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1 2 TERRE DI CINEMA — International cinematographers days 5A EDIZIONE / 5TH EDITION 13 - 27 LUGLIO 2015 / 13 - 27 JULY 2015 Complesso Monumentale Agostiniano — Forza d’Agrò (ME) TDC15 CON IL SOSTEGNO DI T MAIN PARTNER MAIN SPONSOR MEDIA PARTNER E CON LA PARTECIPAZIONE DI 4 5 TDC15 IDEATORE E DIRETTORE ARTISTICO / SUPERVISIONE TESTI / CREATOR AND ARTISTIC DIRECTOR TEXTS EDITING VINCENZO CONDORELLI (AIC) MATTEO RAIMONDI VINCENZO CONDORELLI PRESIDENTE ONORARIO / HONORARY CHAIRMAN VIDEO E AUDIO SERVICE / LUCIANO TOVOLI (AIC) VIDEO AND AUDIO SERVICE FRANCESCO DE LUCA COMITATO SCIENTIFICO / CINEMA VITTORIA (ALÌ TERME) SCIENTIFIC BOARD LUCIANO TOVOLI (AIC) FOTOGRAFIE DI BACKSTAGE / SALVATORE TOTINO (AIC, ASC) BACKSTAGE PHOTOGRAPHY ROBERTO SCHAEFER (AIC, ASC) ASSOCIAZIONE AFI011 COORDINAMENTO GENERALE / PROGETTAZIONE CULTURALE / GENERAL COORDINATOR PROJECT PLANNING MATTEO RAIMONDI FACTORY FILM RESPONSABILE SEGRETERIA PROJECT MANAGEMENT / ORGANIZZATIVA / ASS. TERRE DI CINEMA MANAGING STAFF SUPERVISOR IN COLLABORAZIONE CON / ALESSANDRO CARISTIA IN COLLABORATION WITH ASS. GALLERIA RITMO (CT) STAFF ORGANIZZAZIONE / STAFF ORGANIZATION MEDIA PARTNER / MARIANA POLO TUTTODIGITALE GIOVANNI PRISCO GIULIA STERRANTINO PROGETTO GRAFICO / STEFANO BITELLI GRAPHIC DESIGN DALTON HOMOLKA ALESSANDRO ARENA PINA BASILE GIANPIERO SPINELLI UFFICIO STAMPA / STAGISTA UNICT / PRESS OFFICE INTERN UNICT GIOVANNELLA BRANCATO AZZURRA MUSUMECI RELAZIONI ESTERNE E COMUNICAZIONE / PUBLIC RELATIONS FACTORY FILM IN COLLABORAZIONE CON / IN COLLABORATION WITH CULTURAL FACTORY SOCIAL MEDIA / STELLA KALISPERATOU REDAZIONE E TRADUZIONE TESTI / TEXTS AND TRANSLATION MATTEO RAIMONDI MARIA CONDORELLI 7 INDICE / INDEX 8 IDEATORE E DIRETTORE ARTISTICO / CREATOR AND ARTISTIC DIRECTOR 10 COMITATO SCIENTIFICO / SCIENTIFIC BOARD 12 NEW CINEMATOGRAPHERS AWARD K5600 LIGHTING 14 GIURIA /JURY 16 AUTORI DELLA FOTOGRAFIA - FILM / CINEMATOGRAPHERS - MOVIES 30 MASTERS OF LIGHT TRIBUTE TO GIUSEPPE ROTUNNO 42 A PASSAGE TO INDIA 50 EVENTI SPECIALI / SPECIAL EVENTS 56 CINECAMPUS 60 WORKSHOPS AND MASTERCLASS 68 CINECAMPUS STORY 9 IDEATORE E DIRETTORE ARTISTICO VINCENZO CONDORELLI (AIC) A cinque anni dalla prima edizione pilota di Terre di Cinema è tempo di un primo bilancio, rivedendo i numeri di questa fantastica avventura: dal 2011 il CineCampus ha ospitato più di cento studenti di scuole di cinema e giovani filmmaker da tutto il mondo, che hanno realizzato circa 40 cortometraggi dedicati a queste Terre di Cine- ma. Dal 2013 il festival ha proposto una selezione di quindici talenti emergenti del- la cinematografia (o fotografia cinematografica) europea; tributi a grandi maestri come Luciano Tovoli (AIC, ASC), Tonino Delli Colli (AIC, ASC), Franco Delli Colli (AIC), Giuseppe Rotunno (AIC, ASC); otto anteprime nazionali, retrospettive tematiche - Israele, Serbia ed India – masterclass e workshop specialistici con i migliori marchi del settore delle attrezzature da ripresa ed illuminazione. Tutto ciò non sarebbe stato neppure immaginabile senza il sostegno e la generosità dei colleghi e delle aziende che hanno partecipato a ciascuna edizione. E delle pre- stigiose scuole di cinema partner del progetto, a partire dal Centro Sperimentale di Cinematografia – Scuola Nazionale di Cinema, che ha creduto in Terre di Cinema fin dalla sua ideazione. Senza dimenticare i membri dello staff – italiani e stranieri - che si sono alternati nelle varie edizioni lavorando con enorme dedizione e passione ed il paese tutto di Forza d’Agrò che ci ha accolto con grande affetto e collaborazione. Tra i tanti momenti indimenticabili vissuti insieme a Terre di Cinema, mi piace ri- cordare le parole di un collega, Pino Venditti (AIC), che rivolgendosi ai nostri studenti durante una masterclass di qualche anno fa spiegò che per fare cinema bisogna avere innanzitutto l’amore e la passione di lavorare con gli altri. In questi anni ab- biamo imparato che lo stesso vale per fare un festival sul cinema e sull’immagine cinematografica. Grazie a tutti quelli che lo hanno reso possibile. 