Brigid – Saint Or Goddess
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Stories from Early Irish History
1 ^EUNIVERJ//, ^:IOS- =s & oo 30 r>ETRr>p'S LAMENT. A Land of Heroes Stories from Early Irish History BY W. LORCAN O'BYRNE WITH SIX ILLUSTRATIONS BY JOHN E. BACON BLACKIE AND SON LIMITED LONDON GLASGOW AND DUBLIN n.-a INTEODUCTION. Who the authors of these Tales were is unknown. It is generally accepted that what we now possess is the growth of family or tribal histories, which, from being transmitted down, from generation to generation, give us fair accounts of actual events. The Tales that are here given are only a few out of very many hundreds embedded in the vast quantity of Old Gaelic manuscripts hidden away in the libraries of nearly all the countries of Europe, as well as those that are treasured in the Royal Irish Academy and Trinity College, Dublin. An idea of the extent of these manuscripts may be gained by the statement of one, who perhaps had the fullest knowledge of them the late Professor O'Curry, in which he says that the portion of them (so far as they have been examined) relating to His- torical Tales would extend to upwards of 4000 pages of large size. This great mass is nearly all untrans- lated, but all the Tales that are given in this volume have already appeared in English, either in The Publications of the Society for the Preservation of the Irish Language] the poetical versions of The IV A LAND OF HEROES. Foray of Queen Meave, by Aubrey de Vere; Deirdre', by Dr. Robert Joyce; The Lays of the Western Gael, and The Lays of the Red Branch, by Sir Samuel Ferguson; or in the prose collection by Dr. -
Pilgrimage Stories: the Farmer Fairy's Stone
PILGRIMAGE STORIES: THE FARMER FAIRY’S STONE By Betty Lou Chaika One of the primary intentions of our recent six-week pilgrimage, first to Scotland and then to Ireland, was to visit EarthSpirit sanctuaries in these ensouled landscapes. We hoped to find portals to the Otherworld in order to contact renewing, healing, transformative energies for us all, and especially for some friends with cancer. I wanted to learn how to enter the field of divinity, the aliveness of the EarthSpirit world’s interpenetrating energies, with awareness and respect. Interested in both geology and in our ancestors’ spiritual relationship with Rock, I knew this quest would involve a deeper meeting with rock beings in their many forms. When we arrived at a stone circle in southwest Ireland (whose Gaelic name means Edges of the Field) we were moved by the familiar experience of seeing that the circle overlooks a vast, beautiful landscape. Most stone circles seem to be in places of expansive power, part of a whole sacred landscape. To the north were the lovely Paps of Anu, the pair of breast-shaped hills, both over 2,000 feet high, named after Anu/Aine, the primary local fertility goddess of the region, or after Anu/Danu, ancient mother goddess of the supernatural beings, the Tuatha De Danann. The summits of both hills have Neolithic cairns, which look exactly like erect nipples. This c. 1500 BC stone circle would have drawn upon the power of the still-pervasive earlier mythology of the land as the Mother’s body. But today the tops of the hills were veiled in low, milky clouds, and we could only long for them to be revealed. -
CNI News Mar 23
March 23, 2019 ! EU president’s praise for Catholic teaching welcomed A call from European Commission President Jean-Claude Juncker for the EU to rediscover its Catholic roots is an invitation for politicians to bring Catholic values to bear in their work, Bishop Noel Treanor (above) of Down and Connor has said. [email protected] Page !1 March 23, 2019 Addressing the spring assembly of COMECE – the European bishops’ conference – Mr Juncker spoke effusively about the importance of Catholic social teaching, upon which the European project was founded in the aftermath of World War Two. “I am a fervent advocate of the social doctrine of the Church. It is one of the most noble teachings of our Church,” Mr Juncker said on March 14. “All of this is part of a doctrine that Europe does not apply often enough. I would like us to rediscover the values and guiding principles of the social teaching of the Church.” Speaking to The Irish Catholic, Bishop Treanor explained that Mr Juncker had been looking back on the achievements and challenges that have marked the European project over the last five years, looking ahead to the future. “He began by emphasising that this European project is inclusive, it doesn’t exclude anybody,” Dr Treanor said. “He quoted Pope John Paul II, saying it has two lungs – east and west – and went on to talk about the European Union being a peace-building project. “He emphasised the importance of that, mentioning that after some 60-70 years of European construction the permanent challenge of building, maintaining, and consolidating peace is something that escapes those who have not had the experience of war, and in terms of our relationships with our neighbours and in terms of internal tensions the importance of building true peace and security is foundational,” he said. -
An Introduction to Brigid Orlagh Costello What Will We Cover?
