Timeline for Wagner's Ring: Forging an Epic

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TIMELINE FOR WAGNER'S RING: FORGING AN EPIC 1848 Begins work on the prose draft and libretto for the Ring 9 May 1849 Flees Dresden because of his involvement in revolutionary uprisings 1851 Completes treatise Oper und Drama 1852 Completes Ring poem 1853 Has 50 copies of Ring poem privately printed 1 November 1853 Begins music draft of Rheingold 28 June 1854 Begins complete draft of Die Walküre (full score completed 23 March 1856) September 1856 Begins composition of Siegfried 9 August 1857 Interrupts composition of Siegfried for work on Tristan und Isolde (completed 6 August 1859) 28 March 1862 Is granted full amnesty for his participation in the Dresden uprising 1863 Ring poem is commercially published 10 March 1864 Ludwig becomes king of Bavaria 4 May 1864 Meets his patron, King Ludwig II of Bavaria, for the first time 10 December 1865 Leaves Munich by order of the king 21 June 1868 Die Meistersinger von Nürnberg premieres in Munich 1 March 1869 Resumes work on Siegfried (completed 5 February 1871) 22 September 1869 Das Rheingold premieres in Munich 26 June 1870 Die Walküre premieres in Munich 12 May 1871 Announces plans for an opera house in Bayreuth April 1872 Moves to Bayreuth 22 May 1872 Foundation stone is laid for Festival Theater 1872 Takes on Anton Seidl as an assistant 3 May 1873 Begins work on full score of Götterdämmerung 21 November 1874 Finishes music for the Ring Summer1875 Rehearsals for the Ring begin 13-17 August 1876 Bayreuth premiere of the Ring cycle 2 April 1877 Die Walküre has New York premiere at the Academy of Music 9 November 1887 Siegfried has New York premiere at the Metropolitan Opera 25 January 1888 Götterdämmerung has New York premiere at the Metropolitan Opera 4 January 1889 Das Rheingold has New York premiere at the Metropolitan Opera 14-11 March 1889 The Ring cycle has New York premiere at the Metropolitan Opera.

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DER RING DES NIBELUNGEN Bayreuth 1976-1980 Eine Betrachtung der Inszenierung von Patrice Chéreau und eine Annäherung an das Gesamtkunstwerk Magisterarbeit in der Philosophischen Fakultät II (Sprach- und Literaturwissenschaften) der Friedrich-Alexander-Universität Erlangen-Nürnberg vorgelegt von Jochen Kienbaum aus Gummersbach Der Ring 1976 - 1980 Inhalt Vorbemerkung Im Folgenden wird eine Zitiertechnik verwendet, die dem Leser eine schnelle Orientierung ohne Nachschlagen ermöglichen soll und die dabei gleichzeitig eine unnötige Belastung des Fußnotenapparates sowie über- flüssige Doppelnachweise vermeidet. Sie folgt dem heute gebräuchlichen Kennziffernsystem. Die genauen bibliographischen Daten eines Zitates können dabei über Kennziffern ermittelt werden, die in Klammern hinter das Zitat gesetzt werden. Dabei steht die erste Ziffer für das im Literaturverzeichnis angeführte Werk und die zweite Ziffer (nach einem Komma angeschlossen) für die Seitenzahl; wird nur auf eine Seitenzahl verwiesen, so ist dies durch ein vorgestelltes S. erkenntlich. Dieser Kennziffer ist unter Umständen der Name des Verfassers beigegeben, soweit dieser nicht aus dem Kontext eindeutig hervorgeht. Fußnoten im Text dienen der reinen Erläuterung oder Erweiterung des Haupttextes. Lediglich der Nachweis von Zitaten aus Zeitungsausschnitten erfolgt direkt in einer Fußnote. Beispiel: (Mann. 35,145) läßt sich über die Kennziffer 35 aufschlüs- seln als: Thomas Mann, Wagner und unsere Zeit. Aufsätze, Betrachtungen, Briefe. Frankfurt/M. 1983. S.145. Ausnahmen - Für folgende Werke wurden Siglen eingeführt: [GS] Richard Wagner, Gesammelte Schriften und Dichtungen in zehn Bän- den. Herausgegeben von Wolfgang Golther. Stuttgart 1914. Diese Ausgabe ist seitenidentisch mit der zweiten Auflage der "Gesammelten Schriften und Dichtungen" die Richard Wagner seit 1871 selbst herausgegeben hat. Golther stellte dieser Ausgabe lediglich eine Biographie voran und einen ausführlichen Anmerkungs- und Registerteil nach.
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