University of Split Faculty of Philosophy

Total Page:16

File Type:pdf, Size:1020Kb

University of Split Faculty of Philosophy University of Split Faculty of philosophy POSTGRADUATE DOCTORAL STUDIES IN HUMANITIES Split, 2010. 2 CONTENTS: 1. INTRODUCTION 1.1. Reasons for establishing doctoral studies 1.2. Evaluation of studies’ purposefulness 1.3. Establishment of cooperative research and thereupon based education 1.4. Comparability with foreign universities programmes, especially with those from the EU 1.5. Former experiences 1.6. Studies' openness according to students' mobility 1.7. The possibility of the studies associating with the foreign universities into joint study programmes 2. GENERAL PART 2.1. The name of the studies 2.2. Head and associate institutions 2.3. Institutional development strategies 2.4. The innovativeness of the studies 2.5. Enrolment requirements 2.6. Criteria and selection of candidates 2.7. Competences, development and employment possibilities 3. PROGRAMME DESCRIPTION 3.1. Studies' structure and organization 3.2. Modules, hours, and ECTS credit 3.2.1. Schematic plan of studies with courses, numbers of hours and ECTS points 3.2.2. Joint programme of the studies: a table of studies, courses, heads of studies and ECTS points. 3.2.3. Module programmes: a table of courses, hours and ECTS points 3.3. Required and elective activities (attendance at seminars, conferences, round tables etc. 3.4. Students' obligations and rhythm of studying 3.5. Courses description with head names 3.5.1. General and joint elective courses 3.5.2. Course descriptions 3.6. Guidance and mentoring system, the selection of candidates, obligations of mentors in regard to students and their doctoral theses 3.7. List of courses and/or modules available to our students from other postgraduate doctoral and specialist study programmes 3.8. List of courses and/or modules available in foreign languages 3.9. Criteria and ECTS credit transferral conditions 3.10. Conditions for completing the studies and request for approval of subject of doctoral thesis 3.11. Conditions under which students who have previously interrupted their studies or lost the right to study at one university programme can continue studies 3.12. Conditions under which students are entitled for the certificate of successful completion of the doctoral studies programme as part of lifelong learning 3. 13. Conditions and means of obtaining a PhD degree by enrolling the doctoral studies and producing a doctoral thesis without attending classes and taking the doctoral exam 3 3.14. Maximum length of studying 4. STUDIES PERFORMANCE CONDITIONS 4.1. Sites of the study programme delivery 4.2. Information on the venues and equipment of lectures delivery with special data on research resources (research equipment, human resources) 4.3. List of scientific and development projects that are the basis of the Doctoral Studies Programme 4.4. Institutional managing of the doctoral studies 4.5. Names of professors and associates 4.6. List of teaching venues (classes delivery bases) (for teaching and researching); consent of the head of each venue where classes are held, verification statement ensuring that the needed equipment and venues are at disposition, in accordance with the studies programme; list and qualifications of associate lecturers and research staff 4.7. Optimal number of students eligible for enrolment considering the studying premises, equipment and number of teaching staff, and with special regard to the number of potential doctoral thesis mentors 4.8. Estimate of study programme cost and enrolment fees per student 4.9. Financing of the doctoral studies 4.10. The quality of the doctoral studies 5. APPENDICES 5.1. tabular scheme of doctoral studies 5.2. An alphabetical list of all courses 5.3. Courses delivery plans 5.4. Staff's curricula vitae and their experience at doctoral studies 4 1. Introduction 1.1. Reasons for establishing doctoral studies The Faculty of Humanities was established at University of Split in 2001, at that time comprising three departments combinable in dual degree programmes – Department of Croatian Language and Literature, Department of English Language and Literature and Department of Italian Language and Literature. The dislocated Department of History at the University of Zagreb was started in the academic year 2003-2004 on basis of a contract between the University of Split and the Faculty of Humanities, University of Zagreb. On October the 6th 2005 the Faculty of Philosophy at the University of Split was established with new study programmes and departments: Sociology, Philosophy, History of Art and Pedagogy. In 2008, Centar Studia Mediterranea - the interdisciplinary scientific research centre for humanistic studies was established at the Faculty. In 2010 the Department of Psychology was established. In the same year, the e-learning programme started, developed by the Croatian Studies Centre networked with a dozen universities in Europe, North America, Australia and New Zealand. The Faculty of Philosophy at the University of Split seeks to justify its position in the regional development of the humanistic sciences as well as within the University of Split as a whole, with special regard to the postgraduate studies based on the research Centre, interdisciplinarity, interuniversity networks, and its professional orientation towards the Mediterranean component of the Croatian and