On the Term 'Minoan' Before Evans's Work in Crete (1894)*
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Contacts: Crete, Egypt, and the Near East Circa 2000 B.C
Malcolm H. Wiener major Akkadian site at Tell Leilan and many of its neighboring sites were abandoned ca. 2200 B.C.7 Many other Syrian sites were abandoned early in Early Bronze (EB) IVB, with the final wave of destruction and aban- donment coming at the end of EB IVB, Contacts: Crete, Egypt, about the end of the third millennium B.c. 8 In Canaan there was a precipitous decline in the number of inhabited sites in EB III— and the Near East circa IVB,9 including a hiatus posited at Ugarit. In Cyprus, the Philia phase of the Early 2000 B.C. Bronze Age, "characterised by a uniformity of material culture indicating close connec- tions between different parts of the island"10 and linked to a broader eastern Mediterra- This essay examines the interaction between nean interaction sphere, broke down, per- Minoan Crete, Egypt, the Levant, and Ana- haps because of a general collapse of tolia in the twenty-first and twentieth cen- overseas systems and a reduced demand for turies B.c. and briefly thereafter.' Cypriot copper." With respect to Egypt, Of course contacts began much earlier. Donald Redford states that "[t]he incidence The appearance en masse of pottery of Ana- of famine increases in the late 6th Dynasty tolian derivation in Crete at the beginning and early First Intermediate Period, and a of Early Minoan (EM) I, around 3000 B.C.,2 reduction in rainfall and the annual flooding together with some evidence of destructions of the Nile seems to have afflicted northeast and the occupation of refuge sites at the time, Africa with progressive desiccation as the suggests the arrival of settlers from Anatolia. -
Seafaring Traders
3 Seafaring Traders MAIN IDEA WHY IT MATTERS NOW TERMS & NAMES ECONOMICS Trading societies Traders spread knowledge of • Minoans • King Minos extended the development of reading and writing, including • Aegean Sea • Phoenicians civilizations beyond the Fertile an ancient form of the alphabet • Knossos Crescent region. that we use today. SETTING THE STAGE Buddhism spread to Southeast Asia and to East Asia mainly through Buddhist traders. In the Mediterranean, the same process took place: traders in the region carried many new ideas from one society to another. They carried new ways of writing, of governing, and of worshiping their gods. Minoans Trade in the Mediterranean A powerful seafaring people, the Minoans (mih•NOH•uhnz) dominated trade in TAKING NOTES the eastern Mediterranean from about 2000 to 1400 B.C. They lived on Crete, a Use the graphic organizer large island on the southern edge of the Aegean Sea (ee•JEE•uhn). The Minoans online to take notes on produced some of the finest painted pottery of the time. They traded that pottery, the accomplishments of the Minoans and along with swords, figurines, and vessels of precious metals, over a large area. Phoenicians. Along with their goods, Minoans also exported their art and culture. These included a unique architecture, burial customs, and religious rituals. Minoan culture had a major influence on Greece, for example. Trading turned Crete into a “stepping stone” for cultural exchange throughout the Mediterranean world. Archaeologists in the Unearthing a Brilliant Civilization G R E A late 19th and early 20th centuries excavated Knossos, the e ANATOLIA E g C e a E n Minoan capital city. -
Classical Greece and the Hellenistic World
P a g e | 1 CLASSICAL GREECE AND THE HELLENISTIC WORLD Text prepared by Erdal Yavuz Ancient Greece as “the Ancestor”! "Yet this entire body of peoples(of the East) In the Greek city states by 5th century B.C. and in Rome by remains excluded from our conside 2nd century B.C. slavery became a dominant form. It was the ration, because hitherto it has not high number of slaves used in all production that permitted a appeared as an independent element in the "freedom" and "democracy" to a non-laboring population. series of phases that Reason has assumed However these systems couldn't reproduce themselves due to in the world" the lack of incentive for productivity