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A Cocktailed Way of Life Anne Rosso Iowa State University
Volume 43 Issue 5 Article 6 April 1997 A Cocktailed Way of Life Anne Rosso Iowa State University Follow this and additional works at: http://lib.dr.iastate.edu/ethos Recommended Citation Rosso, Anne (1997) "A Cocktailed Way of Life," Ethos: Vol. 1997 , Article 6. Available at: http://lib.dr.iastate.edu/ethos/vol1997/iss1/6 This Article is brought to you for free and open access by the Student Publications at Iowa State University Digital Repository. It has been accepted for inclusion in Ethos by an authorized editor of Iowa State University Digital Repository. For more information, please contact [email protected]. A ~ocktailad Way oflih! By Anne Rosso College students love keg parties, don't we? Yep, we've all jumped at an opportunity to crowd around kegs of cheap beer, desperately thrusting plastic cups toward the person who just might be holding the nozzle ... hoping, nay, praying to ruthlessly jam ourselves in front of the guy preventing our consumption of those 16 ounces of stale, possibly even warm, Busch Light. These are the parties we came to college for, right? This is what all the cool kids are doing, isn't it? A growing number of Iowa State students say no. Shunning the traditional malt-liquor orgies that have come to typify college life, these renegade students seek the enlightenment and sophistication found only in one beverage-the cocktail. But, to be honest, the allure of a few martinis (shaken, not stirred) isn't the only draw. Cocktails embody a way of life, a culture all their own.With cocktails come ultra smooth, xylophone-punctuated lounge music, long cigarettes, smarmy suits and sleek, retro dresses. -
Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
Fanning the Flames: Fandoms and Consumer Culture in Contemporary Japan
FANNING THE FLAMES Fans and Consumer Culture in Contemporary Japan Edited by William W. Kelly Fanning the Flames SUNY series in Japan in Transition Jerry Eades and Takeo Funabiki, editors Fanning the Flames Fans and Consumer Culture in Contemporary Japan EDITED BY WILLIAM W. K ELLY STATE UNIVERSITY OF NEW YORK PRESS Published by State University of New York Press, Albany © 2004 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, address State University of New York Press, 90 State Street, Suite 700, Albany, NY 12207 Production by Kelli Williams Marketing by Michael Campochiaro Library of Congress Cataloging-in-Publication Data Fanning the f lames : fans and consumer culture in contemporary Japan / edited by William W. Kelly. p. cm. — (SUNY series in Japan in transition) Includes bibliographical references and index. ISBN 0-7914-6031-2 (alk. paper) — ISBN 0-7914-6032-0 (pbk. : alk.paper) 1. Popular culture—Japan—History—20th century. I. Kelly, William W. II. Series. DS822.5b. F36 2004 306'.0952'09049—dc22 2004041740 10987654321 Contents List of Illustrations vii Acknowledgments ix Introduction: Locating the Fans 1 William W. Kelly 1 B-Boys and B-Girls: Rap Fandom and Consumer Culture in Japan 17 Ian Condry 2 Letters from the Heart: Negotiating Fan–Star Relationships in Japanese Popular Music 41 Christine R. -
2010-11 Newsletter