regional humanistic sciences. In 2010 the first generation of graduates is to complete their studies while some among them are interested in the continuation of their studies at postgraduate scientific and research level. The University is obliged to ensure them that possibility here at the University of Split. There are, therefore, both scientific and professional necessities for establishing postgraduate studies in humanistic sciences that would be oriented towards research and explication and transfer of knowledge. Same reasons apply to the issues of preservation, promotion, systematization and nurturing of the regional cultural heritage. Consequently, the two fundamental reasons for opening the postgraduate studies are: firstly, the need for providing the educational hierarchy and gratifying the scientific-research potentials of the region; secondly, to satisfy the practical regional and state requirements present in tourism, ecology; safekeeping, maintenance, interpretation and presentation of heritage; the potential contribution to research journalism, media, new media, media culture; museums, cultural institutions, libraries and other areas. The doctoral studies in humanities comprising the traditional humanistic disciplines and interdisciplinary components would significantly contribute to better understanding and progress of the region and its fitting in the European integrations. Apart from the mentioned two, the third reason for opening the doctoral studies is their contribution to the development, safeguarding and promoting the tradition, local identification in the global environment, deeper understanding of the tradition and education of educators at the highest level of education. Accordingly, it is vital to note that nowadays every humanistic research and application of knowledge in the domain of humanities is multidisciplinary and interdisciplinary. For this reason, and on basis of the interdisciplinary humanistic research Centres, the Faculty of 5 Philosophy in Split is a place where different disciplines meet and new research projects are being started. Simultaneously, practically speaking, this fact leads to even more systematic integration of the study disciplines involved in the safekeeping, protection and interpretation of the heritage in Dalmatia, Croatia and the whole of the Mediterranean basin. The studies’ focus on associating with other similar studies in the country and wider region would also contribute to the better communication and strategic planning of the future in which the humanistic disciplines are to have an important position, what, more often than not, has not been the case in our environment so far. The aim of the studies is to prepare the students for scientific and research work in the domains of philosophy, linguistics, Croatian language and literature, history, history of art, Italian language and literature, archaeology and in the interdisciplinary field of the Mediterranean culture, a field that surpasses the closed domains of particular disciplines. In this way, the doctoral students are enabled for work in universities, institutes, museums, galleries, science and research centres and other institutions involved in the preservation of culture, tourist organizations, traditional and new media, including the private sector where it is focused on cultural tourism and managing monuments of culture. 1.2. Evaluation of studies’ purposefulness Postgraduate doctoral studies in humanities enable students for performing independent scientific-research activities, working in higher education sectors, scientific institutions, domain of preservation and safekeeping of cultural heritage, for keeping the pace with the trends in maintaining and promoting cultural tourism, sustainable development and cultural management. The proposed studies would perform this at international level and on basis of aligning the domestic findings with the global system of protection and promotion of local cultures and cultural goods. Exactly this area shows the lack of experts and future leaders, and thus, there is a great need for highly educated doctors in science. Necessities for this kind of practitioners in science and higher education are evident, even more so due to the
Recommended publications
  • Proquest Dissertations
    Title: THE PORTRAYAL OF FEMALE CHARACTERS IN THE WORK OF THREE CONTEMPORARY WRITERS OF THE FORMER YUGOSLAVIA: MESA SELIMOVIC, IVAN ARALICA, SLOBODAN SELENiC Author: ALDIJANASiSiC Degree: PhD School: SCHOOL OF SLAVONIC AND EAST EUROPEAN STUDIES Advisor: HAWKESWORTH, CELIA E. ProQuest Number: U551474 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U551474 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 A bstract This dissertation deals with the novels of three contemporary writers whose work was published during the 20th century in the former Yugoslavia: Ivan Aralica (Croatia), Slobodan Selenid (Serbia) and Mega Selimovid (Bosnia and Hercegovina). Within the framework of a feminist approach, the main objective is to evaduate to what extent certain stereotypes in the portrayal of female characters still determine writing and reading in the literatures of the former Yugoslavia at the end of the 20th century. The first half of this dissertation explores the development of the feminist movement and its literary thought within the boundaries of the ‘Western’ world as well as within the boundaries of the former Yugoslavia.
