DOCSLIB.ORG

Acoustic Guitar Catalog

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Quality Craftsmanship Since 1883 ACOUSTIC GUITAR CATALOG WASHBURN GUITARS BLACK KNIGHT A CHICAGO ORIGINAL SERIES SINCE 1883 WMJ5SCEB After the Great Fire of 1871, Chicago quickly These black beauties became a national center for musical instrument combine playability, manufacturing. Steeped in the tradition of fine versatility and WD5SB affordability in a solid instrument making, Washburn Guitar’s dynamic Spruce topped guitar. history began over 125 years ago in Chicago in 1883. WPJ5SB The Black Knight The original guitar factory was located just blocks Series’ gorgeous black away from Maxwell Street. gloss finishes are offset by their white multi-ply In the early 1920’s, Maxwell Street itself would bindings, Rosewood bridges and fretboards, emerge as the epicenter of a musical movement. and Abalone rosettes. Often considered the first entry point for thousands of African-Americans arriving from the Mississippi Delta, Maxwell Street became a hotbed for Delta Blues in its most raw and dramatic form. Newcomers and established musicians alike would listen and jam with one another in an atmosphere void of commercial influence. Once recorded, this powerful, emotional style of music would not only become the dominant form of blues but would radically change the emerging sound of Rock ‘n’ Roll. There, on Maxwell Street, as well as in alleyways, city sidewalks, bars and honky-tonks around the country, Washburn Guitars were embraced as the very embodiment and reflective spirit of the hard working musicians who played them as well as the employees who designed and crafted them. It is that same spirit that guides Washburn to this day. The History of Washburn Guitars is the history of a wide range of musicians. From Blues players who shaped Rock ‘n’ Roll to multi platinum recording artists to emerging guitar virtuosos. It is a history that can be heard and experienced every time you turn on the radio or listen to a live performance. It is a history built by skilled craftsmen and musicians WD5SB, WPJ5SB, WMJ5SB WD5S12B WD5SCEB, WMJ5SCEB, WG5SCEB WD5SCE12B who share one common love - a passion for the FINISHES B B B B guitar Dreadnought, Petite Jumbo, 12 String Dreadnought Dreadnought, Mini Jumbo, 12 String Dreadnought STYLE Mini Jumbo Grand Auditorium Washburn continues to be a consistent leader in TOP Solid Spruce Solid Spruce Solid Spruce Solid Spruce combining design, innovation, and technology SIDES/BACK Basswood Basswood Basswood Basswood to deliver the rich, bold sounds for a vast musical landscape. NECK Mahogany Mahogany Mahogany Mahogany SCALE 25.5 25.5 25.5 25.5 FRETBOARD Rosewood Rosewood Rosewood Rosewood FB INLAY Dots Dots Dots Dots BRIDGE Rosewood Rosewood Rosewood Rosewood ROSETTE Abalone Abalone Abalone Abalone BINDING White / Multi White / Multi White / Multi White / Multi TUNERS Diecast Diecast Diecast Diecast ELECTRONICS N/A N/A MET-A07 MET-A07 2 ACOUSTIC GUITAR CATALOG • WASHBURN.COM ACOUSTIC GUITAR CATALOG • WASHBURN.COM 3 WD7S WD10 SERIES SERIES WD7SCEACS WD10CE Solid Spruce tops, Washburn has raised the bar tremendous resonance, on acoustics with the release of robust tone and sound that WD7SATB