2015 Marvel Fleer Retro Checklist
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Bill Rogers Collection Inventory (Without Notes).Xlsx
Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers -
Tsimshian Dictionary
Dictionary of Shm’algyack Donna May Roberts Sealaska Heritage Institute Juneau, Alaska © 2009 by Sealaska Heritage Institute All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without permission in writing from the publisher. ISBN: 1440401195 EAN-13:9781440401190 Library of Congress Control Number: 2008939132 Sealaska Heritage Institute One Sealaska Plaza, Suite 301 Juneau, Alaska 99801 907-463-4844 www.sealaskaheritage.org Printing: Create Space, Scotts Valley, CA, U.S.A. Front cover design: Kathy Dye Front cover artwork: Robert Hoffmann Book design and computational lexicography: Sean M. Burke Copy editing: Suzanne G. Fox, Red Bird Publishing, Inc., Bozeman, MT Table of Contents Acknowledgments ........................... 1 Introduction ..................................... 3 Dictionary of Shm’algyack Shm’algyack to English ................ 7 English to Shm’algyack ............... 67 Dictionary of Shm'algyack - 1 aam verb to be fine, good, well PLURAL: am'aam Shm'algyack to ·Aam wila howyu. I’m feeling good. ·Na sheepg nakshu ashda 'guulda English shada dowl mahlda doctor hla aam wila waald gya'win. My wife was sick the other day but the doctor said she’s aab noun my father good now. ·Yagwa goom wunsh aabdu. My aamggashgaawt verb to be of father is hunting for deer. medium size, of a good size aad noun; verb net; to seine ·Aamggashgaawt ga yeeh. The King PLURAL: ga'aad salmon was of a good size. ·Geegsh Dzon shu aad dm hoyt hla aamhalaayt noun headdress, aadmhoant. John bought a new net mask, regalia, shaman’s mask; shaman for fishing. -
English-Language Graphic Narratives in Canada
Drawing on the Margins of History: English-Language Graphic Narratives in Canada by Kevin Ziegler A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in English Waterloo, Ontario, Canada, 2013 © Kevin Ziegler 2013 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This study analyzes the techniques that Canadian comics life writers develop to construct personal histories. I examine a broad selection of texts including graphic autobiography, biography, memoir, and diary in order to argue that writers and readers can, through these graphic narratives, engage with an eclectic and eccentric understanding of Canadian historical subjects. Contemporary Canadian comics are important for Canadian literature and life writing because they acknowledge the importance of contemporary urban and marginal subcultures and function as representations of people who occasionally experience economic scarcity. I focus on stories of “ordinary” people because their stories have often been excluded from accounts of Canadian public life and cultural history. Following the example of Barbara Godard, Heather Murray, and Roxanne Rimstead, I re- evaluate Canadian literatures by considering the importance of marginal literary products. Canadian comics authors rarely construct narratives about representative figures standing in place of and speaking for a broad community; instead, they create what Murray calls “history with a human face . the face of the daily, the ordinary” (“Literary History as Microhistory” 411). -
Transcript by Rev.Com Had Seating for 100 People, and Would Have Been the Emergency Senate Chamber
Joanne Freeman: Major funding for Back Story is provided by an anonymous donor, the National Endowment for the Humanities, the University of Virginia, and the Robert and Joseph Cornel Memorial Foundation. Ed Ayers: From Virginia Humanities, this is Back Story. Brian Balogh: Welcome to Back Story, the show that explains the history behind today's headlines. I'm Brian Balogh. Ed Ayers: I'm Ed Ayers. Joanne Freeman: I'm Joanne Freeman. Ed Ayers: If you're new to the podcast, we're all historians. Each week, we explore the history of one topic that's been in the news. Joanne Freeman: Now, picture a luxury hotel. Attentive staff buzz around serving drinks to thirsty golfers who've just come in after playing 18 holes; but behind a false wall, there's a blast door intended to keep out radiation from a nuclear bomb. Nobody who works here knows, but this is where the American president, senators, and congressmen will hide out if America comes under attack by nuclear weapons. Sounds like a James Bond movie, right? Joanne Freeman: We're going to start off today by going underground to a secret facility standing by not far from here. Garrett Graff: ... I ever went to was the Greenbrier bunker, which would have been the congressional bunker and relocation facility during the course of the Cold War. Brian Balogh: This is the writer and historian, Garrett Graff. Garrett Graff: It was this bunker hidden under this very fine golf resort in White Sulphur Springs, West Virginia. The resort is still used as a annual congressional retreat. -