An Introduction to Brigid Orlagh Costello What will we cover? Pronunciation & spelling Who is Brigid? Practices and customs Practical Exercise Personal gnosis and practices Pronunciation and spelling Brig Bric Brigid Brigit Brighid Bríd Bridget Who is Brigid? Family Tree Cath Maige Tuired Cormac’s Glossary, Daughter(s) of the Dagda The Law Givers The Saint, the Abbess, the Christian times Personal gnosis and practices Family tree Daughter(s) of the Dagda No mother!! Brothers: Aengus Óg, Aed, Cermait Ruadán (Bres’ son, half Formorian, Caith Maigh Tuired) Sons of Tuireann (Brian, Iuchar and Iucharba) Cath Maige Tuired Cath Maige Tuired: The Second Battle of Mag Tuired (Author:[unknown]) section 125 But after the spear had been given to him, Rúadán turned and wounded Goibniu. He pulled out the spear and hurled it at Rúadán so that it went through him; and he died in his father's presence in the Fomorian assembly. Bríg came and keened for her son. At first she shrieked, in the end she wept. Then for the first time weeping and shrieking were heard in Ireland. (Now she is the Bríg who invented a whistle for signalling at night.) Caith Maige Tuired Communication Grief Mother Daughter(s) of the Dagda “Brigit the poetess, daughter of the Dagda, she had Fe and Men, the two royal oxen, from whom Femen is named. She had Triath, king of her boars, from whom Treithirne is named. With them were, and were heard, the three demoniac shouts after rapine in Ireland, whistling and weeping and lamentation.” (source: Macalister, LGE, Vol. 4, p. -
Myths and Legends of the Celtic Race by Thomas William Rolleston
The Project Gutenberg EBook of Myths and Legends of the Celtic Race by Thomas William Rolleston This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: Myths and Legends of the Celtic Race Author: Thomas William Rolleston Release Date: October 16, 2010 [Ebook 34081] Language: English ***START OF THE PROJECT GUTENBERG EBOOK MYTHS AND LEGENDS OF THE CELTIC RACE*** MYTHS & LEGENDS OF THE CELTIC RACE Queen Maev T. W. ROLLESTON MYTHS & LEGENDS OF THE CELTIC RACE CONSTABLE - LONDON [8] British edition published by Constable and Company Limited, London First published 1911 by George G. Harrap & Co., London [9] PREFACE The Past may be forgotten, but it never dies. The elements which in the most remote times have entered into a nation's composition endure through all its history, and help to mould that history, and to stamp the character and genius of the people. The examination, therefore, of these elements, and the recognition, as far as possible, of the part they have actually contributed to the warp and weft of a nation's life, must be a matter of no small interest and importance to those who realise that the present is the child of the past, and the future of the present; who will not regard themselves, their kinsfolk, and their fellow-citizens as mere transitory phantoms, hurrying from darkness into darkness, but who know that, in them, a vast historic stream of national life is passing from its distant and mysterious origin towards a future which is largely conditioned by all the past wanderings of that human stream, but which is also, in no small degree, what they, by their courage, their patriotism, their knowledge, and their understanding, choose to make it. -
Imbolc and the Season of Increasing Light
