Volume 1, Issue 2, Samhain 2002
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Studies in Celtic Languages and Literatures: Irish, Scottish Gaelic and Cornish
e-Keltoi: Journal of Interdisciplinary Celtic Studies Volume 9 Book Reviews Article 7 1-29-2010 Celtic Presence: Studies in Celtic Languages and Literatures: Irish, Scottish Gaelic and Cornish. Piotr Stalmaszczyk. Łódź: Łódź University Press, Poland, 2005. Hardcover, 197 pages. ISBN:978-83-7171-849-6. Emily McEwan-Fujita University of Pittsburgh Follow this and additional works at: https://dc.uwm.edu/ekeltoi Recommended Citation McEwan-Fujita, Emily (2010) "Celtic Presence: Studies in Celtic Languages and Literatures: Irish, Scottish Gaelic and Cornish. Piotr Stalmaszczyk. Łódź: Łódź University Press, Poland, 2005. Hardcover, 197 pages. ISBN:978-83-7171-849-6.," e-Keltoi: Journal of Interdisciplinary Celtic Studies: Vol. 9 , Article 7. Available at: https://dc.uwm.edu/ekeltoi/vol9/iss1/7 This Book Review is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in e-Keltoi: Journal of Interdisciplinary Celtic Studies by an authorized administrator of UWM Digital Commons. For more information, please contact open- [email protected]. Celtic Presence: Studies in Celtic Languages and Literatures: Irish, Scottish Gaelic and Cornish. Piotr Stalmaszczyk. Łódź: Łódź University Press, Poland, 2005. Hardcover, 197 pages. ISBN: 978-83- 7171-849-6. $36.00. Emily McEwan-Fujita, University of Pittsburgh This book's central theme, as the author notes in the preface, is "dimensions of Celtic linguistic presence" as manifested in diverse sociolinguistic contexts. However, the concept of "linguistic presence" gives -
Landmark Cricklewood Irish Shop Closing for Good on Easter Sunday
4 | THE IRISH WORLD | 4 April 2015 NEWS & COMMENT Landmark Cricklewood Irish shop Irish World House, 934 North Circular Road, closing for good on Easter Sunday London NW2 7JR. Telephone: 020 8453 7800 rish newsagent Eddie “I’ve been around for 45 Brown will serve his years and I’d love to thank RTE’s DAB plans for last customer this all the customers,” he told Easter Sunday as he the Irish World. UK are squelched retires after 29 years. An online review of the IHis shop on Cricklewood shop by ‘Katie B’ in 2011 or some time ability of a DAB station Lane has become a hub of reads: now RTE has for a million or more the community, where he “Oh Eddie how I love you struggled to Irish living in the UK. stocks Irish newspapers and your selection of hide its But if it did it didn’t and food stuffs, and was as Barry's Irish tea! incomprehen - succeed as the broad - much of a place to catch up “Eddie is a lovely man sion and incredulity at cast regulator – which with locals then it was to do and treats you like an old some UK Irish people’s says the bids are your shopping. friend every time you go in. Freluctance to relin - assessed on the Eddie, 72, is well known “So if you're in the area quish listening to Long proposed service’s for having the chat as well, go on, pop in and say hello Wave. appeal to new tastes moving to Cricklewood Lane to Eddie and give Barry's tea The tone of its radio and interests – was after two separate stints on a whirl.” executives has ranged swayed by a business the Broadway too. -
Pilgrimage Stories: the Farmer Fairy's Stone
PILGRIMAGE STORIES: THE FARMER FAIRY’S STONE By Betty Lou Chaika One of the primary intentions of our recent six-week pilgrimage, first to Scotland and then to Ireland, was to visit EarthSpirit sanctuaries in these ensouled landscapes. We hoped to find portals to the Otherworld in order to contact renewing, healing, transformative energies for us all, and especially for some friends with cancer. I wanted to learn how to enter the field of divinity, the aliveness of the EarthSpirit world’s interpenetrating energies, with awareness and respect. Interested in both geology and in our ancestors’ spiritual relationship with Rock, I knew this quest would involve a deeper meeting with rock beings in their many forms. When we arrived at a stone circle in southwest Ireland (whose Gaelic name means Edges of the Field) we were moved by the familiar experience of seeing that the circle overlooks a vast, beautiful landscape. Most stone circles seem to be in places of expansive power, part of a whole sacred landscape. To the north were the lovely Paps of Anu, the pair of breast-shaped hills, both over 2,000 feet high, named after Anu/Aine, the primary local fertility goddess of the region, or after Anu/Danu, ancient mother goddess of the supernatural beings, the Tuatha De Danann. The summits of both hills have Neolithic cairns, which look exactly like erect nipples. This c. 1500 BC stone circle would have drawn upon the power of the still-pervasive earlier mythology of the land as the Mother’s body. But today the tops of the hills were veiled in low, milky clouds, and we could only long for them to be revealed. -
All Saints and All Souls Day? Are These Linked with Paganism and Halloween?
