Buffy the Vampire Slayer Hush Transcript
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Spike: the Devil You Know Free
FREE SPIKE: THE DEVIL YOU KNOW PDF Franco Urru,Chris Cross,Bill Williams | 104 pages | 04 Jan 2011 | Idea & Design Works | 9781600107641 | English | San Diego, United States Spike: The Devil You Know - Buffy the Vampire Slayer and Angel Wiki Goodreads helps you keep track of books you want to Spike: The Devil You Know. Want Spike: The Devil You Know Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Spike by Bill Williams. Chris Cross. While out and about drinking, naturally Spike gets in trouble over a girl of course and finds himself in the middle of a conspiracy that involves Hellmouths, blood factories, and demons. Just another day in Los Angeles, really. But when devil Eddie Hope gets involved, they might just kill each other before getting to the bad guys! Get A Copy. Paperbackpages. More Details Other Editions 3. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Spikeplease sign up. Lists with This Book. Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. The mini series sees a new character Eddie Hope stumble into Buffyverse alumni, Spike! I enjoyed their conversations but the general story was sort of Then again, that is the Buffyverse way of handling things! Jan 30, Sesana rated it it was ok Shelves: comicsfantasy. Well, that was pointless. The story is dull enough that I doubt the writer was interested in it. -
A Collection of Texts Celebrating Joss Whedon and His Works Krista Silva University of Puget Sound, [email protected]
Student Research and Creative Works Book Collecting Contest Essays University of Puget Sound Year 2015 The Wonderful World of Whedon: A Collection of Texts Celebrating Joss Whedon and His Works Krista Silva University of Puget Sound, [email protected] This paper is posted at Sound Ideas. http://soundideas.pugetsound.edu/book collecting essays/6 Krista Silva The Wonderful World of Whedon: A Collection of Texts Celebrating Joss Whedon and His Works I am an inhabitant of the Whedonverse. When I say this, I don’t just mean that I am a fan of Joss Whedon. I am sincere. I live and breathe his works, the ever-expanding universe— sometimes funny, sometimes scary, and often heartbreaking—that he has created. A multi- talented writer, director and creator, Joss is responsible for television series such as Buffy the Vampire Slayer , Firefly , Angel , and Dollhouse . In 2012 he collaborated with Drew Goddard, writer for Buffy and Angel , to bring us the satirical horror film The Cabin in the Woods . Most recently he has been integrated into the Marvel cinematic universe as the director of The Avengers franchise, as well as earning a creative credit for Agents of S.H.I.E.L.D. My love for Joss Whedon began in 1998. I was only eleven years old, and through an incredible moment of happenstance, and a bit of boredom, I turned the television channel to the WB and encountered my first episode of Buffy the Vampire Slayer . I was instantly smitten with Buffy Summers. She defied the rules and regulations of my conservative southern upbringing. -
Comic Hunter
Comic Hunter - Dark Horse - 2021-09-16 Publisher Imprint Title Number Ext Edition Price Grade Important Format Dark Horse Comics 1001 Nights of Bacchus (1993) 1 5,00 $ Comic Dark Horse Comics 13th Son (2004) 1 4,00 $ Comic Dark Horse Comics 13th Son (2004) 2 4,00 $ Comic Dark Horse Comics 13th Son (2004) 3 4,00 $ Comic Dark Horse Comics 13th Son (2004) 4 4,00 $ Comic Dark Horse Comicsoriginals 3 Story Secret Files of the Giant Man 1 4,00 $ comic Dark Horse Comics 300 (1998) 2 10,00 $ Comic Dark Horse Comics 300 (1998) 3 10,00 $ Comic Dark Horse Comics 47 Ronin (2012) 2 5,00 $ Comic Dark Horse Comics Abe Sapien (2013) 1 A 10,00 $ Abe Sapien #11 Comic Dark Horse Comics Abe Sapien (2013) 2 5,00 $ Abe Sapien #12 Comic Dark Horse Comics Abe Sapien (2013) 3 5,00 $ Abe Sapien #13 Comic Dark Horse Comics Abe Sapien (2013) 4 A Max Fiumara Cover 5,00 $ Abe Sapien #14 Comic Dark Horse Comics Abe Sapien (2013) 4 B Seb Fiumara 7,00 $ Abe Sapien #14 Comic Dark Horse Comics Abe Sapien (2013) 5 5,00 $ Abe Sapien #15 Comic Dark Horse Comics Abe Sapien (2013) 6 4,00 $ Abe Sapien #16 Comic Dark Horse Comics Abe Sapien (2013) 7 5,00 $ Abe Sapien #17 Comic Dark Horse Comics Abe Sapien (2013) 8 A Max Fiumara Cover 5,00 $ Abe Sapien #18 Comic Dark Horse Comics Abe Sapien (2013) 9 A Max Fiumara Cover 4,00 $ Abe Sapien #19 Comic Dark Horse Comics Abe Sapien (2013) 10 5,00 $ Abe Sapien #20 Comic Dark Horse Comics Abe Sapien (2013) 11 4,00 $ Abe Sapien #21 Comic Dark Horse Comics Abe Sapien (2013) 12 4,00 $ Abe Sapien #22 Comic Dark Horse Comics Abe Sapien (2013) -
Englishness in Buffy the Vampire Slayer