Katalog Zur Ausstellung "60 Jahre Marvel
Liebe Kulturfreund*innen, bereits seit Ende des Zweiten Weltkriegs befasst sich das Amerikahaus München mit US- amerikanischer Kultur. Als US-amerikanische Behörde war es zunächst für seine Bibliothek und seinen Lesesaal bekannt. Doch schon bald wurde das Programm des Amerikahauses durch Konzerte, Filmvorführungen und Vorträge ergänzt. Im Jahr 1957 zog das Amerika- haus in sein heutiges charakteristisches Gebäude ein und ist dort, nach einer vierjährigen Generalsanierung, seit letztem Jahr wieder zu finden. 2014 gründete sich die Stiftung Bay- erisches Amerikahaus, deren Träger der Freistaat Bayern ist. Heute bietet das Amerikahaus der Münchner Gesellschaft und über die Stadt- und Landesgrenzen hinaus ein vielfältiges Programm zu Themen rund um die transatlantischen Beziehungen – die Vereinigten Staaten, Kanada und Lateinamerika- und dem Schwerpunkt Demokratie an. Unsere einladenden Aus- stellungräume geben uns die Möglichkeit, Werke herausragender Künstler*innen zu zeigen. Mit dem Comicfestival München verbindet das Amerikahaus eine langjährige Partnerschaft. Wir freuen uns sehr, dass wir mit der Ausstellung „60 Jahre Marvel Comics Universe“ bereits die fünfte Ausstellung im Rahmen des Comicfestivals bei uns im Haus zeigen können. In der Vergangenheit haben wir mit unseren Ausstellungen einzelne Comickünstler, wie Tom Bunk, Robert Crumb oder Denis Kitchen gewürdigt. Vor zwei Jahren freute sich unser Publikum über die Ausstellung „80 Jahre Batman“. Dieses Jahr schließen wir mit einem weiteren Jubiläum an und feiern das 60-jährige Bestehen des Marvel-Verlags. Im Mainstream sind die Marvel- Helden durch die in den letzten Jahren immer beliebter gewordenen Blockbuster bekannt geworden, doch Spider-Man & Co. gab es schon lange davor. Das Comic-Heft „Fantastic Four #1“ gab vor 60 Jahren den Startschuss des legendären Marvel-Universums. -
An ESSAY on the PRINCIPLES of CIRCUMSTANTIAL EVIDENCE, Illustrated by Numerous Cases
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com A N E S S A Y ON THE PRINCIPLES OF CIRCUMSTANTIAL EVIDENCE, 3Jllugtratûù bp Jßumerotig Cageg. BY WILLIAM WILLS, Esq. Nulla denique est causa, in qua id, quod in judicium venit, ex reorum per sonis, non generum ipsorum universa disputatione quæratur.—Cic. De Oratore. THIRD EDITION. LONDON ; HENRY BUTTERWORTH, 7, FLEET STREET, 3Ìafm 33udí£cIIcr anù 38ubIigbcr. HODGES AND SMITH, GRAFTON STREET, DUBLIN. 1850. BIBLIOTHECA REGIA MONACENSIS. N PRINTED BY RICHARD AND JOHN E. TAYLOR, RED Lion court, FLEET STREET. PR E FA C E TO THE FIRST EDITION. THE most important doctrines of Circumstantial Evidence have been so ably treated in the learned works of Mr. Bentham and Mr. Starkie, that an apology may be thought necessary for this publication. It will however be per ceived, that the design of the following Essay is different in some important particulars from that of either of the above-mentioned authors; and that an attempt has been made to illustrate the subject by the application of many instructive cases, some of which have been compiled from original documents, and others from publications not easily accessible. It has not always been practicable to support the state ment of cases by reference to books of recognised authority, or of an equal degree of credit; but discrimination has uniformly been exercised in the adoption of such state ments; and they have generally been verified by compa rison with contemporaneous and independent accounts. -
Pocket Product Guide 2006
THENew Digital Platform MIPTV 2012 tm MIPTV POCKET ISSUE & PRODUCT OFFILMGUIDE New One Stop Product Guide Search at the Markets Paperless - Weightless - Green Read the Synopsis - Watch the Trailer BUSINESSC onnect to Seller - Buy Product MIPTVDaily Editions April 1-4, 2012 - Unabridged MIPTV Product Guide + Stills Cher Ami - Magus Entertainment - Booth 12.32 POD 32 (Mountain Road) STEP UP to 21st Century The DIGITAL Platform PUBLISHING Is The FUTURE MIPTV PRODUCT GUIDE 2012 Mountain, Nature, Extreme, Geography, 10 FRANCS Water, Surprising 10 Francs, 28 Rue de l'Equerre, Paris, Delivery Status: Screening France 75019 France, Tel: Year of Production: 2011 Country of +33.1.487.44.377. Fax: +33.1.487.48.265. Origin: Slovakia http://www.10francs.f - email: Only the best of the best are able to abseil [email protected] into depths The Iron Hole, but even that Distributor doesn't guarantee that they will ever man- At MIPTV: Yohann Cornu (Sales age to get back.That's up to nature to Executive), Christelle Quillévéré (Sales) decide. Office: MEDIA Stand N°H4.35, Tel: + GOOD MORNING LENIN ! 