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Dissertation
DISSERTATION Titel der Dissertation “We’re Punk as Fuck and Fuck like Punks:”* Queer-Feminist Counter-Cultures, Punk Music and the Anti-Social Turn in Queer Theory Verfasserin Mag.a Phil. Maria Katharina Wiedlack angestrebter akademischer Grad Doktorin der Philosophie (Dr. Phil.) Wien, Jänner 2013 Studienkennzahl lt. Studienblatt: A 092 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik Betreuerin / Betreuer: Univ. Prof.in Dr.in Astrid Fellner Earlier versions and parts of chapters One, Two, Three and Six have been published in the peer-reviewed online journal Transposition: the journal 3 (Musique et théorie queer) (2013), as well as in the anthologies Queering Paradigms III ed. by Liz Morrish and Kathleen O’Mara (2013); and Queering Paradigms II ed. by Mathew Ball and Burkard Scherer (2012); * The title “We’re punk as fuck and fuck like punks” is a line from the song Burn your Rainbow by the Canadian queer-feminist punk band the Skinjobs on their 2003 album with the same name (released by Agitprop Records). Content 1. Introduction .......................................................................................................... 1 2. “To Sir With Hate:” A Liminal History of Queer-Feminist Punk Rock ….………………………..…… 21 3. “We’re punk as fuck and fuck like punks:” Punk Rock, Queerness, and the Death Drive ………………………….………….. 69 4. “Challenge the System and Challenge Yourself:” Queer-Feminist Punk Rock’s Intersectional Politics and Anarchism……...……… 119 5. “There’s a Dyke in the Pit:” The Feminist Politics of Queer-Feminist Punk Rock……………..…………….. 157 6. “A Race Riot Did Happen!:” Queer Punks of Color Raising Their Voices ..……………..………… ………….. 207 7. “WE R LA FUCKEN RAZA SO DON’T EVEN FUCKEN DARE:” Anger, and the Politics of Jouissance ……….………………………….…………. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
Punk: Music, History, Sub/Culture Indicate If Seminar And/Or Writing II Course
MUSIC HISTORY 13 PAGE 1 of 14 MUSIC HISTORY 13 General Education Course Information Sheet Please submit this sheet for each proposed course Department & Course Number Music History 13 Course Title Punk: Music, History, Sub/Culture Indicate if Seminar and/or Writing II course 1 Check the recommended GE foundation area(s) and subgroups(s) for this course Foundations of the Arts and Humanities • Literary and Cultural Analysis • Philosophic and Linguistic Analysis • Visual and Performance Arts Analysis and Practice x Foundations of Society and Culture • Historical Analysis • Social Analysis x Foundations of Scientific Inquiry • Physical Science With Laboratory or Demonstration Component must be 5 units (or more) • Life Science With Laboratory or Demonstration Component must be 5 units (or more) 2. Briefly describe the rationale for assignment to foundation area(s) and subgroup(s) chosen. This course falls into social analysis and visual and performance arts analysis and practice because it shows how punk, as a subculture, has influenced alternative economic practices, led to political mobilization, and challenged social norms. This course situates the activity of listening to punk music in its broader cultural ideologies, such as the DIY (do-it-yourself) ideal, which includes nontraditional musical pedagogy and composition, cooperatively owned performance venues, and underground distribution and circulation practices. Students learn to analyze punk subculture as an alternative social formation and how punk productions confront and are times co-opted by capitalistic logic and normative economic, political and social arrangements. 3. "List faculty member(s) who will serve as instructor (give academic rank): Jessica Schwartz, Assistant Professor Do you intend to use graduate student instructors (TAs) in this course? Yes x No If yes, please indicate the number of TAs 2 4. -
Megadeth, New Headliner of Resurrection Fest 2014
MEGADETH, NEW HEADLINER OF RESURRECTION FEST 2014 Lagwagon, Judge, Carcass, High on Fire, Architects, The Ocean, Angelus Apatrida, Vildhjarta, Backtrack, Heart in Hand, Hyde Abbey, Mutant Squad, Anal Hard, Acid Mess and Childrain will be added to the ninth edition of the festival from July 31 to August 2 in Viveiro, Lugo In line with the festival philosophy to offer a well-chosen poster, with additions to date as NOFX, Turbonegro, Testament, Down, Amon Amarth, Gojira or Sick of it All, RESURRECTION FEST 2014 presents a historical representative of metal as Megadeth. The pioneers of the genre led by former Metallica Dave Mustaine will be this summer in Viveiro (Lugo) with other seventy bands more to celebrate the ninth