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American Forces Network Radio Programming Decisions (D-2006-117)
September 27, 2006 Information Technology Management American Forces Network Radio Programming Decisions (D-2006-117) Department of Defense Office of Inspector General Quality Integrity Accountability Additional Copies To obtain additional copies of this report, visit the Web site of the Department of Defense Inspector General at http://www.dodig.mil/audit/reports or contact the Secondary Reports Distribution Unit at (703) 604-8937 (DSN 664-8937) or fax (703) 604-8932. Suggestions for Future Audits To suggest ideas for or to request future audits, contact the Office of the Deputy Inspector General for Auditing at (703) 604-8940 (DSN 664-8940) or fax (703) 604-8932. Ideas and requests can also be mailed to: ODIG-AUD (ATTN: Audit Suggestions) Department of Defense Inspector General 400 Army Navy Drive (Room 801) Arlington, VA 22202-4704 Acronyms AFIS American Forces Information Service AFN American Forces Network AFRTS American Forces Radio and Television Service AFN-BC American Forces Network - Broadcast Center ASD(PA) Assistant Secretary of Defense (Public Affairs) OIG Office of Inspector General Department of Defense Office of Inspector General Report No. D-2006-117 September 27, 2006 (Project No. D2006-D000FI-0103.000) American Forces Network Radio Programming Decisions Executive Summary Who Should Read This Report and Why? This report will be of interest to DoD personnel responsible for the selection and distribution of talk-radio programming to overseas U.S. Forces and their family members and military personnel serving onboard ships. The report discusses the controls and processes needed for establishing a diverse inventory of talk-radio programming on American Forces Network Radio. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Broadcast Television (1945, 1952) ………………………
Transformative Choices: A Review of 70 Years of FCC Decisions Sherille Ismail FCC Staff Working Paper 1 Federal Communications Commission Washington, DC 20554 October, 2010 FCC Staff Working Papers are intended to stimulate discussion and critical comment within the FCC, as well as outside the agency, on issues that may affect communications policy. The analyses and conclusions set forth are those of the authors and do not necessarily reflect the view of the FCC, other Commission staff members, or any Commissioner. Given the preliminary character of some titles, it is advisable to check with the authors before quoting or referencing these working papers in other publications. Recent titles are listed at the end of this paper and all titles are available on the FCC website at http://www.fcc.gov/papers/. Abstract This paper presents a historical review of a series of pivotal FCC decisions that helped shape today’s communications landscape. These decisions generally involve the appearance of a new technology, communications device, or service. In many cases, they involve spectrum allocation or usage. Policymakers no doubt will draw their own conclusions, and may even disagree, about the lessons to be learned from studying the past decisions. From an academic perspective, however, a review of these decisions offers an opportunity to examine a commonly-asserted view that U.S. regulatory policies — particularly in aviation, trucking, and telecommunications — underwent a major change in the 1970s, from protecting incumbents to promoting competition. The paper therefore examines whether that general view is reflected in FCC policies. It finds that there have been several successful efforts by the FCC, before and after the 1970s, to promote new entrants, especially in the markets for commercial radio, cable television, telephone equipment, and direct broadcast satellites. -
H1 2019 Trends and Opportunities What’S Trending in Social TV: H1 2019
What’s Trending In Social TV H1 2019 Trends and Opportunities What’s Trending In Social TV: H1 2019 The state of social media for TV has been strong so far in 2019. Total Fan Growth for TV pages across Facebook, Twitter and Instagram is up 29% in the first half of 2019 compared to the second half of 2018, while social engagement increased 15% during the same time period. For Facebook, that largely means TV pages continue to recover from the algorithm changes in early 2018 that significantly limited organic reach. As TV focuses on strengthening engagement with their fanbase as opposed to just growing it, Facebook response rate and video views were up in the first half of 2019, inching back to pre-algorithm change levels. It’s a similar story for Twitter, where the TV space needed to alter their strategies following a mid-2018 purge of fake and dormant users. While the volume of tweets from TV accounts was down in the first half of 2019, the “less is more” strategy has been paying off. In Q2 2019, the average number of video views for TV hit its highest peak since the beginning of 2017. Meanwhile, the success of Instagram Stories is something TV Pages are taking advantage of in 2019. The volume of Instagram Stories published by TV accounts increased by 176% comparing Q2 2019 to Q1 2018. TV has also seen substantial growth on YouTube halfway through 2019, with fan counts and video views on the platform up 45% and 28% respectively, comparing H1 2019 to H1 2018. -
