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Hitler Und Bayern Beobachtungen Zu Ihrem Verhältnis
V V V V V V V V Druckerei C. H . Beck V V V V Medien mit Zukunft V Ziegler, Phil.-hist. Klasse 04/04 V V V VVVVVVVVVVVVVVVVVVVV V .....................................VVVVVVVVVVVVVVVVVVV Erstversand, 20.07.2004 BAYERISCHE AKADEMIE DER WISSENSCHAFTEN PHILOSOPHISCH-HISTORISCHE KLASSE SITZUNGSBERICHTE · JAHRGANG 2004, HEFT 4 Erstversand WALTER ZIEGLER Hitler und Bayern Beobachtungen zu ihrem Verhältnis Vorgetragen in der Sitzung vom 6. Februar 2004 MÜNCHEN 2004 VERLAG DER BAYERISCHEN AKADEMIE DER WISSENSCHAFTEN In Kommission beim Verlag C. H. Beck München V V V V V V V V Druckerei C. H . Beck V V V V Medien mit Zukunft V Ziegler, Phil.-hist. Klasse 04/04 V V V VVVVVVVVVVVVVVVVVVVV V .....................................VVVVVVVVVVVVVVVVVVV Erstversand, 20.07.2004 ISSN 0342-5991 ISBN 3 7696 1628 6 © Bayerische Akademie der Wissenschaften München, 2004 Gesamtherstellung: Druckerei C. H. Beck Nördlingen Gedruckt auf säurefreiem, alterungsbeständigem Papier (hergestellt aus chlorfrei gebleichtem Zellstoff) Printed in Germany V V V V V V V V Druckerei C. H . Beck V V V V Medien mit Zukunft V Ziegler, Phil.-hist. Klasse 04/04 V V V VVVVVVVVVVVVVVVVVVVV V .....................................VVVVVVVVVVVVVVVVVVV Erstversand, 20.07.2004 Inhalt 1. Zur Methode ............................... 8 2. Hitlers Aufstieg in Bayern ...................... 16 3. Im Regime ................................ 33 4. Verhältnis zu den bayerischen Traditionen ........... 73 5. Veränderungen im Krieg ....................... 94 Bildnachweis ................................. 107 V V V V V V V V Druckerei C. H . Beck V V V V Medien mit Zukunft V Ziegler, Phil.-hist. Klasse 04/04 V V V VVVVVVVVVVVVVVVVVVVV V .....................................VVVVVVVVVVVVVVVVVVV Erstversand, 20.07.2004 Abb. 1: Ein bayerischer Kanzler? Reichskanzler Adolf Hitler bei seiner Wahlrede am 24. -
Report to the Public on the Work of the 2019 Proceedings of the Symposium Held on November 15, 2019
Commission pour l’indemnisation des victimes de spoliations intervenues du fait des législations antisémites en vigueur pendant l’Occupation Report to the public on the work of the 2019 Proceedings of the symposium held on November 15, 2019 Speech by French President Jacques Chirac, on July 16, 1995, at the commemoration of the Vel’ d’Hiv’ roundup (July 16, 1942) Excerpts « In the life of a nation, there are times that leave painful memories and damage people’s conception of their country. It is difficult to evoke these moments because we can never find the proper words to describe their horror or to express the grief of those who experienced their tragedy. They will carry forever, in their souls and in their flesh, the memory of these days of tears and shame. [… ] On that day, France, land of the Enlightenment, of Human Rights, of welcome and asylum, committed the irreparable. Breaking its word, it handed those who were under its protection over to their executioners. [… ] Our debt to them is inalienable. [… ] In passing on the history of the Jewish people, of its sufferings and of the camps. In bearing witness again and again. In recognizing the errors of the past, and the errors committed by the State. In concealing nothing about the dark hours of our history, we are simply standing up for a vision of humanity, of human liberty and dignity. We are thus struggling against the forces of darkness, which are constantly at work. [… ] Let us learn the lessons of history. Let us refuse to be passive onlookers, or accomplices, of unacceptable acts. -
The Barnes Review SOBIBÓR a JOURNAL of NATIONALIST THOUGHT & HISTORY HOLOCAUSTPROPAGANDAANDREALITY VOLUME XVI NUMBER 4 JULY/AUGUST 2010 BARNESREVIEW.ORG
