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Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy sutxnitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indisünct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Leaming 300 North Zeeb Road. Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMÏ METAPHORS OF EXCHANGE AND THE SHANGHAI STOCK MARKET DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Graduate School o f The Ohio State University By Susan Diane Menke, M A ***** The Ohio State University 2000 Dissertation committee: Approved by: Dr. -
Risky Expertise in Chinese Financialisation Haigui Returnee Migrants in the Shanghai Financial Market
Risky Expertise in Chinese Financialisation Haigui Returnee Migrants in the Shanghai Financial Market. A thesis submitted in fulfillment of the requirements for the award for the degree Doctorate of Philosophy From Western Sydney University Giulia Dal Maso Institute for Culture and Society Western Sydney University 2016 Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. Sections of chapter 5 have been previsouly published in Dal Maso, Giulia. “The Financialisation Rush: Responding to Precarious Labor and Social Security by Investing in the Chinese Stock Market.” South Atlantic Quarterly 114, no. 1: 47-64. ............................................................................... (Signature) Acknowledgements I would like to thank my supervisors Professor Brett Neilson and Professor Ned Rossiter for their extraordinary intellectual support, encouragement and incredible patience. They have been invaluable interlocutors and the best supervisors I could hope for. My gratitude also goes to Professor Sandro Mezzadra for his intellectual generosity, guidance and for having encouraged me many times. It is thanks to him that my Chinese adventure started. Particular thanks go to Giorgio Casacchia. His support has been essential both for the time of my research fieldwork and for sustenance when writing. He has not -
UNIVERSITY of CALIFORNIA Los Angeles the Qin
UNIVERSITY OF CALIFORNIA Los Angeles The Qin and Literati Culture in Song China A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Meimei Zhang 2019 © Copyright by Meimei Zhang 2019 ABSTRACT OF THE DISSERTATION The Qin and Literati Culture in Song China by Meimei Zhang Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2019 Professor David C Schaberg, Chair My dissertation examines the distinctive role that the qin played in Chinese literati culture in the Song dynasty (960-1279) through its representations in literary texts. As one of the earliest stringed musical instruments in China, the qin has occupied a unique status in Chinese cultural history. It has been played since ancient times, and has traditionally been favored by Chinese scholars and literati as an instrument of great subtlety and refinement. This dissertation focuses on the period of the Song because it was during this period that the literati developed as a class and started to indulge themselves in various cultural and artistic pursuits, and record their experiences in literary compositions as part of their self-fashioning. Among these cultural pursuits, the qin playing was an important one. Although there have been several academic works on the qin, most of them focus on the musical aspects of the instrument. My project aims to reorient the perspective on the qin by revealing its close relationship and interaction with the literati class from a series of ii historical and literary approaches. During the Song, the qin was mentioned in a multiplicity of literary texts, and associated with a plethora of renowned literary figures. -
De La Música Tradicional De China. Selección
Discografía de la música tradicional de China. Selección Biblioteca Fundación Juan March Esta selección discográfica ha sido preparada con motivo de la exposición El principio Asia. China, Japón e India y el arte contemporáneo en España (1957-2017) y del ciclo de cinco conciertos Oriente y la música occidental. Durante la preparación de esta discografía no han sido incluidos numerosos registros publicados en China de muy difícil localización en Occidente. Tampoco se mencionan grabaciones sonoras anteriores al vinilo. Las músicas que aparecen en estos discos son un breve apunte de la riqueza musical tradicional que aún se practica en este país. Muchos de estos soportes sonoros han sido y son, además, fuente de estudio para compositores e intérpretes occidentales. La influencia de estas músicas sobre las técnicas