33.6.628.04.377. Fax: + 33.1.487.48.265 Documentary (50') BEING KOSHER Language: English, Polish Documentary (52' & 92') Director: Konrad Szolajski Language: German, English Producer: ZK Studio Ltd Director: Ruth Olsman Key Cast: Surprising, Travel, History, Producer: Indi Film Gmbh Human Stories, Daily Life, Humour, Key Cast: Surprising, Judaism, Religion, Politics, Business, Europe, Ethnology Tradition, Culture, Daily life, Education, Delivery Status: Screening Ethnology, Humour, Interviews Year of Production: 2010 Country of Delivery Status: Screening Origin: Poland Year of Production: 2010 Country of Western foreigners come to Poland to expe- Origin: Germany rience life under communism enacted by A tragicomic exploration of Jewish purity former steel mill workers who, in this way, laws ! From kosher food to ritual hygiene, escaped unemployment. -
Nativity Scene Marks Christinas Santa Clans Parade Saturday Lots
LEDGER ENTRIES SHORT DAYS FIFTY-FIFTH YEAR LOWELL, MICHIGAN, THURSDAY, DEC. 11, 1947 NUMBER 32 Now that the big giune hunters We have come close to the time have ail returned home, It !• claim- of year when the calendar shows ed that the hamburg. ia playing neo- the shortest days. The sun Is far ond fiddle to the deerburg. Said to Mrs. Gerald Staal Lawrence Ridgway away from us. He is flooding the be real tavory. Nativity Scene Santa Clans Parade Saturday South American countries with his — The HUlto — Passes at Age 32 Military Funeral Court's Decision bright sunshine. They revel In Mrs. Gerald Staal, 32, who was their own summer, and are happy The Lowell Board of Trade In in his golden light. The land of ths holding an old-time Chrtotmas taken to Osteopathic hospital in Orand Rapids late Tuesday after- rhumba and the tango flourishes party this Thursday evening at six Marks Christinas Lots of Fun For Young And Old Would Aid Lowell under his stimulating rays. o'clock at South Boston Orange noon, passed away about 1:30 Wed- hall. The ladies of the Orange will nesday morning. She had been in Plans for the first annual Santa Claus parade to be staged Satur- Legislature May Try To The sunlight now strikes us at a serve a turkey dinner which will be Hour Program Each Night poor health for some time. She is day, December 13 at 3 p. m. arc complete and the event promises very slanting angle, and there Is followed by a grand program and survived by the husband, a son Jack to hold plenty of fun for young snd old. -
CITIZEN #187-188.Indd
Salut vous tous, les AstroCitizens ! «nous sommes décidément bien trop en retard pour vous proposer un édito digne de édito ce nom.... gageons que le mois prochain sera diff érent !» zut je vous l’ai déjà dit ! à ma décharge, vous avez entre les mains un DOUBLE Citizen avec, dedans, rien moins que les news de Juillet ET d’Aout ! Au mois prochain et d’ici là : à vous de jouer !!!! Damien, Fred & Jérôme – JUILLET & AOUT 2017 news de la cover du mois : ROM VS TRANSFORMERS par Alex Milne Un peu de lexique... Le logo astrocity et la super-heroïne “astrogirl” ont été créés par Blackface.Corp et sont la propriété GN pour Graphic novel : La traduction littérale de ce terme est «roman graphique» exclusive de Damien Rameaux & Frédéric Dufl ot au OS pour One shot : Histoire en un épisode, publié le plus souvent à part de la continuité régulière. titre de la société AstroCity SARL. Mise en en page et charte graphique du magazine Citizen et du site TP pour Trade paperback : Un trade paperback est un recueil en un volume unique de plusieurs comic-books qui regroupe un arc complet 187-188 internet astrocity.fr par Blackface.Corp HC pour Hard Cover : Un hard cover est un recueil en version luxueuse, grand format et couverture cartonnée de plusieurs comic-books. Prem HC (Premiere HC) : Un premiere hard cover est un recueil en version luxe (format comics et couverture cartonnée) de plusieurs comic-books. # SC pour Soft Cover : Un soft cover est un recueil en version luxueuse, grand format et couverture souple de plusieurs comic-books. -
Creating a Superheroine: a Rhetorical Analysis of the X-Men Comic Books