and invention which also Hegel, The Philosophy of History. caused their rapid disintegration and evolution to other systems. Most historical observations as well as Classical Greece and the Hellenistic World: contemporary approaches revolve around the structural A Brief Survey as well as cultural and ideological differences between east “Classical Greece” till now is considered as a and west. Even today the prediction on a certain “clash of cultural ancestor of “the” Western Civilization. It is a civilizations” is somehow based on this long-lasting tradition continued by the Roman culture, Islamic approach to “the other”. science and philosophy, “rediscovered” by the From the start of history “the East” was the Renaissance and so forth. Greek culture itself was based advanced region with prosperous cities, developed on the heritage of Minoa, Mycenae as well as Egypt and economy within relatively centralized states. On the other the other Middle Eastern civilizations. -
ANCIENT TERRACOTTAS from SOUTH ITALY and SICILY in the J
ANCIENT TERRACOTTAS FROM SOUTH ITALY AND SICILY in the j. paul getty museum The free, online edition of this catalogue, available at http://www.getty.edu/publications/terracottas, includes zoomable high-resolution photography and a select number of 360° rotations; the ability to filter the catalogue by location, typology, and date; and an interactive map drawn from the Ancient World Mapping Center and linked to the Getty’s Thesaurus of Geographic Names and Pleiades. Also available are free PDF, EPUB, and MOBI downloads of the book; CSV and JSON downloads of the object data from the catalogue and the accompanying Guide to the Collection; and JPG and PPT downloads of the main catalogue images. © 2016 J. Paul Getty Trust This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042. First edition, 2016 Last updated, December 19, 2017 https://www.github.com/gettypubs/terracottas Published by the J. Paul Getty Museum, Los Angeles Getty Publications 1200 Getty Center Drive, Suite 500 Los Angeles, California 90049-1682 www.getty.edu/publications Ruth Evans Lane, Benedicte Gilman, and Marina Belozerskaya, Project Editors Robin H. Ray and Mary Christian, Copy Editors Antony Shugaar, Translator Elizabeth Chapin Kahn, Production Stephanie Grimes, Digital Researcher Eric Gardner, Designer & Developer Greg Albers, Project Manager Distributed in the United States and Canada by the University of Chicago Press Distributed outside the United States and Canada by Yale University Press, London Printed in the United States of America Library of Congress Cataloging-in-Publication Data Names: J. -
Diachronic Homer and a Cretan Odyssey
Oral Tradition, 31/1 (2017):3-50 Diachronic Homer and a Cretan Odyssey Gregory Nagy Introduction I explore here the kaleidoscopic world of Homer and Homeric poetry from a diachronic perspective, combining it with a synchronic perspective. The terms synchronic and diachronic, as I use them here, come from linguistics.1 When linguists use the word synchronic, they are thinking of a given structure as it exists in a given time and space; when they use diachronic, they are thinking of that structure as it evolves through time.2 From a diachronic perspective, the structure that we know as Homeric poetry can be viewed, I argue, as an evolving medium. But there is more to it. When you look at Homeric poetry from a diachronic perspective, you will see not only an evolving medium of oral poetry. You will see also a medium that actually views itself diachronically. In other words, Homeric poetry demonstrates aspects of its own evolution. A case in point is “the Cretan Odyssey”—or, better, “a Cretan Odyssey”—as reflected in the “lying tales” of Odysseus in the Odyssey. These tales, as we will see, give the medium an opportunity to open windows into an Odyssey that is otherwise unknown. In the alternative universe of this “Cretan Odyssey,” the adventures of Odysseus take place in the exotic context of Minoan-Mycenaean civilization. Part 1: Minoan-Mycenaean Civilization and Memories of a Sea-Empire3 Introduction From the start, I say “Minoan-Mycenaean civilization,” not “Minoan” and “Mycenaean” separately. This is because elements of Minoan civilization become eventually infused with elements we find in Mycenaean civilization. -