compositivas, el timbre vocal e instrumental o sobre la concepción del tiempo musical es esencial para comprender una gran parte de la historia musical del siglo XX. Selección discográfica de José Luis Maire Biblioteca Fundación Juan March Abril de 2018 Música y canto budista La liturgia budista y taoísta en China tiene una historia de casi 2000 años y todavía se practica ampliamente en la actualidad. Desde su llegada a China hasta las llamadas tres dinastías del Norte y del Sur (420-589 d. C.), el budismo sufrió un proceso de consolidación hasta su profunda adaptación. Como numerosos documentos históricos demuestran (textos, pinturas y esculturas), el budismo introdujo en China nuevos géneros y prácticas rituales de una manera progresiva. Uno de los géneros más representativos y específicos de la liturgia vocal china es el denominado canto fanbei, caracterizado por la construcción de melodías melismáticas surgidas como consecuencia de un proceso de transculturación con las formas nativas de China. -
“The Hereditary House of King Goujian of Yue”
"Yuewang Goujian Shijia": An Annotated Translation Item Type text; Electronic Thesis Authors Daniels, Benjamin Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 26/09/2021 20:21:08 Link to Item http://hdl.handle.net/10150/293623 “YUEWANG GOUJIAN SHIJIA”: AN ANNOTATED TRANSLATION by Benjamin Daniels ____________________________ Copyright © Benjamin Daniels 2013 A Thesis Submitted to the Faculty of the DEPARTMENT OF EAST ASIAN STUDIES In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2013 2 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the copyright holder. SIGNED: Benjamin Daniels APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below: Dr. Brigitta Lee May 8, 2013 3 ACKNOWLEDGEMENTS First, I need to express my deepest gratitude to Dr. Enno Giele, who was my first mentor in anything related to ancient China. -
MFA Catal 2006.Pdf
CATALOGUE GÉNÉRAL , rue Ballu • - Paris T. + () • F. + () M. [email protected] • W. www.musiquefrancaise.net MARS 2006 a été créé en à l’initiative du ministère de la Culture et de la Communication, de Radio France et de la SACEM avec le soutien des éditeurs graphiques, rejoints par la SACD en . I Les partenaires mettent en com- mun des moyens logistiques et financiers afin d’apporter leur soutien à la production d’enre- gistrements phonographiques du commerce, reproduisant des œuvres représentatives de la création musicale française dans les domaines de la musique classique contemporaine (musique de chambre, musique symphonique et lyrique), du jazz, des musiques improvisées et des musiques traditionnelles. I Plus de disques ont déjà pu être publiés grâce à l’aide de MFA, dont disques compacts ou coffrets sont aujourd’hui disponi- bles (ou en réédition) sur le marché international à travers les réseaux d’une centaine de labels. I MUSIQUE FRANÇAISE D’AUJOURD’HUI est un dispositif d’aide aux enregistrements phonographiques fondé et financé par le ministère de la Culture et de la Communication (DMDTS), Radio France (Direction de la Musique), la SACEM et la SACD. RÉPERTOIRES Les aides accordées par MFA Le projet peut être porté par un producteur sont réservées aux enregistrements de opérant à l’étranger à la condition qu’il bé- La SACEM et la SACD se mobilisent chaque jour en faveur musique des répertoires «classique contem- néficie d’une distribution en France. de la diffusion la plus large possible des œuvres. Elles porain» (musique symphonique et lyrique, DISTRIBUTION Le projet soumis à MFA doit s’engagent pour élargir la diversité culturelle à laquelle musique de chambre), jazz et musiques im- provisées, musiques traditionnelles. -
Biogenic Gas Systems in Eastern Qaidam Basin
ARTICLE IN PRESS Marine and Petroleum Geology 25 (2008) 344–356 www.elsevier.com/locate/marpetgeo Biogenic gas systems in eastern Qaidam Basin Yuqi Danga, Wenzhi Zhaob, Aiguo Sub, Shuichang Zhangb,Ã, Maowen Lic, Ziqiang Guana, Dade Maa, Xinling Chena, Yanhua Shuaib, Huitong Wangb, Yanhu Tana, Ziyuan Xua aPetroChina Qinghai Oilfield Company, Dunhuang, Gansu 736202, China bPetroChina Research Institute of Petroleum Exploration & Development, Beijing 100083, China cGeological Survey of Canada, 3303-33 Street NW Calgary, Alberta, Canada T2L 2A7 Received 18 November 2006; received in revised form 2 April 2007; accepted 3 May 2007 Abstract Several giant biogenic gas fields (with proven gas reserves greater than 25 billion cubic meters) have been discovered in recent years in the Sanhu area of eastern Qaidam