Protecting Children from Violent and Indecent Programming
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Taking Intellectual Property Into Their Own Hands
Taking Intellectual Property into Their Own Hands Amy Adler* & Jeanne C. Fromer** When we think about people seeking relief for infringement of their intellectual property rights under copyright and trademark laws, we typically assume they will operate within an overtly legal scheme. By contrast, creators of works that lie outside the subject matter, or at least outside the heartland, of intellectual property law often remedy copying of their works by asserting extralegal norms within their own tight-knit communities. In recent years, however, there has been a growing third category of relief-seekers: those taking intellectual property into their own hands, seeking relief outside the legal system for copying of works that fall well within the heartland of copyright or trademark laws, such as visual art, music, and fashion. They exercise intellectual property self-help in a constellation of ways. Most frequently, they use shaming, principally through social media or a similar platform, to call out perceived misappropriations. Other times, they reappropriate perceived misappropriations, therein generating new creative works. This Article identifies, illustrates, and analyzes this phenomenon using a diverse array of recent examples. Aggrieved creators can use self-help of the sorts we describe to accomplish much of what they hope to derive from successful infringement litigation: collect monetary damages, stop the appropriation, insist on attribution of their work, and correct potential misattributions of a misappropriation. We evaluate the benefits and demerits of intellectual property self-help as compared with more traditional intellectual property enforcement. DOI: https://doi.org/10.15779/Z38KP7TR8W Copyright © 2019 California Law Review, Inc. California Law Review, Inc. -
Martha L. Minow
Martha L. Minow 1525 Massachusetts Avenue Griswold 407, Harvard Law School Cambridge, MA 02138 (617) 495-4276 [email protected] Current Academic Appointments: 300th Anniversary University Professor, Harvard University Harvard University Distinguished Service Professor Faculty, Harvard Graduate School of Education Faculty Associate, Carr Center for Human Rights, Harvard Kennedy School of Government Current Activities: Advantage Testing Foundation, Vice-Chair and Trustee American Academy of Arts and Sciences, Access to Justice Project American Bar Association Center for Innovation, Advisory Council American Law Institute, Member Berkman Klein Center for Internet and Society, Harvard University, Director Campaign Legal Center, Board of Trustees Carnegie Corporation, Board of Trustees Committee to Visit the Harvard Business School, Harvard University Board of Overseers Facing History and Ourselves, Board of Scholars Harvard Data Science Review, Associate Editor Initiative on Harvard and the Legacy of Slavery Law, Violence, and Meaning Series, Univ. of Michigan Press, Co-Editor MacArthur Foundation, Director MIT Media Lab, Advisory Council MIT Schwarzman College of Computing, Co-Chair, External Advisory Council National Academy of Sciences' Committee on Science, Technology, and Law Profiles in Courage Award Selection Committee, JFK Library, Chair Russell Sage Foundation, Trustee Skadden Fellowship Foundation, Selection Trustee Susan Crown Exchange Foundation, Trustee WGBH Board of Trustees, Trustee Education: Yale Law School, J.D. 1979 Articles and Book Review Editor, Yale Law Journal, 1978-1979 Editor, Yale Law Journal, 1977-1978 Harvard Graduate School of Education, Ed.M. 1976 University of Michigan, A.B. 1975 Phi Beta Kappa, Magna Cum Laude James B. Angell Scholar, Branstrom Prize New Trier East High School, Winnetka, Illinois, 1968-1972 Honors and Fellowships: Leo Baeck Medal, Nov. -
Media and Corporate Governance1