edition of a festival made by and for fans who managed to place in a main reference of this genre in Europe. After 35 years of militancy in music, a recent concert with the Symphony Orchestra of San Diego and more than 50 million albums sold with Megadeth, singer, songwriter and guitarist Dave Mustaine will reach Viveiro presenting the fourteenth album, Super Collider, with his band in an exclusive date in Spain and Portugal, before a massive legion of fans that will move mountains to see them. The public will have a unique opportunity to attend live concert of a legend of thrash metal, only one edition after enjoying another great member of the Big Four as Slayer. In addition, Fat Wreck Chords, Lagwagon, will comeback after their successful return for the festival in 2010, immersed in a new album that promises a breakthrough in the RESURRECTION FEST 2014. -
Targ-June-Web-V2.Pdf
WORDS FROM THE WIZARD YES, IT’S TRUE AND I APOLOGIZE. THE HOUSE OF TARG SUBMARINE PROGRAM HAS NOT BEEN LAUNCHED YET... we have been working hard to bring you great shows, killer games and delicious handmade perogies, but don’t fret - we haven’t forgotten. Plans are beginning to materialize for exciting future TARG initiatives, so much planning and doing ahead of us. It is interesting how easy it is to get swept into the daily routine and forget about your dreams or put them off to another time - our fantasies are complicated - we take direction from imagination and the creative forces around us, a challenging super fun puzzle!! We’ve got a great month of entertainment lined up for you Ottawa, thanks for your support as always - keep your ears to the ground, lets shake things up!!- Yogi BRUNCH VS LUNCH? You told us that Brunch should only happen on Sundays & that you wanted to order Lunch from our perogi menu on Saturdays so it shall be. THURS/FRI 5pm - 10:30pm: The full Perogi menu is available. SAT 11am - 10:30pm: The full Perogi menu is available. SUN 11am - 3pm: The TARG Rustic Brunch. (regular perogi service resumes 4pm - 10:30pm). LOYAL TARGIANS, I HAVE GLORIOUS NEWS WIZARD TO SHARE WITH YOU. NAPALM DEATH OF THE MONTH HAVE COME OUT WITH AN ALBUM THAT IS WELL WORTHY OF THE LEGENDARY TC HELICON STATUS THEY HAVE REACHED. Memorable riffs are easily found on this album, and most of the songs here are extremely enjoyable because Elixir Wizard Josh has been of that. -
Revocation High on Fire Horrendous Monster
ONCE HUMAN FIT FOR A KING PYREXIA HORRENDOUS REVOCATION STAGE OF EVOLUTION DARK SKIES UNHOLY REQUIEM IDOL THE OUTER ONES EARMUSIC SOLID STATE RECORDS UNIQUE LEADER RECORDS SEASON OF MIST METAL BLADE Evolution was not just the title of Once Human’s No matter the pristine picture of self-worth we Long standing New York death metal legends Pyrexia Horrendous explode out of the underground with Pushing both the death metal and progressive elements sophomore release last year — it was an armor-plated project, in the unquenchable pursuit of recognition return with its newest and, arguably, most devastating its incredible new album Idol. Drawing inspiration of its signature sound harder than ever, The Outer Ones declaration. And it evolved into something big. Stage and affirmation, the gnawing anxiousness of guilt and album, Unholy Requiem. Recorded, mixed, and from both personal and national crises, Idol’s music represents Revocation at its boldest, most aggressive Of Evolution is the consequential mutation of the brokenness chews away at our spirits, uncovering mastered by guitarist Chris Basile, Unholy Requiem is a methodical and unapologetic take on dynamic, and complex. Moving away from the societal and Evolution album from studio to stage. “I know it’s new pain and vulnerability. Dark Skies is Fit For A finds Pyrexia revisiting its filthy, pulverizing, classic progressive death metal. Thematically, the ambitious historical themes that informed 2016’s Great is Our Sin, uncommon for a band who is not headlining to record King’s evocative declaration of a hard won victory. sound. Basile said of the album, “This album is definitely new album is an exploration of defeat, of the gods we vocalist/guitarist Dave Davidson has immersed himself a live album,” says Logan Mader, who metalheads “This album is far from happy. -
1/111 October 28. 2002
