TOP AFP/AUDIOGEST Semana 23 De 2018
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Musik Schenken Zum Herausnehmen
Weihnachtsbeilage Musik schenken zum Herausnehmen Einzigartiges Werk Der Dezember wird heiß: Hingabe an die Musik Riccardo Muti interpretiert Soul, Funk und Jazz Ein dreiteiliges Porträt stellt Verdis monumentales Requiem mit Myles Sanko Philippe Herreweghe vor NR. 5 NOV / DEZ 2017 Editorial Liebe Besucherinnen und Besucher, liebe Freundinnen und Freunde der Auktionen in Köln 2017 Kölner Philharmonie, 6. Okt. lempertz:projects. Zeitgenössische Kunst Achtsamkeit liegt im Trend. Ist das ein 16. Nov. Sammlung Jacobs Kaff eemuseum Wunder, wenn der Alltag immer schnellle- biger zu sein scheint? Die dunklen Monate, 16./17. Nov. Schmuck, Kunstgewerbe die im Herbst und Winter vor uns liegen, 18. Nov. Gemälde, Zeichnungen und Skulpturen 15.–19. Jh. sind ideal, um einmal innezuhalten und 1./2. Dez. Moderne Kunst, Photographie, Zeitgenössische Kunst sich und anderen etwas Gutes zu tun. Wo ginge das besser als in der Kölner Philhar- 8./9. Dez. Asiatische Kunst monie? 31. Jan. 2018 Afrikanische und Ozeanische Kunst (Brüssel) Die Vorweihnachtszeit ist für viele alles andere als besinnlich. Umso mehr können sie Auktionen im Frühjahr und im Herbst. Einladung zu Einlieferungen sich dann auf die Tage nach Heiligabend freuen, wenn alles geschafft ist. Um nach der Weihnachtsgans oder dem veganen Menü mit der ganzen Familie ins Konzert zu gehen, z. B. am zweiten Weihnachtstag, wenn traditionsgemäß ein ausgewählter Künstler seine Freunde mitbringt. Dieses Mal gestaltet der Pianist Igor Levit gemeinsam mit Elisabeth Leonskaja einen kammermusikalischen Abend, eine Reverenz an ihren Mentor Svjatoslav Richter. Endlich ist zwischen den Jahren auch Zeit für das Weihnachtsoratorium, um es in Ruhe mit allen sechs Teilen kurz vor dem Jahreswechsel zu genießen. -
TOP AFP/AUDIOGEST Semana 20 De 2018
TOP AFP/AUDIOGEST Semana 20 de 2018 De 11 de Maio a 17 de Maio de 2018 CONTEÚDO DO RELATÓRIO > Top 50 Álbuns (TOP 50 A) > Top 10 Compilações (TOP 10 C) > Top 10 DVD’s > Top 100 Streaming (Top 100 Streams) > Top 100 Singles Top 50 Álbuns Semana 20 de 2018 Índice De 11 de Maio a 17 de Maio de 2018 Pos.Ant Sem. Peak Posição . Top Pos. Gal. Titulo Artista Etiqueta Editora Físico Editora Digital 1 New 1 1 TRANQUILITY BASE HOTEL + CASINO ARCTIC MONKEYS DOMINO UNIVERSAL DOMINO RECORDING 2 2 4 1 CASA CAROLINA DESLANDES UNIVERSAL UNIVERSAL UNIVERSAL 3 1 2 1 CONFESSIONS AUREA SONY SONY MUSIC SONY MUSIC 4 4 25 1 PL ROBERTO CARLOS POR RAQUEL TAVARES RAQUEL TAVARES SONY SONY MUSIC SONY MUSIC 5 6 30 3 A NOSSA VEZ CALEMA KLASSZIK SONY MUSIC SONY MUSIC 6 5 5 1 ODEON HOTEL DEAD COMBO SONY SONY MUSIC SONY MUSIC 7 8 28 1 OU AS CANÇÕES DA MARIA - ESPECIAL HISTÓRIA DE MARIAPORTUGAL VASCONCELOS EDIÇÃO DE AUTOR SONY MUSIC SONY MUSIC 8 18 17 2 EXCUSE ME AO VIVO SALVADOR SOBRAL EVC EVC EVC 9 9 26 3 OU BEST OF ANA MOURA UNIVERSAL UNIVERSAL UNIVERSAL 10 17 197 10 5PL CONCERTO EM LISBOA (CD) MARIZA PARLOPHONE WARNER WARNER 11 7 208 1 3PL BEST OF MARIZA PARLOPHONE WARNER WARNER 12 New 1 12 VOICENOTES CHARLIE PUTH ATLANTIC WARNER WARNER 13 New 1 13 TREASURES FROM THE TEMPLE THIEVERY CORPORATION INGROOVES POPSTOCK POPSTOCK 14 11 7 3 O ANIVERSÁRIO RODRIGO LEÃO UNIVERSAL UNIVERSAL UNIVERSAL 15 22 287 1 6PL DESFADO ANA MOURA MERCURY UNIVERSAL UNIVERSAL 16 13 25 2 OU LADO A LADO D.A.M.A SONY SONY MUSIC SONY MUSIC 17 3 2 3 NO FAME AGIR UNIVERSAL UNIVERSAL UNIVERSAL 18 14 -
Mariza Vocals José Neto Portuguese Guitar Pedro Jóia Acoustic Guitar Yami Bass Vicky Marques Percussion, Drums