Welcome to Imbolc and the Season of Increasing Light Today we celebrate Imbolc. Some call this day Candlemas. We know this day as Bridget’s day. We honor her today and the women that tend her eternal fires. It is a time when mothers feel life moving inside. It is the time for seeds to be bursting from their shells or pods and begin sending out a shoot that will break through the cold earth to become a seedling. In some Christian services the priest or minister bless throats. The wheel has turned again and we find outsides looking for longer days and warmer times. The weather has turned snowy and sometimes it feels as if spring is a long time away. The days are so short and the cold weather seeps into your bones. Then you notice a tiny white or yellow or even purple head peeking up through the snow and you know spring is just around the corner. Everyone is looking for a place to get warm. This little one paid us a visit the other day in our bathtub. We still are not sure how he got there but he was very thirsty. Since Groundhog Day is also celebrated I included an old English song which explains about his shadow. If Candlemas be fair and bright, Come, Winter, have another flight; If Candlemas brings clouds and rain, Go Winter, and come not again. The maple trees in my yard have buds on them along with the hummingbird bushes. This is the quickening moon and in the Celtic calendar, Imbolc occurs during the Luis Ogham. -
To Architectural Drawings of Churches & Cathedrals
Index to Architectural Drawings of Churches & Cathedrals This index relates only to the Library's collection of miscellaneous architectural drawings. The Library also holds drawings for Christ Church Cathedral, Dublin (RCB Library C6), St Patrick's Cathedral, Dublin (RCB Library C2), James Pain's 6 vol. survey of churches in the province of cashel (RCB Library MS 138) and 4 volumes of Welland drawings (RCB Library MS 139) which are listed separately. Aashleagh Abbeylara Ardagh Abbeyleix Leighlin Abington Emly Achill Tuam Achill - Dugort Tuam Achonry Achonry Acton Armagh Adare Limerick Aghabulloge Cloyne Aghacon Killaloe Aghada Cloyne Aghadoey Derry Aghadrumsee Clogher Aghalee Dromore Aghavallen Ardfert Aghavea Clogher Aghavilly Armagh Aghmacart Ossory Aghoure Ossory Aglish Cork Aglishcloghane Killaloe Ahamplish Elphin Ahanagh Elphin Ahascragh Elphin Ahinagh Cloyne Ahogill Connor All Saints Raphoe Altadesert Armagh Anaghmore Armagh Aney Emly Annacloan Dromore Annagh Kilmore Annaghdown Tuam Annahilt Dromore Antrim Connor Ardagh Meath Ardbraccan Meath Ardcarne Elphin Ardclinis Connor Ardcolm Ferns Ardee Armagh Ardfert Ardfert Ardfinnan Lismore Ardglass Down Ardnageehy Cork Ardquin Down Ardrahan Kilmacduagh Ardstraw Derry Ardtrea Armagh Arklow Glendalough Arklow - Blomfield Glendalough Armagh Cathedral - St Patrick Armagh Armagh - St Mark Armagh Armoy Connor Ashfield Kilmore Athassal Cashel Athlacca Limerick Athleague Elphin Athlone - St Mary Meath Athlone - St Peter Elphin Athy Glendalough Augher Clogher Aughnamullen Clogher Aughrim Clonfert -
The Patriarchal Devaluation of the Irish Goddess, the Mor-Rioghan Kelley Flannery Rowan Florida International University, [email protected]
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 1-19-2005 Monstrum in femine figura : the patriarchal devaluation of the Irish goddess, the Mor-rioghan Kelley Flannery Rowan Florida International University, [email protected] DOI: 10.25148/etd.FI14030210 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the Religion Commons Recommended Citation Rowan, Kelley Flannery, "Monstrum in femine figura : the patriarchal devaluation of the Irish goddess, the Mor-rioghan" (2005). FIU Electronic Theses and Dissertations. 1058. https://digitalcommons.fiu.edu/etd/1058 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida MONSTRUM IN FEMINE FIGURA: THE PATRIARCHAL DEVALUATION OF THE IRISH GODDESS, THE MOR-RIOGHAN A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in RELIGIOUS STUDIES by Kelley Flannery Rowan 2005 To: Dean R. Bruce Dunlap College of Arts and Sciences This thesis, written by Kelley Flannery Rowan, and entitled Monstrum in Femine Figura: The Patriarchal Devaluation of the Irish Goddess, The Mor-rioghan, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved. Lesley Northup Erik Larson Christine Gudorf ajor Professor Date of Defense: January 19, 2005 The thesis of Kelley Flannery Rowan is approved. -