the WD Series. These guitars WG7SCEATB WD10 WD10FCESB will improve with age are just deliver a full tonal spectrum a few of the qualities that and wide acoustic range by the WD7S Series possesses. incorporating high quality Exquisitely crafted, these Spruce or Cedar tops with rich acoustics offer rich, vintage- Mahogany, Rosewood, Tamo style All Cherry Burst or All Ash, Flame Maple or Koa sides Tobacco Burst finishes with to create the different models in modern playability due to the nine available series. With their Catalpa sides & backs, beautifully appointed details Rosewood fingerboards such as Rosewood bridges & and bridges and optional fretboards, multi-ply bindings MET-A07 preamps in the and Fishman® preamps in all acoustic-electric versions of acoustic-electric versions, these these guitars. guitars are truly the culmination of Washburn’s 127 year legacy. WD7S WG7S WD7SCE WG7SCE WD10 WD10CE WD10F WD10FCESB FINISHES ATB, ACS ATB, ACS ATB, ACS ATB, ACS FINISHES N N TSB TSB STYLE Dreadnought Grand Auditorium Dreadnought Grand Auditorium STYLE Dreadnought Dreadnought Dreadnought Dreadnought TOP Solid Spruce Solid Spruce Solid Spruce Solid Spruce TOP Spruce Spruce Flame Maple Flame Maple SIDES/BACK Catalpa Catalpa Catalpa Catalpa SIDES/BACK Mahogany Mahogany Mahogany Mahogany NECK Mahogany Mahogany Mahogany Mahogany NECK Mahogany Mahogany Mahogany Mahogany SCALE 25.5 25.5 25.5 25.5 SCALE 25.5 25.5 25.5 25.5 FRETBOARD Rosewood Rosewood Rosewood Rosewood FRETBOARD Rosewood Rosewood Rosewood Rosewood FB INLAY Dots Dots Dots Dots FB INLAY Dots Dots Dots Dots BRIDGE Rosewood Rosewood Rosewood Rosewood BRIDGE Rosewood Rosewood Rosewood Rosewood Fishman® Isys+ Tuner Preamp ROSETTE Custom Wood Inlay Custom Wood Inlay Custom Wood Inlay Custom Wood Inlay ROSETTE Custom Wood Inlay Custom Wood Inlay Custom Wood Inlay Custom Wood Inlay System BINDING Cream / Multi Cream / Multi Cream / Multi Cream / Multi BINDING Cream / Multi Cream / Multi Cream / Multi Cream / Multi TUNERS Diecast Diecast Diecast Diecast TUNERS Diecast Diecast Diecast Diecast ELECTRONICS N/A N/A MET-A07 MET-A07 ELECTRONICS N/A Fishman® Isys+ N/A Fishman® Isys+ 4 ACOUSTIC GUITAR CATALOG • WASHBURN.COM ACOUSTIC GUITAR CATALOG • WASHBURN.COM 5 WD10S WD20S SERIES SERIES WF10S WD10SCE WMJ20S WD20SCE WMJ10S WMJ10SCE WD20S WMJ21SCE WD10S, WD10SLH WMJ10S, WMJ11S WF10S WMJ10SCE, WMJ11SCE WD10SCE, WD10SCELH WD10S12 ,WD10SCE12 WMJ21S WD20S, WMJ20S WD20SCE, WMJ20SCE WMJ21SCE FINISHES N N N N N N FINISHES N N N N Dreadnought, STYLE Mini Jumbo Folk Mini Jumbo Dreadnought, 12 String Dreadnought STYLE Mini Jumbo Dreadnought, Mini Jumbo Dreadnought, Mini Jumbo Mini Jumbo Lefty Dreadnought Lefty Dreadnought TOP Solid Spruce Solid Spruce, Solid Spruce Solid Spruce, Solid Spruce Solid Spruce TOP Solid Cedar Solid Spruce Solid Spruce Solid Cedar Solid Cedar Solid Cedar SIDES/BACK Mahogany Mahogany Mahogany Mahogany Mahogany Mahogany SIDES/BACK Rosewood Rosewood Rosewood Rosewood NECK Mahogany Mahogany Mahogany Mahogany Mahogany Mahogany NECK Mahogany Mahogany Mahogany Mahogany SCALE 25.5 25.5 25.5 25.5 25.5 25.5 SCALE 25.5 25.5 25.5 25.5 FRETBOARD Rosewood Rosewood Rosewood Rosewood Rosewood Rosewood FRETBOARD Rosewood Rosewood Rosewood Rosewood FB