Full List of Radio Stations in Nigeria, Frequency, Location and Address - Music/Radio - Nairaland
₦airaland Forum Welcome, Guest: Join Nairaland / LOGIN! / Trending / Recent / New Stats: 2,213,071 members, 4,831,952 topics. Date: Sunday, 24 March 2019 at 04:23 PM Search Full List Of Radio Stations In Nigeria, Frequency, Location And Address - Music/Radio - Nairaland Nairaland Forum / Entertainment / Music/Radio / Full List Of Radio Stations In Nigeria, Frequency, Location And Address (87420 Views) Ugandan Authorities Shuts 23 Radio Stations For Promoting Witchcraft / List Of Radio Stations In Oyo State (with Frequencies And Location) / List Of Radio Stations Owing N5 Billion Licence Fees Will Be Released Today– NBC (2) (3) (4) (1) (2) (3) (4) (Reply) (Go Down) open in browser PRO version Are you a developer? Try out the HTML to PDF API pdfcrowd.com Full List Of Radio Stations In Nigeria, Frequency, Location And Address by VastFinder: 11:51am On Jan 05, 2017 List of Radio station in Nigeria and their Location in the Country. Good day to our Readers, and Happy New Year to you all, may this Year be our Year of Divine Favour and Productivity. Today, we brought to you the list of Nigerian Radio stations, and this are listed in ascending order. So, to know the Radio stations available in your State, and probably the one active in your area as well. They are grouped according to regions. Check out the Stations below, ranging from A-Z. • Federal Capital Territory (FCT) *. Worded FM- Internet Radio; Worded FM is an internet based radio station, for God's word to be heard and people to get lifted daily -www.wordedfm.com. -
Nigerian Media, Indigenous Languages and Sustainable Development
Nigerian Media, Indigenous Languages and Sustainable Development Harrison and Rachael Lagos State University, Nigeria 1. Introduction The idea of a global village, the aspiration of man at this jet age, is aided not only by the Internet, but also more seriously by other types of media. Thus, man, through the media, can get what language form, fashion, music etc are in vogue. In little or no time through our listening to the radio set or watching the television set, we could get to do what others are doing. The media, therefore, become a fast means through which we could get anything promoted. The objective of this paper is to examine the role of the media in the development or otherwise of Nigerian languages. We trace such contributions to the developmental stage the country, at present, finds herself. Development in this study covers a number of concepts, which range from education, social, cultural, to indigenous linguistic maturity. For the study therefore, we examine the radio and television programmes of two media houses each from inception to date. We see how these organisations have consciously or otherwise promoted or chocked the language and consequently culture, through their programmes. We link such positions to the people’s mental and social developments. The study is anchored on Gerhard Leitner’s The Sociolinguistics of Communication Media. Geshard Leitner based his work on address media in the context of the communication dominion. He reveals what performance is, what parameters are that determine its norms. He equally looks at the functions the media aims to fulfill in the society. -
Station Ownership and Programming in Radio
FCC Media Ownership Study #5: Station Ownership and Programming in Radio By Tasneem Chipty CRA International, Inc. June 24, 2007 * CRA International, Inc., 200 Clarendon Street, T-33, Boston, MA 02116. I would like to thank Rashmi Melgiri, Matt List, and Caterina Nelson for helpful discussions and valuable assistance. The opinions expressed here are my own and do not necessarily reflect those of CRA International, Inc., or any of its other employees. Station Ownership and Programming in Radio by Tasneem Chipty, CRA International, June, 2007 I. Introduction Out of concern that common ownership of media may stifle diversity of voices and viewpoints, the Federal Communications Commission (“FCC”) has historically placed limits on the degree of common ownership of local radio stations, as well as on cross-ownership among radio stations, television stations, and newspapers serving the same local area. The 1996 