AALL SSAINTS AND AALL SSOULS St. Peter Catholic Church Faith Fact November 2017 By FATHER WILLIAM SAUNDERS What are the origins of All Saints and All Souls Day? Are these linked with paganism and Halloween? Both the Feast of All Saints and the Feast of All Souls evolved in the life of the Church independently of paganism and Halloween. However, elements of pagan practices were perhaps “baptized” by some cultures or attached themselves to the celebration of All Saints and All Souls. Let us first address the Feast of All Saints. The exact origins of this celebration are uncertain, although, after the legalization of Christianity in 313, a common commemoration of Saints, especially the martyrs, appeared in various areas throughout the Church. For instance in the East, the city of Edessa celebrated this feast on May 13; the Syrians, on the Friday after Easter; and the city of Antioch, on the first Sunday after Pentecost. Both St. Ephrem (d. 373) and St. John Chrysostom (d. 407) attest to this feast day in their preaching. In the West, a commemoration for all the saints also was celebrated on the first Sunday after Pentecost. The primary reason for establishing a common feast day was because of the desire to honor the great number of martyrs, especially during the persecution of Emperor Diocletion (284-305), the worst and most extensive of the persecutions. […T]here were not enough days of the year for a feast day for each martyr and many of them died in groups. A common feast day for all saints, therefore seemed most appropriate In 609, the Emperor Phocas gave the Pantheon in Rome to Pope Boniface IV, who rededicated it on May 13 under the title St. -
Celtic Thunder Legacy on Tour Across the US
ISSUE 25 VOLUME 5 Proudly Serving Celts in North America Since 1991 SEPTEMBER/OCTOBER 2016 THE BIGGEST Gaelic Games event in North America took place in Seattle on the weekend of September 2-4, 2016 with over 1,500 players and 85 teams from across the USA, Canada and the Caribbean competing. [Pictured above] Seattle Mayor Ed Murray [second from right] presents the Championship Trophy to Donie Breathnach, captain of the San Francisco Naomh Padraig hurling team after they won the North American Sen- ior Hurling Championship final. Pictured on the left is Seattle BREAKING GROUND by Norfolk, England artist, Rob Barnes. Police Chief Kathleen O’Toole and Irish Consul General Philip [Read more about the artist inside on page 2] Grant on the right. [Read more on pages 20, 21 & 23] Walking the Path at Samhain Into the Twilight of the Year OME would At Samhain, that path rises, careens, By CYNTHIA WALLENTINE motivates, tears down, and drives us on. argue that a Order is lost, but structure remains – it path that can- At Samhain, whose bonfires burn will push, drag, or pull even the ridicu- brightly at dusk on October 31, the year lously stubborn to their fate. not be seen descends to its finish. S Those not gripped entirely by the expe- does not ex- In the ashes of that same fire, on No- rience may instead find destiny, the con- ist. But vision is only one vember 1, the Celtic New Year is born, scious transformation of the cultivated IRELAND’S O’Donovan brothers are the latest Olympic Internet along with the winter season. -
Historical Background of the Contact Between Celtic Languages and English