East Asian Studies Department & Program Newsletter 2010-11 The newsletter of Princeton University’s East Asian Studies Department and Program is published annually by the East Asian Stud- ies Program and is also available online. Unless otherwise stated, all activities reported are sponsored and organized by the East Asian Studies Program or Department, either solely or in collaboration with other departments or programs on campus. News and comments are welcome and should be addressed to the Program Coordinator. Photo Credits: Changdok Palace, Seoul, title page, and other motifs from Korea pp. 2, 25 (Buddhist Stone Sculpture, Mt. Namsan, Kyungju) and p.32 by Joy Kim. Images from PII, pp.9-11 by Yukari Tokumasu. Boy with brush, p.13 and Martin Heijdra, p.39 by Stephen F. Teiser. Classroom, p.13 by Nick Admussen. Mountain in Baiyu County, Sichuan province, p.27 by Doug Gildow. 2nd century B.C. garment, p.34, Abegg-Foundation, Riggisberg, Switzerland, courtesy Dieter Kuhn. From the photo contest by the Office of International Programs: p.8: Lotus, Beijing, by Evangeline Lew ’10; p.10: Inheritance, Jishou, Hunan, by Astrid Struth ’11; p.12: 3 Gorges, Sichuan, Province by Jeff Tang ’09; p.13: Girl in Red, Beijing, by Veneka Chag- wedera ’09. Princeton University Art Museum, photos by Bruce M. White: p.6: Scenes from the Tale of Genji (Genji monogatari), Edo, Japanese. Museum purchase, Fowler McCormick, Class of 1921 Fund [y1993 7]; p.7: Striding dragon, Northern Wei, Chinese. Gift of Mrs. Albert E. McVitty [y1949 26]; p.40: A Book from the Sky, Xu Bing, Modern, Chinese. -
Iikbillboard
CANADA (Courtesy The Record) As of 6/13/85 AUSTRALIA (Courtesy Kent Music Report) As of 6/17/85 lir SINGLES 1 5 SINGLESUSSUDIO PHIL COLLINS ATLANTIC /WEA 1 1 WOULD I LIE TO YOU EURYTHMICS RCA 2 1 EVERYBODY WANTS TO RULE THE WORLD TEARS FOR FEARS 2 7 ANGEL MADONNA SIRE VERTIGO/POLYGRAM 3 3 WE ARE THE WORLD USA FOR AFRICA CBS 3 2 DON'T YOU (FORGET ABOUT ME) SIMPLE MINDS VIRGIN / POLYGRAM 4 9 50 YEARS UNCANNY X -MEN MUSHRO OM 4 3 NIGHT DEBARGE GORDY /QUALITY RHYTHM OF THE 5 17 LIVE IT UP MENTAL AS ANYTHING REGULAR 5 6 COLUMBIA /CBS EVERYTHING SHE WANTS WHAM! 6 5 RHYTHM OF THE NIGHT DEBARGE ORDr 6 11 WOULD I RCA - LIE TO YOU EURYTHMICS 7 6 DON'T YOU (FORGET ABOUT ME) SIMPLE MINDS VIRGIN NEW 7 NEVER SURRENDER COREY HART AQUARIUS /CAPITOL 8 4 EVERYBODY WANTS TO RULE THE WORLD TEARS FOR FEARS 8 17 BLACK CARS GINO VANNELLI POLYDOR/POLYGRAM MERCURY 9 12 A VIEW TO A KILL DURAN DURAN CAPITOL 9 8 WE CLOSE OUR EYES GO WEST CHRYSALIS 10 7 WALKING ON SUNSHINE KATRINA & THE WAVES ATTIC /A &M 10 10 19 PAUL HARDCASTLE CHRYSALIS 11 4 CRAZY FOR YOU MADONNA SIRE /WEA 11 2 CAN'T FIGHT THIS FEELING REO SPEEDWAGON EPIC 12 8 SMOOTH OPERATOR SADE PORTRAIT /CBS 12 NEW WALKING ON SUNSHINE KATRINA &WAVES CAPITOL 13 15 AXEL F HAROLD FALTERMEYER MCA 13 NEW A VIEW TO A KILL DURAN DURAN EMI 14 13 OBSESSION ANIMOTION MERCURY / POLYGRAM 14 18 WE WILL TOGETHER EUROGLIDERS CBS 15 NEW RASPBERRY BERET PRINCE & THE REVOLUTION PAISLEY PARK /WEA 15 14 WIDE BOY NIK KERSHAW MCA 16 16 HEAVEN BRYAN ADAMS A &M 16 12 NIGHTSHIFT COMMODORES MOTOWN 17 10 TEARS ARE NOT ENOUGH NORTHERN LIGHTS COLUMBIA /CBS 17 13 JUST A GIGOLO DAVID LEE ROTH WARNER 18 14 WE ARE THE WORLD USA FOR AFRICA COLUMBIA /CBS 18 11 THE HEAT IS ON GLENN FREY MCA 19 18 TOKYO ROSE IDLE EYES WEA 19 15 ONE MORE NIGHT PHIL COLLINS WEA Wi's: POWER STATION PARLOPHONE 20 20 THINGS CAN ONLY GET BETTER HOWARD JONES WEA 20 16 SOME LIKE IT HOT %..Copyright 1985, Billboard Publications, Inc. -
Yumi Matsutoya Train of Thought = コンパートメント Mp3, Flac, Wma
Yumi Matsutoya Train Of Thought = コンパートメント mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop / Stage & Screen Album: Train Of Thought = コンパートメント Country: Japan Released: 1985 MP3 version RAR size: 1778 mb FLAC version RAR size: 1712 mb WMA version RAR size: 1767 mb Rating: 4.9 Votes: 381 Other Formats: AAC ADX DXD MP4 MP3 TTA MP2 Tracklist 1 Prologue 2 Pessimist = 街角のペシミスト 3 Time Passing = 経る時 4 Heartbreak = ハートブレイク 5 Hotel Without Time = 時のないホテル 6 Dang Dang = ＤＡＮＧ ＤＡＮＧ 7 Like A Swallow = ツバメのように 8 Destiny = ＤＥＳＴＩＮＹ 9 Mysterious Experience = 不思議な体験 Companies, etc. Published By – Kirara Music Publisher Copyright (c) – Toshiba EMI Designed At – Icon Designed At – Tact Credits Design, Artwork – Lee Baker Director Of