Graham Jones
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Spomeni Svetaca I Boga Na Natpisima Ranosrednjovjekovne Hrvatske, Dalmacije I Istre
CORE Metadata, citation and similar papers at core.ac.uk Provided by Croatian Digital Thesis Repository Sveučilište u Zadru Odjel za klasičnu filologiju Diplomski sveučilišni studij latinskoga jezika i rimske književnosti (dvopredmetni); smjer: nastavnički Ivan Braica Spomeni svetaca i Boga na natpisima ranosrednjovjekovne Hrvatske, Dalmacije i Istre Diplomski rad Zadar, 2019. Sveučilište u Zadru Odjel za klasičnu filologiju Diplomski sveučilišni studij latinskoga jezika i rimske književnosti (dvopredmetni); smjer: nastavnički Spomeni svetaca i Boga na natpisima ranosrednjovjekovne Hrvatske, Dalmacije i Istre Diplomski rad Student/ica: Mentor/ica: Ivan Braica doc. dr. sc. Anita Bartulović Komentor/ica: doc. dr. sc. Ankica Bralić Petković Zadar, 2019. Izjava o akademskoj čestitosti Ja, Ivan Braica, ovime izjavljujem da je moj diplomski rad pod naslovom Spomeni svetaca i Boga na natpisima ranosrednjovjekovne Hrvatske, Dalmacije i Istre rezultat mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na izvore i radove navedene u bilješkama i popisu literature. Ni jedan dio mojega rada nije napisan na nedopušten način, odnosno nije prepisan iz necitiranih radova i ne krši bilo čija autorska prava. Izjavljujem da ni jedan dio ovoga rada nije iskorišten u kojem drugom radu pri bilo kojoj drugoj visokoškolskoj, znanstvenoj, obrazovnoj ili inoj ustanovi. Sadržaj mojega rada u potpunosti odgovara sadržaju obranjenoga i nakon obrane uređenoga rada. Zadar, 10. listopada 2019. SAŽETAK Spomeni svetaca i Boga na natpisima ranosrednjovjekovne Hrvatske, Dalmacije i Istre Razdoblje ranoga srednjeg vijeka ostavilo nam je pozamašan broj natpisa na našemu području pomoću kojih možemo promatrati to doba. Ti natpisi, osim što nam pomažu u istraživanju hrvatskih vladara i njihovih titula, pružaju uvid i u religioznost tadašnjih ljudi. -
Seyahat Notları Ve Oryantalist Bilgi Üretimi: Eduard Sachau (1845-1930) Örneği∗
Diyalog 2020/1: 29-47 (Research Article) Seyahat Notları ve Oryantalist Bilgi Üretimi: Eduard Sachau (1845-1930) Örneği∗ Remzi Avcı , Mardin https://dx.doi.org/10.37583/diyalog.759411 Öz 19. yüzyılda misyoner, oryantalist, asker, yönetici ve araştırmacılar olmak üzere farklı meslek gruplarından birçok Avrupalı, Osmanlı topraklarını dolaşarak arkalarında seyahat kitapları bırakmışlardır. Klasik bilimsel çalışmaların aksine alternatif bir araştırma modeli olarak kabul edilebilecek olan seyahat yazını bir anlatı türü olarak sosyal bilimlerin farklı disiplinleri için oldukça sübjektif verilere dayansa da yoğun ve zengin bir bilimsel materyal sunmaktadır. Bu bağlamda bir Alman oryantalist ve seyyah olan Eduard Sachau (1845-1930) Osmanlı toprakları içerisinde 1879’da başlayarak yaklaşık altı ay süren bir seyahat gerçekleştirmiş ve seyahat notlarını Reise in Syrien und Mesopotamien (Suriye ve Mezopotamya Seyahati) adıyla 1883 yılında Almanya’da kitap olarak yayımlamıştır. Aslında bir filolog olan Sachau, tıpkı bir sosyolog, antropolog ve arkeolog gibi dolaşarak Osmanlı taşrasında yaşayan Arap, Kürt, Türk, Nasturi, Yakubi ve Yezidiler hakkında önemli bilgiler sunmuştur. Bu çalışma, bir bilim insanı olarak Sachau’nun seyahatinin oryantalist bilgi üretim süreci olduğunu iddia etmekte ve onun süreçte bu topladığı bilgiyi farklı yollarla akademik metinlere transfer ettiğini öne sürmektedir. Anahtar Sözcükler: Sachau, Seyahat, oryantalizm, bilgi, Osmanlı, Doğu, Almanya Abstract Travel Notes and the Production of Orientalist Knowledge: The Case of Eduard Sachau (1845-1930) In the 19th century, many Europeans from different professions, including missionaries, orientalists, soldiers, administrators and researchers, travelled around Ottoman territories and left books behind. Contrary to classical scientific studies, travel writing can be considered as an alternative research model. Although travelogues are based on highly subjective data for the social science as a narrative genre, it provides intense and rich scientific materials. -