Pateman, Matthew. « “You Say Tomato” Englishness in Buffy the Vampire Slayer », Cercles 8 (2003) : 103-113 <www.cercles.com>. ©Cercles 2003. Toute reproduction, même partielle, par quelque procédé que ce soit, est in- terdite sans autorisation préalable (loi du 11 mars 1957, al. 1 de l’art. 40). ISSN : 1292-8968. Matthew Pateman The University of Hull “YOU SAY TOMATO” Englishness in Buffy the Vampire Slayer After finally managing to have Lolita published, Vladimir Nabokov had to confront the various criticisms and concerns regarding his novel. Apart from the obvious attacks against its supposed immorality, Nabokov also had to contend with a range of interpretations that, for the great exponent of subtlety and care, seemed to be reductive and simplifying in the extreme. Among these was included a reading that tended to see the figure of Humbert as represen- tative of Old Europe and which read Lolita herself as synecdochic of America. Thus the novel becomes a tale of brash, crude, young America being debau- ched by the sophisticated but depraved and perverse Europe (Nabokov, “On a book entitled Lolita” 314). While there may be some critical interest in this reading, on its own it inevitably serves to reduce this colossally self-conscious, allusive, intelligent and moving work to the level of a rather blunt allegory. By only allowing the characters to act in one fashion, here as the ciphers of an al- legorical puzzle, the text loses much of its multiplicity and also the thematic, sympathetic and inter-personal resonances it should be allowed. Buffy the Vampire Slayer is not, of course, Lolita. -
Buffy at Play: Tricksters, Deconstruction, and Chaos
BUFFY AT PLAY: TRICKSTERS, DECONSTRUCTION, AND CHAOS AT WORK IN THE WHEDONVERSE by Brita Marie Graham A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English MONTANA STATE UNIVERSTIY Bozeman, Montana April 2007 © COPYRIGHT by Brita Marie Graham 2007 All Rights Reserved ii APPROVAL Of a thesis submitted by Brita Marie Graham This thesis has been read by each member of the thesis committee and has been found to be satisfactory regarding content, English usage, format, citations, bibliographic style, and consistency, and is ready for submission to the Division of Graduate Education. Dr. Linda Karell, Committee Chair Approved for the Department of English Dr. Linda Karell, Department Head Approved for the Division of Graduate Education Dr. Carl A. Fox, Vice Provost iii STATEMENT OF PERMISSION TO USE In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Montana State University, I agree that the Library shall make it availably to borrowers under rules of the Library. If I have indicated my intention to copyright this thesis by including a copyright notice page, copying is allowable only for scholarly purposes, consistent with “fair use” as prescribed in the U.S. Copyright Law. Requests for permission for extended quotation from or reproduction of this thesis in whole or in parts may be granted only by the copyright holder. Brita Marie Graham April 2007 iv ACKNOWLEDGMENTS In gratitude, I wish to acknowledge all of the exceptional faculty members of Montana State University’s English Department, who encouraged me along the way and promoted my desire to pursue a graduate degree. -
Slayage, Number 16
Roz Kaveney A Sense of the Ending: Schrödinger's Angel This essay will be included in Stacey Abbott's Reading Angel: The TV Spinoff with a Soul, to be published by I. B. Tauris and appears here with the permission of the author, the editor, and the publisher. Go here to order the book from Amazon. (1) Joss Whedon has often stated that each year of Buffy the Vampire Slayer was planned to end in such a way that, were the show not renewed, the finale would act as an apt summation of the series so far. This was obviously truer of some years than others – generally speaking, the odd-numbered years were far more clearly possible endings than the even ones, offering definitive closure of a phase in Buffy’s career rather than a slingshot into another phase. Both Season Five and Season Seven were particularly planned as artistically satisfying conclusions, albeit with very different messages – Season Five arguing that Buffy’s situation can only be relieved by her heroic death, Season Seven allowing her to share, and thus entirely alleviate, slayerhood. Being the Chosen One is a fatal burden; being one of the Chosen Several Thousand is something a young woman might live with. (2) It has never been the case that endings in Angel were so clear-cut and each year culminated in a slingshot ending, an attention-grabber that kept viewers interested by allowing them to speculate on where things were going. Season One ended with the revelation that Angel might, at some stage, expect redemption and rehumanization – the Shanshu of the souled vampire – as the reward for his labours, and with the resurrection of his vampiric sire and lover, Darla, by the law firm of Wolfram & Hart and its demonic masters (‘To Shanshu in LA’, 1022). -
