GREGORY PORTER Klassikerleben
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November 30, 2020 Jazz Album Chart
Jazz Album Chart November 30, 2020 TW LW 2W Peak Artist Title Label TW LW Move Weeks Reports Adds 1 1 1 1 Artemis 3 weeks at No. 1 / Most Reports Artemis Blue Note 310 291 19 10 51 0 2 2 2 1 Gregory Porter All Rise Blue Note 277 267 10 13 38 0 3 4 13 3 Yellowjackets Jackets XL Mack Avenue 259 236 23 5 49 4 4 7 6 4 Peter Bernstein What Comes Next Smoke Sessions 244 222 22 6 48 0 4 5 4 4 Javon Jackson Deja Vu Solid Jackson 244 235 9 7 47 1 6 6 8 5 Joe Farnsworth Time To Swing Smoke Sessions 229 229 0 9 40 0 7 8 3 1 Christian McBride Big Band For Jimmy, Wes and Oliver Mack Avenue 217 213 4 14 38 0 8 25 40 8 Brandi Disterheft Trio Surfboard Justin Time 211 155 56 3 47 3 9 9 15 9 Alan Broadbent Trio Trio In Motion Savant 209 206 3 5 47 2 10 14 12 10 Isaiah J. Thompson Plays The Music Of Buddy Montgomery WJ3 207 187 20 7 38 1 11 3 5 3 Conrad Herwig The Latin Side of Horace Silver Savant 203 242 -39 10 39 0 12 13 6 3 Eddie Henderson Shuffle and Deal Smoke Sessions 198 192 6 14 35 0 13 12 11 3 Kenny Washington What’s The Hurry Lower 9th 189 194 -5 14 34 1 14 10 13 6 Nubya Garcia Source Concord Jazz 188 199 -11 13 35 1 15 19 17 15 Ella Fitzgerald The Lost Berlin Tapes Verve 185 172 13 6 41 0 16 16 16 15 Chien Chien Lu The Path Chien Chien Music 175 185 -10 8 38 2 17 21 21 17 Uptown Jazz Tentet What’s Next Irabbagast 170 164 6 6 37 1 18 20 26 18 Richard Baratta Music In Film: The Reel Deal Savant 166 170 -4 4 40 1 Provogue / Mascot Label 19 30 78 19 George Benson Weekend in London Group 165 146 19 2 35 7 20 18 19 17 Teodross Avery Harlem Stories: -
June 2020 Volume 87 / Number 6
JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
3025 DCG.Halfyr-17 Report.Indd
2017 MID-YEAR REVIEW MARKETPLACE ANALYSIS & DATABASE HIGHLIGHTS 2017 MID-YEAR REVIEW Marketplace Analysis & Database Highlights FACING THE MUSIC – A YEAR-OVER-YEAR LOOK AT DISCOGS • Catalog sales (releases 18-month and older) have increased (+11.91%) over last year, but New Release sales have really broken the mold with an astounding increase over 2016 (+123.81%). • The most popular format sold so far in 2017 has been vinyl, with an increase in sales year-over-year (+13.92%). However, CDs have seen the most growth in sales (+23.23%). • The Discogs Database has shown growth year-over-year (+8.22%), with a total of 698,301 submissions during the fi rst half of 2017. The highest number of submissions were of the vinyl variety with a total of 318,238 – equal to over 45% of the submissions. • The most popular genres sold in the Discogs Marketplace are Rock, Electronic, and Funk/Soul. However, both Classical (+35.42%) and Blues (+20.95%) genres have seen a large year-over-year increase in sales. • Our Most Popular, Most Wanted, Most Collected, and Top Catalog Sales lists all have something in common – ranking number one on each list is Pink Floyd’s Dark Side Of The Moon. MOST POPULAR CATALOG* VS. NEW Year-over-year fi gures for Catalog and New Release sales. 2017 2016 % CHG. CATALOG 670,592 599,220 11.91% NEW 90,453 40,415 123.81% *Catalog is defi ned as over 18 months since release. DISCOGS | 2017 MID-YEAR REVIEW: Marketplace Analysis & Database Highlights 2 DATABASE FORMATS Year-over-year comparison of the total number of Discogs Database submissions. -
Ecg1151 EJF2017 FINAL.Indd