WHAT IS THE TRUTH ABOUT THE SOBIBOR CONCENTRATION CAMP? FIND OUT! BRINGING HISTORY INTO ACCORD WITH THE FACTS IN THE TRADITION OF DR. HARRY ELMER BARNES The Barnes Review SOBIBÓR A JOURNAL OF NATIONALIST THOUGHT & HISTORY HOLOCAUSTPROPAGANDAANDREALITY VOLUME XVI NUMBER 4 JULY/AUGUST 2010 BARNESREVIEW.ORG A scholarly examination of the infamous Nazi “death camp” NEW FROM TBR: By Juergen Graf, Carlo Mattogno & Thomas Kues n May 2009, the 89-year-old Cleveland autoworker John Demjanjuk was deported from the United States to Germany, where he was arrested and charged with aiding and abetting murder in at least 27,900 cases. These mass murders were allegedly perpetrated at the Sobibór “death” Icamp in eastern Poland. According to mainstream historiography, 170,000 to 250,000 Jews were exterminated here in gas chambers between May 1942 and October 1943. The corpses were buried in mass graves and later incinerated on an open-air pyre. A DAGGER IN THE But do these claims really stand up to scrutiny? SOBIBOR In this book, the official version of what transpired at LEGEND Sobibór is put under the scanner. It is shown that the historiog- raphy of the camp is not based on solid evidence, but on the selec- tive use of eyewitness testimonies, which in turn are riddled with con- tradictions and outright absurdities. Could this book exonerate falsely accused John Demjanjuk? For more than half a century mainstream Holocaust historians made no real attempts to muster material Also in this issue: evidence for their claims about Sobibór. Finally, in the 21st century, professional historians carried out an archeological survey at the former camp site. -
Theodore Fred Abel Papers
http://oac.cdlib.org/findaid/ark:/13030/tf3489n5vz Online items available Inventory of the Theodore Fred Abel papers Finding aid prepared by Hoover Institution Library and Archives Staff and Beth Goder Hoover Institution Library and Archives © 2012 434 Galvez Mall Stanford University Stanford, CA 94305-6003 [email protected] URL: http://www.hoover.org/library-and-archives Inventory of the Theodore Fred 50000 1 Abel papers Title: Theodore Fred Abel papers Date (inclusive): 1930-1988 Collection Number: 50000 Contributing Institution: Hoover Institution Library and Archives Language of Material: English and German Physical Description: 30 manuscript boxes(12.5 Linear Feet) Abstract: Diaries, other writings, and printed matter related to sociological theory and world politics. Also includes autobiographical sketches (biograms) by members of the Nationalsozialistische deutsche Arbeiter-Partei relating to their reasons for becoming national socialists, collected by Theodore Abel as research material for his book Why Hitler Came into Power (1938). Digital copies of select records also available at https://digitalcollections.hoover.org. Hoover Institution Library & Archives Access Closed. Microfilm use only; materials must be requested at least two business days in advance of intended use. Publication Rights For copyright status, please contact the Hoover Institution Library & Archives. Acquisition Information Materials were acquired by the Hoover Institution Library & Archives in 1950, with increments in March 1986 and most -
Porcelain from the Emma Budge Estate P
STUDI DI MEMOFONTE Rivista on-line semestrale Numero 22/2019 FONDAZIONE MEMOFONTE Studio per l’elaborazione informatica delle fonti storico-artistiche www.memofonte.it COMITATO REDAZIONALE Proprietario Fondazione Memofonte onlus Fondatrice Paola Barocchi Direzione scientifica Donata Levi Comitato scientifico Francesco Caglioti, Barbara Cinelli, Flavio Fergonzi, Margaret Haines, Donata Levi, Nicoletta Maraschio, Carmelo Occhipinti Cura scientifica Daria Brasca, Christian Fuhrmeister, Emanuele Pellegrini Cura redazionale Martina Nastasi, Laurence Connell Segreteria di redazione Fondazione Memofonte onlus, via de’ Coverelli 2/4, 50125 Firenze [email protected] ISSN 2038-0488 INDICE The Transfer of Jewish-owned Cultural Objects in the Alpe Adria Region DARIA BRASCA, CHRISTIAN FUHRMEISTER, EMANUELE PELLEGRINI Introduction p. 1 VICTORIA REED Museum Acquisitions in the Era of the Washington Principles: Porcelain from the Emma Budge Estate p. 9 GISÈLE LÉVY Looting Jewish Heritage in the Alpe Adria Region. Findings from the Union of the Italian Jewish Communities (UCEI) Historical Archives p. 28 IVA PASINI TRŽEC Contentious Musealisation Process(es) of Jewish Art Collections in Croatia p. 41 DARIJA ALUJEVIĆ Jewish-owned Art Collections in Zagreb: The Destiny of the Robert Deutsch Maceljski Collection p. 50 ANTONIJA MLIKOTA The Destiny of the Tilla Durieux Collection after its Transfer from Berlin to Zagreb p. 64 DARIA BRASCA The Dispossession of Italian Jews: the Fate of Cultural Property in the Alpe Adria Region during Second World War p. 79 CAMILLA DA DALT The Case of Morpurgo De Nilma’s Art Collection in Trieste: from a Jewish Legacy to a ‘German Donation’ p. 107 CRISTINA CUDICIO The Dissolution of a Jewish Collection: the Pincherle Family in Trieste p. -