2015 20:00 14.11.Grand Auditorium Samedi / Samstag / Saturday Concert exceptionnel «Mundo» Mariza vocals José Neto Portuguese guitar Pedro Jóia acoustic guitar Yami bass Vicky Marques percussion, drums No audio or video recording and no photography of any kind is allowed in the hall at any time. This includes cellphones. Dans le cadre de «Fadista louco» «Anda o sol na minha rua» «Maldição» «Promete jura» «Dona Rosa» «Primavera» «Miçangas» «Adeus» «Sem Ti» «Melhor de Mim» «Caprichosa» «Sombra» «Padoce » «Rio de Mágoa» «Alma» «Chuva» «Barco Negro» «Rosa Branca» «Paixão» Le programme détaillé sera annoncé au cours de la soirée. Das genaue Programm wird im Verlauf des Abends angekündigt. 120’ sans entracte / ohne Pause «Une invitation à visiter mon monde» Agnès Pellerin L’album «Mundo» est, nous dit Mariza, «une invitation à visiter mon monde, ce que je suis devenue au cours des 15 derniers années, comment je vois aujourd’hui la musique, ce que je sens et ce qu’elle est pour moi». C’est donc une proposition personnelle que Mariza veut faire à son public, après ces quelques années de pause, alliant personnalité individuelle et perception globalisante du ‹Monde›, qu’elle conquiert à travers cette nouvelle tournée, et dans la continuité de son album «Terra» en 2008. Mariza a toujours joué des différentes échelles, locales et uni- verselles. Faisant partie de cette génération qui n’a jamais redouté les reprises d’Amália Rodrigues (ce qui n’est pas le cas de tous, voir par exemple l’exemple du chanteur Camané), elle ponctue souvent ses concerts de l’emblématique chanson (dont le poème est d’Amália Rodrigues) «Ó gente da minha terra» (Ô gens de ma terre) et la ‹terre› renvoie ici au village, au ‹terreau›, à la plus petite localité possible, au plus petit dénominateur commun, et bien sûr – richesse de la langue portugaise – à l’immensité de la planète ‹terre›. -
MASARYKOVA UNIVERZITA Portugalský Lidový Hudební Styl Fado
MASARYKOVA UNIVERZITA PEDAGOGICKÁ FAKULTA Katedra hudební výchovy Portugalský lidový hudební styl fado Bakalářská práce Brno 2015 Vedoucí práce: Autor práce: doc. PhDr. Judita Kučerová, Ph.D. Hana Bočková Bibliografický záznam BOČKOVÁ, Hana. Portugalský lidový hudební styl fado. Brno, 2015, 64 s. Bakalářská práce. Masarykova univerzita, Pedagogická fakulta, Katedra hudební výchovy. Vedoucí práce doc. PhDr. Judita Kučerová, Ph.D. Anotace Bakalářská práce se zabývá portugalským lidovým hudebním stylem fado. Zaměřuje se na hlavní charakteristiku stylu, teorie vzniku, způsoby interpretace a instrumentální doprovod. Uvádí základní typologie fada ve významných oblastech Portugalska. Práce obsahuje hlavní témata textů písní fado obecně a v jednotlivých regionech. Představuje stěžejní osobnosti fada a poukazuje na současnost hudebního stylu v Portugalsku a celosvětově. Práce si klade za cíl seznámit s portugalským lidovým hudebním stylem fado. Annotation Bachelor thesis deals with the Portuguese folk music style fado. Its focus is on the main characteristics of the style, theories of its origin, manners of interpretation and instrumental accompaniment. Provides basic typology of fado from prominent areas of Portugal. The work includes main topics of lyrics of fado in general and in individual regions. Presents prominent personalities of fado and points to the present of the music style in Portugal and worldwide. The work aims to familiarize with the Portuguese folk music style fado. Klíčová slova: fado, lidová hudba, lidový hudební styl, Portugalsko, portugalská kytara, interpreti Keywords: fado, folk music, folk music style, Portugal, Portuguese guitar, interprets 2 Prohlášení Prohlašuji, že jsem bakalářskou práci vypracovala samostatně, s využitím pouze citovaných literárních pramenů, dalších informací a zdrojů v souladu s Disciplinárním řádem pro studenty Pedagogické fakulty Masarykovy univerzity a se zákonem č. -
