and Cultures Program in Comparative Literature Dissertation Examination Committee: Robert E. Hegel, Chair Beata Grant Robert K. Henke Marvin Marcus Jamie Newhard Parodies of Qing: Ironic Voices in Romantic Chuanqi Plays by Yanbing Tan A dissertation presented -
Private Life and Social Commentary in the Honglou Meng
University of Pennsylvania ScholarlyCommons Honors Program in History (Senior Honors Theses) Department of History March 2007 Authorial Disputes: Private Life and Social Commentary in the Honglou meng Carina Wells [email protected] Follow this and additional works at: https://repository.upenn.edu/hist_honors Wells, Carina, "Authorial Disputes: Private Life and Social Commentary in the Honglou meng" (2007). Honors Program in History (Senior Honors Theses). 6. https://repository.upenn.edu/hist_honors/6 A Senior Thesis Submitted in Partial Fulfillment of the Requirements for Honors in History. Faculty Advisor: Siyen Fei This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hist_honors/6 For more information, please contact [email protected]. Authorial Disputes: Private Life and Social Commentary in the Honglou meng Comments A Senior Thesis Submitted in Partial Fulfillment of the Requirements for Honors in History. Faculty Advisor: Siyen Fei This thesis or dissertation is available at ScholarlyCommons: https://repository.upenn.edu/hist_honors/6 University of Pennsylvania Authorial Disputes: Private Life and Social Commentary in the Honglou meng A senior thesis submitted in partial fulfillment of the requirements for Honors in History by Carina L. Wells Philadelphia, PA March 23, 2003 Faculty Advisor: Siyen Fei Honors Director: Julia Rudolph Contents Acknowledgements………………………………………………………………………...i Explanatory Note…………………………………………………………………………iv Dynasties and Periods……………………………………………………………………..v Selected Reign -
Representing Talented Women in Eighteenth-Century Chinese Painting: Thirteen Female Disciples Seeking Instruction at the Lake Pavilion
REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION By Copyright 2016 Janet C. Chen Submitted to the graduate degree program in Art History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Marsha Haufler ________________________________ Amy McNair ________________________________ Sherry Fowler ________________________________ Jungsil Jenny Lee ________________________________ Keith McMahon Date Defended: May 13, 2016 The Dissertation Committee for Janet C. Chen certifies that this is the approved version of the following dissertation: REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION ________________________________ Chairperson Marsha Haufler Date approved: May 13, 2016 ii Abstract As the first comprehensive art-historical study of the Qing poet Yuan Mei (1716–97) and the female intellectuals in his circle, this dissertation examines the depictions of these women in an eighteenth-century handscroll, Thirteen Female Disciples Seeking Instructions at the Lake Pavilion, related paintings, and the accompanying inscriptions. Created when an increasing number of women turned to the scholarly arts, in particular painting and poetry, these paintings documented the more receptive attitude of literati toward talented women and their support in the social and artistic lives of female intellectuals. These pictures show the women cultivating themselves through literati activities and poetic meditation in nature or gardens, common tropes in portraits of male scholars. The predominantly male patrons, painters, and colophon authors all took part in the formation of the women’s public identities as poets and artists; the first two determined the visual representations, and the third, through writings, confirmed and elaborated on the designated identities. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. In their Own Words: British Sinologists’ Studies on Chinese Literature, 1807–1901 Lingjie Ji Thesis Submitted for the Degree of Doctor of Philosophy Asian Studies (Chinese) School of Literatures, Languages and Cultures The University of Edinburgh 2017 Declaration I hereby affirm that all work in this thesis is my own work and has been composed by me solely. No part of this thesis has been submitted for any other degree or professional qualification. Signed: Name: Lingjie Ji Date: 23/11/2017 Abstract of Thesis See the Postgraduate Assessment Regulations for Research Degrees: www.ed.ac.uk/schools-departments/academic-services/policies- regulations/regulations/assessment Name of student: Lingjie Ji UUN S1356381 University email: [email protected] Degree sought: Doctorate No. of words in the 95083 main text of thesis: Title of thesis: In Their Own Words: British Sinologists’ Studies on Chinese Literature, 1807–1901 Insert the abstract text here - the space will expand as you type. -
{PDF EPUB} Iu-Kiao-Li: Or, the Two Fair Cousins. a Chinese Novel