Why Hitler Wished He Was Muslim
The Wall Street Journal January 17-18, 2015 Book Review “Atatürk in the Nazi Imagination” by Stefan Ihrig, Harvard, $29.95, 311 pages. “Islam and Nazi Germany’s War” by David Motadel, Harvard, $35, 500 pages. Why Hitler Wished He Was Muslim The Führer admired Atatürk’s subordination of religion to the state—and his ruthless treatment of minorities. Muslim recruits of the SS Handzar Division pray in 1943. Harvard University Press; German Archives by Dominic Green ‘It’s been our misfortune to have the wrong religion,” Hitler complained to his pet architect Albert Speer. “Why did it have to be Christianity, with its meekness and flabbiness?” Islam was a Männerreligion—a “religion of men”—and hygienic too. The “soldiers of Islam” received a warrior’s heaven, “a real earthly paradise” with “houris” and “wine flowing.” This, Hitler argued, was much more suited to the “Germanic temperament” than the “Jewish filth and priestly twaddle” of Christianity. For decades, historians have seen Hitler’s Beer Hall Putsch of 1923 as emulating Mussolini ’s 1922 March on Rome. Not so, says Stefan Ihrig in “Atatürk in the Nazi Imagination.” Hitler also had Turkey in mind—and not just the 1908 march of the Young Turks on Constantinople, which brought down a government. After 1917, the bankrupt, defeated and cosmopolitan Ottoman Empire contracted into a vigorous “Turanic” nation-state. In the early 1920s, the new Turkey was the first “revisionist” power to opt out of the postwar system, retaking lost lands on the Syrian coast and control over the Strait of the Dardanelles. -
Imagining the Worst: Ladislav Fuks' Contributions to Holocaust Fiction
Imagining the Worst: Ladislav Fuks' Contributions to Holocaust Fiction Michael Lautenschlager Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts In English Christine Kiebuzinska Shoshana Knapp Benjamin Sax April 26, 2011 Blacksburg, Virginia Keywords: Fuks, Appelfeld, Grossman, Herz, Czechoslovakia, Czech Literature, Czech Cinema, Holocaust Literature, Literature of Atrocity, Comparative Literature Imagining the Worst: Ladislav Fuks' Contributions to Holocaust Fiction Michael Lautenschlager Abstract: Ladislav Fuks' works are under-recognized in English-speaking academic discourse. He is a valuable contributor not only to the Holocaust Literature genre, but also to film and literature in general. His two English-translated works, Mr. Theodore Mundstock and The Cremator, as well as the film adaptation of The Cremator, examine the role imagination can play in art that addresses atrocity, allowing for a heightened subjective impact on the audience. I critically and comparatively examine Fuks' work to establish his value to literature and Holocaust art. In the first chapter, I frame my argument with questions of art's abilities to represent atrocity and provide relevant background information relating to Fuks' and his experience in wartime Prague. In Chapter Two, I closely read Mr. Theodore Mundstock, concentrating specifically on Fuks' use of metaphor, presentation of incredulity, and commentary on the imagination's capabilities in confronting terror. Chapter Three compares Mr. Theodore Mundstock to the “Momik” section of David Grossman's See Under: Love, focusing on similarities between the title characters. Chapter Four examines Fuks' use of the grotesque in The Cremator and its film adaptation. -
Racial Ideology Between Fascist Italy and Nazi Germany: Julius Evola and the Aryan Myth, 1933–43