10 CREATOR AND ARTISTIC DIRECTOR Taking stock overall, after five years of Terre di Cinema, these are the numbers of such an enthrilling adventure: since 2011 the CineCampus guested more than 100 students and young filmmakers from all over the globe, who shot and completed round 40 short films during their time at Terre di Cinema. Since 2013 our festival has selected 15 out of the most interesting new talents of Europe’s cinematography; a series of tributes to Masters of Lights such as Luciano Tovoli (AIC, ASC), Tonino Delli Colli (AIC, ASC), Franco Delli Colli (AIC, ASC), Giuseppe Rotunno (AIC, ASC); 8 natio- nal premieres, thematic retrospectives – Israel, Serbia and India – masterclass and workshops in collaboration with the most prominent international brands in the domain of camera and lighting equipment. All of this could have not even been conceived without the support and generosity of the collegues and the technical partners who have joined each edition. And our prestigious pool of partner Film schools, starting from the Centro Sperimentale di Cinematografia – Italy’s national film school - that believed in this project since the very first draft. Not to forget each member of the staff – Italian and international – who have rotated through the years, working with the greatest dedication and com- mitment. And last but not least the town of Forza d’Agrò, the wonderful scenario in which all of this has taken place. Among so many unforgettable moments, I would like to recall the words of our colleague, cinematographer Pino Venditti (AIC), during a masterclass of the 2012 Edition: addressing the students, Pino pointed out that, at the core, filmmaking is a collaborative art, based on the love and passion of working together. Throughout these years at Terre di Cinema, we have learned that the same principle applies to film festival. Thanks to all of those who make this possible. 11 COMITATO SCIENTIFICO / SCIENTIFIC BOARD LUCIANO TOVOLI (AIC, ASC) dans l’ombre (2008), Amnesia (2015). Du- ring all this time, Tovoli has been deeply An award winner cinematographer of involved in promoting the advancement world fame and an indefatigable advo- of cinematography worldwide: From 1981 cate of cinematography and cinemato- to 1992 Tovoli created and directed, to- graphers’ prerogatives, Luciano Tovoli gether with Gabriele Lucci, Una Città in has made the history of cinema, shoo- Cinema, first ever international event de- ting memorable sequences such as the dicated to the art and craft of cinemato- closing long take on Antonioni’s The graphy. Tovoli also curated the Cinema- Passenger (1975). After graduating from tographer’s Day event within the Palm Centro Sperimentale di Cinematogra- Springs International Film Festival and fia, Tovoli debuted as cinematographer in 1992 he created IMAGO - The Europe- on Vittorio De Seta’s Banditi ad Orgosolo an Federation of Cinematographers, (1961), a masterpiece of Italian neo-re- currently counting among its members alism. In 1972 he begins his collabora- 47 societies and associations from all tion with Michelangelo Antonioni on over the world. More recently, Luciano Chung Kuo, followed by the The Passenger Tovoli collaborated, as cinematography (1975) and the experimental Il Mistero di consultant, on The Art of Cinematography Oberwald (1980), first ever feature shot on (2014), Vittorio Storaro’s new book. Lu- an electronic support alternative to film ciano Tovoli is past president of AIC - the stock in the history of cinema. Italian Society of Cinematographers, Throughout the decades of his