Telecommunications Act loosened local radio station ownership restrictions, to different degrees across markets of different sizes, and it lifted all limits on radio station ownership at the national level. Subsequent FCC rule changes permitted common ownership of television and radio stations in the same market and also permitted a certain degree of cross-ownership between radio stations and newspapers. These changes have resulted in a wave of radio station mergers as well as a number of cross-media acquisitions, shifting control over programming content to fewer hands. For example, the number of radio stations owned or operated by Clear Channel Communications increased from about 196 stations in 1997 to 1,183 stations in 2005; the number of stations owned or operated by CBS (formerly known as Infinity) increased from 160 in 1997 to 178 in 2005; and the number of stations owned or operated by ABC increased from 29 in 1997 to 71 in 2005. -
Foreign Government-Sponsored Broadcast Programming
February 11, 2021 Foreign Government-Sponsored Broadcast Programming Overview Radio Sputnik, a subsidiary of the Russian government- Congress has enacted several laws to enable U.S. citizens financed Rossiya Segodnya International Information and the federal government to monitor attempts by foreign Agency, airs programming on radio stations in Washington, governments to influence public opinion on political DC, and Kansas City, MO. Rossiya Segodnya has contracts matters. Nevertheless, radio and television viewers may with two different U.S.-based entities to broadcast Radio have difficulty distinguishing programs financed and Sputnik’s programming. One entity is a radio station distributed by foreign governments or their agents. In licensee itself, while the other is an intermediary. DOJ has October 2020, the Federal Communications Commission directed each entity to register under FARA. Copies of the (FCC) proposed new requirements for broadcast radio and Rossiya Segodnya’s contracts with both entities are television stations to identify foreign government-provided available on both the FCC and DOJ websites. programming. FCC filings and a November 2015 report from the Reuters Statutory Background news agency indicate that China Radio International (CRI), For nearly 100 years, beginning with the passage of the an organization owned by the Chinese government, may Radio Act of 1927 (P.L. 69-632) and the Communications have agreements to transmit programming to 10 full-power Act of 1934 (P.L. 73-416), Congress has required broadcast U.S. radio stations, but independent verification is not stations to label content supplied and paid for by third readily available. parties so viewers and listeners can distinguish it from content created by the stations themselves (47 U.S.C. -
World Bank Document
Lagos State Ministry of Commercial Agriculture The World Bank, NIGERIA Agriculture & Cooperatives Development Project Public Disclosure Authorized ENVIRONMENTAL AND SOCIAL IMPACT ASSESSMENT (ESIA) Public Disclosure Authorized For the Commercial Agriculture Development Projects at the ARAGA FARM SETTLEMENT, Poka, Epe, Lagos State (Final Report) APRIL 2013 Public Disclosure Authorized Public Disclosure Authorized 1 TABLE OF CONTENTS LIST OF FIGURES ...................................................................................................................... 8 LIST OF PLATES ........................................................................... Error! Bookmark not defined. LIST OF TABLES ...................................................................................................................... 10 LIST OF ACRONYMS .............................................................................................................. 12 EXECUTIVE SUMMARY ........................................................................................................ 14 CHAPTER ONE ....................................................................................................................... 181 INTRODUCTION....................................................................................................................... 18 1.0 Background ................................................................................................................................. 18 1.1 Tasks of the Consultant ............................................................................................................ -
Alediaccepted 47 C.F.R