INLAY Dots Dots Dots Dots Dots Dots FB INLAY Dots Dots Dots Dots BRIDGE Rosewood Rosewood Rosewood Rosewood Rosewood Rosewood BRIDGE Rosewood Rosewood Rosewood Rosewood ROSETTE Custom Wood Inlay Custom Wood Inlay Custom Wood Inlay Custom Wood Inlay Custom Wood Inlay Custom Wood Inlay ROSETTE Custom Wood Inlay Custom Wood Inlay Custom Wood Inlay Custom Wood Inlay BINDING Cream / Multi Cream / Multi Cream / Multi Cream / Multi Cream / Multi Cream / Multi BINDING Cream / Multi Cream / Multi Cream / Multi Cream / Multi TUNERS Diecast Diecast Diecast Diecast Diecast Diecast TUNERS Diecast Diecast Diecast Diecast ELECTRONICS N/A N/A N/A Fishman® Isys+ Fishman® Isys+ N/A, Fishman® Isys+ ELECTRONICS N/A N/A Fishman® Isys+ Fishman® Isys+ 6 ACOUSTIC GUITAR CATALOG • WASHBURN.COM ACOUSTIC GUITAR CATALOG • WASHBURN.COM 7 WD30S & WD40S WD15S SERIES SERIES WG16S WD15SCE WD40S WD30SCE WD40SCE WD15S WG15SCE WD30S WMJ40SCE WD30S, WMJ30S WD30SCE, WMJ30SCE WD40S, WMJ40S, WJ40S WD40SCE, WMJ40SCE, WJ40SCE WD15S, WG15S WG16S WD15SCE, WG15SCE WG16SCE FINISHES N N N N FINISHES N N N N Dreadnought, Grand Auditorium Grand Auditorium Dreadnought, Grand Auditorium STYLE Dreadnought, Dreadnought, Dreadnought, Mini Jumbo, Dreadnought, Mini Jumbo, STYLE Grand Auditorium Mini Jumbo Mini Jumbo Jumbo Jumbo TOP Solid Spruce Solid Spruce Solid Spruce Solid Spruce TOP Solid Spruce Solid Cedar Solid Spruce Solid Cedar SIDES/BACK Tamo Ash Tamo Ash Flame Maple Flame Maple SIDES/BACK Mahogany Mahogany Mahogany Mahogany NECK Mahogany Mahogany Maple Maple NECK Mahogany Mahogany Mahogany Mahogany SCALE 25.5 25.5 25.5 25.5 SCALE 25.5 25.5 25.5 25.5 FRETBOARD Rosewood Rosewood Rosewood Rosewood FRETBOARD Rosewood Rosewood Rosewood Rosewood FB INLAY Dots Dots Dots Dots FB INLAY Dots Dots Dots Dots BRIDGE Rosewood Rosewood Rosewood Rosewood BRIDGE Rosewood Rosewood Rosewood Rosewood ROSETTE Custom Wood Inlay Custom Wood Inlay Custom Wood Inlay Custom Wood Inlay ROSETTE Abalone Abalone Abalone Abalone BINDING Cream / Multi Cream / Multi Cream / Multi Cream / Multi BINDING Maple / Abalone Maple / Abalone Maple / Abalone Maple / Abalone TUNERS Diecast Gold Color Diecast Gold Color Diecast Gold Color Diecast Gold Color TUNERS Diecast Diecast Diecast Diecast ELECTRONICS N/A Fishman® Presys+ N/A Fishman® Presys+ ELECTRONICS N/A N/A Fishman® Isys+ Fishman® Isys+ 8 ACOUSTIC GUITAR CATALOG • WASHBURN.COM ACOUSTIC GUITAR CATALOG • WASHBURN.COM 9 WD25S WD35S & WD45S SERIES SERIES WG26S WD25SCE WD35SCE WD45S WD25S WG26SCE WD35S WD45SCE WD25S, WG25S WG26S WD25SCE, WG25SCE WG26SCE WD35S WD35SCE, WG35SCE WD45S, WJ45S WD45SCE, WJ45SCE WG45SCE FINISHES N N N N FINISHES N N N N N Dreadnought Dreadnought, Dreadnought, Jumbo Dreadnought, Jumbo Grand Auditorium STYLE Dreadnought, Grand Auditorium Grand Auditorium Dreadnought, Grand Auditorium Grand Auditorium STYLE Grand Auditorium TOP Solid Spruce Solid Cedar Solid Spruce Solid Cedar TOP Solid Spruce Solid Spruce Solid Spruce Solid Spruce Solid Spruce SIDES/BACK Rosewood Rosewood Rosewood Rosewood SIDES/BACK Tamo Ash Tamo Ash Flame Maple Flame Maple Flame Maple NECK Mahogany Mahogany Mahogany Mahogany NECK Mahogany Mahogany Maple Maple Maple SCALE 25.5
Recommended publications
  • 2013 Full Line Catalog 2013