brilliant and a member of ASC - the American career Tovoli has collaborated with many Society of Cinematographers. acclaimed directors such as Marco Fer- reri, Valerio Zurlini, Andrej Tarkovskij, Dario Argento, Nanni Moretti, Jacques SALVATORE TOTINO (AIC, ASC) Perrin, Maurice Pialat, Francis Veber, Barbet Schroeder, Ettore Scola. One of today’s most requested cinema- In 1981 Tovoli also writes and direct The tographers in Hollywood, Salvatore Toti- General of Dead Army (1983), starring Mar- no is a long time collaborator of director cello Mastroianni, that granted him a Ron Howard, with whom he shot Cinde- Best Feature nomination at the Chicago rella Man (2005), The Davinci Code (2006) International Film Festival. In the 1990s and Frost/Nixon (2008). Tovoli starts his long-lasting collabora- Born in Brooklyn, NY, by an Italian family tion with French director Barbet Schro- who had migrated in the US, Totino star- eder, on several features including Rever- ted his career as cinematographer sho- sal of Fortune (1990), Single White Female oting a wide array of commercials and (1992), Kiss of Death (1995) and Desperate music videos for brands such as Jack Da- Measures (1998). niel’s, Nike, Volvo, Jaguar, The Gap, HIS Je- Tovoli’s Hollywood experience continues ans, winning a Clio Award for the latter. In in 1999 on the set of Titus, with the Aca- Cinema, he debuted as cinematographer demy Award-nominated director and on Oliver Stone’s Any Given Sunday in 1999. writer Julie Taymor. In the 2000s Tovoli He is a member of ASC - the American continues shooting with Schroeder on: Society of Cinematographers - and AIC - Murder by Numbers (2002), Inju – la bête the Italian Society of Cinematographers. 12 ROBERTO SCHAEFER (AIC, ASC) LT A truly eclectic cinematographer, well renowned on the international scene for being able of constantly reinventing his visions and style, Roberto Schaefer is a long term collaborator of director Marc
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    goście festiwalu -4- panele dyskusyjne -20- warsztaty i spotkania -25- bloki filmowe -36- wydarzenia towarzyszące zniżki festiwalowe -88- podziękowania -95- harmonogram wydarzeń -97- Witamy Was na Festiwalu, Kamera Akcja ewoluuje z każdym rokiem. Po pięciu latach gościmy już w trzeciej lokalizacji. Zaczynaliśmy w undergroundowym Kinie Cytryna. Po zamknięciu kina powędrowaliśmy bliżej Piotrkowskiej do Łódzkiego Domu Kultury. Po raz trzeci zmienił się także termin festiwalu. Raczkowaliśmy z pierwszą edycją w maju. Dwukrotnie udało nam się stworzyć czterodniowe święto w marcu. Z czwartą edycją powróciliśmy w maju, aby w tym roku po raz pierwszy gościć Was wczesną jesienią w miejscu wyjątkowym dla polskiego kina. Roszady te wynikają z prostej przyczyny – chcemy dać Wam to, co najlepsze. Jedno się jednak nie zmieniło – pasja do filmu. Każdy rok to krok do przodu, ten rok to z pewnością sporo zmian, mamy nadzieję, że zauważalnych. Festiwal Kamera Akcja zawsze stawiał na integrację branży filmowej, na zapoznanie się z osobami, które pracują w różnym charakterze w ciekawych miejscach związanych z kinematografią. Chcemy przybliżyć Wam świat filmu nie tylko poprzez specjalnie wyselekcjonawane i dokładnie dobrane tytuły filmowe, ale także poprzez spotkania. Dyskusje i rozmowy to coś, czego nie można powtórzyć, na czym nie można włączyć pauzy, ściągnąć na swój dysk czy kupić w promocyjnej cenie w supermarkecie. Niepowtarzalność i nieprzewidywalność spotkań to dla nas energia, dla której robimy ten festiwal. Program filmowy ma swój jasno określony charakter. Nie wybieramy przypadkowo, ale dokładnie przyglądamy się temu, co dzieje się na rynku festiwalowym selekcjonując dla Was same perełki. Filmy te skłaniają do dyskusji, poruszają, nie dają o sobie zapomnieć, prowokują długie debaty, nie pozostawiają widzów obojętnymi.
