ORDER of the DAY the Daily Hukam Namas
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Ma Gurmat Sangeet
M.A. GURMAT SANGEET PART - II SEMESTER - III (2017-2018) Paper I HISTORICAL PERSPECTIVE OF GURMAT SANGEET Time: 3 hrs. Max. Marks : 75 Internal Assessment : 25 Marks Pass Marks : 35 % Assessment Test : 15 Total Teaching Hours : 75 Attendance : 10 INSTRUCTIONS FOR THE PAPER-SETTER AND THE CANDIDATES The question paper will consist of three sections A, B & C. Sections A & B will have 5 questions of 8 marks each from the respective sections of the syllabus and acandidates are required to attempt three questions from each section. Section C will consist of 9 short answer type questions of 3 marks each, which will cover the entire syllabus uniformly. Students are required to attempt all questionos of Section C. Section - A 1. Evolution and Development of Gurmat Sangeet during a) Guru Nanak period b) Guru Angad Dev to Guru Arjan Dev period c) Guru Hargobind to Guru Gobind Singh period 2. Taksaal tradition of Gurmat Sangeet with reference to a) Damdami taksaal b) Jawaddi Taksaal 3. Contribution of Rabaabi tradition in Gurmat Sangeet. Section – B 1. Historical development of Kirtan Chauki tradition a) Upto Guru Arjan Dev period. b) Tradition of Sri Harimandir Sahib 2. Analytical study of basic sources of Gurmat Sangeet with reference to a) Sri Guru Granth Sahib b) Panth Parkaash 3. Contribution of different scholars towards Gurmat Sangeet with special reference to the 19th century. BOOKS PRESCRIBED 1 Gurmat Sangeet : Vibhin Pripekh, Gurnam Singh (Dr.) (Editor), Punjabi University Patiala, 1995 2. Gurmat Sangeet : Prabandh te Pasaar Gurnam Singh (Dr.), Punjabi University, Patiala. 2012 3. Gurmat Sangeet da Sangeet Vigyan, Varinder Kaur (Dr.), Amarjit Sahit Parkashan, Patiala 2005 4. -
The Rich Heritage of Dhrupad Sangeet in Pushtimarg On
Copyright © 2006 www.vallabhkankroli.org - All Rights Reserved by Shree Vakpati Foundation - Baroda ||Shree DwaDwarrrrkeshokesho Jayati|| || Shree Vallabhadhish Vijayate || The Rich Heritage Of Dhrupad Sangeet in Pushtimarg on www.vallabhkankroli.org Reference : 8th Year Text Book of Pushtimargiya Patrachaar by Shree Vakpati Foundation - Baroda Inspiration: PPG 108 Shree Vrajeshkumar Maharajshri - Kankroli PPG 108 Shree Vagishkumar Bawashri - Kankroli Copyright © 2006 www.vallabhkankroli.org - All Rights Reserved by Shree Vakpati Foundation - Baroda Contents Meaning of Sangeet ........................................................................................................................... 4 Naad, Shruti and Swar ....................................................................................................................... 4 Definition of Raga.............................................................................................................................. 5 Rules for Defining Ragas................................................................................................................... 6 The Defining Elements in the Raga................................................................................................... 7 Vadi, Samvadi, Anuvadi, Vivadi [ Sonant, Consonant, Assonant, Dissonant] ................................ 8 Aroha, avaroha [Ascending, Descending] ......................................................................................... 8 Twelve Swaras of the Octave ........................................................................................................... -
Raga of the Month July 2020 Raga Sorath Raga Sorath Has Become a Rare Melody Today