    2013 Full Line Catalog 2013

    Electric Guitars, Electric Basses, Acoustic Guitars, Amplifiers, Effects & Accessories 2013 Accessories Effects & Amplifiers, Guitars, Electric Acoustic Electric Basses, Guitars, www.ibanez.com 1726 Winchester Road, Bensalem, PA 19020 · U.S.A. · ©2012 Printed in Japan NOV12928 (U) For Authorized Dealers Only - All finishes shown are as close as four-color printing allows. CATALOG - All specifications and prices are subject to change without notice. 2013 FULL LINE Table of Contents Solid Body Electric Guitars Signature Models 6-10 Iron Label RG/S 11-13 RG/GRG/GRX/MIKRO 13-26 RGA 26 RGD 27 S 28-31 X 32-33 FR 33 ARZ 34 AR 34-35 ART 35-36 Jumpstart 37 Hollow Body Electric Guitars Signature Models 40-41 Artstar 41 Artcore Expressionist 42-44 Artcore 44-47 Electric Basses Signature Models 50-51 SR 51-61 Grooveline 62-63 BTB 64-65 ATK 66-67 Artcore 67-68 GSR/MIKRO 68-73 Jumpstart 73 Acoustic Guitars Signature Models 76 Artwood 77-81 PF 82-85 SAGE 85 AEG 86 AEL 87 AEF 88-89 EW 90-91 Talman 91-92 AEB 92 SAGE Bass 93 Classical 93-95 Ukulele 95-96 Banjo 96 Resonator 96 Mandolin 97 Jampack 98 Amplifiers/Effects/Accessories Tube Screamer Amplifier 100-101 Wholetone 101 Promethean 102-103 Sound Wave 103 Troubadour 104-105 IBZ 105 Tube Screamer 106 9 Series 107 Echo Shifter 108 Signature Effect Pedal 109 Wah Pedals 109 Tuners 110 Cables & Adapter 110 Stand 111 Tremolo Arm 111 Picks 111 Cases/Straps 112 Bags/Microphone Stand 113 02 for more information visit www.Ibanez.com for more information visit www.Ibanez.com 03 04 for more information visit www.Ibanez.com
  • Yamaha Guitar Information

    Yamaha Guitar Information

    Yamaha Strengths, Artist’s Advantage “Yamaha Guitars: Essential Knowledge” has been created to give you a behind-the-scenes view of the surprisingly vast and varied resources, facilities, skills, and people involved in making Yamaha guitars the special instruments that they are. Yamaha’s enviable position in musical instrument manufacturing is not only a result of more than 120 years of experience (the company was established in 1887), but also of the unique strengths that its expansive operations bring to bear. From research and development through design and manufacturing to sales and support, Yamaha goes to lengths that are simply beyond the capabilities of most guitar makers. But an underlying dedication to music and the creation of fine musical instruments is always there, forming a steadfast foundation that often results in profit taking a back seat to the pursuit of quality. Yamaha’s true strengths as a guitar maker are not apparent in product brochures or specifications, but they are clearly reflected in the sound, playability, dependability, and overall quality of every guitar that bears the Yamaha name. “Essential Knowledge” includes information that will hopefully provide a clearer picture of the prodigious resources and effort that give artists who choose Yamaha a significant musical advantage. Contents Research & Material Optimization......................p.4 Woods ...................................................................p.6 The Acoustic Guitar Elements of Sound and Playability ....................p.8 The Electric
  • Breedlove Owner's Manual

