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Fanning the Flames: Fandoms and Consumer Culture in Contemporary Japan
FANNING THE FLAMES Fans and Consumer Culture in Contemporary Japan Edited by William W. Kelly Fanning the Flames SUNY series in Japan in Transition Jerry Eades and Takeo Funabiki, editors Fanning the Flames Fans and Consumer Culture in Contemporary Japan EDITED BY WILLIAM W. K ELLY STATE UNIVERSITY OF NEW YORK PRESS Published by State University of New York Press, Albany © 2004 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, address State University of New York Press, 90 State Street, Suite 700, Albany, NY 12207 Production by Kelli Williams Marketing by Michael Campochiaro Library of Congress Cataloging-in-Publication Data Fanning the f lames : fans and consumer culture in contemporary Japan / edited by William W. Kelly. p. cm. — (SUNY series in Japan in transition) Includes bibliographical references and index. ISBN 0-7914-6031-2 (alk. paper) — ISBN 0-7914-6032-0 (pbk. : alk.paper) 1. Popular culture—Japan—History—20th century. I. Kelly, William W. II. Series. DS822.5b. F36 2004 306'.0952'09049—dc22 2004041740 10987654321 Contents List of Illustrations vii Acknowledgments ix Introduction: Locating the Fans 1 William W. Kelly 1 B-Boys and B-Girls: Rap Fandom and Consumer Culture in Japan 17 Ian Condry 2 Letters from the Heart: Negotiating Fan–Star Relationships in Japanese Popular Music 41 Christine R. -
Funkids Amb La Black Music Big Band & Brodas Junior
Dossier pedagògic — FunKids amb la Black Music Big Band Dossier pedagògic FunKids amb la Black Music Big Band & Brodas Junior Auditori de Girona Dossier pedagògic — FunKids amb la Black Music Big Band —3 Presentació —4 Fitxa artística —5 Black Music Big Band- BMBB —6 Què és una Big Band: una gran orquestra de jazz —7 Ball urbà — 2 Dossier pedagògic — FunKids amb la Black Music Big Band Presentació Qui no es mou amb la música funky? La proposta fresca Un espectacle i rítmica de l’Auditori Obert, en què els alumnes desco- briran l’essència de la música negra amb el funky i el soul amb més de 45 com a protagonistes. Un concert formatiu sobre la Big participants dalt Band, els seus instruments i estil amb explicacions en català i pinzellades en anglès (fàcilment comprensibles de l’escenari per als nens i nenes). Tot plegat de la mà dels joves de la entre músics i BMBB i al costat dels ballarins de Brodas Junior, que fa- ballarins ran del FunKids un concert ple d’espectacularitat i ritme! Qui no es mou amb la música funky? Arriba una proposta fresca i rítmica de l’Auditori Obert, en la qual els més joves descobriran l’essència de la música negra amb el funky i el soul com a protagonistes. Un concert formatiu i pedagògic que ens parlarà de la Big Band, els seus instru- ments i estil, el mon del ball urbà, etc.... Què podrem conèixer a FunKids? - Els seus instruments: secció de saxos, trompetes, trombons i la base rítmica - Escoltarem les diferents veus de la Black Music - Viurem els diferents estils de balls urbans com el locking, el popping, el bboying o el hiphop I tot això amb explicacions en català i pinzellades en anglès. -
Various Super Eurobeat Vol. 11 - Extended Version Mp3, Flac, Wma
Various Super Eurobeat Vol. 11 - Extended Version mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Super Eurobeat Vol. 11 - Extended Version Country: Japan Released: 1991 Style: Eurobeat, Hi NRG MP3 version RAR size: 1880 mb FLAC version RAR size: 1742 mb WMA version RAR size: 1641 mb Rating: 4.3 Votes: 388 Other Formats: TTA DMF MP4 MP2 AAC WMA MP3 Tracklist Hide Credits Red Fire 1 –The Big Brother 5:56 Producer, Performer – Dave RodgersWritten-By – Pasquini*, Gulinelli* Sexy Boy, Sexy Toy 2 –Annerley Gordon 6:34 Producer – Dave RodgersWritten-By – A.Gioia*, G.Caria*, S.Oliva* Fight For Your Life 3 –Rick Wild 6:34 Producer – Madd-Starr-FerriniWritten-By – Starr*, Cantlay* Experience 4 –Jimmy Mc Foy 6:36 Producer – Dave