14-23 July 2017 edinburghjazzfestival.com Welcome to our 2017 Festival. Blues from America For ten summer days Edinburgh will be Hamilton Loomis - p17 alive with uplifting music. years from the fi rst jazz recordings, we celebrate the Centenary of Jazz with a 100range of unique performances and special events. Jazz has been intertwined with blues since its origins and our blues programme, delves into the history of the music and showcases the musicians who are updating the tradition. Across both idioms and those around and in-between, this year’s programme off ers styles for all tastes – from bop to boogie to blues-rock; and from samba to swing to soul. International acts rub shoulders with homegrown talent and rising stars. Check out your favourites, of course, but we encourage you to get into the spirit of the Festival and try something new – you’re likely to discover a hidden gem! There are strong themes running through the programme: Jazz 100 marks the Centenary of jazz with a host of historic concerts Scottish Jazz Expo celebrates Scottish musicians take on that history, new Scottish bands and collaborations The Sound of New Orleans New Orleans comes to Edinburgh as we feature a host of musicians from the Soul Brass Band - p25 birthplace of jazz Cross The Tracks crosses the boundaries between jazz and contemporary urban music. And let yourself be transported by another Festival star – our venues! Dance under the magic mirrors of a grandiose cabaret tent located at the foot of Edinburgh Castle; enjoy the sumptuous surroundings and acoustics of Festival Theatre; get a great listening experience in the newly refurbished Rose Theatre, or drop in to the Traverse Café Bar - turned hip jazz joint. -
Downbeat.Com December 2020 U.K. £6.99
DECEMBER 2020 U.K. £6.99 DOWNBEAT.COM DECEMBER 2020 VOLUME 87 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
Counting the Music Industry: the Gender Gap
October 2019 Counting the Music Industry: The Gender Gap A study of gender inequality in the UK Music Industry A report by Vick Bain Design: Andrew Laming Pictures: Paul Williams, Alamy and Shutterstock Hu An Contents Biography: Vick Bain Contents Executive Summary 2 Background Inequalities 4 Finding the Data 8 Key findings A Henley Business School MBA graduate, Vick Bain has exten sive experience as a CEO in the Phase 1 Publishers & Writers 10 music industry; leading the British Academy of Songwrit ers, Composers & Authors Phase 2 Labels & Artists 12 (BASCA), the professional as sociation for the UK's music creators, and the home of the Phase 3 Education & Talent Pipeline 15 prestigious Ivor Novello Awards, for six years. Phase 4 Industry Workforce 22 Having worked in the cre ative industries for over two decades, Vick has sat on the Phase 5 The Barriers 24 UK Music board, the UK Music Research Group, the UK Music Rights Committee, the UK Conclusion & Recommendations 36 Music Diversity Taskforce, the JAMES (Joint Audio Media in Education) council, the British Appendix 40 Copyright Council, the PRS Creator Voice program and as a trustee of the BASCA Trust. References 43 Vick now works as a free lance music industry consult ant, is a director of the board of PiPA http://www.pipacam paign.com/ and an exciting music tech startup called Delic https://www.delic.net work/ and has also started a PhD on gender diversity in the UK music industry at Queen Mary University of London. Vick was enrolled into the Music Week Women in Music Awards ‘Roll Of Honour’ and BBC Radio 4 Woman’s Hour Music Industry Powerlist. -