Kildare Town Walls
KILDARE TOWN WALLS CONSERVATION, INTERPRETATION & MANAGEMENT PLAN November 2014 © Howley Hayes Architects 2014 Howley Hayes Architects & CRDS Ltd. were commissioned by the Kildare Town Tourism Group, Kildare County Council and the Heritage Council to prepare a Conservation, Management & Interpretation Plan for the historic town defences of Kildare, Co. Kildare. The surveys on which this plan are based were undertaken in July and September 2014. We would like to thank; Bridget Loughlin, Peter Black and Mario Corrigan of Kildare County Council; Liam Mannix of the Irish Walled Towns Network; Joe Flanagan owner of the site of Kidlare Castle; Ken Dunne of Kildare Cathedral; Kildare Tourism Group members Frieda O’ Connell and Paul Lenehan and especially Tom Mc Cutcheon; for their time and valuable input in the preparation of this plan, together with all those who attended the public meeting and who provided useful feedback on the early drafts and supported the initiative. SUMMARY & CONCLUSIONS • Kildare is located fifty kilometres southwest of Dublin close to the M7, on the main road to Cork. It is situated on relatively high ground overlooking the Curragh plain to the east at ten kilometres equidistant from the rivers Barrow and Liffey. • It is arguably the oldest continuously occupied settlement in the country, in its possible origins as a pre- Christian shrine, in the form of a perpetual fire, dedicated to the Celtic deity, Brigid. • In the late fifth-century, St. Brigid founded a church and monastery on the site that flourished as an important pilgrimage site, and was recorded as being a city as early as the seventh century. -
Sacred-Outcast-Lyrics
WHITE HORSES White horses white horses ride the wave Manannan Mac Lir makes love in the cave The seed of his sea foam caresses the sand enters her womb and makes love to the land Manannan Mac Lir God of the Sea deep calm and gentle rough wild and free deep calm and gentle rough wild and free Her bones call him to her twice a day the moon drives him forward then takes him away His team of white horses shake their manes unbridled and passionate he rides forth again Manannan Mac Lir God of the Sea deep calm and gentle rough wild and free deep calm and gentle rough wild and free he’s faithful he’s constant its time to rejoice the salt in his kisses gives strength to her voice the fertile Earth Mother yearns on his foam to enter her deeply make love to the Crone Manannan Mac Lir God of the Sea deep calm and gentle rough wild and free deep calm and gentle deep calm and gentle deep calm and gentle deep calm and gentle deep calm and gentle Rough wild and free BONE MOTHER Bone Bone Bone Bone Mother Bone Bone Bone Crone Crone Crone Crone Beira Crone Crone Crone, Cailleach She stirs her cauldron underground Cerridwen. TRIPLE GODDESS Bridghid, Bride, Bree, Triple Goddess come to me Triple Goddess come to me Her fiery touch upon the frozen earth Releases the waters time for rebirth Bridghid Bride Bree Triple Goddess come to me Triple Goddess come to me Her mantle awakens snowdrops first Her fire and her waters sprout life in the earth Bridghid Bride Bree Triple Goddess come to me Triple Goddess come to me Imbolc is her season the coming of Spring Gifts of song and smithcraft and healing she brings Bridghid Bride Bree Triple Goddess come to me Triple Goddess come to me Triple Goddess come to me SUN GOD LUGH In days of old the stories told of the Sun God Lugh Born…… of the Aes Dana, half Fomorian too Sun God Sun God Sun God Lugh From Kian’s seed and Ethlin’s womb Golden threads to light the moon A boy to grow in all the arts To dance with Bride within our hearts Hopeful vibrant a visionary sight Creative gifts shining bright. -