Historical background of the contact between Celtic languages and English Dominković, Mario Master's thesis / Diplomski rad 2016 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: Josip Juraj Strossmayer University of Osijek, Faculty of Humanities and Social Sciences / Sveučilište Josipa Jurja Strossmayera u Osijeku, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:142:149845 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-09-27 Repository / Repozitorij: FFOS-repository - Repository of the Faculty of Humanities and Social Sciences Osijek Sveučilište J. J. Strossmayera u Osijeku Filozofski fakultet Osijek Diplomski studij engleskog jezika i književnosti – nastavnički smjer i mađarskog jezika i književnosti – nastavnički smjer Mario Dominković Povijesna pozadina kontakta između keltskih jezika i engleskog Diplomski rad Mentor: izv. prof. dr. sc. Tanja Gradečak – Erdeljić Osijek, 2016. Sveučilište J. J. Strossmayera u Osijeku Filozofski fakultet Odsjek za engleski jezik i književnost Diplomski studij engleskog jezika i književnosti – nastavnički smjer i mađarskog jezika i književnosti – nastavnički smjer Mario Dominković Povijesna pozadina kontakta između keltskih jezika i engleskog Diplomski rad Znanstveno područje: humanističke znanosti Znanstveno polje: filologija Znanstvena grana: anglistika Mentor: izv. prof. dr. sc. Tanja Gradečak – Erdeljić Osijek, 2016. J.J. Strossmayer University in Osijek Faculty of Humanities and Social Sciences Teaching English as -
History of Halloween
History of Halloween History of Halloween By ReadWorks Makayla gently placed her black witch’s hat on top of her black curls as she looked at herself in the mirror. Her mom had painted her skin green and outlined her eyes in purple paint. She wore tall, black boots underneath a long, purple dress. It was October 31st, and she was ready for trick‐or‐treating on Halloween night. “Makayyyla!” her mom called out from downstairs. Makayla’s two friends, Colden and Porter, had arrived. Colden stood in the doorway, his costume blowing in the wind. A white sheet hung over his head, and his eyes peered out from two cut‐out holes. Porter decided to dress like his favorite superhero, Batman. A black mask covered his face and a long cape trailed behind him. They carried plastic pumpkin bowls to collect candy later in the evening. The two boys greeted Makayla with equal levels of excitement. “Hi, Makayla!” Colden said. “You ready to go trick‐or‐treating?” Porter asked. She nodded her head and ran to grab her coat. “Let’s go, everyone!” her mom called out, and they all marched out the front door. All around them, children and parents walked from door to door in colorful costumes. Carved Jack‐o‐lanterns sat in front of houses, candles shimmering inside the orange pumpkins. A breeze blew past Makayla and her friends, making her shiver. The weather had just started to get colder. 1 © 2014 ReadWorks®, Inc. All rights reserved. History of Halloween Makayla remembered her class earlier that day, when her teacher talked about the origins of Halloween. -
Irish Renaissance (Chapter Seven of Other Renaissances: a New Approach to World Literature) Kathleen A
Digital Commons @ George Fox University Faculty Publications - Department of English Department of English 2006 Irish Renaissance (Chapter Seven of Other Renaissances: A New Approach to World Literature) Kathleen A. Heininge George Fox University, [email protected] Follow this and additional works at: https://digitalcommons.georgefox.edu/eng_fac Part of the European History Commons Recommended Citation Heininge, Kathleen A., "Irish Renaissance (Chapter Seven of Other Renaissances: A New Approach to World Literature)" (2006). Faculty Publications - Department of English. 70. https://digitalcommons.georgefox.edu/eng_fac/70 This Article is brought to you for free and open access by the Department of English at Digital Commons @ George Fox University. It has been accepted for inclusion in Faculty Publications - Department of English by an authorized administrator of Digital Commons @ George Fox University. For more information, please contact [email protected]. CHAPTER 7 Irish Renaissance Kathleen Heininge ritics have several names for the movement that took place in Ireland at the turn of the twentieth century. Each name seems to Csuggest a different interpretation of the events at that time, and each interpretation, in turn, reflects