    [Show full text]
  • Pjesma O Cidu
    PJESMA O CIDU pjesma o Cidu.indb 1 15.10.2018. 12:37:30 MATICA HRVATSKA POSEBNA IZDANJA Glavni urednik LUKA ŠEPUT Izvršna urednica VESNA ZEDNIK Knjiga je objavljena uz financijsku potporu Ministarstva kulture Republike Hrvatske CIP zapis dostupan u računalnom katalogu Nacionalne i sveučilišne knjižnice u Zagrebu pod brojem 001009680 ISBN 978-953-341-131-6 pjesma o Cidu.indb 2 15.10.2018. 12:37:30 PJESMA O CIDU Dvojezično izdanje Preveo i priredio MATE MARAS MATICA HRVATSKA Zagreb MMXVIII pjesma o Cidu.indb 3 15.10.2018. 12:37:30 pjesma o Cidu.indb 4 15.10.2018. 12:37:30 PREDGOVOR pjesma o Cidu.indb 5 15.10.2018. 12:37:30 Cid odrubljuje glavu neprijatelju (minijatura iz 1344) pjesma o Cidu.indb 6 15.10.2018. 12:37:30 SPOMENIK SREDNJOVJEKOVNE EPIKE Ovdje počinju junaštva moga Cida iz Vivara... Stvoritelj pomože njemu, Bog što s neba gospoduje. jesma o Cidu (Cantar de mio Cid) temeljno je djelo španjolske književno- P sti, epski spjev koji pripovijeda o životu i djelima legendarnoga naslovnog lika s kraja uzburkanoga 11. stoljeća. Poput mnogih drugih srednjovjekovnih djela, spjev se temelji na historijskoj ličnosti, ali je velik dio priče izmišljen da bi se prikazao idealizirani portret glavnoga junaka te naglasila uloga koju je odigrao u dramatičnim epizodama povijesti španjolskoga naroda. Cid je vitez prognanik u kojemu se ogledaju tradicionalne značajke hispanske duše: vjera u Boga, odanost kralju i svojoj zemlji, beskrajna privrženost obitelji, veliko- dušnost prema svima i osobna žrtva kojom se brani vlastita čast. Već početni prizor sadrži tipične karakteristike toga spjeva.
    [Show full text]
  • “The Double Bind” of 1989: Reinterpreting Space, Place, and Identity in Postcommunist Women’S Literature
    “THE DOUBLE BIND” OF 1989: REINTERPRETING SPACE, PLACE, AND IDENTITY IN POSTCOMMUNIST WOMEN’S LITERATURE BY JESSICA LYNN WIENHOLD-BROKISH DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature in the Graduate College of the University of Illinois at Urbana-Champaign, 2010 Urbana, Illinois Doctorial Committee: Associate Professor Lilya Kaganovsky, Chair; Director of Research Professor Nancy Blake Professor Harriet Murav Associate Professor Anke Pinkert Abstract This dissertation is a comparative, cross-cultural exploration of identity construction after 1989 as it pertains to narrative setting and the creation of literary place in postcommunist women’s literature. Through spatial analysis the negotiation between the unresolvable bind of a stable national and personal identity and of a flexible transnational identity are discussed. Russian, German, and Croatian writers, specifically Olga Mukhina, Nina Sadur, Monika Maron, Barbara Honigmann, Angela Krauß, Vedrana Rudan, Dubravka Ugrešić, and Slavenka Drakulić, provide the material for an examination of the proliferation of female writers and the potential for recuperative literary techniques after 1989. The project is organized thematically with chapters dedicated to apartments, cities, and foreign lands, focusing on strategies of identity reconstruction after the fall of socialism. ii To My Family, especially Mom, Dad, Jeffrey, and Finnegan iii Table of Contents Chapter One: Introduction: “We are, from this perspective,
    [Show full text]
  • (Diplomski Studij) Suvremena Hrvatska Proza Izborni II. Semestar