NBER WORKING PAPER SERIES THE CORPORATE GOVERNANCE ROLE OF THE MEDIA Alexander Dyck Luigi Zingales Working Paper 9309 http://www.nber.org/papers/w9309 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 October 2002 We thank Mehmet Beceren for assistance in preparing the data and Rakhesh Khurana, Jay Lorsch, Forest Reinhardt, Richard Vietor, Andy Zelleke, and seminar participants at the Harvard Business School for helpful comments on an earlier draft. Alexander Dyck gratefully acknowledges financial support from the Division of Research of Harvard Business School and Luigi Zingales from the George Stigler Center at the University of Chicago. The views expressed herein are those of the authors and not necessarily those of the National Bureau of Economic Research. © 2002 by Alexander Dyck and Luigi Zingales. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. The Corporate Governance Role of the Media Alexander Dyck Luigi Zingales NBER Working Paper No. 9309 October 2002 JEL No. G30 ABSTRACT In this paper we discuss the role of the media in pressuring corporate managers and directors to behave in ways that are “socially acceptable”. Sometimes this coincides with shareholders’ value maximization, others not. We provide both anecdotal and systematic evidence that media affect companies’ policy toward the environment and the amount of corporate resources that are diverted to the sole advantage of controlling shareholders. Our results have important consequences for the focus of the corporate governance debate and for the feasibility of reforms aimed at improving corporate governance around the world. -
Mark's Music Notes for December 2011…
MARK’S MUSIC NOTES FOR DECEMBER 2011… The Black Keys follow up their excellent 2010 album Brothers with the upbeat El Camino, another great album that commercial radio will probably ignore just like it did with Brothers. In a day and age where CD sales are on the decline, record labels continue to re-issue classic titles with proven track records in new incarnations that include unreleased material, re-mastered sound, and often lavish box sets. Though not yet included in Music Notes, Pink Floyd and Queen both had their entire catalogs re-vamped this year, and they sound great. Jethro Tull’s classic Aqualung album has been expanded, re-mixed and re-mastered with the level of care and quality that should be the standard for all re-issues. The Rolling Stones have already released expanded remasters and box sets on Exile On Main Street and Get Yer Ya-Ya’s Out, and now their top selling album, Some Girls has received the same treatment. Be Bop Deluxe is a 1970’s band that most readers will be unfamiliar with. They never had any mainstream success in the U.S., but the band had several great albums, and their entire studio catalog has recently been remastered and compiled into a concise box set. The Black Keys – El Camino Vocalist/guitarist Dan Auerbach and Drummer Patrick Carney of The Black Keys, have said that they have been listening to a lot of Rolling Stones lately, and they set out to record a more direct rock and roll album than their last album, Brothers was. -
ROC136.Guit T.Pdf
100 GREATEST GUITARISTS Hammett: oNe iN A MiLLioN “innovative”. KiRK HaMMEtt By Ol Drake For me, Kirk Hammett is one of the More stars on their top guitarists greatest metal guitarists ever – and also one at classicrock of the most underrated. The thing about magazine.co.uk his playing is that, while he can certainly shred, that’s not all he does. Kirk has his own voice and style – and to me, that’s ADMiRABLe NeLSoN instantly recognisable. BiLL NELsON The problem is that everyone knows By Brian Tatler Metallica’s songs so well that what he contributes is overlooked. More than that, Bill Nelson was one of my favourite people take him for granted. You walk guitarists in the 1970s. I used to into a guitar shop at any time, and the } listen to Be Bop Deluxe albums a lot, chances are you’ll hear someone “Davy O’List’s and Bill’s solos always seemed very playing one of his solos, from a song tasteful, not bluesy, just kind of like One. And there will always be guitar playing soaring. I really liked his playing and a bright spark going: “That’s just was incendiary, some of it rubbed off on my boring. Anyone can play that.” The technique, particularly songs such as point is that not everyone can play borderline Jet Silver (And The Dolls Of Venus), what Kirk did on something like One, psychotic. Maid In Heaven and Crying To The Sky and he also came up with it in the first – they all had these fabulous, place. -