CREATING A SUPERHEROINE: A RHETORICAL ANALYSIS OF THE X-MEN COMIC BOOKS by Tonya R. Powers A Thesis Submitted in Partial Fulfillment Of the Requirements for the Degree MASTER OF ARTS Major Subject: Communication West Texas A&M University Canyon, Texas August, 2016 Approved: __________________________________________________________ [Chair, Thesis Committee] [Date] __________________________________________________________ [Member, Thesis Committee] [Date] __________________________________________________________ [Member, Thesis Committee] [Date] ____________________________________________________ [Head, Major Department] [Date] ____________________________________________________ [Dean, Fine Arts and Humanities] [Date] ____________________________________________________ [Dean, Graduate School] [Date] ii ABSTRACT This thesis is a rhetorical analysis of a two-year X-Men comic book publication that features an entirely female cast. This research was conducted using Kenneth Burke’s theory of terministic screens to evaluate how the authors and artists created the comic books. Sonja Foss’s description of cluster criticism is used to determine key terms in the series and how they were contributed to the creation of characters. I also used visual rhetoric to understand how comic book structure and conventions impacted the visual creation of superheroines. The results indicate that while these superheroines are multi- dimensional characters, they are still created within a male standard of what constitutes a hero. The female characters in the series point to an awareness of diversity in the comic book universe. iii ACKNOWLEDGEMENTS I wish to thank my thesis committee chair, Dr. Hanson, for being supportive of me within the last year. Your guidance and pushes in the right direction has made the completion of this thesis possible. You make me understand the kind of educator I wish to be. You would always reply to my late-night emails as soon as you could in the morning. -
Black Label/Hill House
BLACK LABEL/HILL HOUSE SUMMER/FALL 2020 CATALOG Summer & Fall 2020 From captivating and complex superhero titles to terrifying horror tales, DC Black Label is committed to telling mature and timeless stand-alone stories. These collections for Summer/Fall 2020 are perfect for everyday readers looking for accessible and distinctive jumping-on points. First, the White Knight saga continues! Sean Murphy returns as writer and artist on Batman: Curse of the White Knight, the sequel to his blockbuster Batman: White Knight. As Batman prepares to reveal his identity, the Joker and Azrael team up to wield a shocking piece of lost history that will corrupt Batman’s legacy and shake Gotham to its foundation. In Harley Quinn & The Birds of Prey, Amanda Conner and Jimmy Palmiotti return to have some fun with the character they revolutionized; and Jeff Lemire and Andrea Sorrentino explore the crooked corridors of Joker’s mind in Joker: Killer Smile. DC Black Label is passionate about showcasing the most amazing artists in the industry. Two more books that feature eye-popping art were also year-end hits in the direct market: the outstanding Dark Knight Returns: The Golden Child, written by Frank Miller and illustrated by Rafael Grampa, and the stunning Wonder Woman: Dead Earth, written and illustrated by the monstrously talented Daniel Warren Johnson. Then, New York Times bestselling writer Geoff Johns and Jason Fabok team up for the long-awaited Batman: Three Jokers. 30 years after The Killing Joke changed comics forever, this story re-examines the myth of the Joker and explores the depths of his ongoing battle with Batman. -
British Writers, DC, and the Maturation of American Comic Books Derek Salisbury University of Vermont
University of Vermont ScholarWorks @ UVM Graduate College Dissertations and Theses Dissertations and Theses 2013 Growing up with Vertigo: British Writers, DC, and the Maturation of American Comic Books Derek Salisbury University of Vermont Follow this and additional works at: https://scholarworks.uvm.edu/graddis Recommended Citation Salisbury, Derek, "Growing up with Vertigo: British Writers, DC, and the Maturation of American Comic Books" (2013). Graduate College Dissertations and Theses. 209. https://scholarworks.uvm.edu/graddis/209 This Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks @ UVM. It has been accepted for inclusion in Graduate College Dissertations and Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. GROWING UP WITH VERTIGO: BRITISH WRITERS, DC, AND THE MATURATION OF AMERICAN COMIC BOOKS A Thesis Presented by Derek A. Salisbury to The Faculty of the Graduate College of The University of Vermont In Partial Fulfillment of the Requirements For the Degree of Master of Arts Specializing in History May, 2013 Accepted by the Faculty of the Graduate College, The University of Vermont, in partial fulfillment of the requirements for the degree of Master of Arts, specializing in History. Thesis Examination Committee: ______________________________________ Advisor Abigail McGowan, Ph.D ______________________________________ Melanie Gustafson, Ph.D ______________________________________ Chairperson Elizabeth Fenton, Ph.D ______________________________________ Dean, Graduate College Domenico Grasso, Ph.D March 22, 2013 Abstract At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children.