August 31, 2020 Jazz Album Chart
Jazz Album Chart August 31, 2020 TW LW 2W Peak Artist Title Label TW LW Move Weeks Reports Adds 1 1 1 1 Antonio Adolfo 4 weeks at No. 1 BruMa: Celebrating Milton Nascimento AAM Music 303 298 5 8 47 0 The Funk Garage / Mascot 2 4 2 2 Maceo Parker Soul Food - Cooking With Maceo Label Group 286 260 26 7 45 0 3 3 13 3 Bobby Watson Most Reports Keepin’ It Real Smoke Sessions 279 278 1 4 53 7 3 7 4 3 Jeff Hamilton Trio Catch Me If You Can Capri 279 238 41 7 48 4 5 2 7 2 Black Art Jazz Collective Ascension HighNote 274 296 -22 5 52 3 6 6 18 6 Ray Mantilla Rebirth Savant 272 251 21 4 46 2 7 9 9 7 Art Blakey & The Jazz Messengers Just Coolin’ Blue Note 269 230 39 4 49 4 Dave Stryker w/ Bob Mintzer and the WDR 7 5 5 1 Big Band Blue Soul Strikezone 269 258 11 9 46 0 9 7 3 3 Christian Sands Be Water Mack Avenue 245 238 7 9 44 1 10 11 14 10 Various Ella 100 - Live At The Apollo Concord Jazz 224 192 32 8 26 1 11 13 10 9 John Fedchock NY Sextet Into The Shadows Summit 214 187 27 6 44 3 12 10 6 1 Larry Willis I Fall in Love Too Easily The Final Session at HighNote 202 201 1 10 37 0 Rudy Van Gelder’s Eddie Daniels w/ Dave Grusin and Bob 13 28 49 13 James Night Kisses a Tribute to Ivan Lins Resonance 192 149 43 3 37 5 14 31 37 14 Derrick Gardner & the Big dig! Band Still I Rise Impact Jazz 190 145 45 6 37 2 15 14 15 11 La Lucha Everybody Wants To Rule The World Arbors 184 186 -2 8 32 0 16 12 11 3 Kandace Springs The Women Who Raised Me Blue Note 182 190 -8 19 35 1 17 19 17 17 Steve Fidyk Battle Lines Blue Canteen Music 181 167 14 8 36 0 18 22 15 9 Alexa -
Withnail and Second Dance Richard E Grant Reveals All About Cult Status
Stressed? You will be THE ESSENTIAL GUIDE TO EXAMS: PAGES 1011 Incorporating/100e magazine Britain's biggest weekly student newspaper May 24, 1996 Vol 26: Issue 23 Sounds worth a Withnail and second dance Richard E Grant reveals all about cult status. life with THE LABEL BEHIND A REVOLUTION the Brituack and how to survive in Hollywood Inte•rriew IN DANCE MUSIC rns air iuder. /Luce pagirs 5.7 ON THE AGENDA: Engineering genius. doing it all for charity, the highbrow m'gs that top the pile. From page 13 WE PUT OUR TRUST IN YOU and you betraync!otp: INSIDE: News 1-9, Inside Pages 6-7, Feature 10-11, Agenda 13-15, Sport 17-20. Plus 16 page juice pullout magazine ! INMISITY LIBRARY 2 I J 1.1)S S. I I. iii •;I l•rutv, NU!, .2.1 1.4.1r, News grirObEitiT It's just not cricket in Headingley Leeds Shar e! lo as rntlent whim at the potential changes Its a r ',violent% at HEADINGLLY will lose its Leeds City Council hope the raw.% *paper very in Leeds tradition. Neil Wa rnsley. Leta& Univergity. most famous sporting asset it club will stay put. Ralph Metropolfinn Vito rirtyundd otlwl proposals announced this week Middlebrook,Cricket vice-captain of LUC'S cricket colierev ri 411c1 amuita Leeds_ All Development Offieer for the club said: "We use their training WATER BABIES? out IOUtntr huts abide- hy a :Ode of go ahead. writes Phil Kedioir, cmtalset. 1>ul II you have uny Yorkshire County Cricket council. said: "Leeds is the main facilities. -
Multiculturalism and the De-Politicization of Blackness in Canada: the Case of Flow 93.5 Fm