Raga of the month July 2020 Raga Sorath Raga Sorath has become a rare melody today. It is believed that Raga Sorath has its roots in Folk songs of Sourashtra which is part of Kathiawar region of the state of Gujarat. Close companion of Raga Sorath, Des, being a dhun-raga is more popular. Both the Ragas share the same scale, but Gandhar is very weak, practically omitted, in Sorath and is only subtly used in meend from Madhyam to Rishabh in Avaroha. Inclusion of Gandhar in Des and its chanchal prakriti makes it suitable for light forms of music such as, thumri, dadra, hori, ghazal etc. Ragas of Khamaj Thata are classified in 2 types- Rishabh prominent; that is, Sorathanga and Gandhar prominent- Khamajanga. Raga Des belongs to Sorathanga. The Raga is classified in Khamaj Thata (Harikambhoji Melakarta no. 28). Ragas Surati and Andolika from Carnatic music are similar to Raga Sorath. Aroha- S,RR, MPN,S’’; Avaroha- S’’R’’nD,MPD,M->R,’NS; Vadi- R,Samvadi- D;Time 10 p m to 1 a m; Chalan: S, R, MP, N, S’’, R’’, nD, P, DM->R, RPMMR, R S; R, P, MPD, M->R, n,D, M->R, RMPN, S’’, R’’nD, M->R, P, M->R, R’N, ‘NS. Please listen to a melodious collection of audio clips of Raga Sorath presented by i) Dr. Varada Godbole (a bandish composed by Prempiya Ustad Faiyaz Hussain Khan*), ii) Pandit K G Ginde (a bandish composed by Sujan- Acharya S N Ratanjankar), iii) Ustad MunawarAliKhan, iv) Acharya S N Ratanjankar and v) Sarangi Maestro Ustad Bundu Khan. -
Guru.Granth.Sahib.Speaks.Volume.06.Ego.By.Surinder.Singh.Kohli
~~ l./CJH ~~" ~ H': 'l, l/or 226) Wben the Ego is effaced, The highest spiritual state is attained. (Gauri M. 1, p. 226) CONTENTS • Foreword 7 • The Concept of Ego 9 • An Elucidation of the Hymn of Guru Nanak Dev on Ego in 'Asa Di Var' 14 • Ego and Self 24 • Fate of the Egoist 29 • Mythological Instances of Egoists 39 • The Position and Status of those with Ego and without Ego 58 • Two Opposites-Ego and Name 69 • Various Facets of Ego mentioned in Gum Granth Sahib 82 FOREWORD This is the Fifth Book in "GURU GRANTII SAHIB SPEAKS" series. The earlier four books already published in order are Death and After, Naam, Attributes ofGod (Hari Gun) and God's Will (Hukm). While writing this book on Ego, I experienced great difficulty in proceeding further because of the scanty material available on the subject. The titles of various chapters were chalked out on various quotations, hence some of the quotations had to be repeated keeping in view the significance of the subject-matter. However by the Grace of the Lord and True Guru, the work has been completed satisfactorily. I am confident that the Sikhs liVing abroad will make use of the books of the series, not only going through them themselves, but also encouraging their children to be benefitted by this series. It is the wish of the author that our next generation should have the required knowledge about our Scripture Le. Guru Granth Sahib. I take pleasure in expressing my gratitude to the publishers for fully co operating with me in bringing out the books in the series for the benefit of the community at a good speed. -
Diploma in Gurmat Sangeet
DIPLOMA IN GURMAT SANGEET ACADEMIC POLICY/ORDINANCES Objectives of the Course : An Online initiative by Gurmat Sangeet Chair - Department of Gurmat Sangeet, Punjabi University, Patiala to disseminate the message of Sikh Gurus through Gurmukhi, Gurmat Studies and Gurmat Sangeet at global level. Duration of the Course : Two Semester Eligibility : The candidate must have passed Certificate Course in Gurmat Sangeet in the same stream Medium of Instruction : English & Punjabi Medium of Examination : English & Punjabi Fees for the Course : On admission in the course a candidate shall have to pay Admission fees (including Examination Fee) as given below Admission Fee : 300US$ (15,000/- INR) upto 30th June st With Late Fee 350US$ (17,500/- INR) upto 31 July With Late Fee 450US$ (22,500/- INR) and with the st special permission of Vice Chancellor upto 31 August SCHEME OF THE COURSE FOR SPRING SEMESTER Compulsory/ Papers Paper Code Title of the Papers Elective Compulsory Paper I DGS 301 Historical Study of Sikhism Papers Paper III DGS 302 Gurbani Santhya DGS 303 Musicology of Gurmat Sangeet Vocal Tradition Elective Paper II DGS 304 Musicology of Gurmat Sangeet String Instrumental Tradition Papers DGS 305 Musicology of Gurmat Sangeet Percussion Instrumental Tradition (Jorhi/Tabla) DGS 306 Stage Performance of Shabad Keertan Elective Paper IV DGS 307 Stage Performance of String Instruments Papers DGS 308 Stage Performance of Percussion Instrumental (Jorhi/Tabla) 1 HISTORICAL STUDY OF SIKHISM (Paper I - DGS 301) 1. Contribution of Ten Guru in Propagation of Sikhism 2. Contributors of Bhai Mardana ji, Baaba Budha ji, Bhai Gurdas ji, and Bhai Nand lal ji in Sikh History. -