    Studij Hrvatski jezik i književnost (diplomski studij) Naziv kolegija Suvremena hrvatska proza Status kolegija izborni Godina II. Semestar III. ECTS 5 Nastavnici i/ili prof. dr. sc. Zvjezdana Rados suradnici dr. sc. Sanja Knežević Ishodi učenja Nakon položenog ispita iz ovoga kolegija studenti će biti sposobni: Studenti će se osposobiti za produbljeniji žanrovski pristup jednom segmentu hrvatske književnosti – njezinim suvremenim proznim žanrovima i poetičkim modelima; cjelovitije će upoznati i razumijevati dominantne paradigme i tipove proznoga diskursa te pojedine prozaike i njihova djela. Preduvjeti za upis Sadržaj Stilska i žanrovska raznoličnost suvremene hrvatske proze (posebice romana), od njezinih naslijeđenih tradicionalnih realističkih struktura preko modernoga egzistencijalističkog romana i proze u trapericama do fantastične proze i novopovijesnog romana te proze novoga vala, ženskoga pisma i putopisa. Književnici: Vjekoslav Kaleb, Mirko Božić, Novak Simić, Krsto Špoljar, Ivan Raos; Petar Šegedin, Vladan Desnica, Slobodan Novak, Živko Jeličić; Ranko Marinković; Matko Peić, Joža Horvat; Antun Šoljan, Ivan Slamnig, Zvonimir Majdak; Goran Tribuson, Stjepan Čuić, Pavao Pavličić; Ivan Aralica, Nedjeljko Fabrio; Irena Vrkljan, Dubravka Ugrešić,Višnja Stahuljak; Miljenko Jergović, Zoran Ferić. Ispitna Cvjetko Milanja, Hrvatski roman od 1945. do 2000. Način moguće literatura tipologije hrvatske romaneskne prakse, Zagreb, 1996.; Krešimir Nemec, Povijest hrvatskog romana od 1945.-2000., Zagreb, 2003.; Branimir Donat, Strujanja u novijoj
    [Show full text]
  • Croatian Latin Writers - an International Nationalist Phenomenon in a Socialist Republic Neven Jovanović
    Croatian Latin Writers - an International Nationalist Phenomenon in a Socialist Republic Neven Jovanović This is a sketch of the history of reception of Croatian Neo-Latin literature in Croatia (and Yugoslavia) from the end of the World War Two until the late 70's. The Neo-Latin literature – literary use of Latin language from the times of Petrarch up to the present day – is in itself already a kind of reception; during the Early Modern period, Neo-Latin authors refashioned ancient themes, forms, and literary devices to express their own thoughts or achieve their own purposes. For a number of political and cultural reasons, Croatia – similarly to other countries of East Central Europe, such as Austria, Hungary, the Czech Republic, Slovakia, Poland – has produced a rich corpus of writings in Latin. The corpus extends diachronically from the 10th until the 20th century. Quantitatively, until the middle of the 18th century Croatian authors have published in print twice as many texts in Latin than in Croatian (the ratio is roughly 6000:3000).1 Such extent and continuity make the Neo-Latin corpus a notable research theme in Croatian literary history.2 The corpus was, indeed, granted a certain restricted place already from the beginnings of modern literary scholarship in the 1870s and 1880s until the Second World War. The influential older histories of Croatian literature devoted dutiful paragraphs, or entire chapters, to Neo-Latin authors and works.3 These authors and works were, however, treated with an apparent reserve. They lacked an essential building block of romantically perceived national identity – the national language.