MULTICULTURALISM AND THE DE-POLITICIZATION OF BLACKNESS IN CANADA: THE CASE OF FLOW 93.5 FM by Kisrene McKenzie A thesis submitted in conformity with the requirements for the degree of Master of Arts Department of Sociology and Equity Studies in Education Ontario Institute for Studies in Education of the University of Toronto © Copyright by Kisrene McKenzie 2009 MULTICULTURALISM AND THE DE-POLITICIZATION OF BLACKNESS IN CANADA: THE CASE OF FLOW 93.5 FM Master of Arts 2009 Kisrene McKenzie Department of Sociology and Equity Studies in Education University of Toronto Abstract This thesis presents a case study of Canada‟s first Black owned radio station, FLOW 93.5 FM, to demonstrate how official multiculturalism, in its formulation and implementation, negates Canada‟s history of slavery and racial inequality. As a response to diversity, multiculturalism shifts the focus away from racial inequality to cultural difference. Consequently, Black self-determination is unauthorized. By investigating FLOW‟s radio license applications, programming and advertisements, this thesis reveals just how the vision of a Black focus radio station dissolved in order to fit the practical and ideological framework of multiculturalism so that Blackness could be easily commodified. This thesis concludes that FLOW is not a Black radio station but instead is a multicultural radio station – one that specifically markets a de-politicized Blackness. As a result, multiculturalism poses serious consequences for imagining and engaging with Blackness as a politics that may address the needs of Black communities in Canada. ii ACKNOWLEDGEMENTS I extend my deepest gratitude to my thesis supervisor, Dr. Sherene Razack, for her guidance, constant support, encouragement and initial interest in my thesis topic. -
Show Notes – the Overall Inspirations and Philosophies Behind the Tokyo Show
5 Louis Vuitton Spring-Summer 2021 Men’s collection Wednesday 2nd September 2020 Tokyo International Cruise Terminal 2 chome Aomi Koto-ku Louis Vuitton Men’s collection by Virgil Abloh Spring-Summer 2021 Index “Within my practice, I contribute to a Black canon of culture and art and its preservation. This is why, to preserve my own output, I record it at length.” –Virgil Abloh, A manifesto according to Virgil Abloh, 2020. Page 3 Myth vs. Reality: The Full Story – The essay clarifies how Virgil Abloh’s West African cultural heritage inspired the puppets, patterns, palette and accessories in the collection. – An addendum to the collection notes, it reflects fashion’s relationship with myth vs. reality. Page 10 Message in a Bottle: Tokyo show notes – The overall inspirations and philosophies behind the Tokyo show. – A continuation of the narrative of the season’s travelling multi-show format. Page 12 Soundtrack: Tokyo – An all-star ensemble of live musicians and the poet Caleb Femi. Page 15 Upcycling Ideology – Notes on the four ideas of upcycling central to the collection: A. Upcycling by recycling material from overstock. B. Upcycling by recycling ideas. C. Upcycling through reiteration from the previous season. D. Upcycling as part of the “Homework” initiative. Page 17 A Manifesto according to Virgil Abloh – Virgil Abloh’s self-penned manifesto in response to the events of 2020. – An outline of Abloh’s intentions as a Black designer in the fashion establishment. – A clarification of the motivations behind his previous collections. – A pledge for future commitments. Page 20 The Voyage – The idea behind the travelling show format for Spring-Summer 2021. -