The Norman Conquest: the Style and Legacy of All in the Family
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Boston University Institutional Repository (OpenBU) Boston University OpenBU http://open.bu.edu Theses & Dissertations Boston University Theses & Dissertations 2016 The Norman conquest: the style and legacy of All in the Family https://hdl.handle.net/2144/17119 Boston University BOSTON UNIVERSITY COLLEGE OF COMMUNICATION Thesis THE NORMAN CONQUEST: THE STYLE AND LEGACY OF ALL IN THE FAMILY by BAILEY FRANCES LIZOTTE B.A., Emerson College, 2013 Submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts 2016 © 2016 by BAILEY FRANCES LIZOTTE All rights reserved Approved by First Reader ___________________________________________________ Deborah L. Jaramillo, Ph.D. Assistant Professor of Film and Television Second Reader ___________________________________________________ Michael Loman Professor of Television DEDICATION This thesis is dedicated to Jean Lizotte, Nicholas Clark, and Alvin Delpino. iv ACKNOWLEDGMENTS First, I’m exceedingly thankful for the guidance and patience of my thesis advisor, Dr. Deborah Jaramillo, whose investment and dedication to this project allowed me to explore a topic close to my heart. I am also grateful for the guidance of my second reader, Michael Loman, whose professional experience and insight proved invaluable to my work. Additionally, I am indebted to all of the professors in the Film and Television Studies program who have facilitated my growth as a viewer and a scholar, especially Ray Carney, Charles Warren, Roy Grundmann, and John Bernstein. Thank you to David Kociemba, whose advice and encouragement has been greatly appreciated throughout this entire process. A special thank you to my fellow graduate students, especially Sarah Crane, Dani Franco, Jess Lajoie, Victoria Quamme, and Sophie Summergrad. -
H1 2019 Trends and Opportunities What’S Trending in Social TV: H1 2019
What’s Trending In Social TV H1 2019 Trends and Opportunities What’s Trending In Social TV: H1 2019 The state of social media for TV has been strong so far in 2019. Total Fan Growth for TV pages across Facebook, Twitter and Instagram is up 29% in the first half of 2019 compared to the second half of 2018, while social engagement increased 15% during the same time period. For Facebook, that largely means TV pages continue to recover from the algorithm changes in early 2018 that significantly limited organic reach. As TV focuses on strengthening engagement with their fanbase as opposed to just growing it, Facebook response rate and video views were up in the first half of 2019, inching back to pre-algorithm change levels. It’s a similar story for Twitter, where the TV space needed to alter their strategies following a mid-2018 purge of fake and dormant users. While the volume of tweets from TV accounts was down in the first half of 2019, the “less is more” strategy has been paying off. In Q2 2019, the average number of video views for TV hit its highest peak since the beginning of 2017. Meanwhile, the success of Instagram Stories is something TV Pages are taking advantage of in 2019. The volume of Instagram Stories published by TV accounts increased by 176% comparing Q2 2019 to Q1 2018. TV has also seen substantial growth on YouTube halfway through 2019, with fan counts and video views on the platform up 45% and 28% respectively, comparing H1 2019 to H1 2018. -
Promote Or Protect? Perspectives on Media Literacy and Media Regulations