    Breedlove Owner's Manual

    1 BREEDLOVE Owner’s MANUAL Breedlove Owner’s Manual TABLE OF CONTENTS A Note From Kim Breedlove 4 How To Experience Breedlove 7 Humidity, Temperature and Solid Wood Instruments 8 Neck Truss Rod Adjustment 10 Breedlove Bridge Truss 12 Adjustment Bolt Sizes for Breedlove Instruments 14 Steel-String Acoustic Guitar Set Up Specifications 15 Changing Strings on your Breedlove Guitar 16 Breedlove Mandolins 17 Electronics Configurations for Acoustic Guitars 19 Cleaning Your Breedlove Instrument 19 Breedlove Factory String Specifications 22 Breedlove Warranty 22 Keep a record of your Breedlove Guitar 25 5 THANK YOU Thank you for purchasing your new Breedlove instrument. You are now the caretaker of a fine stringed instrument. Every instrument we produce is special to us and we hope it will bring you many years of enjoyment. To preserve the remarkable tone and playability of your Breedlove we have some simple suggestions to help ensure that your instrument will be making beautiful music for years to come. Should you ever have questions or concerns please send us an email at: [email protected] Sincerely, Kim Breedlove 5 DISTINCTIVELY CRafted SOUND. We love what we do. After all, it’s in our name. We are master luthiers who create instruments of true distinction. It’s in our DNA to push the boundaries of design and craftsmanship. Being different is never the easy path. But in our view, it has far greater rewards. And while we respect tradition, we simply choose not to make instruments of yesterday. Imagination compels us to make instruments of tomorrow. 7 Welcome to the Breedlove family where you are about to experience the highest quality craftsmanship, customer service and an unmatched passion for music and fine instruments.
  • Ghana Rosewood Case Study

    Ghana Rosewood Case Study

    MARCH, 2014 SITUATION OF GLOBAL ROSEWOOD PRODUCTION & TRADE – GHANA ROSEWOOD CASE STUDY PRESENTED BY HENRY COLEMAN - DIRECTOR OF OPERATIONS, TIMBER INDUSTRY DEVELOPMENT DIVISION, FORESTRY COMMISSION Presentation Outline • INTRODUCTION • ROSEWOOD OCCURRENCE IN GHANA • HARVESTING REGULATIONS • PRODUCTION AND TRADE • ROSEWOOD MANUFACTURING (UTILIZATION) • TIMBER (ROSEWOOD) EXPORT PROCEDURES • ROSEWOOD EXPORT BAN • CHALLENGES IN ROSEWOOD PRODUCTION & TRADE IN GHANA • WAY FORWARD • CONCLUSION INTRODUCTION (I) • In Ghana Rosewood (known locally as Krayie/Kpatro) is a common name for timber exploited from the species Pterocarpus erinaceus. • The Chinese buyers/traders in Ghana also call it Kosso. INTRODUCTION (II) • The species belongs to the family Fabaceae – Papilionoideae. • Pterocarpus erinaceus is a medium- sized, generally deciduous tree 12-15 m tall, bole often of poor form. INTRODUCTION (III) • The bark surface is finely scaly fissured, brown- blackish with thin inner bark. It produces red sap when cut. INTRODUCTION (IV) • Traditionally, the species is used for the production of high quality charcoal and for building construction especially by local people. Rosewood Occurrence in Ghana (I) • The species occurs mostly in the forest savannah transitional zone and parts of the northern savannah woodland ecological zone. • Found in open forest and wooded savannah. Rosewood Occurrence in Ghana (II) • There are ten regions in Ghana. • Rosewood occurs in six of these regions, namely, Asha nti, Brong Ahafo, Northern, Upp er East, Upper West and Volta regions. HARVESTING REGULATIONS • Generally, Timber resource allocation & harvesting is based on Timber Resources Management Act, Act 547 of 1998 and the related Regulation LI 1649 of 1999. • For Rosewood, the issuance of permit to contractors prior to exploitation and monitoring exploitation once the permit has been issued have been the main regulatory mechanism since the surge in its export.
  • Project Rapid-Field Identification of Dalbergia Woods and Rosewood Oil by NIRS Technology –NIRS ID

    Project Rapid-Field Identification of Dalbergia Woods and Rosewood Oil by NIRS Technology –NIRS ID