RodgersWritten-By – A.Contini*, G.Pasquini* Be With You 5 –Alisha Baker 7:12 Producer, Written-By – Michiel Van Der Kuy Now I Know 6 –Kelly Marshall 6:11 Producer – Avex TraxWritten-By – T. Fuyuno*, Y. Hoshino* Call Me 7 –The System Blow 6:03 Producer – Max CoveriWritten-By – Rosellini*, Baldoni*, Falcus, Vangok Animal Man (I.S.D. Remix) 8 –Rick Wild 5:38 Producer – Madd-Starr-FerriniRemix – I.S.D.Written-By – Starr*, Cantlay* I Wanna Be Your Superman 9 –Gino Caria Producer – Dave RodgersWritten-By – A.Contini*, G.Pasquini*, G.Caria*, 5:35 S.Oliva* Companies, etc. Distributed By – SOHBI Corporation Manufactured By – Avex Trax Phonographic Copyright (p) – Rodgers & Contini Records Phonographic Copyright (p) – Alphabet Record Phonographic Copyright (p) – Made Up Records Phonographic Copyright (p) – Avex Trax Phonographic Copyright (p) – Discomagic Pressed By – Memory-Tech Published By – Contini Edizioni Musicali Published By – Musique Folio Inc. -
Para-Para Dance
Para-para dance Made by: Mª Manuela Limia Luna and Raquel Limón Bermejo. Index: ● What is it? ● History ● Characteristics ● Parts of Para-para ● Some figures What is it? It is a popular japanese choreography usually danced in groups, everyone makes movements at the same time. This dance exists from 1980, when in Europe appeared the Italo disco (electronic music), disco music and music from Japan, but it didn’t become very popular outside Japan until 1990. History The origin of this dance come from the end of 1970. As the teenagers could not come into discotheques, they started dancing outside around a radio with a particular style which consisted on arms and hands’ movements. Later, it took the name of Para-para due to the people’s hum with the song “Take on me” from the norwegian group a-ha (paraparapapa). Para-para dance is singular for its movements according to the song’s beat while the feet set the music’s rhythm moving from one side to the other or without moving. Characteristics Every song has a different choreography and a constant fast rhythm, there are three types of Para-para depending on the music: ● Basic: many arms movements, the easiest. ● Techpara: more difficult and fast. (Techno-Rave music) ● Trapara: is the combination of both. (Trance music) Parts in which the song is divided Para-para songs is divided in three parts: -Intro: the beginning and the end of a song. It usually ends with the rhythm of the beginning. -Melo: they're the strophes of the song. -Sabi: The chorus of the song. -
Memorabilia. Collecting Sounds With…
Research > MEMORABILIA. COLLECTING MEMORABILIA. COLLECTING SOUNDS WITH… Memorabilia. Collecting Sounds with... is a new series from SOUNDS WITH… Ràdio Web MACBA that seeks to break through to unearth and reveal private collections of music and sound memorabilia . The William Bennett documentary series is being presented this spring at the Museum of Contemporary Art of Barcelona (MACBA) in a prospective conference/listening format, where four collectors have been 01. Conversation with William Bennett on his sound invited to share the concerns and particular characteristics that collection have driven them to build their personal collections. This is a historiography of sound collecting that reveals the unseen and When and why did you start collecting sound and music? What led you to become a passionate work of the amateur collector while reconstructing record/music collector and how well-defined or limited to a specific area of multiple parallel histories such as the evolution of recording exploration is your collection? formats, archival issues, the sound collecting market and the evolution of musical styles beyond the marketplace. Since there was no means of playing music at home as a young teenager, there This is a conversation by email between William Bennett and was little point in collecting music at that age – but I used to love reading about Anna Ramos to prepare his forthcoming radio show at Ràdio Web music in books and magazines, and imagining what it sounded like from the MACBA, which took place on March 2011. descriptions or reviews. This most likely had a bearing on the odd direction that my tastes would subsequently take, since when I was finally able to hear stuff at the age of about 16 or so, I was deeply disappointed at music's failure to live up to my grandiose expectations. -
