British Government and Conservative Press Relations
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Nights Underground in Darkest London: the Blitz, 1940–1941
Nights Underground in Darkest London: The Blitz, 1940–1941 Geoffrey Field Purchase College, SUNY After the tragic events of September 11, Mayor Rudolph Giuliani at once saw parallels in the London Blitz, the German air campaign launched against the British capital between September 1940 and May 1941. In the early press con- ferences at Ground Zero he repeatedly compared the bravery and resourceful- ness of New Yorkers and Londoners, their heightened sense of community forged by danger, and the surge of patriotism as a town and its population came to symbolize a nation embattled. His words had immediate resonance, despite vast differences between the two situations. One reason for the Mayor’s turn of mind was explicit: he happened at that moment to be reading John Lukacs’ Five Days in London, although the book examines the British Cabinet’s response to the German invasion of France some months before bombing of the city got un- derway. Without doubt Tony Blair’s outspoken support for the United States and his swift (and solitary) endorsement of joint military action also reinforced this mental coupling of London and New York. But the historical parallel, however imperfect, seemed to have deeper appeal. Soon after George W. Bush was telling visitors of his admiration for Winston Churchill, his speeches began to emulate Churchillian cadences, Karl Rove hung a poster of Churchill in the Old Execu- tive Office Building, and the Oval Office sported a bronze bust of the Prime Min- ister, loaned by British government.1 Clearly Churchill, a leader locked in conflict with a fascist and a fanatic, was the man for this season, someone whom all political parties could invoke and quote, someone who endured and won in the end. -
Woman War Correspondent,” 1846-1945
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository CONDITIONS OF ACCEPTANCE: THE UNITED STATES MILITARY, THE PRESS, AND THE “WOMAN WAR CORRESPONDENT,” 1846-1945 Carolyn M. Edy A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the School of Journalism and Mass Communication. Chapel Hill 2012 Approved by: Jean Folkerts W. Fitzhugh Brundage Jacquelyn Dowd Hall Frank E. Fee, Jr. Barbara Friedman ©2012 Carolyn Martindale Edy ALL RIGHTS RESERVED ii Abstract CAROLYN M. EDY: Conditions of Acceptance: The United States Military, the Press, and the “Woman War Correspondent,” 1846-1945 (Under the direction of Jean Folkerts) This dissertation chronicles the history of American women who worked as war correspondents through the end of World War II, demonstrating the ways the military, the press, and women themselves constructed categories for war reporting that promoted and prevented women’s access to war: the “war correspondent,” who covered war-related news, and the “woman war correspondent,” who covered the woman’s angle of war. As the first study to examine these concepts, from their emergence in the press through their use in military directives, this dissertation relies upon a variety of sources to consider the roles and influences, not only of the women who worked as war correspondents but of the individuals and institutions surrounding their work. Nineteenth and early 20th century newspapers continually featured the woman war correspondent—often as the first or only of her kind, even as they wrote about more than sixty such women by 1914. -
Copyright Statement
COPYRIGHT STATEMENT This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and no quotation from the thesis and no information derived from it may be published without the author’s prior consent. i ii REX WHISTLER (1905 – 1944): PATRONAGE AND ARTISTIC IDENTITY by NIKKI FRATER A thesis submitted to the University of Plymouth in partial fulfilment for the degree of DOCTOR OF PHILOSOPHY School of Humanities & Performing Arts Faculty of Arts and Humanities September 2014 iii Nikki Frater REX WHISTLER (1905-1944): PATRONAGE AND ARTISTIC IDENTITY Abstract This thesis explores the life and work of Rex Whistler, from his first commissions