Post-Communist Commemorations in Berlin and Warsaw
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On the Threshold of the Holocaust: Anti-Jewish Riots and Pogroms In
Geschichte - Erinnerung – Politik 11 11 Geschichte - Erinnerung – Politik 11 Tomasz Szarota Tomasz Szarota Tomasz Szarota Szarota Tomasz On the Threshold of the Holocaust In the early months of the German occu- volume describes various characters On the Threshold pation during WWII, many of Europe’s and their stories, revealing some striking major cities witnessed anti-Jewish riots, similarities and telling differences, while anti-Semitic incidents, and even pogroms raising tantalising questions. of the Holocaust carried out by the local population. Who took part in these excesses, and what was their attitude towards the Germans? The Author Anti-Jewish Riots and Pogroms Were they guided or spontaneous? What Tomasz Szarota is Professor at the Insti- part did the Germans play in these events tute of History of the Polish Academy in Occupied Europe and how did they manipulate them for of Sciences and serves on the Advisory their own benefit? Delving into the source Board of the Museum of the Second Warsaw – Paris – The Hague – material for Warsaw, Paris, The Hague, World War in Gda´nsk. His special interest Amsterdam, Antwerp, and Kaunas, this comprises WWII, Nazi-occupied Poland, Amsterdam – Antwerp – Kaunas study is the first to take a comparative the resistance movement, and life in look at these questions. Looking closely Warsaw and other European cities under at events many would like to forget, the the German occupation. On the the Threshold of Holocaust ISBN 978-3-631-64048-7 GEP 11_264048_Szarota_AK_A5HC PLE edition new.indd 1 31.08.15 10:52 Geschichte - Erinnerung – Politik 11 11 Geschichte - Erinnerung – Politik 11 Tomasz Szarota Tomasz Szarota Tomasz Szarota Szarota Tomasz On the Threshold of the Holocaust In the early months of the German occu- volume describes various characters On the Threshold pation during WWII, many of Europe’s and their stories, revealing some striking major cities witnessed anti-Jewish riots, similarities and telling differences, while anti-Semitic incidents, and even pogroms raising tantalising questions. -
Szczepan Twardoch's the King of Warsaw
EBRD Literature Prize 2021 Don’t mention the war: Szczepan Twardoch’s The King of Warsaw It is 1937 in Warsaw – a city of not one but two populations, one Slav, one Jewish. Both go in for flamboyant Tarantino-type violence – whether it’s gun-toting gangsters, corrupt politicians with uniformed stooges, the outwardly respectable family men who attack girls in brothel bedrooms, or angry socialists and nationalists clashing in the streets. But no one does violence more elegantly than heavyweight boxer Jakub Szapiro. Tattooed with the Hebrew word MAVET, meaning death, and a sword, he doubles up as a gangster. He wears silk shirts, drives a sleek car and has all the ladies sighing. The first novel by author Szczepan Twardoch to be translated into English takes a subject that is strikingly unusual for an English-speaking readership. The history of the Jews of Poland dates back a millennium; Poland was the home of the biggest and most significant Jewish community in the world until the Nazis destroyed it and dealt a huge blow to its language, Yiddish. Although an English-language narrative of the Shoah has taken shape in the past generation, partly through movies like Schindler’s List, this book is unusual in looking back beyond the dreadful ending and painting a fictional picture of how Jews and Slavs might have lived together in a city which itself no longer exists in its pre-1939 shape. In some ways, then, this is the story of the 20th century. The King of Warsaw tells the story of that city, hurtling towards a new kind of violence so extreme it can’t yet even be imagined – a future Holocaust, foreshadowed only by hallucinatory glimpses of a giant sperm whale, Litani, hovering overhead and singing songs of death. -
Miłosz in Copenhagen
Przekładaniec. Between Miłosz and Milosz 25 (2011): 297–300 10.4467/16891864ePC.13.032.1221 NIELS HAV MIŁOSZ IN COPENHAGEN 1. I was in Warsaw on the day it was announced that Thomas Transtömer was awarded the Nobel Prize. We sat in the gentle October sunshine out- side the house of literature at Krakowskie Przedmieście, a group of poets from several countries. It was a little past one o’clock Thursday afternoon, and Tranströmer’s name fl ew joyfully from table to table. A reporter later asked the Polish Nobel recipient Wisława Szymborska, “What were your thoughts when you heard Tranströmer won the Nobel prize?.” “I was so happy,” she said, “that I jumped up and down on one leg.” Poland and Denmark are neighbors, but for political reasons people in Warsaw and Copenhagen have for long periods lived on different planets. Today a plane ticket to Warsaw does not cost much more than a train ticket to Jutland. Something is happening. But still it is a little scattered and ac- cidental what there is of Polish literature translated into Danish, and the Danish discourse on Poland is even now mixed with ignorance and roman- ticism. Periodically, it has tended towards a mild form of orientalism. 2. The centenary of Miłosz’s birth was celebrated in Copenhagen, too. There was a symposium at the Royal Library. Knowledgeable people from Po- land and Lithuania surveyed important aspects of his work. But, sympto- matically, not many Danish writers were present at the event. Przekładaniec_2.indd 297 8/29/2013 11:06:06 AM 298 NIELS HAV I can take it as given that if I asked a colleague what Czeslaw Miłosz has meant to Danish poetry, a momentary awkwardness would arise. -