Marquette University e-Publications@Marquette History Faculty Research and Publications History, Department of 7-1-2020 Racial Ideology between Fascist Italy and Nazi Germany: Julius Evola and the Aryan Myth, 1933–43 Peter Staudenmaier Follow this and additional works at: https://epublications.marquette.edu/hist_fac Part of the History Commons Marquette University e-Publications@Marquette History Faculty Research and Publications/College of Arts and Sciences This paper is NOT THE PUBLISHED VERSION. Access the published version via the link in the citation below. Journal of Contemporary History, Vol. 55, No. 3 (July 1, 2020): 473-491. DOI. This article is © SAGE Publications and permission has been granted for this version to appear in e-Publications@Marquette. SAGE Publications does not grant permission for this article to be further copied/distributed or hosted elsewhere without express permission from SAGE Publications. Racial Ideology between Fascist Italy and Nazi Germany: Julius Evola and the Aryan Myth, 1933–43 Peter Staudenmaier Marquette University, Milwaukee, WI Abstract One of the troublesome factors in the Rome–Berlin Axis before and during the Second World War centered on disagreements over racial ideology and corresponding antisemitic policies. A common image sees Fascist Italy as a reluctant partner on racial matters, largely dominated by its more powerful Nazi ally. This article offers a contrasting assessment, tracing the efforts by Italian theorist Julius Evola to cultivate a closer rapport between Italian and German variants of racism as part of a campaign by committed antisemites to strengthen the bonds uniting the fascist and Nazi cause. Evola's spiritual form of racism, based on a distinctive interpretation of the Aryan myth, generated considerable controversy among fascist and Nazi officials alike. -
Die Dienststelle Dr. Mühlmann. Organisierter Kunstraub in Den
Die Dienststelle Dr. Mühlmann Organisierter Kunstraub in den Niederlanden unter deutscher Besetzung in den Jahren von 1940 bis 1944 M A S T E R T H E S I S RADBOUD UNIVERSITEIT NIJMEGEN FACULTEIT DER LETTEREN KUNSTGESCHIEDENIS Auteur: J.C.J. Vermeulen Studentnummer: 4629825 Emailadres: [email protected] Eerste begeleider: Prof. Dr. V. Manuth TWeede begeleider: Prof. Dr. B. de Klerck Woensdag, 30 augustus 2017 ABSTRACT The Department Dr. Mühlmann – The organized art theft in the Netherlands under German occupation in the years from 1940 to 1944 by Jan Vermeulen In 1940 the Austrian art historian Dr. Kajetan Mühlmann set up an office in Den Haag, which functioned as a clearing house for art expropriated during the occupation of the Netherlands. This agency, headed by Mühlmann, became known as the “Dienststelle Dr. Mühlmann”. The following thesis deals With the organized art theft in the Netherlands under German occupation in the years from 1940 to 1944. It starts with Mühlmann’s biographic background and his political alliances to National Socialism in Germany and its members. These bonds are important because they led to his task in the Netherlands. In the Netherlands the Department of Dr. Mühlmann worked with different organizations. Although the “Dienststelle” had a small internal structure, it had a large external network. As well the internal construction of the department as its external contacts will be discussed and explained within the thesis. After the main characters of the “Dienststelle” are revealed and the different tasks which consist of the registration of important artworks and collections, different ways of procurement and in the end their sale, the complex system of the Department Dr. -
1 the End of Global Capital Flows During the Great Depression
The End of Global Capital Flows During the Great Depression Harold James, Princeton University International capital markets froze up during the Great Depression, and the capital movements that did take place in the aftermath of the depression were regarded as destabilizing “hot money” flows. Previous debt crises in the nineteenth century era of globalization had resulted in the penalization of the problem area for substantial periods of time (decades), but capital flows from the major centers had resumed to new areas quite quickly. What distinguished the Great Depression was: - that several areas of the world were hit simultaneously in a general crisis - that the crisis undermined the financial structure of the major financial centers - that the response to the crisis in many countries involved the suspension of debt service and an imposition of capital controls - that lending countries regarded the volatility of capital flows as an economic problem but also as a security issue - that in consequence the climate of opinion shifted to a belief that capital flows were the major source of the destabilization. 