Sri Guru Granth Sahib Ji Shudh Ucharan Sehaj Paath
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The Music Academy, Madras 115-E, Mowbray’S Road
Tyagaraja Bi-Centenary Volume THE JOURNAL OF THE MUSIC ACADEMY MADRAS A QUARTERLY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. XXXIX 1968 Parts MV srri erarfa i “ I dwell not in Vaikuntha, nor in the hearts of Yogins, nor in the Sun; (but) where my Bhaktas sing, there be I, Narada l ” EDITBD BY V. RAGHAVAN, M.A., p h .d . 1968 THE MUSIC ACADEMY, MADRAS 115-E, MOWBRAY’S ROAD. MADRAS-14 Annual Subscription—Inland Rs. 4. Foreign 8 sh. iI i & ADVERTISEMENT CHARGES ►j COVER PAGES: Full Page Half Page Back (outside) Rs. 25 Rs. 13 Front (inside) 20 11 Back (Do.) „ 30 „ 16 INSIDE PAGES: 1st page (after cover) „ 18 „ io Other pages (each) „ 15 „ 9 Preference will be given to advertisers of musical instruments and books and other artistic wares. Special positions and special rates on application. e iX NOTICE All correspondence should be addressed to Dr. V. Raghavan, Editor, Journal Of the Music Academy, Madras-14. « Articles on subjects of music and dance are accepted for mblication on the understanding that they are contributed solely o the Journal of the Music Academy. All manuscripts should be legibly written or preferably type written (double spaced—on one side of the paper only) and should >e signed by the writer (giving his address in full). The Editor of the Journal is not responsible for the views expressed by individual contributors. All books, advertisement moneys and cheques due to and intended for the Journal should be sent to Dr. V. Raghavan Editor. Pages. -
Reg. No Name in Full Residential Address Gender Contact No
Reg. No Name in Full Residential Address Gender Contact No. Email id Remarks 20001 MUDKONDWAR SHRUTIKA HOSPITAL, TAHSIL Male 9420020369 [email protected] RENEWAL UP TO 26/04/2018 PRASHANT NAMDEORAO OFFICE ROAD, AT/P/TAL- GEORAI, 431127 BEED Maharashtra 20002 RADHIKA BABURAJ FLAT NO.10-E, ABAD MAINE Female 9886745848 / [email protected] RENEWAL UP TO 26/04/2018 PLAZA OPP.CMFRI, MARINE 8281300696 DRIVE, KOCHI, KERALA 682018 Kerela 20003 KULKARNI VAISHALI HARISH CHANDRA RESEARCH Female 0532 2274022 / [email protected] RENEWAL UP TO 26/04/2018 MADHUKAR INSTITUTE, CHHATNAG ROAD, 8874709114 JHUSI, ALLAHABAD 211019 ALLAHABAD Uttar Pradesh 20004 BICHU VAISHALI 6, KOLABA HOUSE, BPT OFFICENT Female 022 22182011 / NOT RENEW SHRIRANG QUARTERS, DUMYANE RD., 9819791683 COLABA 400005 MUMBAI Maharashtra 20005 DOSHI DOLLY MAHENDRA 7-A, PUTLIBAI BHAVAN, ZAVER Female 9892399719 [email protected] RENEWAL UP TO 26/04/2018 ROAD, MULUND (W) 400080 MUMBAI Maharashtra 20006 PRABHU SAYALI GAJANAN F1,CHINTAMANI PLAZA, KUDAL Female 02362 223223 / [email protected] RENEWAL UP TO 26/04/2018 OPP POLICE STATION,MAIN ROAD 9422434365 KUDAL 416520 SINDHUDURG Maharashtra 20007 RUKADIKAR WAHEEDA 385/B, ALISHAN BUILDING, Female 9890346988 DR.NAUSHAD.INAMDAR@GMA RENEWAL UP TO 26/04/2018 BABASAHEB MHAISAL VES, PANCHIL NAGAR, IL.COM MEHDHE PLOT- 13, MIRAJ 416410 SANGLI Maharashtra 20008 GHORPADE TEJAL A-7 / A-8, SHIVSHAKTI APT., Male 02312650525 / NOT RENEW CHANDRAHAS GIANT HOUSE, SARLAKSHAN 9226377667 PARK KOLHAPUR Maharashtra 20009 JAIN MAMTA -
Ma Gurmat Sangeet
M.A. GURMAT SANGEET PART - II SEMESTER - III (2017-2018) Paper I HISTORICAL PERSPECTIVE OF GURMAT SANGEET Time: 3 hrs. Max. Marks : 75 Internal Assessment : 25 Marks Pass Marks : 35 % Assessment Test : 15 Total Teaching Hours : 75 Attendance : 10 INSTRUCTIONS FOR THE PAPER-SETTER AND THE CANDIDATES The question paper will consist of three sections A, B & C. Sections A & B will have 5 questions of 8 marks each from the respective sections of the syllabus and acandidates are required to attempt three questions from each section. Section C will consist of 9 short answer type questions of 3 marks each, which will cover the entire syllabus uniformly. Students are required to attempt all questionos of Section C. Section - A 1. Evolution and Development of Gurmat Sangeet during a) Guru Nanak period b) Guru Angad Dev to Guru Arjan Dev period c) Guru Hargobind to Guru Gobind Singh period 2. Taksaal tradition of Gurmat Sangeet with reference to a) Damdami taksaal b) Jawaddi Taksaal 3. Contribution of Rabaabi tradition in Gurmat Sangeet. Section – B 1. Historical development of Kirtan Chauki tradition a) Upto Guru Arjan Dev period. b) Tradition of Sri Harimandir Sahib 2. Analytical study of basic sources of Gurmat Sangeet with reference to a) Sri Guru Granth Sahib b) Panth Parkaash 3. Contribution of different scholars towards Gurmat Sangeet with special reference to the 19th century. BOOKS PRESCRIBED 1 Gurmat Sangeet : Vibhin Pripekh, Gurnam Singh (Dr.) (Editor), Punjabi University Patiala, 1995 2. Gurmat Sangeet : Prabandh te Pasaar Gurnam Singh (Dr.), Punjabi University, Patiala. 2012 3. Gurmat Sangeet da Sangeet Vigyan, Varinder Kaur (Dr.), Amarjit Sahit Parkashan, Patiala 2005 4. -
The Rich Heritage of Dhrupad Sangeet in Pushtimarg On
Copyright © 2006 www.vallabhkankroli.org - All Rights Reserved by Shree Vakpati Foundation - Baroda ||Shree DwaDwarrrrkeshokesho Jayati|| || Shree Vallabhadhish Vijayate || The Rich Heritage Of Dhrupad Sangeet in Pushtimarg on www.vallabhkankroli.org Reference : 8th Year Text Book of Pushtimargiya Patrachaar by Shree Vakpati Foundation - Baroda Inspiration: PPG 108 Shree Vrajeshkumar Maharajshri - Kankroli PPG 108 Shree Vagishkumar Bawashri - Kankroli Copyright © 2006 www.vallabhkankroli.org - All Rights Reserved by Shree Vakpati Foundation - Baroda Contents Meaning of Sangeet ........................................................................................................................... 4 Naad, Shruti and Swar ....................................................................................................................... 4 Definition of Raga.............................................................................................................................. 5 Rules for Defining Ragas................................................................................................................... 6 The Defining Elements in the Raga................................................................................................... 7 Vadi, Samvadi, Anuvadi, Vivadi [ Sonant, Consonant, Assonant, Dissonant] ................................ 8 Aroha, avaroha [Ascending, Descending] ......................................................................................... 8 Twelve Swaras of the Octave ........................................................................................................... -
Raga of the Month July 2020 Raga Sorath Raga Sorath Has Become a Rare Melody Today
Raga of the month July 2020 Raga Sorath Raga Sorath has become a rare melody today. It is believed that Raga Sorath has its roots in Folk songs of Sourashtra which is part of Kathiawar region of the state of Gujarat. Close companion of Raga Sorath, Des, being a dhun-raga is more popular. Both the Ragas share the same scale, but Gandhar is very weak, practically omitted, in Sorath and is only subtly used in meend from Madhyam to Rishabh in Avaroha. Inclusion of Gandhar in Des and its chanchal prakriti makes it suitable for light forms of music such as, thumri, dadra, hori, ghazal etc. Ragas of Khamaj Thata are classified in 2 types- Rishabh prominent; that is, Sorathanga and Gandhar prominent- Khamajanga. Raga Des belongs to Sorathanga. The Raga is classified in Khamaj Thata (Harikambhoji Melakarta no. 28). Ragas Surati and Andolika from Carnatic music are similar to Raga Sorath. Aroha- S,RR, MPN,S’’; Avaroha- S’’R’’nD,MPD,M->R,’NS; Vadi- R,Samvadi- D;Time 10 p m to 1 a m; Chalan: S, R, MP, N, S’’, R’’, nD, P, DM->R, RPMMR, R S; R, P, MPD, M->R, n,D, M->R, RMPN, S’’, R’’nD, M->R, P, M->R, R’N, ‘NS. Please listen to a melodious collection of audio clips of Raga Sorath presented by i) Dr. Varada Godbole (a bandish composed by Prempiya Ustad Faiyaz Hussain Khan*), ii) Pandit K G Ginde (a bandish composed by Sujan- Acharya S N Ratanjankar), iii) Ustad MunawarAliKhan, iv) Acharya S N Ratanjankar and v) Sarangi Maestro Ustad Bundu Khan. -