Read Ebook {PDF EPUB} Iu-kiao-li: Or, The Two Fair Cousins. A Chinese Novel. From The French Version Of M. Abel-remusat, Volume 2 by Abel Rémusat A Chinese Novel. From The French Version Of M. Abel-Remusat, Volume 2; Iu-kiao-li: Or, The Two Fair Cousins. From The French Version Of M. Abel-Remusat; Abel Rémusat <author> Abel Rémusat <publisher> Hunt and Clarke, 1827Author: Abel RémusatFormat: PaperbackIu- Kiao-Li - Wikipediahttps://en.wikipedia.org/wiki/Iu-kiao-liOverviewCharactersExternal linksYu Jiao Li (simplified Chinese: 玉娇梨; traditional Chinese: 玉嬌梨; pinyin: Yù Jiāo Lí; Wade–Giles: Yü Chiao Li), known in the West as Iu-Kiao-Li: or, the Two Fair Cousins, is an early-Qing Chinese caizi jiaren (scholar and beauty) novel by Zhang Yun (張勻). Yu Jiao Li is one of the best-known caizi jiaren novels, together with Ping Shan Leng Yan, and Haoqiu zhuan. The English version published by Hunt and Clarke of London in 1827 is an adaptation of Jean-Pie… London: Hunt & Clarke, 1827. Two volumes, 17.5 cm. Bound in half calf and marbled boards, sprinkled page edges, spine with maroon labels, gilt decoration. Armorial bookplates of Fitzherbert-Macdonald. Rubbing and scuffing to joints and corners neatly ...Book Edition: First Edition in EnglishThe English Novel, 1800–1829 - Romantic Textualitieswww.romtext.org.uk/reports/engnov3IU-KIAO-LI: OR, THE TWO FAIR COUSINS. A CHINESE NOVEL FROM THE FRENCH VERSION OF M. ABEL-REMUSAT. IN TWO VOLUMES. London: Hunt and Clarke, Covent-Garden, 1827. I xxxv, 259p; II 290p. 12mo. 14s (ECB). O 27.261; ECB 303; NSTC 2Y2340 (BI BL, C, E; NA DLC). -
SFU Thesis Template Files
Between Fantasy and Reality: Time-Travel Romance and Media Fandom in Chinese Cyberspace by Yang Tang B.A., Beijing Normal University, 2010 Thesis Submitted In Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Department of Humanities Faculty of Arts and Social Sciences Yang Tang 2014 SIMON FRASER UNIVERSITY Summer 2014 Approval Name: Yang Tang Degree: Master of Arts (Humanities) Title of Thesis: Between Fantasy and Reality: Time-Travel Romance and Media Fandom in Chinese Cyberspace Examining Committee Chair: Samir Gandesha Professor ____________________________________________ Shuyu Kong Senior Supervisor Associate Professor ____________________________________________ Helen Hok-Sze Leung Supervisor Associate Professor ___________________________________________ Lena Henningsen External Examiner Junior Professor Institute of Chinese Studies University of Freiburg Date Defended: May 1, 2014 ii Partial Copyright Licence iii Abstract The popularity of time-travel romance genre in Chinese cyberspace has become a phenomenon in recent years. Between Fantasy and Reality examines the most-read time-travel romance texts, fans’ participation and the affective space between the texts and their fans at Jinjiang Literature City. Going beyond traditional literary studies, this thesis analyzes fans’ interpretations, responses and discussions to reveal how much this literary practice has meant for young Chinese women on communal, cultural and social levels. I argue that there exists a motive of utopian realism behind their daily practices. Focusing on Web-based romance reading and writing, my thesis also reveals the new trends of Chinese popular literature. Keywords: Web literature; time-travel romance; media fandom; the post-1980s generation; virtual literary community iv Dedication To my dear partner Vincent, And the post-1980s generation of China. -
Aesthetics, Gender, and Family in the Eighteenth Century Chinese Novel Guwangyan (Preposterous Words)
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Oregon Scholars' Bank READING BODIES: AESTHETICS, GENDER, AND FAMILY IN THE EIGHTEENTH-CENTURY CHINESE NOVEL GUWANGYAN (PREPOSTEROUS WORDS) by QING YE A DISSERTATION Presented to the Department of East Asian Languages and Literatures and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2016 DISSERTATION APPROVAL PAGE Student: Qing Ye Title: Reading Bodies: Aesthetics, Gender, and Family in the Eighteenth Century Chinese Novel Guwangyan (Preposterous Words) This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy in the Department of East Asian Languages and Literatures by: Maram Epstein Chairperson Yugen Wang Core Member Alison Groppe Core Member Ina Asim Institutional Representative and Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2016 ii © 2016 Qing Ye iii DISSERTATION ABSTRACT Qing Ye Doctor of Philosophy Department of East Asian Languages and Literature June 2016 Title: Reading Bodies: Aesthetic, Gender, and Family in the Eighteenth Century Chinese Novel Guwangyan (Preposterous Words) This dissertation focuses on the Mid-Qing novel Guwangyan (Preposterous Words, preface dated, 1730s) which is a newly discovered novel with lots of graphic sexual descriptions. Guwangyan was composed between the publication of Jin Ping Mei (The Plum in the Golden Vase, 1617) and Honglou meng (Dream of the Red Chamber, 1791). These two masterpieces represent sexuality and desire by presenting domestic life in polygamous households within a larger social landscape. -