Saint Brendan's Cathedral, Clonfert: Conservation Plan
HERITAGE CONSERVATION PLAN 4 4 HERITAGE CONSERVATION PLAN HERITAGE CONSERVATION PLAN CONSERVATION HERITAGE ST BRENDAN’S CATHEDRAL CLONFERT COUNTY GALWAY €15 COUNTY CATHEDRAL ST BRENDAN’S GALWAY ISSN 1393 – 68 08 AN THE CHOMHAIRLE HERITAGE OIDHREACHTA COUNCIL KILKENNY, IRELAND. TELEPHONE: +353 56 7770777. FAX: +353 56 7770788. E-MAIL: [email protected] AN THE CILL CHAINNIGH, ÉIRE. TEILEAFÓN: +353 56 7770777. FAICS: +353 56 7770788. E-MAIL: [email protected] CHOMHAIRLE HERITAGE www.heritagecouncil.ie OIDHREACHTA COUNCIL ST BRENDAN’S CATHEDRAL CLONFERT COUNTY GALWAY CONSERVATION PLAN Prepared by Dermot Nolan and Pat Ruane Conservation Consultants AN THE CHOMHAIRLE HERITAGE OIDHREACHTA COUNCIL NOTE: Copyright and reproduction rights belong to the Heritage Council. No part of this document may be reproduced, stored in a retrieval system, or transmitted in any form without the prior permission of the copyright owner. © An Chomhairle Oidhreachta / The Heritage Council 2004 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical including photocopying, recording, or any other information storage and retrieval system, now known or hereafter invented, without either the prior written consent of the publishers or licence permitting restricted copying in Ireland issued by the Irish Copyright Licencing Agency Ltd The Writers’ Centre 19 Parnell Square, Dublin 1 Published by the Heritage Council Designed and Produced by B. Magee Design Editorial Consultant: Roberta Reeners Photographs: Eoghan Ganly ISSN 1393 – 68 08 The Heritage Council of Ireland Series ISBN 1 901137 46 5 PRICE £15.00 2 C O N T E N T S FOREWORD 9 EXECUTIVE SUMMARY 10 ACKNOWLEDGEMENTS 11 HISTORICAL OVERVIEW 12 STATEMENT OF SIGNIFICANCE 31 CONSERVATION POLICIES 34 1. -
Volume 1, Issue 2, Samhain 2002
A newsletter of UWM’s Center for Celtic S tudies Volume 1, Issue 2 Samhain, 2002 Failte! Croeso! Mannbet! Kroesan! Welcome! The Center’s First Year Tosnu maith-leath na hoibre (well begun is half-done)! So goes the Irish seanfhocal (proverb) and it comes to mind when we look back over the past year. Nearly 500 students have taken courses in our program and five have already received their Celtic Studies Certificates. We’ve had 52 participants in our Study Abroad programs, including our ‘Saints, Scholars and Scoundrels’ tour. Two of our students (Brian Hart and Aislinn Gagliardi) received Irish Fest scholarships, and put them to good use during their summer studies in Ireland. Twelve of our students spent three glorious weeks in Donegal, learning Irish and studying the unique local culture, some went digging up the Celtic past in Germany. At the end of the academic year, my co-director Bettina Arnold took a well-deserved sabbatical, part of which will be spent developing our relationships in the Celtic regions. We’re all grateful for the tremendous inspiration and Co-directors John Gleeson and leadership she has provided in our first year. While she’s away, Jose Lanters has Jose Lanters kindly stepped in as co-director. Renowned for her scholarship and teaching of Irish literature, Jose currently chairs our Advisory Committee. In late spring, we carried out a successful and groundbreaking experiment in Distance Learning. It involved students and faculty from our program at UWM, and the Irish World Music Centre at U of Limerick. Nancy Walczyk continues to develop our relationship with the University of Limerick.