whilst at the Slade up until the time he enlisted for active service in World War Two. His death in that conflict meant that this was a career that lasted barely twenty years; however it comprised a large range of creative endeavours. Although all these facets of Whistler’s career are touched upon, the main focus is on his work in murals and the fields of advertising and commercial design. The thesis goes beyond the remit of a purely biographical stance and places Whistler’s career in context by looking at the contemporary art world in which he worked, and the private, commercial and public commissions he secured. In doing so, it aims to provide a more comprehensive account of Whistler’s achievement than has been afforded in any of the existing literature or biographies. This deeper examination of the artist’s practice has been made possible by considerable amounts of new factual information derived from the Whistler Archive and other archival sources. -
Bombing of Gernika
BIBLIOTECA DE The Bombing CULTURA VASCA of Gernika The episode of Guernica, with all that it The Bombing ... represents both in the military and the G) :c moral order, seems destined to pass 0 of Gernika into History as a symbol. A symbol of >< many things, but chiefly of that Xabier lruio capacity for falsehood possessed by the new Machiavellism which threatens destruction to all the ethical hypotheses of civilization. A clear example of the ..e use which can be made of untruth to ·-...c: degrade the minds of those whom one G) wishes to convince. c., '+- 0 (Foreign Wings over the Basque Country, 1937) C> C: ISBN 978-0-9967810-7-7 :c 90000 E 0 co G) .c 9 780996 781077 t- EDITORIALVASCA EKIN ARGITALETXEA Aberri Bilduma Collection, 11 Ekin Aberri Bilduma Collection, 11 Xabier Irujo The Bombing of Gernika Ekin Buenos Aires 2021 Aberri Bilduma Collection, 11 Editorial Vasca Ekin Argitaletxea Lizarrenea C./ México 1880 Buenos Aires, CP. 1200 Argentina Web: http://editorialvascaekin- ekinargitaletxea.blogspot.com Copyright © 2021 Ekin All rights reserved First edition. First print Printed in America Cover design © 2021 JSM ISBN first edition: 978-0-9967810-7-7 Table of Contents Bombardment. Description and types 9 Prehistory of terror bombing 13 Coup d'etat: Mussolini, Hitler, and Franco 17 Non-Intervention Committee 21 The Basque Country in 1936 27 The Basque front in the spring of 1937 31 Everyday routine: “Clear day means bombs” 33 Slow advance toward Bilbao 37 “Target Gernika” 41 Seven main reasons for choosing Gernika as a target 47 The alarm systems and the antiaircraft shelters 51 Typology and number of airplanes and bombs 55 Strategy of the attack 59 Excerpts from personal testimonies 71 Material destruction and death toll 85 The news 101 The lie 125 Denial and reductionism 131 Reconstruction 133 Bibliography 137 I can’t -it is impossible for me to give any picture of that indescribable tragedy. -
MOD Art Collection Artwork
MOD Art Collection Artwork Title Primary Maker Name Media Materials Description Type HRH The Duke of Cambridge Unknown Artist Oil on canvas Painting Dawn, Action Stations, Malta Rowland Langmaid Oil on canvas Painting Calabria Coast: Dawn, 3rd September 1943 Rowland Langmaid Oil on canvas Painting View of Sir Edward Pellew's Group, Gulf of Carpentaria, December 1802 William Westall Oil on canvas. Unglazed Painting Charles Phillip Yorke (1764-1834), First Lord of the Admiralty Unknown Artist Oil on canvas Painting British Fleet, Led by Admiral Sir John Fisher in HMS "Renown" entering Grand Harbour, Malta 1901 Luigi Galea Oil on card. Painting Landscape with Travellers Unknown Artist Oil on panel. Painting Emsworth Harbour from the Mole Bobbie Pinson Acrylic on canvas. Painting Arial (Preparatory Sketch) Louise Cattrell Oil on card. Painting Keep (Preparatory Sketch) Louise Cattrell Oil on card Painting Sir Thomas Hardy Lemuel Francis Abbott Oil on canvas Painting Sir Charles Morice Pole Bart GCB MP (1757-1830) John MacArthur Oil on canvas. Painting William Corbett, Cashier of the Navy Thomas Hudson Oil on canvas Painting View of Versailles and Clagni Rigaud Painting The Last Voyage of HMS Vanguard, Portsmouth, 4th August 1960 Richard Eurich Oil on canvas Painting Landscape with River and Figures Unknown Artist Oil on panel Painting Winter Landscape with Skaters Unknown Artist Oil on panel Painting Street Scene, Vilnius, Lithuania, 1994 Unknown Artist Tempera Painting Landscape with Lake and Houses, Macedonia,1994 Lila Kotus Oil on canvas. Painting Criccieth Castle Unknown Artist Oil on board. Painting An Attack on Admiral Rawling`s Force, 28 May 1941 Rowland Langmaid Oil on canvas. -