Promote Yearbook 2003 Promote or Protect? or Protect? and Media Regulations Media and Literacy Media on Perspectives Perspectives on Media Literacy The International Clearinghouse on Children, Youth and Media and Media Regulations A UNESCO Initiative 1997 Editors: Cecilia von Feilitzen and Göteborg University Nordic Council of Ministers Ulla Carlsson and Ulla Carlsson (eds.) Carlsson Ulla and Feilitzen von Cecilia NORDICOM Göteborg University Box 713 The International Clearinghouse on SE 405 30 GÖTEBORG Children, Youth and Media Tel. +46 31 773 10 00. Fax +46 31 773 46 55 E-mail: [email protected] NORDICOM www.nordicom.gu.se Göteborg University ISSN 1403-4700 Yearbook ISBN 91-89471-23-7 2003 The International The International Clearinghouse Published yearbooks Clearinghouse on Children, on Children, Youth and Media Youth and Media, at One of the most important tasks of The International A UNESCO INITIATIVE 1997 Nordicom Clearinghouse on Children, Youth and Media is publication of its yearbook. Göteborg University Box 713 Five yearbooks have previously been released. SE 405 30 GÖTEBORG, Sweden In 1997, the Nordic Information Centre for Media and Communication Research (Nordicom), Göteborg Web site: Cecilia von Feilitzen & Ulla Carlsson (eds.): Cecilia von Feilitzen & Ulla Carlsson (eds): http://www.nordicom.gu.se University Sweden, began establishment of the Children, Young People and Media Children in the New Media Landscape. Games, International Clearinghouse on Children, Youth and DIRECTOR: Ulla Carlsson Globalisation. Yearbook -
Alediaccepted 47 C.F.R
.~ . " \'\~'{ '\ In the Matter of: ~ ccttf\tl~-- Great Plains Cable Television, Inc. )S CSR- 7c2/2--Z. Petition for Waiver of ~ ALEDIACCEPTED 47 C.F.R. § 76. 1204(a)(1) ~ MAY 3 12007 To: Chief, Media Bureau ) Federal Communications CommISSion Office of the Secretary PETITION FOR WAIVER OF 47 C.F.R. § 76.1204(a)(1) I. Introduction and Summary Great Plains Cable Television, Inc. ("Great Plains") is a small cable company providing cable services to approximately 10,000 subscribers in rural Nebraska. Pursuant to 47 U.S.C. § 549(c), and 47 C.F.R. §§ 1.3, 76.7 and 76.1207, Great Plains respectfully requests that the Commission grant a limited waiver of 47 C.F.R. § 76.1204(a)(1) for the following set-top boxes: • Motorola DCT-1000 series • Motorola DCT-2000 series • Motorola DSR-410 (collectively, "Low-Cost Set-Top Boxes").Great Plains requests that the waiVer remain effective until the earlier of (i) the commercial availability of non-integrated I set-top boxes compatible with one-way cable plant and Comcast's HITS seryice; 1 or (ii) Great Plains' upgrade of its systems to two-way cable plant. Great Plains can and will comply with 47 C.F.R. § 76.1204(a)(1) for the almost 50% of its subscribers who are currently served by two-way cable plant. No. of Copies rec'duO-,-__ UstABCDE 1 Currently, there are DQ such set-top boxes commercially available. 1 As required by the Commission's Second Report and Order, ~ GreatPlains attaches full specifications for the Low-Cost Set-Top Boxes as Exhibit 1. -
The Carroll News
John Carroll University Carroll Collected The aC rroll News Student 3-26-1976 The aC rroll News- Vol. 58, No. 18 John Carroll University Follow this and additional works at: http://collected.jcu.edu/carrollnews Recommended Citation John Carroll University, "The aC rroll News- Vol. 58, No. 18" (1976). The Carroll News. 552. http://collected.jcu.edu/carrollnews/552 This Newspaper is brought to you for free and open access by the Student at Carroll Collected. It has been accepted for inclusion in The aC rroll News by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. St. Pat's Festivities Extend Into Week-long Celebration R~ .\1ary \ nne Garvey serve more than 5000 glasses of A hypnotist in the Rat on The luck of the Irish prevailed beer Thursday and a two band Student as Carroll students celebrated St. High winds and snow flurries Union Mixer on Friday rounded Patrick's Day with a week of forced the cancellation of the out the week. The mixer also festivities The Irish Club United Irish Societies of Greater provided the setting for the 2nd initialed the St. Pat's activities Cleveland's parade downtown, annual IPT chugging contest. with a night of entertainment in but CarroU students remained The lBG's won in the organiza the Rat Bar on March 15th . Linda undaunted bv the weather and tional category, beating the O'Malley. Sean Moore and Gerri the quad supplied the site for a IPT's by an eighth of a glass. The Gunn provided the music, which mini ·parade at 4: 15. -