Sri Guru Granth Sahib Ji Shudh Ucharan Sehaj Paath
Sri Guru Granth Sahib Ji Shudh Ucharan Sehaj Paath Track Duration Track Duration CD1 (mins) (mins) 001 Japuji Sahib Ang1 47:23:00 015 Raag Asa Ang370 51:20:00 002 SoDar Raag Asaa Ang8 30:35:00 016 Raag Asa Ang378 48:07:00 003 Sri Raag Ang14 46:07:00 017 Raag Asa Ang385 50:21:00 004 Sri Raag Ang21 50:19:00 018 Raag Asa Ang393 49:38:00 005 Sri Raag Ang29 48:23:00 019 Raag Asa Ang401 49:13:00 006 Sri Raag Ang38 46:25:00 020 Raag Asa Ang409 52:02:00 007 Sri Raag Ang45 47:39:00 021 Raag Asa Ang417 47:14:00 008 Sri Raag Ang52 47:36:00 022 Raag Asa Ang424 48:19:00 009 Sri Raag Ang59 47:28:00 023 Raag Asa Ang432 48:25:00 010 Sri Raag Ang66 52:38:00 024 Raag Asa Ang440 46:34:00 011 Sri Raag Ang74 45:56:00 025 Raag Asa Ang448 46:42:00 012 Sri Raag Ang81 45:40:00 026 Raag Asa Ang455 45:29:00 013 Sri Raag Ang88 37:38:00 027 Raag Asa Ang462 46:21:00 014 Raag Maaj Ang94 47:12:00 028 Raag Asa Ang470 56:32:00 015 Raag Maaj Ang101 45:07:00 029 Raag Asa Ang479 36:59:00 016 Raag Maaj Ang108 53:02:00 030 Raag Asa Ang485 24:59:00 017 Raag Maaj Ang117 52:07:00 031 Raag Goojree Ang489 45:49:00 018 Raag Maaj Ang125 53:37:00 032 Raag Goojree Ang496 41:40:00 019 Raag Maaj Ang133 48:03:00 033 Raag Goojree Ang503 54:39:00 020 Raag Maaj Ang139 41:05:00 034 Raag Goojree Ang512 47:25:00 021 Raag Maaj Ang145 40:31:00 035 Raag Goojree Ang520 42:59:00 022 Raag Gauri Ang151 45:25:00 036 Raag Devgandhari Ang527 56:41:00 023 Raag Gauri Ang157 50:05:00 037 Raag Bihagra Ang537 56:27:00 024 Raag Gauri Ang165 52:30:00 038 Raag Bihagra Ang546 1:00:53 025 Raag Gauri Ang172 45:16:00 -
Guru Granth Sahib
Guru Granth Sahib Guru Granth Sahib (Punjabi (Gurmukhi): ਗੁਰੂ ਗ੍ਰੰਥ 1 History ਸਾਹਿਬ ਜੀ (Gurū Gra°th Sāhib Jī), Punjabi pronunciation: [ɡʊɾu ɡɾəntʰ sɑhɪb], /ˈɡʊəruː ɡrɑːnθ səˈhɪb/) is the cen- tral religious scripture of Sikhism, regarded by Sikhs as During the guruship of Guru Nanak, collections of his the final, sovereign and eternal living Guru following the hymns were compiled and sent to distant Sikh communi- lineage of the ten human Gurus of the religion.[1] The Adi ties for use in morning and evening prayers.[16] His suc- Granth, the first rendition, was compiled by the fifth Sikh cessor, Guru Angad, began collecting his predecessor’s Guru, Guru Arjan (1563–1606). Guru Gobind Singh, the writings. This tradition was continued by the third and tenth Sikh Guru, did not add any of his own hymns; how- fifth gurus as well. ever, he added all 115 hymns of Guru Tegh Bahadur, the When the fifth guru, Guru Arjan, was collecting the writ- ninth Sikh Guru, to the Adi Granth and affirmed the text ings of his predecessor, he discovered that pretenders to [2] as his successor. This second rendition became known the guruship were releasing what he considered as forged [3] as Guru Granth Sahib. After Guru Gobind Singh died, anthologies of the previous guru’s writings and including Baba Deep Singh and Bhai Mani Singh prepared many their own writings alongside them.[17] In order to prevent [4] copies of the work for distribution. spurious scriptures from gaining legitimacy, Guru Arjan The text consists of 1430 Angs (pages) and 6,000 śabads began compiling a sacred book for the Sikh community. -
And Guru Gobind Singh (AD 1666-1708)