Etnoantropologia, 7 (2) 2019 - ISSN 2284-0176
EtnoAntropologia, 7 (2) 2019 - ISSN 2284-0176 Ukrainian domestic icon The development of tradition Oksana Triska Abstract. The paper describes the formation process of the domestic icon – one of the most important religious and ritual objects of the Ukrainian peasantry. Its roots date back to the period of Kyivan Rus’, and its prosperity – to the nineteenth century. The author draws attention to the evolution of tradition and various forms of manifestations throughout Ukraine. Keywords: domestic icon, Ukraine, everyday life, tradition. It is not clear when the icons first appeared on the walls of Ukrainian homes, however, it is a well-known ancient custom that has been practiced in different countries, regardless of religion [Sherotsky 1913]. The history of domestic icon is associated with the beginning and end stages of the classic iconography development period. During the birth of Christianity, the icon was an object of personal use. With the evolution of Christian doctrine, it was given important church and national value. In Byzantium, it became a testament to the religious tradition and helped form a powerful national identity. The images of the saints symbolized and confirmed the unity of faith. "The demonstrative worship of the icons served as a reason for the church to regulate the cult" [Belting, 2002, 42, 13], and formed the conventional rituals of worshiping the saints. From the beginning the icon was a sign of God's mercy. The need for an icon, as a symbol of patronage, has always sharply emerged in times of crisis. The need to see a patron, to turn to him, went from temples to homes, and thus the cult of the saints continued in personal use [Belting, 2002, 54]. -
[email protected] Phone: 12 399 96 62 Perspektywy Kultury / Spis Treści / Table of Contents Perspectives on Culture No
No. 30 (3/2020) perspektywy kultury perspectives on culture Czasopismo naukowe Instytutu Kulturoznawstwa Akademii Ignatianum w Krakowie Morze Śródziemne – centrum świata czy peryferie? The Mediterranean Sea— the Center of the World or the Periphery? Czasopismo naukowe Instytutu Kulturoznawstwa Akademii Ignatianum w Krakowie Academic Journal of the Institute of Cultural Studies, Jesuit University Ignatianum in Krakow PISMO RECENZOWANE / PEER-REVIEWED JOURNAL Zespół redakcyjny / Editorial Board: dr Łukasz Burkiewicz (redaktor naczelny / Editor-in-chief); dr hab. Leszek Zinkow, dr Paweł Nowakowski (z-ca redaktora naczelnego / Deputy Editor-in-chief); mgr Magdalena Jankosz (sekretarz redakcji / Editorial Assistant); dr Danuta Smołucha (redaktor działu – Przestrzenie cyberkultury, Editor – Areas of Cyberculture); dr Agnieszka Knap-Stefaniuk (redaktor działu – Zarządzanie międzykulturowe / Editor – Cross-cultural Management); dr hab. Bogusława Bodzioch-Bryła (redaktor tematyczny – e-literatura, nowe media / Editor – e-Literature and New Media); dr hab. Andrzej Gielarowski, prof. AIK (redaktor tematyczny – filozoficzne aspekty kultury / Editor – Philosophy of Culture); dr hab. Monika Stankiewicz-Kopeć, prof. AIK (redaktor tematyczny – literatura polska / Editor – Polish Literature) Rada Naukowa / International Advisory Council: dr hab. Eva Ambrozová (Newton College, Brno); dr Josep Boyra (Escola Universitària Formatic, Barcelona); dr Jarosław Duraj SJ (Ricci Institute, Macau); prof. dr hab. Tomasz Gąsowski (Akademia Ignatianum w Krakowie); prof. dr Jakub Gorczyca SJ (Pontificia Università Gregoriana, Rome); prof. dr Marek Inglot SJ (Pontificia Università Gregoriana, Rome); dr Petr Mikuláš PhD (Univerzita Konštantína Filozofa, Nitre); prof. dr hab. Henryk Pietras SJ (Pontificia Università Gregoriana, Rome); dr hab. Janusz Smołucha, prof. AIK (Akademia Ignatianum w Krakowie); dr Joan Sorribes (Escola Universitària Ministerstwo NaukiFormatic, Barcelona); dr hab. StanisławMinisterstwo Sroka, prof. AIK (Akademia Ignatianum w Krakowie); i Szkolnictwadr M. -