Mariza Vocals António Neto Portuguese Guitar Pedro Jóia Acoustic Guitar Nando Araújo Double Bass Vicky Marques Drums, Percussion
Autour du monde Vendredi / Freitag / Friday 11.10.2013 20:00 Grand Auditorium Mariza vocals António Neto Portuguese guitar Pedro Jóia acoustic guitar Nando Araújo double bass Vicky Marques drums, percussion ~90’ sans entracte / ohne Pause Backstage 18:45 Salle de Musique de Chambre Film: Mariza and the Story of Fado by Simon Broughton (2006) (VO E, P / ST E) – 58’ «Uma estranha forma de vida» Mariza Agnès Pellerin Mariza est très vite devenue au Portugal et dans le monde glo- balisé de la world music, un véritable phénomène, dont les pres- tations sur scène ont tout de suite dépassé le simple concert de fado. Sa carrière fulgurante l’a hissée en l’espace de quelques an- nées seulement au sommet des records de ventes et de succès. Son premier album Fado em mim lancé en 2001, sera édité dans 32 pays par la firme hollandaise World Connection alors qu’il était initialement prévu en autoédition. Au Portugal, il est ven- du en quelques semaines à plus de dix mille exemplaires. Deux ans plus tard, son deuxième album, Fado curvo, produit par Carlos Maria Trindade, musicien du groupe Madredeus, devient Disque d’or au Portugal et donne lieu à une tournée mondiale d’une ampleur rarement égalée par un artiste portugais. En 2003 toujours, la BBC Radio 3 consacre Mariza meilleure artiste eu- ropéenne de l’année, dans la catégorie world music. L’année sui- vante, Pedro Santana Lopes, alors maire de Lisbonne, fera écho à cette aura internationale en la nommant ambassadrice de la candidature du fado au patrimoine culturel oral et immatériel de l’humanité de l’Unesco aux côtés de Carlos do Carmo. -
BBC - Music - Review of Mariza - Terra
BBC - Music - Review of Mariza - Terra http://www.bbc.co.uk/music/reviews/z9gb GENRES REVIEWS NEWS BLOG NEW: SHOWCASE QUICK FIND BBC Music Reviews Terra Mariza Terra Review Album. Released 1 September 2008. BBC Review Like This? Try These... There’s not quite enough that really hangs in the memory or has Nas Maos do Fado that special spark... Katia Guerreiro Jon Lusk 2008-08-29 It's been three years since the world's most famous contemporary fadista released any new material. A gruelling tour schedule, the stylish stop-gap that was Concerto Fado Curvo Mariza Em Lisboa, and the recent box set have all signalled that Portugal's 'material girl' was drawing a line under the first phase of her career, so expectations on her fourth studio album are predictably high among fans. The 'new album, new producer' philosophy she's followed so far continues here, Fado em mim with Spain's most in-demand knob twiddler, Javier Limón, taking that role this time Mariza around. His trademark liquid guitar grooves are a recurring presence, and he even brings along his protégé Buika, who duets with Mariza on his own Pequenas Verdades. As soon as the mercurial Mallorcan opens her mouth, it's as if you’re listening to a Buika album, which may or may not be considered something of a faux pas. Artist Played By The velvety strings that characterised Mariza's third studio album Transparente have been replaced by frequently-used hand drums, three pianists and a woozy Later... with Jools muted trumpet, which helps lend Beijo De Saudade a rather Cuban feel, even if it is Holland a Cape Verdean morna, featuring the other very welcome guest vocalist, Tito Paris. -