    [Show full text]
  • Upute Za Klasifikaciju Književnosti Prema Univerzalnoj Decimalnoj Klasifikaciji U Nacionalnoj I Sveučilišnoj Knjižnici U Zagrebu S Primjerima
    Upute za klasifikaciju književnosti prema Univerzalnoj decimalnoj klasifikaciji u Nacionalnoj i sveučilišnoj knjižnici u Zagrebu s primjerima 2009. Upute za klasifikaciju književnosti prema Univerzalnoj decimalnoj klasifikaciji u Nacionalnoj i sveučilišnoj knjižnici u Zagrebu s primjerima Izradile: Lidija Jurić Vukadin Melanija Sekne Nacionalna i sveučilišna knjižnica u Zagrebu, 2009. Nakladnik: Nacionalna i sveučilišna knjižnica u Zagrebu Za nakladnika: Dunja Seiter-Šverko Stručna redakcija: Aida Slavić, Marinka Perišić Lektura: Renata Petrušić Grafičko oblikovanje: Marica Tomić, Goran Hasanec ISBN 978-953-500-069-3 SADRŽAJ PREDGOVOR /8 1. UVOD /9 1.1. KNJIŽNIČNA GRAĐA / 14 1.2. KLASIFIKACIJA KNJIŽEVNOSTI /14 1.2.1. ANALIZA SADRŽAJA I KLASIFIKACIJSKE OZNAKE / 14 1.2.2. KNJIŽEVNOST I DRUGE KLASIFIKACIJSKE SKUPINE / 14 1.2.3. KNJIŽEVNOST NA POJEDINIM JEZICIMA / 14 1.2.4. ROD, VRSTA, ŽANR / 15 1.2.5. KLASIFIKACIJSKE OZNAKE / 15 1.2.5.1. POSEBNE POMOĆNE OZNAKE / 15 1.2.5.2. OPĆE POMOĆNE OZNAKE / 15 1.2.6. SPECIFIČNOST PRIMJENE TABLICA U NSK / 16 2. KLASIFIKACIJA KNJIŽEVNIH DJELA / 18 2.0. OPĆENITO / 18 2.1. JEZIK IZVORNIKA / 18 2.1.1. AUTOR I DJELA NA RAZLIČITIM JEZICIMA / 18 2.1.2. LATINISTI / 19 2.1.3. KLASIČNE KNJIŽEVNOSTI / 19 2.1.4. NOVOGRČKA KNJIŽEVNOST / 20 2.1.5. SUVREMENA HEBREJSKA KNJIŽEVNOST / 20 3. NACIONALNA KNJIŽEVNOST. KNJIŽEVNOST NACIONALNE MANJINE ILI ETNIČKE SKUPINE / 21 3.0. OPĆENITO / 21 3.1. NACIONALNA KNJIŽEVNOST / 21 3.2. KNJIŽEVNOST NACIONALNE MANJINE ILI ETNIČKE SKUPINE / 21 3.3. ISELJENIČKA KNJIŽEVNOST / 22 3.4. KNJIŽEVNOST RASNIH SKUPINA / 22 4. PRIJEVODI KNJIŽEVNIH DJELA / 23 4.0. OPĆENITO / 23 4.1. USPOREDNI PRIJEVODI / 23 4.1.1.
    [Show full text]
  • Popular Music and Narratives of Identity in Croatia Since 1991
    Popular music and narratives of identity in Croatia since 1991 Catherine Baker UCL I, Catherine Baker, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated / the thesis. UMI Number: U592565 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U592565 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 2 Abstract This thesis employs historical, literary and anthropological methods to show how narratives of identity have been expressed in Croatia since 1991 (when Croatia declared independence from Yugoslavia) through popular music and through talking about popular music. Since the beginning of the war in Croatia (1991-95) when the state media stimulated the production of popular music conveying appropriate narratives of national identity, Croatian popular music has been a site for the articulation of explicit national narratives of identity. The practice has continued into the present day, reflecting political and social change in Croatia (e.g. the growth of the war veterans lobby and protests against the Hague Tribunal).