  • Manuel Alberto Claro Director of Photography

    Manuel Alberto Claro Director of Photography

    Lux Artists Ltd. 12 Stephen Mews London W1T 1AH +44 (0)20 7637 9064 www.luxartists.net MANUEL ALBERTO CLARO DIRECTOR OF PHOTOGRAPHY FILM/TELEVISION DIRECTOR PRODUCER THE HOUSE THAT JACK BUILT Lars Von Trier Zentropa Entertainment THE UNTAMED Amat Escalante Mantarraya Winner, Silver Lion for Best Director, Venice Film Festival (2016) Official Selection, Toronto Film Festival (2016) Le Pacte Official Selection, London Film Festival (2016) LITTLE DUCK (Short) James Murphy Freestyle TOP FIVE Chris Rock IACF Official Selection, Toronto Film Festival (2014) NYMPHOMANIAC (Vol. I & II) Lars Von Trier Zentropa Official Selection, Berlin Film Festival (2014) THE CORRECTIONS Noah Baumbach HBO/Scott Rudin SEX, DRUGS & TAXATION Christoffer Boe AlphaVille Pictures MELANCHOLIA Lars Von Trier Zentropa Winner, Carlo Di Palma European Cinematographer Award, European Film Awards (2011) Winner, Best Actress, Cannes Film Festival (2011) Official Selection, Toronto Film Festival (2011) REBOUNCE Heidi Maria Faisst Zentropa LIMBO Maria Sodahl SF Films Winner, Best Cinematography, Amanda Awards (2010) EVERYTHING WILL BE FINE Christoffer Boe AlphaVille Pictures THE CANDIDATE Kaspar Barfoed Miso Film ALLEGRO Christoffer Boe AlphaVille Pictures Winner, Best Cinematography, Robert Festival (2006) Official Selection, Sundance Film Festival (2006) Official Selection, Venice Film Festival (2005) DARK HORSE Dagur Kari Nimbus Film Official Selection, Cannes Film Festival (2005) RECONSTRUCTION Christoffer Boe Nordisk Film Winner, Caméra d’Or & “Le Label Regard Jeune” Cannes
  • Creating Images for Hollywood Classics Vicki James Yiannias

    Creating Images for Hollywood Classics Vicki James Yiannias

    Creating Images for Hollywood Classics Vicki James Yiannias From the time of silent films, the images of American cinema have reflected the environment of their time. The sounds, sites, costumes, makeup, and movements on the screen reinforce the norms of the era, but also give a taste of social changes in their early phases. Most popular attention has been focused on actors, who when influential are labeled stars, even if their talent is limited. More recently some directors also have become “bankable” as stars of their own kind. Still under-appreciated by most filmgoers are the critical behind-the scenes roles by others in the filmmaking team. Greeks who have carved some legendary spaces in their respective specialties are not widely celebrated, even by the Greek American public. Six such individuals are Jack Pierce, make-up and special effects artist; Hermes Pan, choreographer; Dean Tavoularis, production designer; and Theoni Aldredge, Patricia Field, and Mary Zophres, three extraordinary costumer designers. From Frankenstein to Mister Ed Special effects and makeup genius Jack Pierce (1889-1968) is one of the great innovators in Hollywood history. His masterly conceived monsters and creatures created for Hollywood horror classics such as Frankenstein (1931), Dracula 1931), The Mummy (1932), and Wolf Man (1941) are still terrifying, and their influence on popular culture, continues on a grand scale. Yiannis Peter Piccoulas (1889-1968) was born in Porto Cheli, Ermionida, in the Peloponnese. His father was a shepherd (likely to have been originally from the village of Valtestsi).1 In 1902, when he was just thirteen, Piccoulas left his family to come to America in search of a better life.