NEWS RELEASE Umass Amherst Fine Arts Center
NEWS RELEASE UMass Amherst Fine Arts Center www.fineartscenter.com CONTACT: Jorge Luis González at 413-545-4482 or [email protected] FOR IMMEDIATE RELEASE: February 3, 2009 WHAT: Concert: Fine Arts Center Presents Portugal’s Musical Grande Dame: Mariza Thursday, February 19 at 7:30 PM WHERE: Fine Arts Center Concert Hall University of Massachusetts Amherst Call 1-800-999-UMAS or 545-2511 for tickets or go online to www.fineartscenter.com/tickets IMAGES: To download images relating to this press release please go online to http://www.umass.edu/fac/centerseries/pressreleases/photo.html The Reigning Ambassador of the Fado, Mariza, Brings New Voice of Portugal to the UMass Fine Arts Center A Genre Reborn and a Singer Transformed: A New Mariza Brings a Smile to the World Charlie Chaplin’s “Smile” was never supposed to end up on the latest album by Portugal’s musical grande dame. Mariza, a fado powerhouse, and Brazilian pianist Ivan Lins were just clowning around, having some fun with the sweet song that’s been covered by everybody from Barbra Streisand and Diana Ross to Judy Garland and even Michael Jackson. That is, until they realized producer Javier Limón had been secretly recording them. When she looked up and saw tears in his eyes, she wondered what she had done. “I thought we broke something, I thought we did something wrong!” she exclaims. Sung with the kind of beautiful melancholy that only a fadista can bring, it instead ends up as a bonus track on the North American release of Terra (Four Quarters Entertainment / World Connection), a musical proclamation that Mariza has come into her own. -
Elbphilharmonie & Laeiszhalle
ELBPHILHARMONIE & LAEISZHALLE SAISON 2017/18 ELBPHILHARMONIE & LAEISZHALLE SAISON 2017/18 INHALT ENTDECKEN PROGRAMM MITMACHEN ENGAGEMENT TICKETS, ABOS & SERVICE Als separate Broschüre hinten im Buch eingelegt 13 Die Elbphilharmonie & Laeiszhalle 31 Elbphilharmonie Sommer 71 Telemann 2017 180 Instrumentenwelt 198 Sponsoring Einzeltickets 18 Festivals und Schwerpunkte 36 Liederabende 76 Teatime Classics 183 Ferienprogramm 204 Elbphilharmonie Circle Plaza 26 NDR Elbphilharmonie Orchester 41 Klassik der Welt 77 Orchester aus aller Welt 186 Spiel mit! 206 Stiftung Elbphilharmonie Konzerthausführungen 27 Ensemble Resonanz 43 Jazz Piano 78 Pianomania 190 Rund ums Konzert 208 Freundeskreis Elbphilharmonie + Laeiszhalle Service-Infos Elbphilharmonie 28 Philharmonisches Staatsorchester Hamburg 45 Multiversum Peter Eötvös 79 State of the Art 194 Kita & Schule 210 Förderstiftungen Service-Infos Laeiszhalle 28 Symphoniker Hamburg 46 Die Meisterpianisten 84 Funkelkonzerte Saalpläne 47 Made in Hamburg 86 Die Orgel der Elbphilharmonie 212 Das Team / Kontakt Abonnements 48 Jazz at the Phil 87 Die Deutsche Kammerphilharmonie Bremen 214 Unsere Partner 50 Reflektor Bryce Dessner 88 Winterreisen 215 Fotonachweis / Impressum 54 Perahia spielt Beethoven 93 Streichquartett 217 Künstler 56 Greatest Hits 98 Symphonieorchester des Bayerischen Rundfunks 222 Ticketinformationen 62 Around the World 99 Rising Stars 66 Unterdeck – Aktuelle Musik im Kaistudio 103 Portrait Matthias Goerne 68 Kammermusik in der Laeiszhalle 119 Czech it Out! 69 Portrait Daniil Trifonov 128 Reflektor Yaron Herman 138 Kaukasus 143 Große Stimmen 154 Internationales Musikfest Hamburg 170 Elektronauten 173 Konzerte für Hamburg 4 5 DR. CARSTEN BROSDA Kultursenator Liebe Musikfreundinnen und -freunde, Kultur es noch zu entdecken gilt und deren Musik vielleicht auch ein Schlüssel zum besseren Verständnis der dortigen die Eröffnung der Elbphilharmonie war fulminant und hat gesellschaftlichen Umbrüche und Veränderungen sein kann. -