    [Show full text]
  • Library Books
    LIBRARY BOOKS Ph: (403) 250-1245 E:Mail [email protected] As of: 10-Jun-2011 Croatian Canadian Cultural Centre 3010 - 12 Street N.E. Tel: (403) 250-1245 Calgary, Alberta T2E 7P7 E-mail: [email protected] Library Holdings June-10-11 Page 2 of 43 Roman - 1 knjiga Author ISBN Book Name Loan DueDate Description Goran Babic 891.83 Javna Stvar No Roman 1 knjiga (2 polica, 4 red) 3 drame - 1 knjiga Author ISBN Book Name Loan DueDate Description Miroslav Krleza 891.88 U Logoru, Vucijak, Golgo No 3 drame M. Krleze 1 knjiga (1 polica, 1 red) Album Author ISBN Book Name Loan DueDate Description 264.4972 Marija Bistrica 1984 No 1 knjiga 4 polica, 4 red Analiza Author ISBN Book Name Loan DueDate Description Trpimir Macan 920.1 Miho Klaic No 5 knjiga 4 polica, 3 red Analiza pisaca Author ISBN Book Name Loan DueDate Description Branimir Donat 920.1 Studije i Portreti o Hrvats No 2 knjige 4 polica, 3 red Analiza umjetnika Author ISBN Book Name Loan DueDate Description Matko Peic 920.1 Portreti Hrvatskih Umjet No 1 knjiga 4 polica, 3 red Analize Author ISBN Book Name Loan DueDate Description Branko Milanovic 891.82 Andric No Analiza stvaralackog rada pisca 1 knjiga 4 polica, 3 red Julije Derossi 891.82 Cesaric No Analiza stvaralackog rada pjesnika 1 knjiga 4 polica, 3 red Nedjeljko Mihanovic 891.82 Portreti i Eseji o Hrvatski No O piscima i djelima 1 knjiga 4 polica, 3 red Croatian Canadian Cultural Centre 3010 - 12 Street N.E. Tel: (403) 250-1245 Calgary, Alberta T2E 7P7 E-mail: [email protected] Library Holdings June-10-11 Page 3 of
    [Show full text]
  • The Shifting Political Scene in Croatia
    CHANGE IN THE OFFING: THE SHIFTING POLITICAL SCENE IN CROATIA ICG Balkans Report N°50 Zagreb-Sarajevo, 14 December 1998 Table of Contents EXECUTIVE SUMMARY ............................................................................................ I I. INTRODUCTION............................................................................................... 1 II. A WARTIME AGENDA...................................................................................... 2 III. SHIFT TO THE RIGHT...................................................................................... 5 A. THE INTOLERANT HDZ................................................................................... 5 B. INTRA-HDZ DIVISIONS ................................................................................... 6 C. THE BATTLE FOR THE DEFENCE MINISTRY ....................................................... 7 D. MANIPULATION OF THE INTELLIGENCE SERVICES .............................................. 9 E. THE RIGHT TRIUMPHANT .............................................................................. 11 IV. CHANGE IN THE OFFING.............................................................................. 12 A. THE OPPOSITION RESURGENT...................................................................... 12 B. SOCIAL DISCONTENT ................................................................................... 14 C. WORN-OUT HDZ MODERATES ..................................................................... 15 D. OPPOSITION APPROACH..............................................................................
    [Show full text]
  • Croatian Latin Writers - an International Nationalist Phenomenon in a Socialist Republic Neven Jovanović
    Croatian Latin Writers - an International Nationalist Phenomenon in a Socialist Republic Neven Jovanović This is a sketch of the history of reception of Croatian Neo-Latin literature in Croatia (and Yugoslavia) from the end of the World War Two until the late 70's. The Neo-Latin literature – literary use of Latin language from the times of Petrarch up to the present day – is in itself already a kind of reception; during the Early Modern period, Neo-Latin authors refashioned ancient themes, forms, and literary devices to express their own thoughts or achieve their own purposes. For a number of political and cultural reasons, Croatia – similarly to other countries of East Central Europe, such as Austria, Hungary, the Czech Republic, Slovakia, Poland – has produced a rich corpus of writings in Latin. The corpus extends diachronically from the 10th until the 20th century. Quantitatively, until the middle of the 18th century Croatian authors have published in print twice as many texts in Latin than in Croatian (the ratio is roughly 6000:3000).1 Such extent and continuity make the Neo-Latin corpus a notable research theme in Croatian literary history.2 The corpus was, indeed, granted a certain restricted place already from the beginnings of modern literary scholarship in the 1870s and 1880s until the Second World War. The influential older histories of Croatian literature devoted dutiful paragraphs, or entire chapters, to Neo-Latin authors and works.3 These authors and works were, however, treated with an apparent reserve. They lacked an essential building block of romantically perceived national identity – the national language.