The Conservative Agenda for Constitutional Reform
UCL DEPARTMENT OF POLITICAL SCIENCE The Constitution Unit Department of Political Science UniversityThe Constitution College London Unit 29–30 Tavistock Square London WC1H 9QU phone: 020 7679 4977 fax: 020 7679 4978 The Conservative email: [email protected] www.ucl.ac.uk/constitution-unit A genda for Constitutional The Constitution Unit at UCL is the UK’s foremost independent research body on constitutional change. It is part of the UCL School of Public Policy. THE CONSERVATIVE Robert Hazell founded the Constitution Unit in 1995 to do detailed research and planning on constitutional reform in the UK. The Unit has done work on every aspect AGENDA of the UK’s constitutional reform programme: devolution in Scotland, Wales, Northern Ireland and the English regions, reform of the House of Lords, electoral reform, R parliamentary reform, the new Supreme Court, the conduct of referendums, freedom eform Prof FOR CONSTITUTIONAL of information, the Human Rights Act. The Unit is the only body in the UK to cover the whole of the constitutional reform agenda. REFORM The Unit conducts academic research on current or future policy issues, often in collaboration with other universities and partners from overseas. We organise regular R programmes of seminars and conferences. We do consultancy work for government obert and other public bodies. We act as special advisers to government departments and H parliamentary committees. We work closely with government, parliament and the azell judiciary. All our work has a sharply practical focus, is concise and clearly written, timely and relevant to policy makers and practitioners. The Unit has always been multi disciplinary, with academic researchers drawn mainly from politics and law. -
The Crime of Material Culture, the Condition of the Colonies And
The Crime of Material Culture, the Condition of the Colonies and Utopian/Dystopian Impulses, 1908-10 Robyn Walton During the years 1908-10 in Britain and Northern Europe, a number of liter- ary authors were producing fictions that both reflected and critiqued what Joseph Conrad later described as “the crudely materialistic atmosphere of the time.”1 In 1908, Conrad and his literary collaborator Ford Madox Ford (Hueffer) were completing The Nature of a Crime , a slight tale of one Lon- don professional’s addiction to embezzlement .2 Taking this Conrad-Ford microcosm of Edwardian materialism as its point of departure, this article first analyses how a range of 1908-10 fictions represent local financial prac- tices and the impacts of Northern money-making and materialistic culture. It notes that the narratives concentrate on upwardly mobile and creative characters of the middle classes, rather than on aristocrats or on the work- ing poor and unemployed who were the subject of contemporaneous social surveys and were the most immediately affected by their social superiors’ financial criminality and mismanagement. The article then asks why – given that Northern incomes, raw materials, and finished goods frequently had their origins in the colonies and developing nations – these fictions rarely examined the impacts of global resource exploitation on regions outside Europe. A number of possible reasons why the 1908-10 authors did not at- tend to the colonies are explored. The fictions’ few allusions to colonies and developing nations are found to further the authors’ collective critique of COLLOQUY text theory critique 21 (2011). © Monash University. www.arts.monash.edu.au/ecps/colloquy/journal/issue021/walton.pdf 116 Robyn Walton ░ Europe’s materialist, capitalist culture rather than to investigate colonial cir- cumstances. -
Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell
Copyrights sought (Albert) Basil (Orme) Wilberforce (Albert) Raymond Blackburn (Alexander Bell) Filson Young (Alexander) Forbes Hendry (Alexander) Frederick Whyte (Alfred Hubert) Roy Fedden (Alfred) Alistair Cooke (Alfred) Guy Garrod (Alfred) James Hawkey (Archibald) Berkeley Milne (Archibald) David Stirling (Archibald) Havergal Downes-Shaw (Arthur) Berriedale Keith (Arthur) Beverley Baxter (Arthur) Cecil Tyrrell Beck (Arthur) Clive Morrison-Bell (Arthur) Hugh (Elsdale) Molson (Arthur) Mervyn Stockwood (Arthur) Paul Boissier, Harrow Heraldry Committee & Harrow School (Arthur) Trevor Dawson (Arwyn) Lynn Ungoed-Thomas (Basil Arthur) John Peto (Basil) Kingsley Martin (Basil) Kingsley Martin (Basil) Kingsley Martin & New Statesman (Borlasse Elward) Wyndham Childs (Cecil Frederick) Nevil Macready (Cecil George) Graham Hayman (Charles Edward) Howard Vincent (Charles Henry) Collins Baker (Charles) Alexander Harris (Charles) Cyril Clarke (Charles) Edgar Wood (Charles) Edward Troup (Charles) Frederick (Howard) Gough (Charles) Michael Duff (Charles) Philip Fothergill (Charles) Philip Fothergill, Liberal National Organisation, N-E Warwickshire Liberal Association & Rt Hon Charles Albert McCurdy (Charles) Vernon (Oldfield) Bartlett (Charles) Vernon (Oldfield) Bartlett & World Review of Reviews (Claude) Nigel (Byam) Davies (Claude) Nigel (Byam) Davies (Colin) Mark Patrick (Crwfurd) Wilfrid Griffin Eady (Cyril) Berkeley Ormerod (Cyril) Desmond Keeling (Cyril) George Toogood (Cyril) Kenneth Bird (David) Euan Wallace (Davies) Evan Bedford (Denis Duncan) -
Thecoalition
The Coalition Voters, Parties and Institutions Welcome to this interactive pdf version of The Coalition: Voters, Parties and Institutions Please note that in order to view this pdf as intended and to take full advantage of the interactive functions, we strongly recommend you open this document in Adobe Acrobat. Adobe Acrobat Reader is free to download and you can do so from the Adobe website (click to open webpage). Navigation • Each page includes a navigation bar with buttons to view the previous and next pages, along with a button to return to the contents page at any time • You can click on any of the titles on the contents page to take you directly to each article Figures • To examine any of the figures in more detail, you can click on the + button beside each figure to open a magnified view. You can also click on the diagram itself. To return to the full page view, click on the - button Weblinks and email addresses • All web links and email addresses are live links - you can click on them to open a website or new email <>contents The Coalition: Voters, Parties and Institutions Edited by: Hussein Kassim Charles Clarke Catherine Haddon <>contents Published 2012 Commissioned by School of Political, Social and International Studies University of East Anglia Norwich Design by Woolf Designs (www.woolfdesigns.co.uk) <>contents Introduction 03 The Coalition: Voters, Parties and Institutions Introduction The formation of the Conservative-Liberal In his opening paper, Bob Worcester discusses Democratic administration in May 2010 was a public opinion and support for the parties in major political event. -
Walter Runciman and the Decline of the Liberal Party
WaltER RUNCIMAN AND thE DECliNE of thE LIBERal PARTY Historians remain divided about the contribution that biography can make to their craft. Those who believe that the study of individuals is important because the decisions of those individuals affect the course of events and that the replacement of one key player in the historical mosaic can significantly change the way in which history evolves are matched by others who argue that biography inevitably exaggerates the role and significance of the individual and distorts the reality of the historical narrative. By David Dutton.1 26 Journal of Liberal History 84 Autumn 2014 WaltER RUNCIMAN AND thE DECliNE of thE LIBERal PARTY etween someone like parliament alongside his own father seafaring family. Two of his great- Thomas Carlyle, who and even of having preceded him grandfathers fought