Certificados Em 2015
Certificados em 2015 - Edital nº 02/2015 Valor Inscrição Nome do Projeto Produtor Segmento Validade Aprovado 1 WEC69/02/2015 "2 EM 1" LUDICO PRODUCOES ARTISTICAS LTDA R$ 541.000,00 TEATRO 31/12/2016 SOCIEDADE DE PROMOCAO DA CASA DE 2 WAC462/02/2015 "A VIDA DE GALILEU" DE BERTOLT BRECHT R$ 411.800,00 TEATRO 31/12/2016 OSWALDO CRUZ 3 WEC505/02/2015 "BAILANDO NO SAMBA" GIOVANNA AGUIRRE LO BIANCO R$ 461.926,24 DANÇA 31/12/2016 4 WEC818/02/2015 "LAMPIÃO, UMA VÍRGULA!" LUCIANA M. CAVALCANTI BUARQUE ME R$ 1.042.595,00 AUDIOVISUAL 31/12/2016 5 WEC734/02/2015 "OM’DUB" 2016 HBX PRODUCOES CULTURAIS LTDA R$ 158.750,00 MÚSICA 31/12/2016 6 WEC510/02/2015 "PRAIEIRO" - CD SITE - LILI ARAUJO NMB PRODUCOES ARTISTICAS LTDA R$ 360.305,00 MÚSICA 31/12/2016 "VELHA GUARDA DA BATERIA DA 7 WEC544/02/2015 MANGUEIRA, FORMANDO NOVOS ROSEMARY MATOS PINHEIRO R$ 735.987,47 MÚSICA 31/12/2016 TALENTOS - TRANSFORMANDO VIDAS" "VELHA GUARDA DA BATERIA DA JCM MARTINS PLANEJAMENTO AGENCIAMENTO MOCIDADE INDEPENDENTE DE PADRE 8 WEC399/02/2015 E PROMOCOES ARTISTICAS CULTURAIS E R$ 746.023,48 MÚSICA 31/12/2016 MIGUEL, TOCANDO E TRANSFORMANDO EVENTOS VIDAS" 9 WEC302/02/2015 #ACENAVIVE LGR EVENTOS LTDA R$ 628.000,00 MULTIPLATAFORMA 31/12/2016 10 WOC875/02/2015 #DESENROLA PROFESSOR PONTO SOLIDARIO R$ 457.045,95 MULTIPLATAFORMA 31/12/2016 “FIM DE SEMANA CULTURAL” (NOME 11 WAC803/02/2015 DOCUMENTA HISTORICA EDITORA LTDA R$ 876.498,00 MULTIPLATAFORMA 31/12/2016 PROVISÓRIO) “NAPEC E A PROMOÇÃO DE AÇÕES SOCIEDADE DE PROMOCAO DA CASA DE 12 WEC223/02/2015 R$ 337.207,50 BIBLIOTECAS 31/12/2016 -
Universidade Federal Do Rio Grande Do Sul
UNIVERSIDADE FEDERAL DO RIO GRANDE DO SUL INSTITUTO DE LETRAS GIULIA MENEGAT DELAZZERI ENTRE A TRADIÇÃO E A MODERNIDADE: O NOVO FADO DA BANDA DEOLINDA Porto Alegre 2017 GIULIA MENEGAT DELAZZERI ENTRE A TRADIÇÃO E A MODERNIDADE: O NOVO FADO DA BANDA DEOLINDA Trabalho de Conclusão de Curso apresentado como requisito parcial para a obtenção do título de Licenciado em Letras pela Universidade Federal do Rio Grande do Sul. Orientador: Carlos Augusto Bonifácio Leite. Porto Alegre 2017 GIULIA MENEGAT DELAZZERI ENTRE A TRADIÇÃO E A MODERNIDADE: O NOVO FADO DA BANDA DEOLINDA Trabalho de Conclusão de Curso apresentado no Instituto de Letras da Universidade Federal do Rio Grande do Sul como requisito parcial para a obtenção do título de Licenciado em Letras. Aprovado em: BANCA EXAMINADORA ________________________________________ Prof. Dr. Carlos Augusto Bonifácio Leite Orientador ________________________________________ Ms. Bruna Almeida Examinadora ________________________________________ Ms. Arthur de Faria Examinador AGRADECIMENTOS Em primeiro lugar, agradeço aos meus pais, por sempre oportunizarem o estudo a mim e à minha irmã, com todos os pormenores que envolvem cursar uma graduação. Especialmente agradeço à Paola e ao Johnatan, pela coorientação musical. Aos meus amigos, colegas de curso e grupo de pesquisa VerBrás, pela paciência, pelo apoio emocional e pelo companheirismo neste momento de pressão e de muitas dúvidas: obrigada por cada conversa de corredor, de D43 e dos cafés no Antônio, pois vocês são parte estrutural deste trabalho. Ao Guto Leite, pela disponibilidade e por ter topado entrar nesta aventura portuguesa comigo. Foi uma honra ter como orientador um profissional que admiro tanto, não só pelo seu papel no cenário acadêmico, mas pela militância e sede de mudança por meio da Literatura. -