Stasis, Political Change and Political Subversion in Syracuse, 415-305 B.C
'STASIS', POLITICAL CHANGE Al']]) POLITICAL SUBVERSION IN SYRACUSE, 415-305 B.C. by DAVID JOHN BETTS, B.A.(Hons.) Submitted in fulfilment of the requirements for the degree of Master of Arts UNIVERSITY OF TASMANIA HOBART October 1980 To the best of my knowledge and belief, this thesis contains no material which has been accepted for the award of any other degree or diploma in any university, and contains no copy or paraphrase of material previously published or written by another person, except when due reference is made in the text of the thesis. Signed : (iii) CONTENTS Abstract iv Principal Ancient Texts vi Abbreviations, Textual Note vii INTRODUCTION : Scope and Intention of Thesis 1 CHAPTER 1 : Revolutionary Change and the Preservation of Constitutions CHAPTER 2 : The Nature and Method of Revolutionary Change and Political Subversion in Syracuse, 415-305 B.C. 45 CHAPTER 3 : Political Problems and the Role of the Leader in Syracuse, 415-305 B.C. 103 CHAPTER 4 : The Effect of Socio—Economic Conditions 151 CHAPTER 5 : Conclusion 180 APPENDIX : A Note on the Sources for Sicilian History 191 Footnotes 202 Tables 260 Maps 264 Bibliography 266 Addendum 271 (iv) ABSTRACT The thesis examines the phenomena of opr71-4,/5 , political change and political subversion in Syracuse from 415 to 305 B.C. The Introductory Chapter gives a general outline of the problems in this area, together with some discussion of the critical background. As the problems involved with the ancient sources for the period under discussion lie outside the mainstream of the thesis, these have been dealt with in the form of an appendix. -
Stone Age Seafaring in the Mediterranean 147 Athens at Studies
Hesperia Hesperia The Journal of the American School Athens of Classical Studies at Athens at Volume 79: number 2, April–June number 2, 2010 79: Volume Volume 79: number 2 April–June 2010 Studies Classical of School American The 2010 Copyright pages 145–304 pages American School of Classical Studies at Athens 2010 0018-098X(201006)79:2;1-H hesperia Tracey Cullen, Editor Hesperia Supplements Editorial Advisory Board 1 S. Dow, Prytaneis: A Study of the Inscriptions Honoring the Athenian Councillors (1937) Carla M. Antonaccio, Duke University 2 R. S. Young, Late Geometric Graves and a Seventh-Century Well in the Agora (1939) Angelos Chaniotis, Oxford University 3 G. P. Stevens, The Setting of the Periclean Parthenon (1940) Jack L. Davis, American School of Classical Studies at Athens 4 H. A. Thompson, The Tholos of Athens and Its Predecessors (1940) 5 W. B. Dinsmoor, Observations on the Hephaisteion (1941) A. A. Donohue, Bryn Mawr College 6 J. H. Oliver, The Sacred Gerusia (1941) Jan Driessen, Université Catholique de Louvain 7 G. R. Davidson and D. B. Thompson, Small Objects from the Pnyx: I (1943) Marian H. Feldman, University of California, Berkeley 8 Commemorative Studies in Honor of Theodore Leslie Shear (1949) Gloria Ferrari Pinney, Harvard University 9 J. V. A. Fine, Horoi: Studies in Mortgage, Real Security, and Land Tenure in Ancient Athens Sherry C. Fox, American School of Classical Studies at Athens (1951) 10 L. Talcott, B. Philippaki, G. R. Edwards, and V. R. Grace, Small Objects from the Pnyx: II (1956) Athens Thomas W. Gallant, University of California, San Diego 11 J. -
Ege'nin Iki Yakasinda Yay Sesleri1
Cilt-Volume: 2 | Sayı-Issue: 2 | Sayfa-Page: 343-356 | Güz-Fall | Yıl-Year: 2017 IBAD, 2017; 2(2):343-356 Geliş tarihi/First received: 29.04.2017 Kabul tarihi/Accepted: 15.07.2017 EGE’NİN İKİ YAKASINDA YAY SESLERİ1 Doç. Dr. Gözde Çolakoğlu SARI2 Özet Tarih süzgecinden geçerek kuşaktan kuşağa aktarılan kültürel öğelerden olan, müzik yapmak amacıyla kullanılan ve ses çıkaran nesneler şeklinde tarif edilebilen çalgılar, toplumların kültürel varlıklarını ayakta tutan temel direklerdendir. Bu temsili özellikleri onların farklı kültür ve coğrafyalarda, farklı işlevlerle çalınmasına sebep olmuştur. Çalındıkları toplumlara özgü özellikleri kendi