Guru Granth Sahib
Guru Granth Sahib Guru Granth Sahib (Punjabi (Gurmukhi): ਗੁਰੂ ਗ੍ਰੰਥ 1 History ਸਾਹਿਬ ਜੀ (Gurū Gra°th Sāhib Jī), Punjabi pronunciation: [ɡʊɾu ɡɾəntʰ sɑhɪb], /ˈɡʊəruː ɡrɑːnθ səˈhɪb/) is the cen- tral religious scripture of Sikhism, regarded by Sikhs as During the guruship of Guru Nanak, collections of his the final, sovereign and eternal living Guru following the hymns were compiled and sent to distant Sikh communi- lineage of the ten human Gurus of the religion.[1] The Adi ties for use in morning and evening prayers.[16] His suc- Granth, the first rendition, was compiled by the fifth Sikh cessor, Guru Angad, began collecting his predecessor’s Guru, Guru Arjan (1563–1606). Guru Gobind Singh, the writings. This tradition was continued by the third and tenth Sikh Guru, did not add any of his own hymns; how- fifth gurus as well. ever, he added all 115 hymns of Guru Tegh Bahadur, the When the fifth guru, Guru Arjan, was collecting the writ- ninth Sikh Guru, to the Adi Granth and affirmed the text ings of his predecessor, he discovered that pretenders to [2] as his successor. This second rendition became known the guruship were releasing what he considered as forged [3] as Guru Granth Sahib. After Guru Gobind Singh died, anthologies of the previous guru’s writings and including Baba Deep Singh and Bhai Mani Singh prepared many their own writings alongside them.[17] In order to prevent [4] copies of the work for distribution. spurious scriptures from gaining legitimacy, Guru Arjan The text consists of 1430 Angs (pages) and 6,000 śabads began compiling a sacred book for the Sikh community. -
List of Selected Junior Candidates and Their Research Topic for the Year 2018-2019
List of Selected Junior Candidates and their Research Topic for the Year 2018-2019 S.No. Name & Address File no. Field Project Title Email Enrolment No Sub Field 1. Ms. Meghana Sardar Kenjale CCRT/JF- Classical The Fundamental concepts of 345, Shukrawar peth, Kenjale building 3rd floor 3/01/2020 Music Dhrupad in Dagarbani Maharashtra District Pune 411002 JF20195909 Hindustani Mobile-9822372468 (Vocal) [email protected] 2. Ms. Shikha Srivastav CCRT/JF- Classical Sangeet K Pramukh Pracheen Lalit Tewari, Sector-C, B-73 Mhanagar, Near 3/02/2020 Music Granthon Ka Adhdhyan Tatha Channilal Chouraha, Lucknow Uttar Pradesh- 226001 JF20196216 Hindustani Vartman Pariprekhsya Mein Mobile-8840824538 (Vocal) Upadeyta [email protected] 3. Ms.Krishna chaudhary CCRT/JF- Classical Research In Music E-1202, Express Zenith Society, Sector 77 3/03/2020 Music Gautam Buddha Nagar Uttar Pradesh – 201301 JF20196600 Hindustani Mobile-9953021995 (Vocal) [email protected] 4. Ms. Anuradha Raturi CCRT/JF- Classical Tantragama Philosophy Of C/O Mr. Ashish Kumar Jaiswal B 15/60 3/04/2020 Music Nada: Indian Classical Music faridpura Opposite Gouriya Math Sonarpura JF20197020 Hindustani Perspective Varanasi Uttar Pradesh 221001 (Vocal) Mobile-9045868756 [email protected] 5. Shri Sambuddha Chatterjee CCRT/JF- Classical Ime Theory Of Hindustani 19, Kali Temple Road, Nimta, Kolkata 24 3/05/2020 Music Raga Paraganas North Tehsil-Barrackpur-ll Village- JF20196844 Hindustani Muragachha(CT) West Bengal-700049 (Vocal) Mobile-8697069313 [email protected] 6. Shri Aranyakumar Munenni CCRT/JF- Classical Wolf Tone Management In C/o Hebsur Bldg 6th Cross, Kalyan Nagar 3/06/2020 Music Dilruba & Esraj Instruments Dharwad Karnataka, 580007 JF20195983 Hindustani Mobile-9911521311 (Instru.) [email protected] 7. -
Harnessing the Sikh Youth