as midshipmen Bwrote that ‘history is the there. A governmental colleague at Trafalgar, while his father, also essence of innumerable biogra- offered a very fair assessment of him called Walter, rose from humble phies’, and the committed Marxist in 1912. ‘Runciman,’ he wrote, ‘is beginnings to own a major ship- who views the individual as a help- able, honest, hard-working, coura- ping company in the north-east. less cork bobbing up and down on geous, but while a good speaker, The traditional Liberal commit- the remorseless tides of economic just lacks that touch of genius which ment to free trade was part of the determinism, there can be no meet- Churchill has got, and that charm young Walter’s thinking as a pros- ing of minds.2 But somewhere which Lloyd George abounds in. -
1899-1911 Baker's Chronology
Baker’s Chronology of Local Events Date Event 1899 - 1911 4 January 1899 Fire at Wigganthorpe Hall (Hon. Henry W Fitzwilliam's) 5 January 1899 Funeral of Mr. John Snarry, V.S. of Norton 11 January 1899 Mr. Grant Lawson, M.P., speaks in Malton Corn Exchange 26 January 1899 Middleton hunt ball at Malton - Hunting stopped hard frost next morning 28 January 1899 Annual Meeting North of England Union of Teachers at Malton 28 January 1899 Smoking Concert at Talbot Hotel 28 January 1899 Organ Opening at Rillington 31 January 1899 Inquest on child named Fox, killed by falling out of its father's arms. 1 February 1899 Malton Industrial Exhibition opens (four days) 7 February 1899 Cawton Estate sold to Mr. Metcalfe, Towton hall, for £10,800 8 February 1899 Malton Gas Company declares a dividend of 6 1/2 per cent. For the half-year 11 February 1899 Special Meeting Malton Rural Sanitary Authority about Street Villages Water Supply. 13 February 1899 Suicide of "Barney" Gray at Malton. 15 February 1899 A York butcher died suddenly at Malton this morning. 16/17 February 1899 Malton Steeplechases - two fine days. 18 February 1899 Meeting at Malton about proposed new bridge over the Derwent at Hutton. 24 February 1899 £100 "shoot" Malton Gun Club. 28 February 1899 Mr. W.H. Speck, stock auctioneer, began selling first time in Malton market. 6 March 1899 Meeting at Norton in aid of National Liberal Federation. 13 March 1899 Norton Urban Council held their first meeting in their new upstairs room. 19 March 1899 Death of Mr. -
839 Was Also a Conservative Romantic, a Trait That Became Particularly Pronounced in His Second World War Columns
Comptes rendus / Book Reviews 839 was also a conservative romantic, a trait that became particularly pronounced in his Second World War columns. Writing of British naval valour, he proclaimed that “the spirit of Elizabethan days has come back to these islands once more.” (p. 131) His tone became more muted after the war, when the Labour Party which he despised came to power and implemented many of the provisions of the 1942 Beveridge Report. Baxter was vehemently opposed to socialism and the welfare state, siding decisively with the former in what he called the “battle of the individual against the state” (p. 242). His most evocative columns, however, such as that on the 1936 Abdication crisis, brought home to Canadians those events gripping what many still saw as the “mother dominion.” If I had one reservation about the book, it is that Baxter and the Canadian connection sometimes fades from view as Thompson sets out the context of successive British high political dramas. More might also be said about how, and in what ways, the ideas and sentiments Baxter espoused in his London Letters were received by his Maclean’s readers. Thompson gives us circulation numbers which attest to the magazine’s self-proclaimed status as “Canada’s National Magazine,” but how Baxter’s ideas shaped Canadians’ political, economic, social and cultural activities is left mostly unsaid. Nonetheless, this is a fine book, closely researched and carefully written. It is particularly strong on Baxter during the appeasement years, reflecting Thompson’s expertise in this period. Historians of the British world would benefit greatly from more transnational studies in the model of Thompson’s work on Beverley Baxter.