Photography – Peter Christopherson Film Director, Design – Storm Thorgerson Lyrics By – Yumi Matsutoya Music By – Masataka Matsutoya Photography By [Cover] – Rupert Truman Producer – Aubrey Powell Notes 1st issue on DVD, comes in jewel case total duration 58 min. Barcode and Other Identifiers Barcode (Printed): 4 988006 942646 Barcode (Scanned): 4988006942646 Other (Price (With VAT)): ￥4,500 Other versions Category Artist Title (Format) Label Category Country Year Yumi Matsutoya = 松任谷由実* - Yumi Matsutoya TOEMI TT12-1070HI Train Of Thought = コンパートメ TT12-1070HI Japan 1984 = 松任谷由実* Video ント (VHS, NTSC, hi-) Yumi Matsutoya = 松任谷由実* - Yumi Matsutoya TOEMI VO98-1007 Train Of Thought = コンパートメ VO98-1007 Japan 1984 = 松任谷由実* Video ント (VHD, NTSC) Yumi Matsutoya = 松任谷由実* - Yumi Matsutoya TOEMI TT48-1240HI Train Of Thought = コンパートメ TT48-1240HI -
“PRESENCE” of JAPAN in KOREA's POPULAR MUSIC CULTURE by Eun-Young Ju
TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE by Eun-Young Jung M.A. in Ethnomusicology, Arizona State University, 2001 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Eun-Young Jung It was defended on April 30, 2007 and approved by Richard Smethurst, Professor, Department of History Mathew Rosenblum, Professor, Department of Music Andrew Weintraub, Associate Professor, Department of Music Dissertation Advisor: Bell Yung, Professor, Department of Music ii Copyright © by Eun-Young Jung 2007 iii TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE Eun-Young Jung, PhD University of Pittsburgh, 2007 Korea’s nationalistic antagonism towards Japan and “things Japanese” has mostly been a response to the colonial annexation by Japan (1910-1945). Despite their close economic relationship since 1965, their conflicting historic and political relationships and deep-seated prejudice against each other have continued. The Korean government’s official ban on the direct import of Japanese cultural products existed until 1997, but various kinds of Japanese cultural products, including popular music, found their way into Korea through various legal and illegal routes and influenced contemporary Korean popular culture. Since 1998, under Korea’s Open- Door Policy, legally available Japanese popular cultural products became widely consumed, especially among young Koreans fascinated by Japan’s quintessentially postmodern popular culture, despite lingering resentments towards Japan. -
Hybrid Identities of Buraku Outcastes in Japan
Educating Minds and Hearts to Change the World A publication of the University of San Francisco Center for the Volume IX ∙ Number 2 June ∙ 2010 Pacific Rim Copyright 2010 The Sea Otter Islands: Geopolitics and Environment in the East Asian Fur Trade >>..............................................................Richard Ravalli 27 Editors Joaquin Gonzalez John Nelson Shadows of Modernity: Hybrid Identities of Buraku Outcastes in Japan Editorial >>...............................................................Nicholas Mucks 36 Consultants Barbara K. Bundy East Timor and the Power of International Commitments in the American Hartmut Fischer Patrick L. Hatcher Decision Making Process >>.......................................................Christopher R. Cook 43 Editorial Board Uldis Kruze Man-lui Lau Syed Hussein Alatas: His Life and Critiques of the Malaysian New Economic Mark Mir Policy Noriko Nagata Stephen Roddy >>................................................................Choon-Yin Sam 55 Kyoko Suda Bruce Wydick Betel Nut Culture in Contemporary Taiwan >>..........................................................................Annie Liu 63 A Note from the Publisher >>..............................................Center for the Pacific Rim 69 Asia Pacific: Perspectives Asia Pacific: Perspectives is a peer-reviewed journal published at least once a year, usually in April/May. It Center for the Pacific Rim welcomes submissions from all fields of the social sciences and the humanities with relevance to the Asia Pacific 2130 Fulton St, LM280 region.