Università Ca' Foscari Venezia
Università Ca' Foscari Venezia Dipartimento Filosofia e Beni Culturali Corso Laurea Magistrale in Storia delle Arti e Conservazione dei Beni Artistici Curriculum Medievale e Bizantino Tesi di Laurea LA SCENA DEL DUELLO NEL MOSAICO PAVIMENTALE DI SANTA MARIA MAGGIORE A VERCELLI (XII SEC.) : PROPAGANDA ANTITURCA AI TEMPI DELLE CROCIATE Gönül Yektaş Biancat Relatore Prof. Simone Piazza Correlatori Prof.ssa Michela Agazzi Prof. Xavier Barral I Altet a.a. 2019 - 2020, Venezia PREFAZIONE Nella mia tesi, ho provato a presentare un'ipotesi esauriente relativa al mosaico enigmatico dell’antica basilica di Santa Maria Maggiore in Vercelli, noto come “duello” o “monomachia” o “Fel e Fol”. Nella prima parte della tesi, ho analizzato le dinamiche fondamentali del periodo storico in cui è stato realizzato il mosaico: le guerre, la politica e il commercio. Ho interpretato il mosaico come strumento di propaganda antiturca. In questo senso, includendo il simbolismo del nemico nello studio, ho cercato di dimostrare sia il legame del mosaico con i Turchi sia l'influenza non esplicita dei Turchi nella creazione di alcune immagini di difficile interpretazione nell'arte medievale europea. Nella seconda parte, ho proposto di decifrare le controverse iscrizioni descrittive sul mosaico sulla base dell'iconografia della Torah, dell'Antico e del Nuovo Testamento. Spero che questa prospettiva inusuale contribuisca a valutazioni differenti di altre opere d'arte del periodo medievale e stimoli nuovi studi avanzati. Sono davvero grata ai miei professori Xavier Barral I Altet e Simone Piazza per avermi dato la possibilità di lavorare su questo straordinario argomento. Vorrei anche ringraziare la Prof.ssa Agazzi per le sue critiche costruttive della tesi. -
The Apse Mosaic in Early Medieval Rome: Time, Network, and Repetition Erik Thunø Index More Information
Cambridge University Press 978-1-107-06990-9 - The Apse Mosaic in Early Medieval Rome: Time, Network, and Repetition Erik Thunø Index More information INDEX Page numbers and Roman numerals appearing in italics refer to illustrations and plates Aachen Augustine, 51 , 74 , 75 , 76 , 79 , 89 , 114 , 130 , dome mosaic, 161 , 162 –163 fi gs. 87–88 133 , 141 , 162 , 186 , 198 , 245n79 , inscription in Palatine Chapel 251n130 , 256n28 and 39 , 257n42 , (Pfalzkapelle), 160 – 161 262n102 , 263n107 Adoration of the Lamb. See Book of Augustus, Emperor, 135 , 139 Revelation Alcuin, 160 Baptism, 105 Alexandria, 194 of Christ, 102 Altar. See also Eucharist ; Relics Bawit, 95 , 106 , 246n85 , 255n21 as cornerstone, 143 Chapel no. 27 , 95 , 98 fi g. 60 as body and church, 143 Bede, 89 , 162 , 240n29 , 264n115 Ambrose of Milan, 64 , 90 , 157 , 238n5 Belting-Ihm, Christa, 106 , 221n5 , Ambrosius Autpertus, 74 , 78 , 149 , 168 , 240n29 , 249n109 , 267n7 242n46 , 242n48 , 260n78 , 265n131 Bethlehem, depiction of, 18 , 23 , 76 , 81 , Anachronic, 9 , 62 , 172 , 204 , 205 144 , 259n66 Anachronism, 9 , 10 , 62 as city of Gentiles, 76 versus anachronistic, 61 – 62 Bolgia, Claudia, 44 , 194 , 230n71 , 275n94 Andaloro, Maria, 5 , 219n17 , 249n109 Book of Revelation Angels, 18 , 20 , 23 , 64 , 80 , 86 , 87 , 94 , 103 , Adoration of the Lamb, 1 , 2 , 15 , 16 , 20 , 120 , 122 , 123 , 149 , 150 , 152 , 180 . See 23 , 121 , 254n12 also Book of Revelation Ecclesiological interpretation of, 74 – 80 Angheben, Marcello, 125 , 243n60 and 63 ; Four Living Creatures, 1 , 2 , 15 , 18 , 22 , 255n18 , 21 and 23 23 , 73 , 74 , 76 , 79 , 82 , 92 , 96 , 120 , Apocalypse. -