.~ . " \'\~'{ '\ In the Matter of: ~ ccttf\tl~-- Great Plains Cable Television, Inc. )S CSR- 7c2/2--Z. Petition for Waiver of ~ ALEDIACCEPTED 47 C.F.R. § 76. 1204(a)(1) ~ MAY 3 12007 To: Chief, Media Bureau ) Federal Communications CommISSion Office of the Secretary PETITION FOR WAIVER OF 47 C.F.R. § 76.1204(a)(1) I. Introduction and Summary Great Plains Cable Television, Inc. ("Great Plains") is a small cable company providing cable services to approximately 10,000 subscribers in rural Nebraska. Pursuant to 47 U.S.C. § 549(c), and 47 C.F.R. §§ 1.3, 76.7 and 76.1207, Great Plains respectfully requests that the Commission grant a limited waiver of 47 C.F.R. § 76.1204(a)(1) for the following set-top boxes: • Motorola DCT-1000 series • Motorola DCT-2000 series • Motorola DSR-410 (collectively, "Low-Cost Set-Top Boxes").Great Plains requests that the waiVer remain effective until the earlier of (i) the commercial availability of non-integrated I set-top boxes compatible with one-way cable plant and Comcast's HITS seryice; 1 or (ii) Great Plains' upgrade of its systems to two-way cable plant. Great Plains can and will comply with 47 C.F.R. § 76.1204(a)(1) for the almost 50% of its subscribers who are currently served by two-way cable plant. No. of Copies rec'duO-,-__ UstABCDE 1 Currently, there are DQ such set-top boxes commercially available. 1 As required by the Commission's Second Report and Order, ~ GreatPlains attaches full specifications for the Low-Cost Set-Top Boxes as Exhibit 1. -
Public Viewing Packages CHANNEL LINEUPS Effective October 2019 3 COMMERCIAL XTRA™ PACK
user guide for bars and restaurants TABLE OF CONTENTS 1 Video 1 Using Your Remote Control 2 Your HD On-Screen Guide 3 Channel Lineups 6 Watch TV Your Way 7 Customized Entertainment 8 Ultimate Video & Sound Experiences 9 Sports 9 Exclusive Sports Programming 10 Popular Sports Packages 11 You're an MVP 12 Understanding Your Bill 13 Auto Bill Pay 14 Troubleshooting 16 DIRECTV for BUSINESSSM Remote App Using Your Remote Control VIDEO 1 TV Input Mode Cycles through the equipment Changes the remote’s MODE connected to your TV. to control other equipment. (Far left selection indicates the DIRECTV® Receiver.) Format Displays current screen FORMAT options and HD resolutions. O n / O ff (Works only with HD Access.) Turns both DIRECTV Receiver and TV ON or OFF at the same time. Stop (Remote must be programmed for TV. DVR still records when off .) STOP playback while viewing recorded program. Power Replay Turns On/Off POWER of whichever equipment is selected. REPLAY previous six seconds. Advance Rewind ADVANCE 30 seconds. REWIND at increasing speeds— press up to four times. Press and hold to jump to previous tick mark. Fast Forward FAST FORWARD at increasing speeds—press up to four times. Play PLAY current program. Exit EXIT the menu and return Pause to previous channel viewed. PAUSE current program. Blue Button Guide Display a one-line Channel Guide Press once for On-Screen GUIDE . while viewing your program. Press TWICE for programming grouped into categories. Yellow Button Red Button Display guide options while viewing Jump back 12 hours while the On-Screen Guide. -
Television Programming for Children: a Report of 'The Children's Televisiontask'fbrce
A ED 183 133 IR* 0Q8 034 AUTHOR GreenWle Susan And Others .TITLE TelevAsion Programming for Children: A Report:of the ChilOenfs Tc4evision Task'FOrce. .'eINSTITUTION. ,PeOral Communications CoMmissicn, 4tsh1ngton, PU 8 DAT h Ot79 NOTE 194p. .4 EDRS PRICE ! ME01/PCOB Plus Póstage. DESCRIPTOR& ^*Broadcast \Industry; nhildens Television; *Compliance (legal): *Educational Policy; Educational Television: *FefUral Regulation: Marketing; Rrograming (BroAdcast); Television Commercials: - Televislon Pel,earch IDENTrFIgRS *Federal Commun,ications,Comm ssion ABSTRACT These two volumes cf a 5-volume.repert cm commerAal* broadcaster complance with thy Federal COmmunications Commission (FCC) 1974 policies on programminil and advertising' to,chilffren provide an overall analysis of ctildrenos television, as well as a detailed analysis of'broadcas, industry compliance. The first volume reviews the social, cognItive, and.economic factors 'that affect t,he, amount, types, and scheduling of childrer0-s programs, and drscuses policy optionz open to 'the FCC with staff recommendationsl The ana14sis of broadcaster compliance dn the second volume il based on a A, series of studies examining the.policy impact on the overalla ount , ofProgramming designed for children 12 years_and under, the afnount sof educatIlertal programming, program SCheduling, and olbvercommerci&lizatibn on children's televisi6nind related advertising issues. The effectiveness of the preent license renewal form as a method of assessing crpliance is also examined. (CMV) 13 , f a. .. , *********************************************1*********************4*** * Repfilductio4S supplied-by EDPS Rre the best that can be made '* . 41% from the original documqnt. , 1 v 0. 1 U.S 'IMPARTMENT OF hEALTH. EDUCATION & WELFARE NATIONAL INSTITUTE OF EDUCATION e THIS. DOCUMENT HAS 'BEENRePRO. 04 DUCED EXACTIO, AA RECEIVED FROM THE PERSON OR ORGANIZATION ORIGIN.