A Complete Introduction by Dr. H.S. Singha Former Chairman CBSE and Satwant Kaur A-78 Naralna Indl. Area^ Phase-1, New Delhi-110028 © Hemkunt Press 1994 First Published 1994 ISBN 81-7010-245-6 Hemkunt Books on Sikhism The Story of Guru Nanak The Story of Guru Goblnd Singh Biography of Guru Nanak The Story of Maharaja Ranjit Singh Being a Sikh Stories from the Sikh History Book I-VII Sikh Studies Stories about the Sikh Gurus I- Stories about the Sikh Heroes Sikhism-A Complete Introduction Japji Hymns from Guru Granth Sahib Hymns from the Dasam Granth Introduction to Sikhism Mini Encyclopaedia of Sikhism The Sikh Religion and the Sikh People Philosophy, Facts and Fundamentals of Sikh Religion PREFACE It is quite paradoxical but true that religions which should generate love many times become a cause of hatred; religions which should promote peace in the world have resulted in most of the killings and war in history; and religions which should unify society have ended up in dividing humanity. This curious riddle is because a particular religion is not clearly understood by the followers of other religions and is sometimes misinterpreted by its own followers. We believe that all religions are basically good and paths to the same ultimate goal. They must be clearly understood, appreciated and, more than anything else, tolerated, for a man has a right to go to “heaven" in his own way. We do not believe in the complete negation of religion. As Einstein has said even science without religion is lame. This book is aimed as a comprehensive introduction to Sikhism both for the Sikhs and non-Sikhs. -
Btfsbt It Is a Hlbtorloal Fact That Wiienerer Dharma Deos^B And
BTTRCDUOTTON IHK jmSTQSB m > PX.AH 0? THl! BTfSBt lRlZrod£C^,J.SSarla It is a hlBtorloal faCt that wiienerer dharma deos^B and adharma flourl8h«t» great leaders of thought and aCtion appear on the horizon In reeponce to the demande of time In order to re-establieh the rule of dharma* t India's oonfrontation with Islam began some time^ in the tenth Century. By the beginning of thirteenth century Islam started asserting itself as an aCtive soCio-religious creed baCked by politiCal authority and military forCe and by beginning of fifteenth century it had already made in-roads into Class struCtured and caste-ridden Hindu soCiety. The elenents which were foreign to Indian faith had node ingress into Hindus belonging to lower Castes* Conversion to Islam of indigenous population under Coercion and ruthless poliCies of the oonquerors was a normal feature. So muCh sot that they tTanted to administer all human affairs under the religious Codes and laws based on bigotry and prejudiCe. They sentenced qaints of the other persuation to death in the name of divine religious laws. They Came« not as Conquerors but enemies and the faCe of Indian history was narred (11) with theee euppreeslve forCesf for it wae not the pollCiee but the institution^ which were nathlesely oppreeeed, Man lived in a system without taking part in its deCisions and soCiety itself gave In because there was inner deCay, for reasons more than one* evidenCe being soCiety itself. Subjugation to invaders, deaoralisation owing to absence of soCial justiCe, praCtiCe of Inequality, disCrimination on grounds of religion, laCk of value for human difpiity and absence of reverence for human personality Created a deterior ated and divided soCiety. -
Syllabus of Hindustani Music (Vocal)
SHRI DEV SUMAN UTTARAKHAND UNIVERSITY BADSHAHITHAUL TEHRI GARHWAL (UTTARAKHAND) MASTER OF ARTS 2018 DEPARTMENT OF MUSIC SYLLABUS HINDUSTANI MUSIC (VOCAL) / STRING INSTRUMENTS OF HINDUSTANI MUSIC (SITAR) & PERCUSSION INSTRUMENTS OF HINDUSTANI MUSIC (TABLA/PAKHAWAJ) (WITH EFFECT FROM 2018-19) 1 MASTER OF ARTS MUSIC 2018 TWO YEAR FULL TIME PROGRAMME Hindustani Music (Vocal) / Strings Instruments of Hindustani Music (Sitar) DEPARTMENTOF MUSIC RULES, REGULATIONS & COURSE CONTENT SHRI DEV SUMAN UTTARAKHAND UNIVERSITY BADSHAHITHAUL TEHRI GARHWAL (UTTARAKHAND) 2 MASTER OF ARTS MUSIC 2018-2019 TWO YEAR PROGRAMME AFFILIATION The proposed programme shall be governed by the Department of Music, Faculty of Music & Fine Arts, Shri Dev Suman Uttarakhand University, Badshahi Thaul,Tehri Garhwal(Uttarakhand).249199 VISION To prepare competent musicians and musicologists who would excel in knowledge, orientation and practice of music with high musical standards and social relevance. PREAMBLE Keeping pace with the disciplinary advances the programme would address learning about musical functioning and activities at individual and social levels. It would facilitate acquiring specialized knowledge inculcating multidimensional values of music and global viewpoint of performance. The course would allow students to nurture their academic interests in specialized field of music. The Department holds the provision for inclusion of new courses and modification of presented ones during a given academic year. In preparation of the courses the element of interdisciplinary is kept in view and embedded in the courses. Reading material for various disciplines will be made available by concerned Department. OBJECTIVES 1. To create a strong research oriented theoretical / practical foundation in consonance with recent advances in the discipline of Music. 2. -