Presentazione Adriatico E Ionio-Ing
Territory: Ionian Sea & Adriatic Sea 8 Polignano a Mare 326 Venice 292 INTRODUCTION CARTOGRAPHY LOCALITIES 52 Etiquette at sea 284 TRIESTE • FRIULI VENEZIA GIULIA 1 BEHIND THE SCENES OF 777 PILOT BOOKS 58 VENETO 292 VENICE • VENETO 3 OUR VALUES 110 FRIULI VENEZIA GIULIA 306 RAVENNA • EMILIA ROMAGNA SUPPLEMENTS 7 THE 777 CREW 312 TERMOLI • MOLISE 144 EMILIA ROMAGNA 318 BARI • APULIA 8 TERRITORY: IONIAN SEA & ADRIATIC SEA 28 THE BEST NAUTICAL STYLE 162 MARCHE, ABRUZZO & MOLISE 326 POLIGNANO A MARE • APULIA 16 ITALIAN STYLE - NUVOLARI LENARD 40 THE BEST NAUTICAL TOOLS 186 GARGANO & TRÈMITI ISLANDS 332 BRINDISI • APULIA 20 TEMPOTEST MARINE: HIGH-END MARINE 340 CROTON • CALABRIA 52 ETIQUETTE AT SEA 212 APULIA'S ADRIATIC COAST UPHOLSTERY 346 REGGIO CALABRIA • CALABRIA 55 SAFETY ON BOARD: LIFE RAFTS 22 SUZUKI ITALIA: HOW TO CHOOSE YOUR IDEAL 242 CALABRIA, BASILICATA 56 SAFETY ON BOARD: THE IMPORTANCE OF A GOOD ONSHORE ITINERARIES INFLATABLE BOAT & APULIA IONIAN COAST BATTERY 24 THE PASSION OF THE MARINUCCI FAMILY 482 INDEX AND KEY TO SYMBOLS 353 INTRODUCTION TECHNICAL SECTION 30 THE SUCCESS OF CATAMARANS IN ITALIAN 354 FRIULI VENEZIA GIULIA A combination of history, architecture, and food 448 DISTRESS SIGNALS SEAS 58 Cartography 364 VENETO 449 MARITIME BUOYAGE SYSTEM 38 ELVSTROM SAILS: CHOOSE THE IDEAL SAIL A parade of pure beauty 450 CARDINAL MARKS TO MAKE YOUR DREAM COME TRUE 372 EMILIA ROMAGNA 451 INTERNATIONAL MARITIME SIGNAL FLAGS A land of magical valleys 452 DAY AND NIGHT IDENTIFICATION OF VESSELS 42 SG MARINE DIVISION: WATER, POWER & -
Archaeology of Destruction: Toprakkale
IRAQ (2018) 80 113–137 Doi:10.1017/irq.2018.13 113 ARCHAEOLOGY OF DESTRUCTION: TOPRAKKALE By BÜLENT GENÇ Toprakkale is the site that constitutes the starting point for the archaeology of Urartu, but the history of the largely destructive early excavations of the site is shrouded in darkness. The presence of items on the antiquities market said to come from the Van region attracted the interest of Austen Henry Layard, which led to brief excavations at the site of Toprakkale by the British Museum under Hormuzd Rassam in 1877, followed by further also brief investigations by K. Kamsarakan as well as continued illegal excavations. It is commonly held that Carl Friedrich Lehmann-Haupt and Waldemar Belck excavated here between 1898– 1899, but research performed in the Ottoman Archives of the Prime Minister’s Office reveals their claim to have excavated there to be fraudulent and empty. This article uses primary source material from Ottoman archives to investigate the excavation history of one of the most iconic sites for the beginnings of Urartian Studies, and compels us to re-evaluate what we think we know about Toprakkale and the provenance of the objects associated with it. Toprakkale/Rusaḫinili Qilbanikai is located roughly 5 km east of the Van Citadel (Ṭušpa), the Urartian capital. The limestone natural hill on which the citadel stands is connected to Mount Zimzim behind it (Fig. 1). The citadel is 400 metres long on the north-south axis and 60–70 metres wide. The Urartian name of Toprakkale (Rusaḫinili Qilbanikai) is accepted to have derived from a tablet dating to the reign of Rusa (II?), son of Argišti (Lehmann-Haupt 1906: 105, Fig. -
Collections in the European Museums – the Cultural Heritage of the Ancient Caucasus Scattered Across a Continent