Basin. This area has an average surface altitude of around 2800 m, and forms the northern segment of the Qinghai-Tibet Plateau. The biogenic gas fields occur mostly within or adjacent to the depocenter of approximately 3400 m of Quaternary sediments. The gas reservoirs, with burial depth generally less than 1900 m, are unconsolidated sandstones with approximately 24–40% porosity, and are interbedded with mudstones containing on average 0.3% TOC. The occurrence of methanogens in the shallow Quaternary sediments appears to depend on both the sedimentary facies and burial depths, thus most of the biogenic gases in the Sanhu area appears to have derived from the source kitchens in the central sag above a biogenic gas floor at the depth around 1800 -
Annual Conference Washington, D.C
Association for Asian Studies ANNUAL CONFERENCE WASHINGTON, D.C. MARCH 22-25 2018 Spatial Data Center & China Data Center UNIVERSITY OF MICHIGAN 330 Packard St, Ann Arbor, MI 48106-1248, USA TEL: (734)647-9610 / FAX: (734)763-0335 / EMAIL: [email protected] Please join the following workshop organized by China Data Center: “Recent Development and New Features of China Data Online” Time: 3:00pm - 5:30pm, Thursday, March 22, 2018 Site: Roosevelt 3, Marriott Wardman Park Hotel, Washington, D.C. New Data and Features of China Data Online The following new databases have been added to China Statistics Database and Census Database: Statistical Datasheets provides about 270,000 statistical tables from all provincial yearbooks and some other sources with full text search function and metadata, including citation information and unique table ID for direct access. Census Maps covers more than 7 million census maps with data by province, city, county or even township, including population census 2000 and 2010, economic census 2004 and 2008, basic unit census 2001, and industrial census 1995. Statistical Charts provides a rich collection of statistical charts for those monthly and yearly statistics at country, province, prefecture city and county levels with full text search function and metadata, including citation information and unique chart ID for direct access. New Features of China Geo-Explorer and US Geo-Explorer: Chinese Version of “China Map Library” is part of China Geo-Explorer. It offers about 8 million maps for the demographic and business data of China. Those maps provide comprehensive information of China at province, prefecture cities, county, and township levels. -
Policy Note on Integrated Flood Risk Management Key Lesson Learned and Recommendations for China
Public Disclosure Authorized Public Disclosure Authorized Public Disclosure Authorized Public Disclosure Authorized Strategy Resources Partnership China CountryWater WATER PARTNERSHIP PROGRAM PARTNERSHIP WATER THE WORLDBANK (2013-2020) China Country Water Resources Partnership Strategy © 2013 The World Bank 1818 H Street NW Washington DC 20433 Telephone: 202-473-1000 Internet: www.worldbank.org This work is a product of the staff of The World Bank with external contributions. The findings, interpretations, and conclusions expressed in this work do not necessarily reflect the views of The World Bank, its Board of Executive Directors or the governments they represent. The World Bank does not guarantee the accuracy of the data included in this work. The boundaries, colors, denominations, and other information shown on any map in this work do not imply any judgment on the part of The World Bank concerning the legal status of any territory or the endorsement or acceptance of such boundaries. Rights and Permissions The material in this work is subject to copyright. Because The World Bank encourages dissemination of its knowledge, this work may be reproduced, in whole or in part, for noncommercial purposes as long as full attribution to this work is given. Any queries on rights and licenses, including subsidiary rights, should be addressed to the Office of the Publisher, The World Bank, 1818 H Street NW, Washington, DC 20433, USA; fax: 202-522-2422; e-mail: [email protected]. Table of Contents ACKNOWLEDGMENTS ..................................................................................................................VII -
To Download the PDF File