Nomination to the Federal Communications Commission
S. HRG. 115–478 NOMINATION TO THE FEDERAL COMMUNICATIONS COMMISSION HEARING BEFORE THE COMMITTEE ON COMMERCE, SCIENCE, AND TRANSPORTATION UNITED STATES SENATE ONE HUNDRED FIFTEENTH CONGRESS FIRST SESSION JULY 19, 2017 Printed for the use of the Committee on Commerce, Science, and Transportation ( Available online: http://www.govinfo.gov U.S. GOVERNMENT PUBLISHING OFFICE 35–161 PDF WASHINGTON : 2019 VerDate Nov 24 2008 11:28 Feb 27, 2019 Jkt 000000 PO 00000 Frm 00001 Fmt 5011 Sfmt 5011 S:\GPO\DOCS\35161.TXT JACKIE SENATE COMMITTEE ON COMMERCE, SCIENCE, AND TRANSPORTATION ONE HUNDRED FIFTEENTH CONGRESS FIRST SESSION JOHN THUNE, South Dakota, Chairman ROGER F. WICKER, Mississippi BILL NELSON, Florida, Ranking ROY BLUNT, Missouri MARIA CANTWELL, Washington TED CRUZ, Texas AMY KLOBUCHAR, Minnesota DEB FISCHER, Nebraska RICHARD BLUMENTHAL, Connecticut JERRY MORAN, Kansas BRIAN SCHATZ, Hawaii DAN SULLIVAN, Alaska EDWARD MARKEY, Massachusetts DEAN HELLER, Nevada CORY BOOKER, New Jersey JAMES INHOFE, Oklahoma TOM UDALL, New Mexico MIKE LEE, Utah GARY PETERS, Michigan RON JOHNSON, Wisconsin TAMMY BALDWIN, Wisconsin SHELLEY MOORE CAPITO, West Virginia TAMMY DUCKWORTH, Illinois CORY GARDNER, Colorado MAGGIE HASSAN, New Hampshire TODD YOUNG, Indiana CATHERINE CORTEZ MASTO, Nevada NICK ROSSI, Staff Director ADRIAN ARNAKIS, Deputy Staff Director JASON VAN BEEK, General Counsel KIM LIPSKY, Democratic Staff Director CHRIS DAY, Democratic Deputy Staff Director RENAE BLACK, Senior Counsel (II) VerDate Nov 24 2008 11:28 Feb 27, 2019 Jkt 000000 PO 00000 Frm 00002 Fmt 5904 Sfmt 5904 S:\GPO\DOCS\35161.TXT JACKIE C O N T E N T S Page Hearing held on July 19, 2017 ............................................................................... 1 Statement of Senator Thune .................................................................................. -
Kevin Milburn Futurism and Musical Meaning in Synthesized
Kevin Milburn Futurism and Musical Meaning in Synthesized Landscapes Abstract The purpose of this paper is to explore how musicians engaged with a particular form of technology, the synthesizer, to create imaginative geographies of the near future. It examines the output of numerous ‘synth-pop’ acts involved in the production of this commercially successful, urban-focussed music, focussing on the period between 1977 and 1984. Attention is given to how this music both embedded and self-consciously reflected notions of futurism, a theme that, until that time, had largely been neglected in popular music. The role of earlier futuristic visionaries, such as Fritz Lang, JG Ballard and Stanley Kubrick, in shaping musicians depictions of futurism is highlighted. Throughout, the music is interpreted by situating it within the specific cultural, economic and sociotechnical realms in which it was produced. Whilst the emphasis is on debates concerning futurism that were played out within a British musical context reference is also made to related significant developments that occurred outside the UK. This paper assesses the way that notions of futurism were enrolled into electronic music in certain times and places. Naturally, in many respects, all contemporary popular music is now ‘electronic’; if not in its instrumentation then almost certainly in terms of its recording, distribution and consumption. However, my analysis of ‘electronic music’ refers to music in which electrically powered keyboard instruments, and specifically synthesizers, are to the fore of the mix, and where many of the sounds produced are clearly synthetically generated. In particular, the focus is on a form of electronic music, given the genre-label ‘synth-pop’ for marketing purposes, that was produced by artists sometimes referred to as ‘futurists’.