    Project Rapid-Field Identification of Dalbergia Woods and Rosewood Oil by NIRS Technology –NIRS ID. The project has been financed by the CITES Secretariat with funds from the European Union Consulting objectives: TO SELECT INTERNATIONAL OR NATIONAL XYLARIUM OR WOOD COLLECTIONS REGISTERED AT THE INTERNATIONAL ASSOCIATION OF WOOD ANATOMISTS – IAWA THAT HAVE A SIGNIFICANT NUMBER OF SPECIES AND SPECIMENS OF THE GENUS DALBERGIA TO BE ANALYZED BY NIRS TECHNOLOGY. Consultant: VERA TERESINHA RAUBER CORADIN Dra English translation: ADRIANA COSTA Dra Affiliations: - Forest Products Laboratory, Brazilian Forest Service (LPF-SFB) - Laboratory of Automation, Chemometrics and Environmental Chemistry, University of Brasília (AQQUA – UnB) - Forest Technology and Geoprocessing Foundation - FUNTEC-DF MAY, 2020 Brasília – Brazil 1 Project number: S1-32QTL-000018 Host Country: Brazilian Government Executive agency: Forest Technology and Geoprocessing Foundation - FUNTEC Project coordinator: Dra. Tereza C. M. Pastore Project start: September 2019 Project duration: 24 months 2 TABLE OF CONTENTS 1. INTRODUCTION 05 2. THE SPECIES OF THE GENUS DALBERGIA 05 3. MATERIAL AND METHODS 3.1 NIRS METHODOLOGY AND SPECTRA COLLECTION 07 3.2 CRITERIA FOR SELECTING XYLARIA TO BE VISITED TO OBTAIN SPECTRAS 07 3 3 TERMINOLOGY 08 4. RESULTS 4.1 CONTACTED XYLARIA FOR COLLECTION SURVEY 10 4.1.1 BRAZILIAN XYLARIA 10 4.1.2 INTERNATIONAL XYLARIA 11 4.2 SELECTED XYLARIA 11 4.3 RESULTS OF THE SURVEY OF DALBERGIA SAMPLES IN THE BRAZILIAN XYLARIA 13 4.4 RESULTS OF THE SURVEY OF DALBERGIA SAMPLES IN THE INTERNATIONAL XYLARIA 14 5. CONCLUSION AND RECOMMENDATIONS 19 6. REFERENCES 20 APPENDICES 22 APPENDIX I DALBERGIA IN BRAZILIAN XYLARIA 22 CACAO RESEARCH CENTER – CEPECw 22 EMÍLIO GOELDI MUSEUM – M.
  • Ibanez Market Strategy

    Ibanez Market Strategy

    Ibanez Market Strategy Billy Heany, Jason Li, Hyun Park, Alena Noson Strategic Marketing Table of Contents Executive Summary ....................................................................................................................................... 3 Firm Analysis.................................................................................................................................................... 4 Key Information about the Firm ........................................................................................................... 4 Current Goals and Objectives ................................................................................................................ 5 Current Performance ................................................................................................................................. 6 SWOT ............................................................................................................................................................. 7 Current Life Cycle Stage for the Product .......................................................................................... 8 Current Branding Strategy ...................................................................................................................... 9 Industry Analysis .......................................................................................................................................... 10 Market Review ........................................................................................................................................
  • For Immediate Release March 5, 2004

    For Immediate Release March 5, 2004

    For Immediate Release March 5, 2004 Contact: Bendetta Roux, New York 212.636.2680 [email protected] Jill Potterton , London 207.752.3121 [email protected] CHRISTIE’S NEW YORK TO OFFER GUITARS FROM ERIC CLAPTON SOLD TO BENEFIT THE CROSSROADS CENTRE IN ANTIGUA “These guitars are the A-Team … What I am keeping back is just what I need to work with. I am selling the cream of my collection.” Eric Clapton, February 2004 Crossroads Guitar Auction Eric Clapton and Friends for the Crossroads Centre June 24, 2004 New York – On June 24, 1999, Christie’s New York organized A Selection of Eric Clapton’s Guitars ~ In Aid of the Crossroads Centre, a sale that became legendary overnight. Exactly five years later, on June 24, 2004, Christie’s will present the sequel when a group of 56 guitars, described by Eric Clapton as “the cream of my collection,” as well as instruments donated by musician friends such as Pete Townshend, will be offered. Featuring iconic instruments such as ‘Blackie’ and the cherry-red 1964 Gibson ES-335, Crossroads Guitar Auction ~ Eric Clapton and Friends for the Crossroads Centre, promises to be a worthy successor to the seminal 1999 sale. The proceeds of the sale will benefit the Crossroads Centre in Antigua. Referring to the selection of guitars that will be offered in this sale, Eric Clapton said: “These guitars are in fact the ones that I kept back from the first auction because I seriously couldn’t consider parting with them at that point … I think they are a really good representation of Rock Culture ..
  • Cocobolo Samuel J