Umass Fine Arts Center CENTER SERIES 2008–2009
umass fine arts center CENTER SERIES 2008–2009 1 2 3 4 playbill 1 Hubbard Street Dance Chicago 02/04/09 2 Hot 8 Brass Band 02/06/09 3 Tomáš Kubínek 02/13/09 4 Mariza 02/19/09 UMA021-PlaybillCover.indd 4 8/6/08 11:03:56 PM YOGACLASS We’ve mastered the fine art of health care. Whether you need a family doctor or a physician specialist, in our region it’s Baystate Medical Practices that takes center stage in providing quality and excellence. From Greenfield to East Longmeadow, from young children to seniors, from coughs and colds to highly sophisticated surgery — we’ve got the talent and experience it takes to be the best. Visit us at www.baystatehealth.com/bmp 3 Fallon Community Health Plan is proud to sponsor the UMass Friends of the Fine Arts Center. 4 5 Supporting The Community We Live In Helps Create a Better World For All Of Us Allen Davis, CFP® and The Davis Group Are Proud Supporters of the Fine Arts Center! The work we do with our clients enables them to share their assets with their families, loved ones, and the causes they support. But we also help clients share their growing knowledge and information about their financial position in useful and appropriate ways in order to empower and motivate those around them. Sharing is not limited to sharing material things; it’s also about sharing one’s personal and family legacy. It’s about passing along what matters most — during life, and after. It’s about making an impact on your immediate and larger community. -
AQA Aos6: Contemporary Traditional Music
KSKS55 AQA AoS6: Contemporary traditional music Simon Rushby is a by Simon Rushby freelance teacher, writer and musician, and was a director of music and senior leader in secondary schools for many INTRODUCTION years. He is the author of books In this resource we will look at music by the artists and composers prescribed by AQA in Area of Study 6: and resources for Contemporary Traditional Music. The focus will be on providing background on these artists and exploring music education, an examiner and selected music, with suggested listening and essay questions that you can use with your AS and A level a songwriter, students. composer and performer. He has also been a principal examiner AQA’s Appraising Exam for A level music. AQA’s AS and A level qualifications in music have three components, the first of which is Appraising, worth 40% of each qualification’s total marks. Appraising is assessed in the form of an exam paper with three sections: Listening, Analysis and Essay. There are six Areas of Study (AoS) at AS level, and seven at A level. AoS 1 (the Western classical tradition 1650-1910) is compulsory for all students, and they must answer questions on one of the other six for AS, and two for A level. The format of the summer exam is quite complex, but essentially students will have to answer questions as follows: AS LEVEL Section A (Listening) One set of questions on AoS1, and another set of questions on their chosen AoS. A set of questions comprises listening questions on four excerpts of unfamiliar music by the artists specified by AQA, and one of these questions will require an extended answer.