Vol. 72 | No. 9 | Sep 2016 International Scientific Researches Journal Collections in the European Museums – the Cultural Heritage of the Ancient Caucasus scattered across a Continent Dr. Nourida Ateshi Department of History and Archaeology, Khazar University, Baku Institute for Caucasus Research, Berlin, Email: [email protected]; [email protected] ABSTRACT Quite a few problems have been found in the historiography of the late Bronze and early Iron Ages in the Southern Caucasus; some of them had been caused by the incoherency of the cultural material accessible to international research. Investigating intensively the material in the museums, of the archive documents, and the original excavation reports in German, Russian and Azerbaijani we find different versions of historiography of the Caucasus collection in the Museum for Prehistory and early History (MVF) in Berlin for the very same period. Russian and international archaeologic circles should be drawn to this problem. Beginning in the middle of the 19th century there was a rush on the archaeological sites in the Caucasus. Archaeological excavations often were not taken out for scientific reasons but rather for material gains, or they were done by hobby archaeologists from various countries, disturbing the archaeological coherence. In establishing the various collections on the late Bronze and early Iron Ages in the Caucasus they broke the history and heritage of the Caucasus to parts. Finds were sent to the museums of Saint-Germain-en-Laye and Lyon, to Vienna and to Berlin. This article submits the Caucasus collections in European museums to a thorough review. The scattering of the artefacts of the Caucasus collection in the Museum for Prehistory and early History (MVF) in Berlin across museums in Russia, in the Caucasus and in Europe is still causing problems to science in Europe, especially in Germany and in Russia, as well as in Azerbaijan. -
Critical Remarks on Archaeological Research in the 19Th and 20Th Centuries on the Late Bronze and Early Iron Ages in the Southern Caucasus Nourida Gadirova-Ateshi
doi: 10.2143/ANES.54.0.0000000 ANES 54 (2017) 183-212 Critical remarks on archaeological research in the 19th and 20th centuries on the Late Bronze and Early Iron Ages in the Southern Caucasus Nourida GADIROVA-ATESHI Abstract This paper examines aspects of early archaeological research in the southern Caucasus, especially Azerbaijan, during the tsarist and Soviet periods. It argues that the imprint left by the early antiquaries was profound and Eurocentric, influencing later investigations. It also argues that these early collections, now mostly held in European museums, should be re-investigated in their own right and in light of recent archaeological discoveries. Research His tory and Historiography of the Caucasian Archaeology: The Early Years Problems in the research history and historiography of Caucasian archaeology related to the Late Bronze and Early Iron Ages began to appear as early as 1829. While in work of the Soviet period, under the ruling ideology, the nature of these problems was obvious, they began to take new shapes after the fall of the Soviet Union. The history of Caucasian archaeology is thought to have begun in 1829, when a professor from Hessen, 28-year-old Friedrich Eduard Schulz (1799–1829), visited the Caucasus and voiced his views, and his interpretation of the archaeological data. Carl Ritter, the founder of modern his- torical geography had called the attention of Schulz, a philosopher and scholar of Oriental studies, to this field of research, with the promise of a reasonable chance of success in obtaining new scien- tific results. 1 The French supported Schulz financially and thus he was able to visit Turkey and Iran, including their Armenian regions, several times during 1828 and 1829. -
Aree Marine Protette