VAHEGURU JI KA KHALSA VAHEGURU JI KI FATEH The Khalsa belong to Vaheguru and Vaheguru is always victorious TVEY PRASAAD WITH YOUR GRACE HARNESSING THE SIKH YOUTH A humble attempt to disseminate the problem of attracting Sikh youth to the Gurudwara VAHEGURU JI KA KHALSA VAHEGURU JI KI FATEH CONTENTS THE ORDER PAGE 3 INTRODUCTION PAGE 4 THE PROBLEMS AND THEIR PAGE 8 SOLUTIONS RECOMMENDATION 1: T EACHING PAGE 9 OF GURBANI RECCOMMENDATION 2: TO PAGE 13 TRANSLATE GURBANI RECCOMENDATION 3: PAGE 14 YOUTH DIVANS OTHER PAGE 15 RECCOMMENDATIONS CONCLUSION PAGE 21 APPENDIX 1: T RANSLATION OF PAGE 23 BANI ON SCREEN APPENDIX 2: M ORE PAGE 25 INFORMATION ON FATEH AND CAB COURTESY OF MEJINDERPAL KAUR . APPENDIX 3: G URU TEGH PAGE 28 BAHADUR GURUDWARA , E AST PARK ROAD LEICESTER ACKNOWLEDGEMENTS PAGE 30 2 SRI GURU GRANTH SAHIB JI MAHARAJ LIMB: 636 THROUGH THE WORDS OF DHAN SRI GURU NANAK DEV JI MAHARAJ SORAT'H, FIRST MEHL: Those who serve the True Guru, O Beloved, their companions are saved as well. No one blocks their way, O Beloved, and the Lord's Ambrosial Nectar is on their tongue. Without the Fear of God, they are so heavy that they sink and drown, O Beloved; but the Lord, casting His Glance of Grace, carries them across. || 1 || I ever praise You, O Beloved, I ever sing Your Praises. Without the boat, one is drowned in the sea of fear, O Beloved; how can I reach the distant shore? || 1 || Pause || I praise the Praiseworthy Lord, O Beloved; there is no other one to praise. -
Undergraduate Diploma in Gurmat Sangeet - Tanti Saaz Vadan
Page 1 of 20 UNDERGRADUATE DIPLOMA IN GURMAT SANGEET - TANTI SAAZ VADAN ACADEMIC POLICY/ORDINANCES (2016-17, 2017-18, 2018-19 Sessions) Objectives of the Cou rse : An Online Initiative by Gurmat Gyan Online Study Centre, Punjabi University, Patiala to disseminate the message of Sikh Gurus through Gurmukhi and Gurmat Sangeet at global level. Duration of the Course : Two Semesters Admission Eligibility : The Candidate must have passed either Certificate Course in Gurmat Sangeet or Certificate Course in Gurmat Sangeet (Minimum Matric or 10+2 pass with interest in Gurmat Sangeet) through Department of Distance Education Mode of Instruction & Examination : Completely Online Medium of Instruction : English & Punjabi Medium of Examination : English & Punjabi Fees for the Course : For admission in the course a candidate shall have to pay Admission fees (including Examination Fee) as given below Admission Fee For Foreign Students • Upto 30 th September : 15,000/- INR • Upto 31 st October : With Late Fee of 2,500/- INR • Upto 30 th November : With Late Fee of 7,500/- INR with the special permission of Vice-Chancellor For Indian Students • Upto 30 th September : 5,370/- INR • Upto 15 st October : With Late Fee of 800/- INR • Upto 21 st October : With Late Fee of 1,200/- INR • Upto 31 st October : With Late Fee of 5,000/- INR • Upto 10 th November : With Late Fee of 10,000/- INR with the special permission of Vice-Chancellor Total Credits for the Program : 48 Under Graduate Diploma in Gurmat Sangeet - Tanti Saaz Vadan Page 2 of 20 SCHEME OF THE COURSE FOR SPRING SEMESTER (I) Papers No. -
And Guru Gobind Singh (AD 1666-1708)
A Complete Introduction by Dr. H.S. Singha Former Chairman CBSE and Satwant Kaur A-78 Naralna Indl. Area^ Phase-1, New Delhi-110028 © Hemkunt Press 1994 First Published 1994 ISBN 81-7010-245-6 Hemkunt Books on Sikhism The Story of Guru Nanak The Story of Guru Goblnd Singh Biography of Guru Nanak The Story of Maharaja Ranjit Singh Being a Sikh Stories from the Sikh History Book I-VII Sikh Studies Stories about the Sikh Gurus I- Stories about the Sikh Heroes Sikhism-A Complete Introduction Japji Hymns from Guru Granth Sahib Hymns from the Dasam Granth Introduction to Sikhism Mini Encyclopaedia of Sikhism The Sikh Religion and the Sikh People Philosophy, Facts and Fundamentals of Sikh Religion PREFACE It is quite paradoxical but true that religions which should generate love many times become a cause of hatred; religions which should promote peace in the world have resulted in most of the killings and war in history; and religions which should unify society have ended up in dividing