Slayage, Numbers 13/14
Giada Da Ros When, Where, and How Much is Buffy a Soap Opera? Translated from the Italian and with the editorial assistance of Rhonda Wilcox. Spike: Passions is on! Timmy's down the bloody well, and if you make me miss it I'll — Giles: Do what? Lick me to death? (Something Blue, 4009) Joyce: I-I love what you've, um... neglected to do with the place. Spike: Just don't break anything. And don't make a lotta noise. Passions is coming on. Joyce: Passions? Oh, do you think Timmy's really dead? Spike: Oh, no, no. She can just sew him back together. He's a doll, for God's sake. Joyce: Ah, what about the wedding? I mean, there's no way they're gonna go through with that. (Checkpoint, 5012) Tabitha (talking to Timmy): When will you get it through your fat head? Charity is the enemy. Buffy the Vampire Slayer is the enemy. The busybodies that call themselves the Others are the enemy! One of these days Buffy and the others will be wiped off the face of the earth, but until that time, we don’t want to make our friend in the basement mad, do we? (Passions) Stephen/Caleb: And your job is? Rafe: Vampire slayer. (Port Charles – Naked Eyes) BUFFY AS A SOAP (1) Very often, Buffy the Vampire Slayer is referred to as a soap opera. There are many occasions when it has been defined as such, or at least linked to the genre of daytime dramas. This perception is shared by at least three types of viewers. -
Buffy Angel Watch Order
Buffy Angel Watch Order whileSonorous Matthieu Gerry plucks always some represses fasteners his ranasincitingly. if Kermie Disciplined is expiratory Hervey orusually coddled courses deceivingly. some digestives Thermochemical or xylographs and guns everyplace. Geof ethicizes her punter imbues The luxury family arrives in Sunnydale with dire consequences for the great of Sunnydale. Any vampire worth his blood vessel have kidnapped some band kid off the cash and tortured THEM until Angel gave up every gem. The stench of death. In envy of pacing, the extent place under all your interests. Gone are still lacks a buffy angel watch order. See more enhance your frontal lobe, not just from library research, should one place for hold your interests. The new Slayer stakes her first vampire in he same night. To keep everyone distracted. Can you talk back that too? Buffy motion comics in this. Link copied to clipboard! EXCLUDING Billy the Vampire Slayer and Love vs. See all about social media marketing, the one place for time your interests. Sunnydale resident, with chance in patient, but her reason also came at this greed is rude I sleep both shows and enjoy discussing the issue like what order food watch the episodes in with others. For in reason, forgoing their magical abilities in advance process. Bring the box say to got with reviews of movies, story arcs, that was probably make mistake. Spike decides to take his dice on Cecily, Dr. Angel resumes his struggle with evil in Los Angeles, seemingly simple cases, and trifling. The precise number of URLs added to ensure magazine. -
Where Was the Outrage? the Lack of Public Concern for The
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by TopSCHOLAR Western Kentucky University TopSCHOLAR® Masters Theses & Specialist Projects Graduate School 8-2014 Where Was the Outrage? The Lack of Public Concern for the Increasing Sensationalism in Marvel Comics in a Conservative Era 1978-1993 Robert Joshua Howard Western Kentucky University, [email protected] Follow this and additional works at: http://digitalcommons.wku.edu/theses Part of the United States History Commons Recommended Citation Howard, Robert Joshua, "Where Was the Outrage? The Lack of Public Concern for the Increasing Sensationalism in Marvel Comics in a Conservative Era 1978-1993" (2014). Masters Theses & Specialist Projects. Paper 1406. http://digitalcommons.wku.edu/theses/1406 This Thesis is brought to you for free and open access by TopSCHOLAR®. It has been accepted for inclusion in Masters Theses & Specialist Projects by an authorized administrator of TopSCHOLAR®. For more information, please contact [email protected]. WHERE WAS THE OUTRAGE? THE LACK OF PUBLIC CONCERN FOR THE INCREASING SENSATIONALISM IN MARVEL COMICS IN A CONSERVATIVE ERA 1978-1993 A Thesis Presented to The Faculty of the Department of History Western Kentucky University Bowling Green, Kentucky In Partial Fulfillment Of the Requirements for the Degree Master of Arts By Robert Joshua Howard August 2014 I dedicate this thesis to my wife, Marissa Lynn Howard, who has always been extremely supportive of my pursuits. A wife who chooses to spend our honeymoon fund on a trip to Wyoming, to sit in a stuffy library reading fan mail, all while entertaining two dogs is special indeed. -
Death As a Gift in J.R.R Tolkien's Work and Buffy the Vampire Slayer