kimliklerine yerleştirdikleri için; pek çok ülke, bölge ve yöreyle özdeşleşmiş ve bölgesel ve yöresel özellikleri üzerlerinde taşır hale gelmişlerdir. Bu özellikler bağlamında; tellere tırnak teması suretiyle çalınan ve armudî biçime sahip yaylı çalgı incelendiğinde; aynı çalgı tipinin farklı kimlik, işlev ve özelliklerle Ege’nin iki yakasında icra edildiği görülmektedir. Ege Denizindeki Yunanistan adalarından Atina ve Selanik’e, İstanbul’dan İzmir, Fethiye, Antalya ve Burdur’a kadar geniş bir coğrafyada çalınan çalgı; bölgesine göre kâh lyra, kâh kemençe, kâh Yörük kemanesi olur. Bölge genişletilecek olunursa, Ege Denizi’nin paralelinde Akdeniz’e kavuşan Adriyatik’e kıyısı olan Hırvatistan’ın Dubrovnik şehrinde lyrica olarak görülen çalgı, Bulgaristan’da gadulka, Türkiye’nin Batı Karadeniz bölgesinde ise tırnak kemane adını alır. Bu makalede köklü bir tarihe ve geniş bir coğrafi konuma sahip olan söz konusu çalgının, Ege’nin iki yakasında icra edilen versiyonları karşılaştırmalı olarak incelenecektir. Çalgılar iş gördükleri müzik türleri, tarihi ve coğrafi yakınlıkları ve ortak bir mirasa sahip olmalarının getirdiği sonuçlar bağlamında araştırılacak, ses renkleri, yapıları, icra tarzları ve aralarındaki etkileşimler irdelenecektir. -
Crete – Under the Grecian
FOR IMMEDIATE RELEASE: email: [email protected] & [email protected] From the producers of the #1 New York Times’ about.com Culinary-Travel Gift choice, A Greek Islands Destination Cooking Class. Crete – Under the Grecian Sun A Romantic Culinary-Travel Journey Documentary with The Goddess and the Greek® filmed on the Greek Island of Crete Total Run Time: 58 minutes Available on DVD or streaming – Watch FREE streaming on TV/Online with Amazon Prime Video subscription or from $0.99+ (non-subscribers). Try Amazon Prime Video for Free! Opening Night Selection at London Greek Film Festival and Los Angeles Taste Award Audience Nominee. “Cynthia Daddona skillfully hosts this romantic culinary-travel journey and her improvisational comedic talents also shine through making for a very entertaining program.” – Hellenic Journal “I just watched your documentary Crete – Under the Grecian Sun this afternoon and I enjoyed it very much. The writing, editing and hosting are quite good and its fun to watch.” -- Larry Sakin, Exec. Producer – Being George Clooney “Crete - Under the Grecian Sun gives an overview of how to live the Mediterranean lifestyle, where to stay while in Greece, the sightseeing that's a must, and it's so informative without being a stuffy documentary. If you want to explore Greece and it's culture, this is a great starting point. Cynthia Daddona's presentation is warm, friendly and just plain fun! You can almost smell the food, feel the ocean lapping at your feet and the breeze blowing against your skin.” - K.L., Arizona Just for a moment, imagine one day you are sitting at a waterfront restaurant table overlooking the Aegean blue Mediterranean sea while a warm gentle breeze lightly caresses your face. -
Federico Halbherr and Arthur Evans: an Archaeological Correspondence (1894-1917) ,'
FEDERICO HALBHERR AND ARTHUR EVANS: AN ARCHAEOLOGICAL CORRESPONDENCE (1894-1917) ,', by NICOLETIA MOMIGLIANO INTRODUCTION This article presents the surviving correspondence between Federico Halbherr (1857-1930) and Arthur John Evans (1851-1941), two towering figures in the history of Cretan archaeology I , Halbherr's extensive * I should like to thank the Accademia Roveretana degli Agiati and the Evans Trust for permission to study and publish these letters. I am very grateful to Gianmario Baldi and Paolo Mazzetti (Biblioteca Civica G. Tartarotti di Rovereto); Elena Sorge (Scuola Normale Superiore di Pisa); Alberto G. Benvenuti (Scuola Archeologica Italiana di Atene); Roger Moorey, Sue Sherratt and Michael Vickers (Ashmolean Museum) for facilitating the study of this material. Dr Baldi's kindness and help have been especially appreciated. P. W. Moss, Head Clerk, and Alice Blackford, Assistant Keeper of the Archives, at the University of Oxford kindly provided information on Os man Hamdy Bey's honorary degree. Rachel Pownall (Library of the Royal Institute of British Architects) helped with information on Christian Doll. I am especially grateful to Pietro Militello and Vincenzo La Rosa for providing useful information and interesting discussions on various aspects of Halbherr's life; to Yannis Hamilakis for useful comments and suggestions on a draft of this paper, and for lending me Petrakos's volume on Greek Archaeological legislation; and to Peter Day for information on the site of Galana Kharakia (Tavernes). Last but not least, Roger H. Lonsdale helped me to decipher a few words in Evans's letters and improved my English. 