TORRE GUACETO PORTO CESAREO Puglia Storie di Mare di Storie Puglia TORRE GUACETO ISOLE TREMITI PORTO CESAREO AREE MARINEAREE PROTETTE ISOLE TREMITI AREE MARINE PROTETTE italiano/english Puglia Storie di Mare italiano/english 1 Pubblicazione realizzata Progettazione e coordinamento editoriale nell’ambito del progetto Francesco Tarantini Gianfranco Ciola Flo Tanzarella Testi partner Giovanna Baldassarre Anna Introna Danilo Leone Francesco De Franco Margherita Semeraro LEGAMBIENTE Percorsi tra Paolo D’Ambrosio Luciana Muscogiuri Natura e Storia Giancomo Marzano Leonardo Beccarisi Marcello Longo Traduzione AREE MARINE Peter Speedwell PROTETTE Puglia Storie di Mare Fotografie Archivio Area Marina Protetta Torre Guaceto Consorzio di Gestione Area Marina Protetta Archivio Area Marina Protetta Porto Cesareo PORTO CESAREO Archivio Parco del Gargano ISOLE TREMITI ARCHEOLOGICA s.r.l. Illustrazioni PORTO CESAREO Progetto grafico, copertina, impaginazione, TORRE GUACETO elaborazione mappe PROGETTIPERCOMUNICARE s.n.c. Stampa Finanziato ai sensi della legge 29/03/2001 n°135, art.5 comma 5 Linea 80 Corato (Ba) Tutti i diritti riservati, riproduzione vietata. Edizione © 2011 PROGETTIPERCOMUNICARE s.n.c. di G. Schirone & Co. - Ceglie Messapica (Br) www.progettipercomunicare.it 2 Introduzione La costa protetta in Puglia 3 italiano Un mare cristallino, dalle mille diverse sfumature, riflette la luce di Puglia. La Puglia, con i suoi 800 km di litorale vanta lo sviluppo costiero più lungo d’Italia, regala Dalle marine a Nord del Gargano, immerse nell’area umida dei laghetti salati e fronteggiate paesaggi mozzafiato e conserva numerosi ambienti di grande valore naturalistico di rilievo na- dalle splendide Isole Tremiti, e dalle rocce del promontorio inframmezzate da meravigliose calette zionale ed internazionale. -
In Encountering Western Cultu
II BYZANTINE HERITAGE AND SERBIAN ART II BYZANTINE HERITAGE AND SERBIAN ART BYZANTINE HERITAGE SACRAL ART OF THE SERBIAN LANDS IN THE MIDDLE AGES BYZANTINE HERITAGE AND SERBIAN ART II BYZANTINE HERITAGE AND SERBIAN ART I–III Editors-in-Chief LJUBOMIR MAKSIMOVIć JELENA TRIVAN Edited by DANICA POPOVić DraGAN VOJVODić Editorial Board VESNA BIKIć LIDIJA MERENIK DANICA POPOVić ZoraN raKIć MIODraG MARKOVić VlADIMIR SIMić IGOR BOROZAN DraGAN VOJVODić Editorial Secretaries MARka TOMić ĐURić MILOš ŽIVKOVIć Reviewed by VALENTINO PACE ElIZABETA DIMITROVA MARKO POPOVić MIROSLAV TIMOTIJEVIć VUJADIN IVANIšEVić The Serbian National Committee of Byzantine Studies P.E. Službeni glasnik Institute for Byzantine Studies, Serbian Academy of Sciences and Arts SACRAL ART OF THE SERBIAN LANDS IN THE MIDDLE AGES Editors DraGAN VOJVODić DANICA POPOVić BELGRADE, 2016 PUBLished ON THE OCCasiON OF THE 23RD InternatiOnaL COngress OF Byzantine STUdies This book has been published with the support of the Ministry of Education, Science and Technological Development of the Republic of Serbia CONTENTS CULTuraL SPACES AND SACraL FraMEWORKS ON THE BOUNDARY AMONG WORLDS AND CULTURES – THE ESSENCE AND SPACES OF SERBIAN MEDIEVAL ART 13 Dragan Vojvodić BYZANTIUM IN SERBIA – SERBIAN AUTHENTICITY AND BYZANTINE INFLUENCE 41 Bojana Krsmanović Ljubomir Maksimović SERBIA IN BYZANTIUM – THE PATRONAGE OF SERBIAN KTETORS IN THE BYZANTINE EMPIRE 57 Miodrag Marković SERBIAN PATHS OF RHOMAEAN CULTURE – THE RoLE OF SERBIA IN SPREADING BYZANTINE-STYLE ART TOWARDS THE WEST AND NoRTH OF EUROPE 75 Miroslava Kostić Miloš Živković * THE LITURGICAL FraMEwoRK OF SERBIAN AND BYZANTINE RELIGIOUS ART 91 Vladimir Vukašinović PAN-CHRISTIAN SAINTS IN SERBIAN CULT PraCTICE AND ART 103 Dubravka Preradović Ljubomir Milanović A NATIONAL ‘PANTHEON’: SAINTLY CULTS AT THE FoUNDATION OF SERBIAN MEDIEVAL STATE AND CHURCH 119 Danica Popović ‘GoD DWELT EVEN IN THEIR boDIES IN SPIRITUAL WISE’ – RELICS AND RELIQUARIES IN MEDIEVAL SERBIA 133 Danica Popović I.