* In keeping with the Jesuit traditions of the University of San Francisco, Asia Pacific: Perspectives com- San Francisco, CA mits itself to the highest standards of learning and scholarship. 94117-1080 Our task is to inform public opinion by a broad hospitality to divergent views and ideas that promote cross-cul- Tel: (415) 422-6357 Fax: (415) 422-5933 tural understanding, tolerance, and the dissemination of knowledge unreservedly. -
Kana Uemura: J-Pop & American Pop Songs Performance Night
PRESS RELEASE FROM THE JAPAN INFORMATION & CULTURE CENTER, EMBASSY OF JAPAN Kana Uemura: J-Pop & American Pop Songs Performance Night Presented at the Kennedy Center Millennium Stage Part of the 2018 National Cherry Blossom Festival Media Contact: Publicity Coordinator, Japan Information & Culture Center, Embassy of Japan Phone: 202-238-6947 Email: [email protected] WASHINGTON DC, (March 1, 2018) – The Japan Information & Culture Center (JICC), Embassy of Japan, DC, is excited to present Kana Uemura for a night of J-pop and American pop songs at the Kennedy Center‘s Millennium Stage as part of the 2018 National Cherry Blossom Festival. NYC-based Japanese singer, songwriter, and guitarist Kana Uemura is known for her J-pop hits, including the 2010 song “Goddess of the Bathroom” that reached number one on the Billboard Japan Hot 100 and Oricon Charts. She will perform a mix of J-Pop (Japanese pop music) and American Pop music including her original songs in both Japanese and English. Listeners of all ages from Japanese and American audiences alike have enjoyed her music. Her special appearance and performance is part of the Embassy of Japan’s cultural offerings during the National Cherry Blossom Festival. Kana Uemura: “J-Pop & American Pop Songs” Performance Night April 18, 2018 || Wednesday at 6PM || Millennium Stage Admission: FREE, walk-ins welcome, first come first served Kana Uemura started her career with street performances as a teenager and made her major debut in Japan in 2005. She became a national star with her 2010 hit “Goddess of the Bathroom.” She moved to New York in 2016 and has been performing the city on a monthy basis. -
Murakami Haruki's Short Fiction and the Japanese Consumer Society By
Murakami Haruki’s Short Fiction and the Japanese Consumer Society By © 2019 Jacob Clements B.A. University of Northern Iowa, 2013 Submitted to the graduate degree program in East Asian Language and Cultures and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ___________________________ Chair: Dr. Elaine Gerbert ___________________________ Dr. Margaret Childs ___________________________ Dr. Ayako Mizumura Date Defended: 19 April 2019 The thesis committee for Jacob Clements certifies that this is the approved version of the following thesis: Murakami Haruki’s Short Fiction and the Japanese Consumer Society _________________________ Chair: Dr. Elaine Gerbert Date Approved: 16 May 2019 ii Abstract This thesis seeks to describe the Japanese novelist Murakami Haruki’s continuing critique of Japan’s modern consumer-oriented society in his fiction. The first chapter provides a brief history of Japan’s consumer-oriented society, beginning with the Meiji Restoration and continuing to the 21st Century. A literature review of critical works on Murakami’s fiction, especially those on themes of identity and consumerism, makes up the second chapter. Finally, the third chapter introduces three of Murakami Haruki’s short stories. These short stories, though taken from three different periods of Murakami’s career, can be taken together to show a legacy of critiquing Japan’s consumer-oriented society. iii Acknowledgments I would like to thank my committee, Dr. Maggie Childs and Dr. Ayako Mizumura, for their guidance and support throughout my Master's degree process. In particular, I would like to thank Dr. Elaine Gerbert her guidance throughout my degree and through the creation of this thesis. -