«Vamos a La Playa»: Regreso Sin Culpas Al Ítalo-Disco De Los Ochenta
«Vamos a la playa»: Regreso sin culpas al ítalo-disco de los ochenta La verdad es que siempre se mencionan los mismos referentes cuando se habla de música ochentera: Punk-Rock, New Wave, New Romantic, Heavy Metal, Dark o Techno Pop. Y se recurre a las mismas fuentes de origen: Gran Bretaña y Estados Unidos, principalmente. Pero durante esos oscuros años en Chile también se escucha otro género en las fiestas adolescentes, con artistas ahora olvidados, cuyos vinilos y cd´s son actualmente muy bien cotizados en mercados alternativos y en internet. Con el retorno del vinilo, definido como “la” forma de escuchar música, se valora la buena calidad en la mezcla de estos tracks, que con la tecnología digital, no se logra apreciar. Es el caso del estilo «Ítalo- Disco» o simplemente «Ítalo». Probablemente, hoy no se recuerden los nombres de quienes se inscribían en esa línea melódica, pero no hay duda de que alguno de sus temas forman parte de la memoria colectiva, sin tener idea de que eran «onda disco italiana». El estilo tiene la influencia «disco» gracias a reconocidos productores de ese género como Marc Cerrone (con trabajos como «Love in C Minor», de 1976, y «Supernature», 1977) y del legendario Giorgio Moroder, quien ha seguido vigente trabajando con artistas como Kylie Minogue y Daft Punk. Estos últimos -incluso- le hicieron un intenso homenaje con el tema «Giorgio by Moroder» en su álbum «Random access memories» (2013). «Vamos a la playa»: Regreso sin culpas al ítalo-disco de los ochenta Talentosos como Moroder tenían también un fuerte sonido electrónico, herencia de los alemanes Kraftwerk, que sencillamente adoptan por un drástico abaratamiento del costo en instrumentos, lo que implica una dinánica de democratización de la música. -
A Crash Course in Disco Polo #2: History | Norient.Com 23 Sep 2021 13:35:47
A Crash Course in Disco Polo #2: History | norient.com 23 Sep 2021 13:35:47 A Crash Course in Disco Polo #2: History by Jacek Szczepanek It is importation to which disco polo, Poland’s domestic electronic dance music genre, owes most of its sound. It was the political system flip of 1989 that shaped its troubled fate within Polish society. When it all dissolved in centuries-old wedding traditions, disco polo’s form and aesthetics were set. Look for Sabrina, Boys, Akcent and German number plates in Part 2 of Norient’s guide to disco polo: History. https://norient.com/blog/a-crash-course-in-disco-polo-2-history Page 1 of 7 A Crash Course in Disco Polo #2: History | norient.com 23 Sep 2021 13:35:47 Part 2 of 2 – Part 1 / Part 2 Importation Paths The idea of partying to sequenced synthesised sounds flowed into Poland by both public and private paths, which in a communist country were necessarily two quite distinct channels. Disco was officially embraced in the Eastern Bloc as a cure for the epidemic of rock, as it proposed light-hearted dancing instead of politically malcontent, depressive individualism (Wright 2007). The Soviet Union’s mid-70s policy of encouraging the emergence of local diskoteki (dance clubs) was followed by the invitation of West Germany’s Boney M. to perform in Moscow in 1978 (Wright 2007). A show in Poland followed a year later – Boney M. performed at the International Intervision Festival in Sopot. The concert was transmitted on national television and became a thing to remember. -
Various That's Eurobeat Vol. 6 Mp3, Flac, Wma