    [Show full text]
  • Zavičajna Bibliografija Na Temu: Knin, Krka, Dinara
    Prilozi Geoadria 22/1 (2017) 105-152 ZAVIČAJNA BIBLIOGRAFIJA NA TEMU: KNIN, KRKA, DINARA VERA VITORI Gradska knjižnica Zadar, Stjepana Radića 11b, 23 000 Zadar e-mail: [email protected] Uvod „Ključ Hrvatske“ ili „vrata Dalmacije“ sinonimi su za grad Knin i kninsku okolicu, kojoj pripadaju rijeka Krka (ihtiološki najbogatija rijeka jadranskog slijeva) i planinski masiv Dinare. Takav sinonim nastao je zbog iznimnoga geostrateškog položaja – križanja važnih putova prema unutrašnjosti i moru, tj. položaja „na važnom prometnom čvorištu koje sakuplja srednjojadranske prometne pravce usmjerene prema srednjoj Europi, jednako kao i prema unutrašnjosti Balkana“.1 Iznimna prirodna ljepota koju čini sedam rijeka i rječica (Krka s pritocima: Butižnica (ili Butišnica), Orašnica, Kosovčica, Krčić i pritoci Butižnice: Radljevac i Marčinkovac), nekoliko jezera (Burumska jezera, Šarena jezera i umjetno jezero hidroelektrane Golubić), te planina Dinara s najvećim hrvatskim vrhom, u sprezi s bogatom povijesnom baštinom (sijelo župana, vojvoda, kraljeva, banova, biskupa, te prijestolnica hrvatske države) i kulturnim znamenitostima (kninska tvrđava, Kaptol, arheološka nalazišta), bila je metom mnogih osvajača, ali i nadahnuće umjetnicima, putnicima namjernicima i u posljednjih nekoliko desetljeća turistima. S obzirom na navedeno, cilj je ove bibliografije objediniti pisane navode o Kninu i okolici, neovisno o sadržaju, u jednu cjelinu i ovim skromnim doprinosom zavičajnu pisanu baštinu učiniti dostupnom svim zainteresiranima. Bibliografija može poslužiti kao
    [Show full text]
  • 006 I. LUPIC MASTER SRAZ 51 2006.Indd
    I. Lupić, “All men are bad and in their badnesse raigne”... - SRAZ LI, 205-230 (2006) UDC 821.111-193.3SHA.09:355.015(497.5)”1991”=111 Original scientific paper Received on 15 November 2006 Accepted for publication on 30 January 2007 “All men are bad and in their badnesse raigne”: Shakespeare’s Sonnet 121 in Contexts of War Ivan Lupić Faculty of Humanities and Social Sciences, Zagreb The paper is concerned with what can be termed a “con-textual” reading of Shake- speare’s sonnet 121, published in translation in one of the most popular Croatian daily newspapers in the summer of 1991, when the bloody Yugoslav war was already taking its heavy toll of suffering and death. In the case of Shakespeare’s Sonnets, contexts primarily denote the poems within which a particular sonnet is embedded in the 1609 quarto order, but also those texts in relation to which an individual sonnet is made to function at a certain moment of its publication history. This historically situated embodiment of a Shakespeare sonnet deserves a�ention because it alerts us to the various ways in which universalizing discourse, for which Shakespeare as fashioned by the dominant traditions of Shakespearean criticism has become so in/famous, is deployed in order implicitly to support or additionally legitimize certain political assumptions and national allegiances in times of war. Prompted by the immediate textual environment of the newspaper in which the sonnet was published as well as by the accompanying translator’s note, the discussion focuses on the complex semantic nature
    [Show full text]