OKTOBER 2018 Lab.Oratory Für Die Tänzer Nicht Sichtbar in Einer Dunklen Box Aufgelegt
- Dienstag 02.10.2018 Start 24 Uhr Revolting stand – nichts lenkte in dem poppersgeschwängerten Club vom lustvollen Treiben ab, der DJ hat Mit seinem eigenen idiosynkratischen Sound und Veröffentlichungen auf Delsin, Arts und dem Samstag 20.10.2018 Start 24 Uhr Klubnacht Finest Friday-Nacht spielen die beiden zusammen mit Aril Brikha, der seit zwanzig Jahren äußerst OKTOBER 2018 Lab.oratory für die Tänzer nicht sichtbar in einer dunklen Box aufgelegt. Ab 1986 spielte auch Boris Dlugosch von ihm mitbetriebenen Label Taapion konnte sich der Franzose Shlømo als treibende Kraft des Berghain selektiv wunderschöne Dubtechno-Platten veröffentlicht. im Front und startete dort seine Karriere, Stockhausen beendete seine DJ-Laufbahn 1991 und wur- immer noch anhaltenden Techno-Revivals in Paris etablieren. Ende Oktober erscheint nun sein De- Dienstag 02.10.2018 Start 24 Uhr Revolting Johan Agebjörn paper bag Maurice Fulton running back LIVE fjaak de erfolgreicher Mode-Redakteur und Stylist. Auf Gerd Jansons Label ist gerade die Compilation bütalbum Mercurial Skin, eine „Rückkehr zu meinen Wurzeln, ich wollte die Inspiration aus meinen FJAAK Lab.oratory > Johan Agebjörn Maurice Fulton Muallem nd_baumecker Muallem blitz! nd_baumecker ostgut ton Samstag 27.10.2018 Start 24 Uhr Klubnacht Running Back Mastermix: Front By Klaus Stockhausen & Boris Dlugosch erschienen, eine Doppel- frühen Jahren in ein Werk übersetzen“. Das heißt in diesem Fall: eine Hommage an den frühen Answer Code Request ostgut ton Ben Klock klockworks Developer modularz Donnerstag 04.10.2018 Start 20 Uhr OASE Berghain Figure Revolting, unsere jährliche Crossover-Dance-Fun-Party im Lab, open to all genders. Mit Johan CD bzw. zwei Doppel-Vinyl mit Perlen wie „Kairo“ von Üdytü Ützeltürk And His Male Harem und Warp-Sound. -
Download De Pdf Van Mania 369
www.platomania.nl 14 augustus 2020 - nr. 369 Het blad van/voor muziekliefhebbers NO RISK DISC Fontaines D.C. MANIA major muscle • independent spirit proudly presents Oscar Jerome 14.08 ‘Breathe Deep’ is het debuut- album van de UK jazz gitaar- virtuoso en vocalist Oscar Jerome. Op het album zijn onder andere samenwerkingen te horen met singer-songwriter Lianne La Havas en zijn me- de-bandleden van Kokoroko. Chef’Special Tom Misch & 06.03 Yussef Dayes Na het met een Edison en platina bekroonde album Amigo 24.04 NO komt Chef’Special met de troon- Er werd vol smacht op deze re- opvolger UNFOLD die in lease gewacht. De vaandeldra- Nederland op nr. 1 in de album- gers van de UK Jazz stoppen dit RISK charts stond in de eerste week. genre in nieuw jasje en dat is te horen op What Kinda Music. DISC FONTAINES DC Tame Impala A Hero’s Death 14.02 (Partisan/PIAS) LP coloured, 2LP Deluxe, CD Het genie Kevin Parker is terug Angst is een sterke drijfveer. We hebben er van weggeweest. Na het mega succes van zijn vorige album de titeltrack A Hero’s Death aan te danken, ‘Currents’ neemt hij opnieuw en daarmee het gelijknamige, tweede album iedereen mee op zijn psychede- van Fontaines D.C., nauwelijks een jaar na het lische muzikale trip genaamd met lof overladen debuutalbum Dogrel. Want, ‘The Slow Rush’. zo legt frontman Grian Chatten uit: ‘Ik werd verteerd door de noodzaak om iets anders te shows en namen hun toevlucht in schrijfsessies schrijven, om de angst te verlichten dat ik het thuis in Dublin.