a different idea of Ireland’s relation- ship with the rest of the world. The Irish Revival, a term most often used to discuss the literary movement, implies that the greatness of a people can be resuscitated after it has been nearly lost, and is thus a term in keeping with a nationalist agenda. The Celtic Twilight, a term coined by W. B. Yeats, is a more sentimental and mystical rendering that suggests the illu- mination and reinterpretation of a previously underappreciated culture, and is a term in keeping with the transition from a romanticized concept of tradition to a modernist consciousness. -
Papers of Gemma Hussey P179 Ucd Archives
PAPERS OF GEMMA HUSSEY P179 UCD ARCHIVES [email protected] www.ucd.ie/archives T + 353 1 716 7555 © 2016 University College Dublin. All rights reserved ii CONTENTS CONTEXT Biographical History iv Archival History vi CONTENT AND STRUCTURE Scope and Content vii System of Arrangement ix CONDITIONS OF ACCESS AND USE Access xi Language xi Finding Aid xi DESCRIPTION CONTROL Archivist’s Note xi ALLIED MATERIALS Allied Collections in UCD Archives xi Published Material xi iii CONTEXT Biographical History Gemma Hussey nee Moran was born on 11 November 1938. She grew up in Bray, Co. Wicklow and was educated at the local Loreto school and by the Sacred Heart nuns in Mount Anville, Goatstown, Co. Dublin. She obtained an arts degree from University College Dublin and went on to run a successful language school along with her business partner Maureen Concannon from 1963 to 1974. She is married to Dermot (Derry) Hussey and has one son and two daughters. Gemma Hussey has a strong interest in arts and culture and in 1974 she was appointed to the board of the Abbey Theatre serving as a director until 1978. As a director Gemma Hussey was involved in the development of policy for the theatre as well as attending performances and reviewing scripts submitted by playwrights. In 1977 she became one of the directors of TEAM, (the Irish Theatre in Education Group) an initiative that emerged from the Young Abbey in September 1975 and founded by Joe Dowling. It was aimed at bringing theatre and theatre performance into the lives of children and young adults. -
NEWS RELEASE Umass Amherst Fine Arts Center
NEWS RELEASE UMass Amherst Fine Arts Center www.fineartscenter.com CONTACT: Shawn Farley at 413-545-4159 or [email protected] FOR IMMEDIATE RELEASE: November 19, 2007 WHAT: UMass FINE ARTS CENTER Center Series presents: Cherish the Ladies- A Celtic Christmas Celebration WHEN: Wednesday, December 12, 7:30pm WHERE: Fine Arts Center Concert Hall University of Massachusetts Amherst Call 1-800-999-UMAS or 545-2511 for tickets or go online to www.fineartscenter.com/tickets IMAGES: To download images relating to this press release please go online to http://www.umass.edu/fac/centerseries/pressreleases/photo.html (Cherish the Ladies to Bring Celtic Christmas Charm to UMass Fine Arts Center) With their spectacular blend of instrumental talents, beautiful vocals, captivating arrangements and stunning step dancing, Cherish the Ladies combines all facets of Celtic culture in an immensely warm, humorous and entertaining event-- the perfect complement to our New England winter chill. Cherish the Ladies will be performing Wednesday, December 12 at 7:30pm in the Fine Arts Center Concert Hall. This powerhouse group features Grammy Award winner Joanie Madden on whistle, flute and vocals; Mary Coogan on guitar, mandolin and banjo; Heidi Talbot on vocals and bodhrãn; Mirella Murray on accordion piano; and Roisín Dillon on fiddle. Joining the Ladies for this concert are Kathleen Boyle on the accordion and piano, Dan Stacey on fiddle and step dancing, and Eileen Golden, Michael Boyle And Noelle Curran performing the traditional step dancing. The Ladies have done several highly successful Celtic Christmas tours over the past few years. The holiday presentation has quickly become a very popular attraction, in addition to their free-wheeling and funny, fast and furious musical evenings for which they are known worldwide. -