Poland and the Holy See. Contribution to the Concordatory Law *
Teka Kom. Praw. – OL PAN, 2014, 44 –63 POLAND AND THE HOLY SEE. CONTRIBUTION TO THE CONCORDATORY LAW * Józef Krukowski The University of S. Wyszy ński in Warsaw Faculty of Canon law Summary. The article contains the explication of the very important questions respecting the normalization of relations between the democratic Poland and the Catholic Church using the international agreement between the Holy See and the supreme authority of Polish State, called „concordat”. This event is consi dered in the historical context of political transformations from the communist totalitarian regime to liberal democracy and at the same time from atheistic state based on the hostile separation to the secular one based on the friendly separation. In complains the following issues: 1) notion and classification of concordats, 2) axiological and formal dimension of its conclusion between the Holy See and Poland (1993 –1998), 3) compliance Concordat’s with the Constitution of Poland, 4) the stabilization function of Concordat, 5) financial clauses. Key words: Holy See, Polish State, concordat, Constitution, Church-State relations The historical events are a good opportunity for the taking this subject into account. The last year (2013) twenty anniversary have passed since the signing of the Concordat between the Holy See and the Republic of Poland and fifteen years since its ratification 1. A few days ago we experienced the canonization by the Pope Francis the two of his predecessors: John XXIII and John Paul II, who contributed to the process of the building justice and peace between the nations in modern world, especially the relations between the Church and State in Poland. -
ISUM #3, Per10d Ending 142400 Dec 61
, 6-2.. • S'=I'R..."'~ ET. HEAIlQUARTElIS BERLIN BRIGADE Off ice of the AC of 8, G2 APO 742 US FOR::ES + 1 . (8 \ ~!l..'ClE1' FORCES: a. Hf'llccpter f light over Installation 4154 and AUf,J'1..lst Bebel PIa t."':t.:1 E.l.f"t Ber::'ln on 13 December revealed the following: (1) 29 T-S4 tanks , 1 BTR ~ 1 bus and 3 wheeled vehicles are lonat;u 1n August Ecbel Platz. (2) Tho tanks that were parked 1n Installation 4154 are n':) 10n3C'r jX.rkC'd oJ!" th::! hardstand inside the in::>tall at:'..on . 02 C:nlr.l.Cnt: It 1s possible thf'.t 10 to 12 tunI.s w'uld b,- p~.~'·:(r0. inside ::::h3ds 1n Insullatlon 415 1~ . Br;1 l.icved, ho~·e"E.r, thE'.t fO.ll tt.rks h'we dep.-,rtcd this installation. Tank unit in Bebel Platz 1s b_'1.i8ved to be Jchc Tt..nk Battalion, 83d Motorized Riflo il0giment fr.i:n Installation 4161 1n Karlshorst. Un! t to have departed IlStnllatl~n 4154 believe d to be a tank battalion of 68th Tnnk Regiment f rom InstallE:.tion 4102 (Berl~n Blesdorf). b . Headquarters, GSfo'G imposed new permanent 1'cstrictions on Wcs.tern Mili t:-", ry Missions effective 12000:1. December 1961. The new restrictcd c.r .m,s are located in Schwerin-~udwiglust, W:Ltt.3nburg and Ko·~igsb ru ,ck areas. The permanent r es tric ted areas of Guestrow; Letzlingcr lI~ide . Altengrabow. Jena-Weissenfe1s, Ohrdrv.f and Juetcl'bog were exten,Ld. -
Merchants, Army Suppliers, Bankers: Transnational Connections and the Rise of Warsaw’S Jewish Mercantile Elite (1770–1820)
Chapter 2 Merchants, Army Suppliers, Bankers: Transnational Connections and the Rise of Warsaw’s Jewish Mercantile Elite (1770–1820) Cornelia Aust Introduction In the summer of 1783, Jacob Prager, a Jewish wholesale merchant in Amsterdam, wrote to his brother Yehiel in London: Let God, be He Blessed, guard [us] from bad times. In one moment one may lose [all] that one has acquired in 50 years. This country has lost much of its commerce by this deplorable war and we fear that we shall not in our lifetime again do such flourishing business as in the past, because demand has virtually disappeared and all seafaring monarchies receive merchandise directly from East and West.1 As Gedalia Yogev has also shown for the case of the Prager family in Amsterdam and London, the decline of the Amsterdam staple-market hurt many Jewish merchants. At least for some time—during the second half of the eighteenth century—Amsterdam merchants were kept afloat by the business in bills of exchange. Nevertheless, by the end of the century, the city also lost its position as the preeminent financial market of Europe to London, which left a deep impact on Jewish and Protestant merchants and bankers alike.2 These episodes form a key part of the relatively well-known story of the economic decline of Amsterdam, the parallel rise of London, and Jewish westward migration. 