Various That's Eurobeat Vol. 6 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: That's Eurobeat Vol. 6 Country: Japan Released: 1988 Style: Euro-Disco, Italo-Disco MP3 version RAR size: 1113 mb FLAC version RAR size: 1248 mb WMA version RAR size: 1629 mb Rating: 4.8 Votes: 545 Other Formats: AAC XM MMF WMA DTS TTA MP2 Tracklist 1 –Michael Fortunati Giochi Di Fortuna (Remix Version) 5:52 2 –Tasha You Only You (The Peter Keeps Missing You Mix) 7:13 3 –Lorraine McKane Let The Night Take The Blame (Remix Version) 6:31 4 –Aleph Big Brother (Extended Version) 6:37 5 –Eddy Huntington Meet My Friend (Extended Version) 6:10 6 –King Kong & The Djungle Girls* Lies (Full Power D.J. Mix) 7:05 7 –Green Ice Gigolo (Extended Version) 6:50 8 –Chip Chip So Close To Heaven (Extended Version) 7:33 Companies, etc. Manufactured By – Alfa Records, Inc Credits Art Direction – Hidetake Awano Other [Object By] – Shigenari Onishi Photography By [Cover Photo By] – Katsuhiro Ichikawa Barcode and Other Identifiers Barcode: T4988 024 106181 Matrix / Runout: 32XB-271 1 ++ ++++ Rights Society: JASRAC Other versions Category Artist Title (Format) Label Category Country Year ALI-28106 Various That's Eurobeat Vol. 6 (LP, Comp) Alfa International ALI-28106 Japan 1988 That's Eurobeat Vol. 6 (LP, Comp, ALI-28106 Various Alfa International ALI-28106 Japan 1988 Promo) Related Music albums to That's Eurobeat Vol. 6 by Various Various - Eurobeat Fresh Collection 4 Eddy Huntington - Meet My Friend Various - Eurobeat Kudos 18 Various - That's Eurobeat Non-Stop Mix Mega NRG Man - Super Eurobeat Presents Mega NRG Man Special Collection Vol. -
February, 2019
Annual Hunger Games dodgeball; pg. 2 No Sweethearts this year, pg. 5 Cheerleaders compete at Disney, pg.8 TheArrowheAd Volume 46, Issue 5 February 2019 700 Mulberry St. Montoursville, PA 17754 Green competes at Poetry Out Loud regionals mollychapman Freshman Austin Cummings, Many attendants said they cause she acted out her poems, “I hope more people will join newsstaff Juniors Devon Miller and Laris- would go again if given the making them come to life,” said us for the next competition,” said Senior Veronica Green com- sa West, and Seniors Dez Long chance. Robinson. “No two poems should Cummings. peted in the Regional Poetry Out and Devon Robinson went with “Each and every one of the ever sound the same,” he added. Loud Competition at Keystone Green to the regional competition performers went all out with their Senior Veronica Theater in Towanda, on Feb. 8. to watch. presentation,” said Cummings. “It Green and Drama The Poetry Out Loud Compe- “I went to support Veronica was truly something to behold.” teacher Mrs. Denise tition was created to help students and our theatre arts, but also be- “I enjoyed watching all the dif- Clark are stand- build public speaking skills, gain cause I am intrigued by the dif- ferent students perform their po- ing by the Poetry self-confidence, and learn about ferent ways poems can be read to ems differently,” said Miller. Out Loud poster at great poetry from the past and convey different messages,” said The competition began when the competition. present. Robinson. drama teacher Mrs. Denise Clark Green had the high- “I saw it as an acting oppor- “I decided to go to the com- started a Poetry Out Loud unit in est overall perfor- tunity and another opportunity to petition because I already had an her classes. -
S O U N D P L a N
SOUND PLANET E C H A N N E L L I S T 2 012 . 