Various Super Eurobeat Vol. 11 - Extended Version Mp3, Flac, Wma
Various Super Eurobeat Vol. 11 - Extended Version mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Super Eurobeat Vol. 11 - Extended Version Country: Japan Released: 1991 Style: Eurobeat, Hi NRG MP3 version RAR size: 1880 mb FLAC version RAR size: 1742 mb WMA version RAR size: 1641 mb Rating: 4.3 Votes: 388 Other Formats: TTA DMF MP4 MP2 AAC WMA MP3 Tracklist Hide Credits Red Fire 1 –The Big Brother 5:56 Producer, Performer – Dave RodgersWritten-By – Pasquini*, Gulinelli* Sexy Boy, Sexy Toy 2 –Annerley Gordon 6:34 Producer – Dave RodgersWritten-By – A.Gioia*, G.Caria*, S.Oliva* Fight For Your Life 3 –Rick Wild 6:34 Producer – Madd-Starr-FerriniWritten-By – Starr*, Cantlay* Experience 4 –Jimmy Mc Foy 6:36 Producer – Dave RodgersWritten-By – A.Contini*, G.Pasquini* Be With You 5 –Alisha Baker 7:12 Producer, Written-By – Michiel Van Der Kuy Now I Know 6 –Kelly Marshall 6:11 Producer – Avex TraxWritten-By – T. Fuyuno*, Y. Hoshino* Call Me 7 –The System Blow 6:03 Producer – Max CoveriWritten-By – Rosellini*, Baldoni*, Falcus, Vangok Animal Man (I.S.D. Remix) 8 –Rick Wild 5:38 Producer – Madd-Starr-FerriniRemix – I.S.D.Written-By – Starr*, Cantlay* I Wanna Be Your Superman 9 –Gino Caria Producer – Dave RodgersWritten-By – A.Contini*, G.Pasquini*, G.Caria*, 5:35 S.Oliva* Companies, etc. Distributed By – SOHBI Corporation Manufactured By – Avex Trax Phonographic Copyright (p) – Rodgers & Contini Records Phonographic Copyright (p) – Alphabet Record Phonographic Copyright (p) – Made Up Records Phonographic Copyright (p) – Avex Trax Phonographic Copyright (p) – Discomagic Pressed By – Memory-Tech Published By – Contini Edizioni Musicali Published By – Musique Folio Inc. -
The Pop Scene Around the World Andrew Clawson Iowa State University
Volume 2 Article 13 12-2011 The pop scene around the world Andrew Clawson Iowa State University Emily Kudobe Iowa State University Follow this and additional works at: http://lib.dr.iastate.edu/revival Recommended Citation Clawson, Andrew and Kudobe, Emily (2011) "The pop cs ene around the world," Revival Magazine: Vol. 2 , Article 13. Available at: http://lib.dr.iastate.edu/revival/vol2/iss1/13 This Article is brought to you for free and open access by the Student Publications at Iowa State University Digital Repository. It has been accepted for inclusion in Revival Magazine by an authorized editor of Iowa State University Digital Repository. For more information, please contact [email protected]. Clawson and Kudobe: The pop scene around the world The POP SCENE Around the World Taiwan Hong Kong Japan After the People’s Republic of China was Japan is the second largest music market Hong Kong can be thought of as the Hol- established, much of the music industry in the world. Japanese pop, or J-pop, is lywood of the Far East, with its enormous left for Taiwan. Language restrictions at popular throughout Asia, with artists such film and music industry. Some of Asia’s the time, put in place by the KMT, forbade as Utada Hikaru reaching popularity in most famous actors and actresses come the use of Japanese language and the the United States. Heavy metal is also very from Hong Kong, and many of those ac- native Hokkien and required the use of popular in Japan. Japanese rock bands, tors and actresses are also pop singers.