humanity. This curious riddle is because a particular religion is not clearly understood by the followers of other religions and is sometimes misinterpreted by its own followers. We believe that all religions are basically good and paths to the same ultimate goal. They must be clearly understood, appreciated and, more than anything else, tolerated, for a man has a right to go to “heaven" in his own way. We do not believe in the complete negation of religion. As Einstein has said even science without religion is lame. This book is aimed as a comprehensive introduction to Sikhism both for the Sikhs and non-Sikhs. -
Inspirational Stories of Saints by Sikh Unit
Inspirational Stories of Saints By Sikh Unit Sain Ji's Job was saved by The Great Lord Sain was a poor man who would serve the king in his palace. “Hearing about the glory of Kabeer, Sain also turned to be a disciple of the lord. In the night he would immerse in loving devotion to God and in the morning he would serve at the door of the king. One night some saints came to him and the whole night was spent in singing the praises of God. Sain could not leave company of the saints and consequently did not perform the king’s service the following morning. God himself took the form of Sain (while sain was with the saints) and served the king in such a way that the king was overjoyed. Bidding farewell to the saints, Sain embarrassedly arrived at the palace of the king. From a distance the king called him nearby. He took off his own robes and offered it to Sain. ‘You have overpowered me today’, said the king and his words were heard by all people standing there. God himself manifests the dignity of His devotee” (Gurdas Ji’s Vaar 10:16) With incense, lamps and ghee, I offer this lamp-lit worship service. I am a sacrifice to the Lord of Lakshmi. ||1|| Hail to You, Lord, hail to You! Again and again, hail to You, Lord King, Ruler of all! ||1||Pause|| Sublime is the lamp, and pure is the wick. You are immaculate and pure, O Brilliant Lord of Wealth! ||2|| Raamaanand knows the devotional worship of the Lord. -
Syllabus of Hindustani Music (Vocal)
SHRI DEV SUMAN UTTARAKHAND UNIVERSITY BADSHAHITHAUL TEHRI GARHWAL (UTTARAKHAND) MASTER OF ARTS 2018 DEPARTMENT OF MUSIC SYLLABUS HINDUSTANI MUSIC (VOCAL) / STRING INSTRUMENTS OF HINDUSTANI MUSIC (SITAR) & PERCUSSION INSTRUMENTS OF HINDUSTANI MUSIC (TABLA/PAKHAWAJ) (WITH EFFECT FROM 2018-19) 1 MASTER OF ARTS MUSIC 2018 TWO YEAR FULL TIME PROGRAMME Hindustani Music (Vocal) / Strings Instruments of Hindustani Music (Sitar) DEPARTMENTOF MUSIC RULES, REGULATIONS & COURSE CONTENT SHRI DEV SUMAN UTTARAKHAND UNIVERSITY BADSHAHITHAUL TEHRI GARHWAL (UTTARAKHAND) 2 MASTER OF ARTS MUSIC 2018-2019 TWO YEAR PROGRAMME AFFILIATION The proposed programme shall be governed by the Department of Music, Faculty of Music & Fine Arts, Shri Dev Suman Uttarakhand University, Badshahi Thaul,Tehri Garhwal(Uttarakhand).249199 VISION To prepare competent musicians and musicologists who would excel in knowledge, orientation and practice of music with high musical standards and social relevance. PREAMBLE Keeping pace with the disciplinary advances the programme would address learning about musical functioning and activities at individual and social levels. It would facilitate acquiring specialized knowledge inculcating multidimensional values of music and global viewpoint of performance. The course would allow students to nurture their academic interests in specialized field of music. The Department holds the provision for inclusion of new courses and modification of presented ones during a given academic year. In preparation of the courses the element of interdisciplinary is kept in view and embedded in the courses. Reading material for various disciplines will be made available by concerned Department. OBJECTIVES 1. To create a strong research oriented theoretical / practical foundation in consonance with recent advances in the discipline of Music. 2.