Chinese Emperor Wang Mang Repealed His Reforms, Which Had Created Widespread Protest
THE CENTRAL KINGDOM, CONTINUED GO BACK TO THE PREVIOUS PERIOD HDT WHAT? INDEX THE CENTRAL KINGDOM CHINA 9 CE From this year into 23 CE, Wang Mang, a Confucian chief minister, would be emperor of China. The new emperor set free China’s slaves. “NARRATIVE HISTORY” AMOUNTS TO FABULATION, THE REAL STUFF BEING MERE CHRONOLOGY China “Stack of the Artist of Kouroo” Project HDT WHAT? INDEX CHINA THE CENTRAL KINGDOM 12 CE Germanicus Caesar became consul to the Emperor Augustus Caesar. From about this point until 15 CE, Annius Rufus would be the Roman Prefect of Iudaea (that is, of Samaria, Judea, and Idumea). The Chinese Emperor Wang Mang repealed his reforms, which had created widespread protest. Maybe freeing all slaves had not been such a hot idea, after all. HDT WHAT? INDEX THE CENTRAL KINGDOM CHINA 17 CE In China, there being more than one way to skin a cat, a tax was imposed upon the ownership of slaves. Hippalus, a Greek sea captain, discovered a method of employing monsoon winds in sailing, a finding that would open direct sea trade between the Eastern Mediterranean and India. SPICE “HISTORICAL PERSPECTIVE” BEING A VIEW FROM A PARTICULAR POINT IN TIME (JUST AS THE PERSPECTIVE IN A PAINTING IS A VIEW FROM A PARTICULAR POINT IN SPACE), TO “LOOK AT THE COURSE OF HISTORY MORE GENERALLY” WOULD BE TO SACRIFICE PERSPECTIVE ALTOGETHER. THIS IS FANTASY-LAND, YOU’RE FOOLING YOURSELF. THERE CANNOT BE ANY SUCH THINGIE, AS SUCH A PERSPECTIVE. China “Stack of the Artist of Kouroo” Project HDT WHAT? INDEX CHINA THE CENTRAL KINGDOM 22 CE From this year until 220 CE, the later (Eastern) Han dynasty in China. -
Literary Quality of Qi from Tang Tales of Marvels to Wang Xiaobo's Tang
Transgression in Texts: Literary Quality of Qi from Tang Tales of Marvels to Wang Xiaobo’s Tang Tales by Xiaowen Xu A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of East Asian Studies University of Toronto © Copyright by Xiaowen Xu 2014 Transgression in Texts: Literary Quality of Qi from Tang Tales of Marvels to Wang Xiaobo’s Tang Tales Xiaowen Xu Doctor of Philosophy Graduate Department of East Asian Studies University of Toronto 2014 ABSTRACT The modern Chinese writer, Wang Xiaobo (1952-1997), retold three tales from the Tang dynasty (618-907) twice during the last two decades of the twentieth century. In this dissertation I examine the intertextual and intratextual relations between these tales and find that Wang Xiaobo’s efforts at literary adaptation belong to a long tradition of Chinese fiction writing in which the writer’s perceptions of the world are displayed through transformative experiments with language, genre, and reader’s expectations, experiments based on the pursuit of qi 奇 (“the marvelous”) in Chinese narrative literature. The literary quality of qi was first associated with Tang chuanqi 傳奇, or Tang tales of marvels. The Tang literati made use of shared literary knowledge in writing the Tang tales, and by engaging a literary spirit of you 遊 (“freedom of roaming”) in transgressing generic restrictions imposed by their classical education, they were able to present new perspectives on their own world. I argue that it is the pursuit of the literary quality of qi in Tang tales that makes transgression possible for the Tang literati in textual, generic, and thematic terms. -
Representations of Chinese Masculinity in Chinese Australian Literature 1978-2008
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Research Online University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 2012 Representations of Chinese masculinity in Chinese Australian literature 1978-2008 Zhong Huang University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Huang, Zhong, Representations of Chinese masculinity in Chinese Australian literature 1978-2008, Doctor of Philosophy thesis, School of English Literatures and Philosophy, University of Wollongong, 2012. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. A Peony Transplanted: Pai Hsien-yung and the Preservation of Chinese Kunqu Wei Zhou PhD The University of Edinburgh 2011 1 DECLARATION I hereby declare that this dissertation is a presentation of my own work and that it has not been submitted for any other degree or qualification. All materials obtained from other sources have been duly acknowledged. ____________________________ (Wei Zhou) 2 ABSTRACT This dissertation examines the preservation of Chinese kunqu, one of China’s indigenous operatic genres, in recent years with a special focus on renowned writer Pai Hsien-yung’s new adaptation of classic kunqu play The Peony Pavilion (Mudan ting). I use this adaptation as a case study to demonstrate how the actual shape of a stage production can be determined by a producer’s choice between tradition and innovation.