    Cocobolo Samuel J

    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Yale University Yale University EliScholar – A Digital Platform for Scholarly Publishing at Yale Yale School of Forestry & Environmental Studies School of Forestry and Environmental Studies Bulletin Series 1923 Cocobolo Samuel J. Record George A. Garratt Follow this and additional works at: https://elischolar.library.yale.edu/yale_fes_bulletin Part of the Forest Biology Commons, Forest Management Commons, and the Wood Science and Pulp, Paper Technology Commons Recommended Citation Record, Samuel J., and George A. Garratt. 1923. ocC obolo. Yale School of Forestry Bulletin 8. 42 pp. + plates This Book is brought to you for free and open access by the School of Forestry and Environmental Studies at EliScholar – A Digital Platform for Scholarly Publishing at Yale. It has been accepted for inclusion in Yale School of Forestry & Environmental Studies Bulletin Series by an authorized administrator of EliScholar – A Digital Platform for Scholarly Publishing at Yale. For more information, please contact [email protected]. A Note to Readers 2012 This volume is part of a Bulletin Series inaugurated by the Yale School of Forestry & Environmental Studies in 1912. The Series contains important original scholarly and applied work by the School’s faculty, graduate students, alumni, and distinguished collaborators, and covers a broad range of topics. Bulletins 1-97 were published as bound print-only documents between 1912 and 1994. Starting with Bulletin 98 in 1995, the School began publishing volumes digitally and expanded them into a Publication Series that includes working papers, books, and reports as well as Bulletins.
  • GUITARS at AUCTION FEBRUARY 27 Dear Guitar Collector

    GUITARS at AUCTION FEBRUARY 27 Dear Guitar Collector

    GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an GUITARS additional 82 lots of collectible amps, music awards and other related items all being sold on Saturday, February 27. The Auction is being divided into two sessions AT AUCTION FEBRUARY 27 starting at 2pm and 6pm (all East Coast time.) Session I, contains an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 The event is being held “live” at New York City’s Bohemian National Hall, a great Session I – 2pm: Commencing with Lot #200 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, Session II – 6pm: Commencing with Lot #400 the event is being conducted on two “bidding platforms”… liveauctioneers. com and invaluable.com. For those who so wish, telephone bidding can easily PUBLIC PREVIEW February 25 & 26 be arranged by contacting us. All the auction items will be on preview display Noon to 8pm (each day) Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. LOCATION Bohemian National Hall 321 East 73rd Street Please note that this disc only contains photographic images of the items along New York, NY with their lot headings. For example, the heading for Lot 422 is 1936 D’Angelico ONLINE BIDDING Liveauctioneers.com Style A. Descriptions, condition reports and estimates do not appear on this disc.
  • Overview Guitar Models

    Overview Guitar Models

    14.04.2011 HOHNER - HISTORICAL GUITAR MODELS page 1 [54] Image Category Model Name Year from-to Description former retail price Musima Resonata classical; beginners guitar; mahogany back and sides Acoustic 129 (730) ca. 1988 140 DM (1990) with celluloid binding; 19 frets Acoustic A EAGLE 2004 Top Wood: Spruce - Finish : Natural - Guitar Hardware: Grover Tuners BR CLASSIC CITY Acoustic 1999 Fingerboard: Rosewood - Pickup Configuration: H-H (BATON ROUGE) electro-acoustic; solid spruce top; striped ebony back and sides; maple w/ abalone binding; mahogany neck; solid ebony fingerboard and Acoustic CE 800 E 2007 bridge; Gold Grover 3-in-line tuners; shadow P7 pickup, 3-band EQ; single cutaway; colour: natural electro-acoustic; solid spruce top; striped ebony back and sides; maple Acoustic CE 800 S 2007 w/ abalone binding; mahogany neck; solid ebony fingerboard and bridge; Gold Grover 3-in-line tuners; single cutaway; colour: natural dreadnought western guitar; Gruhn design; 20 nickel silver frets; rosewood veneer on headstock; mahogany back and sides; spruce top, Acoustic D 1 ca. 1991 950 DM (1992) scalloped bracings; mahogany neck with rosewood fingerboard; satin finish; Gotoh die-cast machine heads dreadnought western guitar; Gruhn design; rosewood back and sides; spruce top, scalloped bracings; mahogany neck with rosewood Acoustic D 2 ca. 1991 1100 DM (1992) fingerboard; 20 nickel silver frets; rosewood veneer on headstock; satin finish; Gotoh die-cast machine heads Top Wood: Sitka Spruce - Back: Rosewood - Sides: Rosewood - Guitar Acoustic
  • 2016 Washburn Catalog