1. The General Crisis 1 The First World War was clearly a major shock to the international economic order: the gold standard was suspended, there were major debtor defaults (the Russian Empire), and countries adopted highly inflationary war finance. But capital flows resumed quickly after the war, as they had after nineteenth century debt crises. Many U.K. and U.S. investors thought the depreciated currencies of central Europe attractive, and bet on recoveries (foolishly, as it turned out). After the currency stabilizations of the mid-1920s, capital flows were not deterred by continuing political uncertainty and instability, or by the priority of reparations payments (which later came to play a role in the creditors’ panic).1 This looks like similar behavior to that of the classic gold standard era, where crises were followed by a suspicion of certain areas, but not a turning away from all international engagement. -
– Der Zwischen Dem Anschluss Expressionistischer Ausdrucksformen an Zeitgenössische 100
200 유럽사회문화 제5호 Der literarische Expressionismus und und den Reihungsstil thematisiert werden, seine Medien - zweitens soll die Rolle von Cabaret, Variété und die ihnen entsprechende Revueform in ihrer Bedeutung für die performative Präsentation des Expressionismus betrachtet werden, wobei ebenfalls - drittens die Bedeutung der Geste und der Pose für das expressionistische Andreas Anglet (Köln Uni.) Drama mit dem Stummfilm als Fluchtpunkt zu erörtern ist. Eine abschließende Überlegung soll den Aporien gelten, die sich hieraus für die Auflösung des Expressionismus zu Beginn der zwanziger Jahre des letzten Jahrhunderts ergeben. Dieser Titel bedarf der Erläuterung. Im Folgenden soll nicht der Zuvor soll jedoch kurz bestimmt werden, was hier als ,Expressionismus‘ Expressionismus in seiner Rezeption und Diskussion als „Medienereignis“ bezeichnet wird. Trotz aller Probleme solcher begrifflichen Festlegungen ist ein thematisiert werden. Vielmehr wird die sich wandelnde Medienwelt zwischen Großteil der Vertreter der expressionistischen Dichtergenerationen im 1910 und 1920 als Ort der Bemühung einer jungen Generation von Dichtern deutschsprachigen Raum leicht institutionell und auch in ihren grundlegenden um Publizität, der Selbstdarstellung und entsprechend als Bezugspunkt für ihre ästhetischen Bindungen an Gruppen und Publikationsforen festzumachen.1) Innovationen betrachtet werden. Im Zentrum der folgenden Überlegungen und Neben oft einseitigen und teilweise problematischen Versuchen der Analysen sollen dabei sowohl die prägnante Thematisierung -
200 Da-Oz Medal
200 Da-Oz medal. 1933 forbidden to work due to "half-Jewish" status. dir. of Collegium Musicum. Concurr: 1945-58 dir. of orch; 1933 emigr. to U.K. with Jooss-ensemble, with which L.C. 1949 mem. fac. of Middlebury Composers' Conf, Middlebury, toured Eur. and U.S. 1934-37 prima ballerina, Teatro Com- Vt; summers 1952-56(7) fdr. and head, Tanglewood Study munale and Maggio Musicale Fiorentino, Florence. 1937-39 Group, Berkshire Music Cent, Tanglewood, Mass. 1961-62 resid. in Paris. 1937-38 tours of Switz. and It. in Igor Stravin- presented concerts in Fed. Repub. Ger. 1964-67 mus. dir. of sky's L'histoire du saldai, choreographed by — Hermann Scher- Ojai Fests; 1965-68 mem. nat. policy comm, Ford Found. Con- chen and Jean Cocteau. 1940-44 solo dancer, Munic. Theater, temp. Music Proj; guest lect. at major music and acad. cents, Bern. 1945-46 tours in Switz, Neth, and U.S. with Trudy incl. Eastman Sch. of Music, Univs. Hawaii, Indiana. Oregon, Schoop. 1946-47 engagement with Heinz Rosen at Munic. also Stanford Univ. and Tanglewood. I.D.'s early dissonant, Theater, Basel. 1947 to U.S. 1947-48 dance teacher. 1949 re- polyphonic style evolved into style with clear diatonic ele- turned to Fed. Repub. Ger. 1949- mem. G.D.B.A. 1949-51 solo ments. Fel: Guggenheim (1952 and 1960); Huntington Hart- dancer, Munic. Theater, Heidelberg. 1951-56 at opera house, ford (1954-58). Mem: A.S.C.A.P; Am. Musicol. Soc; Intl. Soc. Cologne: Solo dancer, 1952 choreographer for the première of for Contemp.