WEDNESDAY WEDNESDAY, AUGUST, 29 the world. In this session, leading figures from different geographic regions will share their experiences and perspectives. 001. STS Journal Roundtables The session will extend engagement with the conference theme, Single Paper Submission “Transnational STS,” and will complement the conference Special Event exhibition, “STS Across Borders.” The session will be moderated 9:00 to 11:30 am by 4S President Kim Fortun. Panelists: Emma Kowal (Australia), ICC: Cockle Bay Room Hebe Vessuri (Latin America), Liu Bing (China), Sharon Traweek ** open to all conference participation / pre-registration (United States), and Leslie Green (South Africa). encouraged to access supporting materials ** 4S’s 2018 Session Organizer: Infrastructure Prize Committee has been awarded to East Asian Kim Fortun, University of California Irvine Science, Technology and Society: An International Journal Chair: (EASTS). The rapid development of EASTS into a journal with Kim Fortun, University of California Irvine international distinction has resulted from both intellectual vision and organizational savvy. The session provides an opportunity to 005. Welcome to Country and Presidential Plenary honor, learn from and leverage the EASTS example. In this prize Single Paper Submission session, editors of diverse STS journals will participate in a Plenary Session dialogue moderated by 4S President Kim Fortun, recognizing the 5:15 to 6:45 pm formative influence these journals will have on the field of STS in ICC: Cockle Bay Room coming years. Roundtable participants will be asked to share their Presidential Plenary delivered by 4S President, Professor Kim goals for their journals, how these goals have changed in recent Fortun years, past and anticipated challenges, and how they are Participant: positioning themselves in initiatives to broaden open access both to Presidential Plenary address Kim Fortun, University of journals and to the data behind journal publications. -
Phoon Yew Tien (潘 耀 田 ): for the Love of Creating by Perera, Audrey, Written in August 2010 National Library Board, Singa
ARTICLE Phoon Yew Tien ( 潘 耀 田 ): For the Love of Creating by Perera, Audrey , written in August 2010 National Library Board, Singapore He is probably the most recorded classical composer in Singapore, not to mention one of the most prolific since he began his career in 1974, and is possibly the only home-grown composer who has made a living from his craft. The winner of many local and international awards for composition, Phoon’s works have been performed and recorded by orchestras around the world, from Singapore to Russia. And it all began in the 1950s, in Singapore. “Most people were not well-off and had many children in those days. To learn an instrument was very expensive. Most kids would not hope for it, because you were lucky if you could go to school. You didn’t even think about asking for more than that. I lived in a three-storey ‘blue window’ flat in Strathmore Avenue, where there was still a very ‘ kampong ’ feel because of the goats and cows wandering around. “My introduction to music began with listening to the radio. Programmes began with preludes using Western classical, Chinese and ethnic music. I was Chinese-educated, and learnt all the subjects in Chinese except one, but I still listened to English music. I learnt by listening, and unconsciously memorising all the different kinds of music, and I still remember a lot of it,” recalls Phoon. He had the good fortune, in his first year of secondary school, to meet two people who owned Chinese instruments, and who informally taught him some basic techniques. -
The Life and Works of Ai Qing
The Life and Works of Ai Qing <1910 - ) Thesis submitted for the degree of Doctor of Philosophy University of London by Eva Wai-Yee Hung May 1986 ProQuest Number: 10672772 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10672772 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 ACKNOWLEDGEMENT I am grateful to the Association of Commonwealth Universities for awarding me a Commonwealth Scholarship, as well as to the Central Research Fund, University of London, and SOAS Research Fund committees for approving research grants facilitating my visit to Beijing in 1981. My sincere thanks tD Mr. Tang Tao, Mr. S.N. Yau and the staff of the SOAS library for their help in locating research material in China, Hong Kong, and the United States, and to Ai Qing and Gao Ying for their hospitality, their interest in my work, as well as their patience in answering my numerous questions. I would also like to express my deepest gratitude and affection to Professor D.E.Pollard, whose guidance and encouragement have been my anchor throughout the period of this study, and tD my parents and Marilyn, for their kind understanding and moral support.