OPEN EVERY DAY 'TM MIDNIGHT RECYCLE NEWS ENTERTAINMENT YOUR MoVIE DVDs Why is Halloween CDs. VHS & GAMES TOO HINGE BUY SELL TRADE M RENT CHOISR610411; The Post social set to rock at at RRC's Notre RECYCLE vou rt Princess? Dame campus DVDs, VHS & GAMES DVDs page 3 page 10 IN THE VILLAGE 475-0077 musictradetca IN THE VILLAGE 477-5666 maAevIlloge.co THE RED RIVER COLLEGE'S NEWSPAPER R 16.::11115 1111E:: 1111:1:10October101:111 28.1:11 20021111::::1/ 111 Save your fork duke, there's pie By Ruth Shead except for one carrot." blueberry petit fours with The steps involved in get- almond paste, napoleon ting ready for the meal re- stuffed with pistachios and lthough there is defined food preparation. Rob cream, topped with a creme something Olson, Director of Auxiliary anglais, and pavlova topped Athrilling about Services at RRC, began the with raspberries. receiving an A on an drafting a proposal for the Upon arrival at the legisla- exam, especially one of undertaking in April. A hand- ture, satellite kitchens took those high-pressure ones ful of revisions later, the pitch care of the final touches and worth 50 per cent of your was accepted and meetings health inspectors did a final final grade, a mark is began. check on the food. According to Gill, 120 wait- incomparable to the The college began working with the Canadian Federation ers served the meal to the Queen's approval. of Chefs and Cooks, local Royal couple and their 300 Unless you were absorbed in hotels, vocational high schools guests. -
Late 1960'S - Early 1970'S
Late 1960's - Early 1970's The birth of heavy metal. Groups like Black Sabbath, Led Zeppelin and Deep Purple were the first heavy metal bands. Late 1970's The rise of the New Wave of British Heavy Metal. Bands like Iron Maiden and Judas Priest become very popular. 1978 Van Halen released their debut album. This began the Los Angeles/Sunset Strip scene, and many bands would come out of this era, including Motley Crue and Quiet Riot. The so called "hair bands" like Poison, Warrant and Ratt came from that scene as well. The Who's Keith Moon died. Bands formed this year: Dokken, Ratt, Whitesnake A sample of heavy metal albums released in 1978: Black Sabbath - Never Say Die Judas Priest - Stained Class UFO - Obsession 1979 The German band Accept releases their self-titled debut album. They are considered to be the first European power metal band. Ozzy Osbourne was fired from Black Sabbath and replaced by Ronnie James Dio. Bands formed this year: Europe, Hanoi Rocks, Trouble and Venom. A sample of heavy metal albums released in 1979: AC/DC - Highway To Hell Judas Priest - Hell Bent For Leather Led Zeppelin - In Through The Out Door Kiss - Dynasty Saxon - Saxon Scorpions - Lovedrive 1980 Best Heavy Metal Album Of 1980: AC/DC - Back In Black AC/DC lead singer Bon Scott dies and is replaced by Brian Johnson. Also Led Zeppelin drummer John Bonham dies. Bands formed this year: Manowar, Mercyful Fate, Overkill A sample of heavy metal albums released in 1980: Angel Witch - Angel Witch Black Sabbath - Heaven And Hell Def Leppard - On Through The Night Diamond Head - Lightning To The Nations Iron Maiden - Iron Maiden Judas Priest - British Steel Motorhead - Ace Of Spades Ozzy Osbourne - Blizzard Of Ozz Saxon - Wheels Of Steel 1981 Best Heavy Metal Album Of 1981: Motley Crue - Too Fast For Love Venom's first album was released, beginning the genre of black metal. -
Thenerve December 2003.Pdf
AAGGRRIICCUULLTTUURREE CCLLUUBB Farmageddon Dirty, Distorted Rural Rock Available from: Sudden Death Records suddendeath.com Farmageddon on Catch and Release Recording Collective C&R Catalogue distro by Live! Sonic Unyon Edmonton - Sidetrack Cafe, Nov. 5 Canmore - Canmore Hotel, Nov. 6 Saskatoon - Amigos, Nov.14 Winnipeg - Royal Albert, Nov. 15 Vancouver- Railway Club, Nov. 22 agricultureclub.ca catch-and-release.org IInnarnnardsds Band Slut of the year! ince the Spitfires packed it in last fall, school girls to come over and watch him play Jason Solyom technically isn’t playing in bass, Mattias & Donnie would have these jeal- Sany band right now. But since the former ous sibling spats over who was the greater frontman spent the better part of 2003 in the guitarist, and Oke would demand I arm wres- studio recording all that is good in West Coast tle her to lower my hourly wage. They were rock, he is the only musician that deserves just fuckin’ rude and generally obnoxious peo- Nerve’s most prestigious title. Look forward to ple. seeing his name in the liner notes on all your favourite 2004 albums. Why the career move? What career move? Career: Doesn’t that mean Stage name and homebase? you make money? Recording or playing Jerk, get the fuck off the stage… hey music has made my life hell and I’m terribly ASShole, learn how to sing… get a LIFE in debt. No, I’ll be playing again in the future, (I’ve been called many names while on stage). just got a bit tired of I have been blessed by J.C. -
High on Fire Får Væggene Til at Skælve I VEGA