1 Quoted from Gedalia Yogev, Diamonds and Coral: Anglo-Dutch Jews and Eighteenth-Century Trade (Leicester: Leicester University Press, 1978), 246–47. 2 Marjolein ’t Hart, Joost Jonker and Jan Luiten Van Zanden (eds.), A Financial History of the Netherlands (Cambridge: Cambridge University Press, 1997), 58–61; Youssef Cassis, Capitals of Capital: A History of International Financial Centres, 1780–2005 (Cambridge: Cambridge University Press, 2006), 9–14; Jan De Vries and A.M. -
2010 / 2011 8,00 € Kultur in Deutschland
2010 / 2011 8,00 € KULTUR IN DEUTSCHLAND ONLINE > www.kulturpur.de WOLFGANG JOOP WIRBT FÜR DIE SAISON 2010/11 DER DEUTSCHEN OPER BERLIN BERLINS KOMPLETTE SPIELPLANÜBERSICHT. MIT ALLEN VERANSTALTUNGEN VON SEPTEMBER 2010 BIS JULI 2011. THE COMPLETE REPERTOIRE OF ALL THEATRES IN BERLIN. WITH ALL PERFORMANCES FROM SEPTEMBER 2010 TO JULY 2011. the place to be. Berlin ist Stadt der Musik. Ob im Konzerthaus am Gendarmenmarkt, der Komischen Oper oder der Philharmo- nie - Berlin bietet Musikliebhabern ein großartiges Klassik-Angebot. Und nicht nur das: In Berlin trifft Hochkultur auf Hightech. Dank der Digital Concert Hall kann man die Berliner Philharmoniker nicht nur live in der Hauptstadt, sondern auch in bester Qualität via Internet auf der ganzen Welt erleben. Mehr Informationen unter: www.sei.berlin.de www.digital-concert-hall.com sei offen, sei frei, sei berlin. www.sei.berlin.de COC-W-076_DigitalConcertHall_A4-KulturPUR_100907.indd 1 07.09.10 13:58 VORWORT | EDITORIAL Liebe Leser, Dear Reader, Kultur ist das Gedächtnis der Menschheit, Spiegelbild unserer Culture is mankind’s memory, reflection of our civilization Zivilisation und der Zukunftsmotor unserer Gesellschaft. and the driving force of our society. Zum 300jährigen Jubiläum der Charité feiert Berlin das On the 300th anniversary of the Charité, Berlin is celebrating Wissenschaftsjahr; 125 Jahre Kurfürstendamm und der Umzug the Year of Science; this statement is endorsed by 125 years Kur- der Staatsoper in das Schiller Theater unterstreichen diese Aus- fürstendamm and the relocation of the Berlin State Opera to the sage. Kultur ist Bewahrung des Weltwissens und ein Antrieb Schiller Theater. Culture is the preservation of the world’s knowl- für Weiterentwicklung. -
H-Diplo ROUNDTABLE XXII-10
H-Diplo ROUNDTABLE XXII-10 Hope M. Harrison. After the Berlin War: Memory and the Making of the New Germany, 1989 to the Present. New York: Cambridge University Press, 2019. ISBN: 9781107049314 (hardback, $34.99). 26 October 2020 | https://hdiplo.org/to/RT22-10 Roundtable Editors: Thomas Maddux and Diane Labrosse | Production Editor: George Fujii Contents Introduction by Charles Maier, Harvard University ............................................................................................................................. 2 Review by Pertti Ahonen, University of Jyvaskyla, Finland .............................................................................................................. 6 Review by Mark Fenemore, Manchester Metropolitan University ................................................................................................ 8 Review by Mary Fulbrook, University College London .................................................................................................................... 15 Review by William Glenn Gray, Purdue University ............................................................................................................................ 17 Review by Stephan Kieninger, Independent Historian ................................................................................................................... 20 Response by Hope M. Harrison, the George Washington University ......................................................................................... 23 H-Diplo Roundtable XXII-10 -
Kontroverse Themen Deutscher Geschichte Im Daf-Unterricht