    2016 Washburn Catalog

    With roots going back before the Civil War, Washburn began as a partnership between George Washburn Lyon and Patrick Healy. Formed in Chicago, Illinois, Washburn has been building stringed instruments since 1883. An American institution, Washburn has built guitars, mandolins, banjos, ukuleles, and more throughout the years. Many of the biggest names in folk, rock, and blues have played Washburn and some of the most significant trendsetting music has been played on a Washburn. From early blues, to the inspiration behind the MTV Unplugged revival, to the modern day, Washburn has been a choice amongst the songsmiths of the day. 130 years of history is at the root of our strong foundation building high quality instruments. It is this background that inspires us to create instruments for you and we hope you experience the exceptional value, playability and voice that is Washburn. In this brochure we encourage you to explore the Washburn line of fine instruments. We are sure you can find a musical partner in a Washburn, be it the quintessential acoustic-electric Festival, the legendary Heritage, the luthier inspired Comfort, or our extensive variety of Americana models. WASHBURN ™ ACOUSTICS 2 3 A great little travel companion, Washburn’s Rover is the ultimate travel guitar! A solid soundboard contributes to its clear and robust sound for its size. Play it any time or any place. Bring it with you when you’re on a plane, a boat, a car, the beach, ROVER camping, hiking -anywhere. Comes complete with case, instructional DVD, strap and SERIES 3 picks. Fits in an airline overhead and is the perfect guitar travel companion.

  • Yamaha Acoustic Guitar Owner's Manual

    アコースティックギター 持込修理 保 証 書 This warranty is valid only in Japan. Acoustic Guitar Akustikgitarre Guitare acoustique 取扱説明書 この度はヤマハギターをお買い上げ戴きましてありがとうございました。 Owner’s Manual Bedienungsanleitung Mode d’emploi 本書は、保証規定により無料修理を行なう事をお約束するものです。 お買上げの日から下記期間中に故障が発生した場合は、本書をご提示の上、お買 上げの販売店に修理をご依頼ください。( 詳細は下記をご覧ください。) このたびは、ヤマハギターをお買い求めいただきまして、まことにありがとうございます。優れた性能を充分 Thank you for purchasing this Yamaha Guitar. Zunächst einmal vielen Dank dafür, dass Sie sich für diese Yamaha Gitarre entschieden haben. Nous vous remercions d’avoir acquis une guitare Yamaha. に発揮させると共に、いつまでも支障なくお使いいただくため、ご使用の前にこの取扱説明書をよくお読みに To get the most out of this fine instrument, and to use it in a safe manner, we urge you to read this Damit Sie das Potenzial dieses hochwertigen Instruments voll ausschöpfen können und es auf Pour tirer le meilleur parti de ce bel instrument de musique et l’utiliser en toute sécurité, nous vous なってください。以下の「安全へのこころがけ」には、思わぬけがや事故を未然に防ぐための注意が書かれて Owner’s Manual before using the instrument. sichere Weise nutzen, sollten Sie sich vor dem Spielen des Instruments die Zeit nehmen, die invitons à lire attentivement ce mode d’emploi préalablement à toute autre chose. Les consignes The cautions given in the following Safety Precautions section are provided to prevent unexpected injuries vorliegende Anleitung aufmerksam durchzulesen. Die Vorsichtshinweise im nachstehenden Abschnitt mentionnées dans la section qui suit, Précautions de sécurité, sont avant tout destinées à vous éviter ヤマハギター ※ 品番 ※ 製番 います。内容をご理解の上、この製品を正しく安全にお使いいただきますようお願いいたします。 or accidents. Please understand each of the cautions and use the instrument in a safe and proper manner. „Vorsichtsmaßregeln“ sollen Ihnen helfen, mögliche Verletzungen oder Unfälle zu vermeiden. Bitte prägen accidents ou blessures. Respecter ces consignes et utiliser l’instrument de la manière convenable. ご住所 〒 Sie sich die einzelnen Vorsichtsmaßregeln ein und achten Sie auf einen sicheren und vorschriftsmäßigen Gebrauch des Instruments.