10 … INSTRUMENTAL … Corresponds to the Internet Request A E B F C G D H I J K 01 REQUEST J-POP 01 J-POP Hits Now 01 Seasonal Music( J-Pop Best Selection) 01 Seasonal Music( Easy Listening) Seasonal Music( Nursery Instrumental) 01 J-POP & Popular Hits Now 01 Baby Songs 01 Time Notice 02 REQUEST General Japanese Pops 02 J-ROCK 02 GIRLS ROCK 02 Seasonal Music( Music Box) Seasonal Music( J-POP Instrumental) 02 GIRLS J-POP 02 Play Songs For Children 02 Temporary 1 03 REQUEST Enka / Kayokyoku 03 Enka 03 SOFT ROCK 03 usen for Café Après-midi 03 J-HOUSE 03 All Time Kids Hits 03 Temporary 2 04 REQUEST Enka / Kayokyoku 04 Idol 04 HOUSE NATION 04 HOUSE MUSIC( 125bpm) 04 J-TECHNO POP 04 Early Teen Pops Now 04 Weather Forecast 05 REQUEST J-POP/Popular 05 Japanese Folk Songs 05 salon jazz 05 LOUNGE MUSIC 05 Acoustic J-POP 05 Fairlyland Music 05 06 Kayo☆Hits Parade 06 Senior Rice Pops 06 Colorful Pop Styling 06 Afternoon Tea Music 06 Light Classic 06 Nursery Rhymes 06 Seasonal Music / Exhibition 1 07 Popular☆Hits Parade 07 Monthly Artist Selection J-POP 07 Organic Soul 07 Dance Beat Easy Listening Acoustic 07 Light Jazz 07 Melody of Acorn Forest 07 08 Healing Classic 08 Weekly Artist Selection J-POP 08 Organic SSW ~Slow Life Music~ 08 TRANCE( Instrumental) Easy Listening Casual 08 Bossa Nova BGM 08 MINNANOUTA 08 Nostalgic TV Songs 09 Jazz for Gastronomic Ambience 09 Best of Show-wa era Kayokyoku Group Sounds 09 J-LOUNGE 09 Funky Beat Heartful Strings 09 J-POP Bossa Nova BGM 09 Happy♪Kiddy Songs 09 Seasonal -
©2017 Renata J. Pasternak-Mazur ALL RIGHTS RESERVED
©2017 Renata J. Pasternak-Mazur ALL RIGHTS RESERVED SILENCING POLO: CONTROVERSIAL MUSIC IN POST-SOCIALIST POLAND By RENATA JANINA PASTERNAK-MAZUR A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Music Written under the direction of Andrew Kirkman And approved by _____________________________________ _____________________________________ _____________________________________ _____________________________________ New Brunswick, New Jersey January 2017 ABSTRACT OF THE DISSERTATION Silencing Polo: Controversial Music in Post-Socialist Poland by RENATA JANINA PASTERNAK-MAZUR Dissertation Director: Andrew Kirkman Although, with the turn in the discipline since the 1980s, musicologists no longer assume their role to be that of arbiters of “good music”, the instruction of Boethius – “Look to the highest of the heights of heaven” – has continued to motivate musicological inquiry. By contrast, music which is popular but perceived as “bad” has generated surprisingly little interest. This dissertation looks at Polish post-socialist music through the lenses of musical phenomena that came to prominence after socialism collapsed but which are perceived as controversial, undesired, shameful, and even dangerous. They run the gamut from the perceived nadir of popular music to some works of the most renowned contemporary classical composers that are associated with the suffix -polo, an expression -
2007 Eurobeat New Songs No
2007 Eurobeat New Songs No. Title Artist Label License CD Title 1 MAKE UP YOUR MIND DAVE RODGERS A-BEAT C AVEX SUPER EUROBEAT VOL.174 2 DAY AFTER DAY ANNALISE A-BEAT C AVEX SUPER EUROBEAT VOL.174 3 LOVE ME IN THE HEAT OF THE NIGHT TIME FORCE TIME AVEX SUPER EUROBEAT VOL.174 4 SHADOW IN YOUR SMILE CIAO CIAO HRG AVEX SUPER EUROBEAT VOL.174 5 BLACK JACK MEGA NRG MAN A-BEAT C AVEX SUPER EUROBEAT VOL.174 6 TAKE ME TO HEAVEN KELLY T. A-BEAT C AVEX SUPER EUROBEAT VOL.174 7 INTO THE GROOVE PHIL & LINDA TIME AVEX SUPER EUROBEAT VOL.174 8 SWEET SIXTEEN GIRL CANDY TAYLOR DELTA AVEX SUPER EUROBEAT VOL.174 9 VIVA LA NOCHE CHRISTINE feat. ELVIS EL LATINO SCP AVEX SUPER EUROBEAT VOL.174 10 PLEASE FORGIVE ME CHERRY DELTA AVEX SUPER EUROBEAT VOL.174 11 CATERPILLAR MAN JUNGLE BILL HRG AVEX SUPER EUROBEAT VOL.174 12 YOU AND ME FOREVER KASANOVA TIME AVEX SUPER EUROBEAT VOL.174 13 GENERATION OF LOVE PAUL HARRIS DELTA AVEX SUPER EUROBEAT VOL.174 14 TODAY DIGITAL PLANET A-BEAT C AVEX SUPER EUROBEAT VOL.174 15 MELODIES OF LOVE 2007 HELENA TIME AVEX SUPER EUROBEAT VOL.174 16 ROCKIN' HARDCORE FASTWAY SCP AVEX SUPER EUROBEAT VOL.174 17 GIVE ME A SIGN NUAGE A-BEAT C AVEX SUPER EUROBEAT VOL.174 18 INTO THE DAYLIGHT POWERFUL T. A-BEAT C AVEX SUPER EUROBEAT VOL.174 19 FUTURELAND ACE SCP AVEX SUPER EUROBEAT VOL.175 20 WITH YOUR PHOTOGRAPH ANNALISE A-BEAT C AVEX SUPER EUROBEAT VOL.175 21 YOU LIGHT MY FIRE KEVIN JOHNSON DELTA AVEX SUPER EUROBEAT VOL.175 22 STOP THE TIME TONIGHT LOLITA GOGO'S AVEX SUPER EUROBEAT VOL.175 23 ROCK ME MEGA NRG MAN feat.