KONTROVERSE THEMEN DEUTSCHER GESCHICHTE IM DAF-UNTERRICHT. UNTERRICHTSVORSCHLÄGE: NATIONALSOZIALISMUS UND GESPALTENES DEUTSCHLAND Laura Kampitsch A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2011 Committee: Dr. Geoffrey Howes, Advisor Dr. Edgar Landgraf i ABSTRACT Dr. Geoffrey Howes, Advisor This thesis deals with controversial topics and periods of German history and how these historically and culturally important events, for example, the period of National Socialism in Germany and German division, can be implemented in German language and culture courses. The theoretical site of foreign language instruction is discussed in the first part, for example, the advantages and disadvantages of different instruction methods. In the first part, desired learning outcomes will also be discussed. How the controversial topics of National Socialism and German division can be taught through the use of literary texts, films, guided internet research and historical documents will be the topic of the second part of this thesis. Recommendations and sample exercises will also be included in this section. The sample exercises are specifically designed for third year or advanced literature, culture and conversation classes, and are based on the principles of intercultural and communicative foreign language instruction. The aim of this thesis is to develop teaching strategies that engage the students and to develop teaching material to accompany the lessons that provide the students with a multifaceted picture of Germany´s history and presence and encourages them to critically analyze these historical. Because of the traditional nature of foreign language instruction which focuses on grammar, vocabulary, reading and listening exercises, this thesis should also work to motivate instructors of German as a foreign language, to integrate historically and culturally controversial events of German history into German language classrooms. -
Memories of East German Childhood: Popular Representations of the Contested Past
Memories of East German Childhood: Popular Representations of the Contested Past A Senior Honors Thesis Presented in Partial Fulfillment of the Requirements for graduation with distinction in Germanic Languages and Literatures in the undergraduate colleges of The Ohio State University by Claire M. Doughty The Ohio State University June 2005 Project Advisers: Dr. Andrew Spencer, Department of Germanic Languages and Literatures Dr. Helen Fehervary, Department of Germanic Languages and Literatures 2 Table of Contents Introduction......................................................................................................................3-8 Chapter One: Metaphors and Memories of Childhood in Monika Maron’s Stille Zeile Sechs ..................................................................................................................9-24 Chapter Two: Time, Space, and the Problem of Loss in Wolfgang Becker’s Good Bye, Lenin! ................................................................................................................25-41 Chapter Three: The Past as Pop Culture in Jana Hensel’s Zonenkinder ......................42-59 Chapter Four: Popular Music in Leander Hau βmann’s Sonnenallee ...........................60-78 Conclusion....................................................................................................................79-83 Notes.............................................................................................................................84-92 Bibliography.................................................................................................................93-98 -
Behind the Berlin Wall.Pdf
BEHIND THE BERLIN WALL This page intentionally left blank Behind the Berlin Wall East Germany and the Frontiers of Power PATRICK MAJOR 1 1 Great Clarendon Street, Oxford Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York Patrick Major 2010 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2010 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Major, Patrick. -
[email protected] +49 30 2576 0874
MEDIADATEN 2019 [email protected] +49 30 2576 0874 Iomauna Media GmbH Max-Beer-Str. 48, 10119 Berlin, Deutschland www.exberliner.com EXBERLINER KURZPROFIL Exberliner ist das englischsprachiges Magazin für Kultur, Reportage und Politik in Berlin und Brandenburg. Wir sind Deutschlands größte englischsprachige Publikation und umgeben von einer stetig wachsen- den, starken Community von temporären und permanenten Expats aus aller Welt. Zusätzlich sind wir das meistgelesene Medium bei der stetig wachsenden Zahl an internationaler Touristen. EXB wurde 2002 von drei Journalisten aus Großbritannien, Rumänien und Frankreich gegründet und ist eine komplett eigenfinanzierte, unabhängige Publikation. Seit seiner ersten Ausgabe im Juni 2002 hat sich EXB mit einem monatlichen Printmagazin, einer be- liebten Website, zweiwöchentlichen Newslettern sowie Facebook-, Instagram- und Twitter-Kanälen zu einer Referenz für die internationale Gemeinschaft entwickelt. Wir organisieren nicht nur regelmäßig Veranstaltungen und Partys, sondern haben auch einen eigenen Filmpreis. Das EXB Redaktionsteam glaubt an kompromisslosen Journalismus aus erster Hand – wir veröffentlichen nur persönlich geführte Interviews, liefern Berichterstattung vor Ort, leisten fundierte Kulturkritik und sind bekannt für unseren sauber recherchierten Service-Journalismus. Das Ergebnis? Informative Stücke mit einer einzigartigen Handschrift. Neue Perspektiven, aufschlussreiche Artikel und Interviews, die Sie noch nicht tausend Mal gelesen haben. Wenn möglich, unterstützen und veröffentlichen