Div· E Revelation Divine Revelation
Div· e Revelation Divine Revelation ~fOUNDATION New Delhi, India Divine Revelation by Dr. Sarbjinder Singh First Published in India by Sikh Fowldarion in September 2004 Author: Dr. Sarbjinder Singh SrI Guru Granth Sahib Studies Deptt. Punjabi University, PariaJa Tel: 0175-3131110 Editing & Design : Baljit Singh & Inderjeet Singh Photographs : Courtesy - Punjab & Sind Bank, Bank of Punjab, V&A Museunl U.K., D.S.G.M.C Delhi and S.G.P.C Amritsar IIlusrrarions : Harinder Singh & Raghbir Singh, Toronto, Canada Managed, Created & Published by : Sikh Foundation A-35 Lajpat Nagar-I, New Delhi-110024, INDIA Tel.: 9810567300, 9811567640 E-mail: [email protected] ISBN 81-7873-013-8 Contents Foreword 4 The Holy Scripture 6 Uniqueness 7 EditoriaJ Pattern 8 Why Edited? 9 Sequence of Bfu:tl 18 Sequence of Ragas 19 Sequence of Poetic Forms 21 TotaJ Contributors 22 Sequence of Contributors 23 Guru Sahiban 23 Bhagat B;iI)l 36 Composition of the Bha~s 53 Other Contributors 61 Foreword The 400th anniversary of 'the installation of Sri Guru Granth Sahib assumes a special significance and is being celebrated the world over. Heterogenity of linguistic structures amidst a perfect homogeneity of thought process is the hall mark of GurU Granth Sahib. This unique holy scripture is unique in many ways. It is the only religious scripture that enjoys the distinction of being compiled and edited by the Prophet of Sikh religion, the fifth Master, GurU Arjan Dev himself. It contains the compositions of holy men drawn from all parts of India, belonging to different faiths, speaking different languages, following divergent cultural traditions, placed in many caste categories - both high and low, existing in different periods of time but united only by the divine nature of the message contained. -
The King of This World and the King of the Next, the Protector of Saints with the Sword of Success: Guru Gobind Singh Jee
WONDER GURUS The King of this world and the King of the next, the protector of saints with the sword of success: Guru Gobind Singh Jee. I HOPE THIS INSPIRES YOU TO LOVE WAHEGURU EVEN MORE CONTENTS WAHEGURU JEE............................................................................................................................................ 2 IN THE BEGINNING........................................................................................................................ 2 MIRACLES MIGHT HAPPEN......................................................................................................... 2 LET THE SUNSHINE IN.................................................................................................................. 3 THE DECEIVER OF MEN .............................................................................................................. 3 NEVER FORGET THE GIVER....................................................................................................... 4 GURU NANAK DEV JEE............................................................................................................................... 5 FEELS LIKE HEAVEN .................................................................................................................... 5 THE GAME OF LOVE ..................................................................................................................... 6 LOVE NEVER DIES........................................................................................................................