Understanding Celtic Religion: Revisiting the Pagan Past Edited by Katja Ritari & Alexandra Bergholm
4 (2017) Book Review 1: 1-4 Understanding Celtic Religion: Revisiting the Pagan Past Edited by Katja Ritari & Alexandra Bergholm. Cardiff: University of Wales Press, 2015. 181 pages, £95.00, ISBN (hardcover) 978-1-78316-792-0 REVIEW BY: PHILIP FREEMAN License: This contribution to Entangled Religions is published under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Public License (CC BY-NC-ND 4.0 International). The license can be accessed at http://creativecommons.org/licenses/ by-nc-nd/4.0/ or is available from Creative Commons, 559 Nathan Abbot Way, Stanford, California 94305, USA. © 2017 Philip Freeman Entangled Religions 4 (2017) ISSN 2363-6696 http://dx.doi.org/10.13154/er.v4.2017.1-4 Understanding Celtic Religion: Revisiting the Pagan Past Understanding Celtic Religion: Revisiting the Pagan Past Edited by Katja Ritari & Alexandra Bergholm. Cardiff: University of Wales Press, 2015. 181 pages, £95.00, ISBN (hardcover) 978-1-78316-792-0 REVIEW BY: PHILIP FREEMAN The modern scholarly and popular fascination with the myths and religion of the early Celts shows no signs of abating—and with good reason. The stories of druids, gods, and heroes from ancient Gaul to medieval Ireland and Wales are among the best European culture has to offer. But what can we really know about the religion and mythology of the Celts? How do we discover genuine pre-Christian beliefs when almost all of our evidence comes from medieval Christian authors? Is the concept of “Celtic” even a valid one? These and other questions are addressed ably in this short collection of papers by some of the leading scholars in the field of Celtic studies. -
THE JOHN BYRNE BAND the John Byrne Band Is Led by Dublin Native and Philadelphia-Based John Byrne
THE JOHN BYRNE BAND The John Byrne Band is led by Dublin native and Philadelphia-based John Byrne. Their debut album, After the Wake, was released to critical acclaim on both sides of the Atlantic in 2011. With influences ranging from Tom Waits to Planxty, John’s songwriting honors and expands upon the musical and lyrical traditions of his native and adopted homes. John and the band followed up After the Wake in early 2013 with an album of Celtic and American traditional tunes. The album, Celtic/Folk, pushed the band on to the FolkDJ Charts, reaching number 36 in May 2015. Their third release, another collection of John Byrne originals, entitled “The Immigrant and the Orphan”, was released in Sept 2015. The album, once again, draws heavily on John’s love of Americana and Celtic Folk music and with the support of DJs around the country entered the FolkDJ Charts at number 40. Critics have called it “..a powerful, deeply moving work that will stay with you long after you have heard it” (Michael Tearson-Sing Out); “The Vibe of it (The Immigrant and the Orphan) is, at once, as rough as rock and as elegant as a calm ocean..each song on this album carries an honesty, integrity and quiet passion that will draw you into its world for years to come” (Terry Roland – No Depression); “If any element of Celtic, Americana or Indie-Folk is your thing, then this album is an absolute yes” (Beehive Candy); “It’s a gorgeous, nostalgic record filled with themes of loss, hope, history and lost loves; everything that tugs at your soul and spills your blood and guts…The Immigrant and the Orphan scorches the earth and emerges tough as nails” (Jane Roser – That Music Mag) The album was released to a sold-out crowd at the storied World Café Live in Philadelphia and 2 weeks later to a sold-out crowd at the Mercantile in Dublin, Ireland.