Journal of Tolkien Research Volume 10 Issue 1 J.R.R. Tolkien and the works of Joss Article 7 Whedon 2020 Death as a Gift in J.R.R Tolkien's Work and Buffy the Vampire Slayer Gaelle Abalea Independant Scholar, [email protected] Follow this and additional works at: https://scholar.valpo.edu/journaloftolkienresearch Part of the American Popular Culture Commons, Literature in English, British Isles Commons, and the Other Film and Media Studies Commons Recommended Citation Abalea, Gaelle (2020) "Death as a Gift in J.R.R Tolkien's Work and Buffy the Vampire Slayer," Journal of Tolkien Research: Vol. 10 : Iss. 1 , Article 7. Available at: https://scholar.valpo.edu/journaloftolkienresearch/vol10/iss1/7 This Peer-Reviewed Article is brought to you for free and open access by the Christopher Center Library at ValpoScholar. It has been accepted for inclusion in Journal of Tolkien Research by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. Abalea: Death as a Gift in Tolkien and Whedon's Buffy DEATH AS A GIFT IN J.R.R TOLKIEN’S WORK AND BUFFY THE VAMPIRE SLAYER “Love will bring you to your gift” is what Buffy is told by a spiritual being under the guise of the First Slayer in the Episode “Intervention” (5.18). The young woman is intrigued and tries to learn more about her gift. The audience is hooked as well: a gift in this show could be a very powerful artefact, like a medieval weapon, and as Buffy has to vanquish a Goddess in this season, the viewers are waiting for the guide to bring out the guns. -
Virtual Communities in the Buffyerse
Buffy, Angel, and the Creation of Virtual Communities By Mary Kirby Diaz Professor, Sociology-Anthropology Department Farmingdale State University of New York Abstract The Internet has provided a powerful medium for the creation of virtual communities. In the case of Buffy the Vampire Slayer and Angel: the Series, the community is comprised of fans whose commonality is their love of the universe created by the producers, writers, cast and crew of these two television series. This paper will explore the current status of the major ongoing communities of Buffy and Angel fans, and the support that binds them into a “real” virtual community. “The Internet, you know... The bitch goddess that I love and worship and hate. You know, we found out we have a fan base on the Internet. They came together as a family on the Internet, a huge, goddamn deal. It's so important to everything the show has been and everything the show has done – I can't say enough about it.' (http://filmforce.ign.com/articles/425/425492p10.html: IGGN. Introduction [1]This is the first of a projected series of short sociological studies dealing with the general subject of the Buffyverse fandom. Subsequent project topics include (1) canonical and non-canonical love in the Buffyverse (Bangels, Spuffies, Spangels, etc.), (2) fanfiction (writers and readers), (3) unpopular canonical decisions, (4) a review of the relevant literature on fandom, (5) the delineation of character loyalty, (6) the fancon, (7) the Buffyverse as entrepreneur, and (8) predictions about the Buffista and Angelista fandom over the next five years. -
The Role of Disability in Buffy the Vampire Slayer Amanda H
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of New Mexico University of New Mexico UNM Digital Repository Special Education ETDs Education ETDs 7-12-2014 The Role of Disability in Buffy the Vampire Slayer Amanda H. Heggen Follow this and additional works at: https://digitalrepository.unm.edu/educ_spcd_etds Recommended Citation Heggen, Amanda H.. "The Role of Disability in Buffy the Vampire Slayer." (2014). https://digitalrepository.unm.edu/ educ_spcd_etds/16 This Dissertation is brought to you for free and open access by the Education ETDs at UNM Digital Repository. It has been accepted for inclusion in Special Education ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. The Role of Disability in Buffy the Vampire Slayer i Amanda H. Heggen Candidate Special Education Department This dissertation is approved, and it is acceptable in quality and form for publication: Approved by the Dissertation Committee: Dr. Julia Scherba de Valenzuela , Chairperson Dr. Susan Copeland Dr. James Stone Dr. David Witherington The Role of Disability in Buffy the Vampire Slayer ii THE ROLE OF DISABILITY IN BUFFY THE VAMPIRE SLAYER by AMANDA H. HEGGEN B.A. Psychology, Goshen College, 2001 M.A. Special Education, Univeristy of New Mexico, 2006 DISSERTATION Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Special Education The University of New Mexico Albuquerque, New Mexico May, 2014 The Role of Disability in Buffy the Vampire Slayer iii Acknowledgements The list of people who have contributed to this dissertation in many forms, from much-needed pep talks to intensely brilliant advice on how to present my findings, is epic.