'On Federico Halbherr see Pernier 1930; Della Seta 1931; De Sanctis 1970 esp. -
Foundation Rituals and the Culture of Building in Ancient Greece
FOUNDATION RITUALS AND THE CULTURE OF BUILDING IN ANCIENT GREECE Gloria R. Hunt A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Art. Chapel Hill 2006 Approved by Advisor: Donald C. Haggis Reader: Jaroslav Folda Reader: Robin F. Rhodes Reader: G. Kenneth Sams Reader: Mary C. Sturgeon ©2006 Gloria R. Hunt ii ABSTRACT GLORIA R. HUNT: Foundation Rituals and the Culture of Building in Ancient Greece (Under the direction of Donald C. Haggis) This dissertation examines the evidence for foundation rituals in post-Bronze Age Greece while investigating their function and meaning in ancient Greek culture. Foundation rituals are prescribed rites known throughout the ancient Mediterranean that marked the initiation of a buildings’ construction, usually with a combination of prayer, sacrifice, and the burial of foundation deposits containing offerings of various types and/or sacrificial material. These distinctive deposits were ritually interred during the beginning stages of construction, usually within the fabric of the structure itself. The discovery of foundation deposits in association with cult architecture from all over the ancient Greek world and from every historical period attests that foundation rituals were regular features of sacred building. This dissertation presents all published foundation deposits in their archaeological contexts and identifies patterns in placement, method of deposition, type of material deposited, and geographic distribution. Reconstructed from the archaeological evidence, ancient Greek foundation rituals are related to the broader history of foundation rituals in the ancient Mediterranean, especially to the traditions of Egypt and Mesopotamia. -
Eтнолошко-Антропoлошке Свеске 19, (Н.С.) 8 (2012)
Оригинални научни рад УДК:793.3:316.7(495.9)(091) Maria Hnaraki [email protected] Cretan Identity through its Dancing History Apstract: Dances are threads that have fashioned the fabric of Cretan society since ancient times. Histories are being performed to show the concrete links between past and present and are thus transformed into living communal memories which constitute a rich source of knowledge and identity, speaking for a poetics of Cretanhood. Key words: Crete, identity, dance, mytho-musicology, dancing history Prelude Crete, a Mediterranean island, serves as a connecting link between the so-called East and West. Located at the crossroads between three conti- nents, Europe, Africa and Asia, Crete has also embraced many influences (such as Arab, Venetian, and Turkish). Its forms of musical expression ha- ve been interpreted historically and connected to the fight, the resistance and the numerous rebellions against the Turks (particularly in reference to what is widely perceived in Greece as a “tainted” Ottoman past), who lan- ded on the island in 1645, conquered it in 1669 and controlled it until 1898. In more recent times, an active resistance was raised against the Ger- man invasion during the Second World War. During such periods, in order to claim their land, Cretans sang and danced (Hnaraki 2011, forthcoming). Cretan dances function as threads that have fashioned the fabric of Cre- tan society since ancient times, providing authentic evidence of the continu- ity of Crete’s popular tradition and rhythm. Despite modernization, which can be found in many places all over Greece and Crete, especially nowadays, dance is still a common means of expression for most Cretan people (Hnara- ki 1998, 63).