2015-08-20 13:48 CEST High On Fire får væggene til at skælve i VEGA VEGA præsenterer High On Fire får væggene til at skælve i VEGA Pak ørepropperne og gør klar til at blive revet rundt, når heavy metal-hovederne i High On Fire uddeler musikalske tæsk søndag 22. november i Lille VEGA. Kongen af rockvokal, legendariske og fandenivoldske. Der bliver ikke sparet på de rosende tillægsord, når amerikanske High On Fire bliver beskrevet af anmeldere og fans. Kombinationen af den karismatiske frontmand Matt Pike, tromme-dynamoen Des Kensel og bassisten Jeff Matz er en sikker vinder, hvis man vil have heavy metal for fuld hammer. Bandet har netop udgivet nyt materiale i form af det syvende studiealbum, Luminiferous. Danske Devilution giver albummet 4/5 og kalder det trioens bedste i flere år. Amerikanske Pitchfork er på samme side og kalder albummet for et mesterværk og tildeler det 8/10. Lyt til ”Black Plot” fra det nye album. ”Matt Pike is guitar god to a generation of bikers, barbarians and beardos, and Luminiferous is one of his finest hours, full of enough gruff He-Man barking and muscular, Motörheaded riff wizardry to soundtrack Season 666 of Game of Thrones” - Rolling Stone. High On Fire sørger for at der bliver masser af hegn og god metal i Lille VEGA for de medbringer hele to supportbands til at holde stemningen på kogepunktet, inden de selv indtager scenen. Black Tusk Den amerikanske heavyrock trio Black Tusk er et som et skud af højoktan vrede direkte ind i øregangen. De blander sydstats-rock og metal med klassisk harcore. -
Punk's Not Dead in East La: Exploring the East Los
Revista de Estudios Globales y Arte Contemporáneo, Vol. 3, Núm. 1, 2015, 198-219 Alicia Vanessa Nuñez Rafaela Fiore Urízar PUNK’S NOT DEAD IN EAST LA: EXPLORING THE EAST LOS SERIES AND IT’S USE OF LOCALITY AND CULTURAL HYBRIDITY FOR EASTSIDE CATHARSIS Introduction Depictions of Los Angeles emphasize an obsession with beauty, wealth, and fame; a media fueled superficiality that gives a myopic view of the city itself. For its inhabitants, the realities of this City of Lights seem unrecognizable from the fairytales its own neighborhood of Hollywood tries to disperse to the world. Sure, the rich and famous reside amongst luxury and comfort, but take a few steps outside of this glimmering bubble, and the disparities of millions of Angelinos become apparent. Such marginalization is experienced throughout the county, but the current Punk scene of East Los Angeles may be one of the biggest indicators of the existence of such urban problems. Some may ask, “hasn’t Punk been dead since the early 80’s?” Much like its unending fervor against conformity and uniformity, Punk continues to live; offering teens of the Eastside an escape against the Revista de Estudios Globales y Arte Contemporáneo ISSN: 2013-8652 online http://revistes.ub.edu/index.php/REGAC/index http://creativecommons.org/licenses/by/3.0/es/ Alicia Vanessa Nuñez & Dr. Rafaela Fiore Urízar, “Punk’s Not Dead in East LA: Exploring the East Los Series and It’s Use of Locality and Cultural Hybridity for Eastside Catharsis” harsh realities that comes with living in the city of luminous yet scathing lights. -
1 on the Peruvian Reality of a Punk
On the Peruvian Reality of a Punk Mode of Underproduction Shane Greene (Indiana University) **NOTE: This is still – VERY MUCH – a work in progress (and also the first of seven essays in a book project). That means, in effect, the writing here is not as polished as I’d like. And I’m missing a section toward the end (specifically on the ambiguity between “underground” production of punk music/art/fanzines and “underground” subversive political propaganda in the context of Peru’s war) as well as a concluding thought. But since I’m familiar with the Chicago workshop model, I also know that it’s a great space to talk about ideas/works in progress and that’s what I’d love to do. The Material Semiotics of Underproduction I begin this first of seven essays from an unlikely starting point: the 2008 US financial crisis that sparked a massive downturn in the global economy. In fact, I watched these events unfold from Lima just as I began to get interested in the complex history of underground punk, revolutionary ideology, and political violence in Peru. To be more precise, I start with David Harvey’s (2010) take on the crisis. He asks us to look beyond the short-term explanations that economists love to give to big issues. Crises can and do of course emerge from different sectors of the global economy, reflecting the specific contours of a particular place and time. The most recent was the direct result of the flagrant risk-taking rampant in the elite financial sector.